Feature Requests

Markers currently have only 8 colors to choose.Please add more, like 20.Please introduce 2-color markers, like White-Red, Orange-Green. 

YouTube plugin (Premiere Pro v24.0) lacks support for specifying "Made for Kids" restriction.Until this parameter is specified, YouTube blocks transcoding of the uploaded video, which breaks the whole purpose of this plugin. (auto uploade after encode so that I don't need to wait for it.) 

True typewriter for text like in After Effects, not the wipe effect, that is not word by word.Come on Adobe. Maybe a transition type.

Please add Turkish language to auto captions in Premiere Pro.

We need the function of audio timecode sync in premiere pro. I'm teaching video journalism. Me and my students are on the adobe platform, using Premiere in the education. We just started to work with Rode Wireless pro. The he ting is, the timecode audio signal from Rode doesn't sync in Premiere. When talking to Rode, they are telling us to switch to Davinci Resolve. We would like to stay in Premiere pro. We need to have the ability to handle Rode's audio timecode in premiere! And it's quite urgent. I find this critique all ower youtube when searching for a solotion, everyone is telling us to switch to Resolve. And i guess that with the great success of Rode's wireless pro, loads of people are going to need this function developed quite urgent.

There is also no feature that allows Premiere Pro to import a text-based script, and then time the text in the script to the audio in the timeline. In addition, speech-to-text functionality currently does not have the ability to compare auto-generated text against a script, and then replace auto-generated text with the correct words from the script. Use case/context: Scripted content (or talking heads) where the script is available and subtitles and/or captions are required as a deliverable.  Manual reconciliation between the script and auto-generated text is required. I'm looking for the best of both worlds - Premiere's ability for auto-timing, while using a script as the basis for the text content. Keep up the good work!

Can we have the proxy toggle already in an accessable place? As proxies are extremely helpful for those who don't have a machine powerful enough to edit heavy files, More and more cameras are filing in 4k, 6k and even 8k. I feel like the proxy toggle button should be a readily accessable button. Right now the user has to use a button editor to access it. 

Coloring a clip is way too tedious. Right click - move mouse to label - look for a color (without even seeing the color but just having the color name in a drop-down menu.) - left click. Way too many clicks and mouse movements for what is essential for keeping your timeline clean and organized.   How about this instead: Move your mouse over the clip you want to color - press and hold the mouse wheel. By doing so a little color matrix pops up over the clip. You move the mouse to the color you want the clip to be colored in. You release the mouse wheel. Thats's it. 1 click. Minimal mouse movement. Goes without saying this could also work for multiple clips by marking them first.     Title edited by mod for clarity.

There is a proxy workflow, where I can toggle proxies on/off by one click of a button and it is amazing. I am hoping there could be something similar for effects. Basically, turning off rendering of all effects inside a project.This will help with timeline scrubbing etc. after project is almost on the finish line, with different kinds of (heavy) effects, lumetris, etc. applied, but then client asks for some changes in cuts for example. The effects take heavy toll on processing power, even with proxies applied, so it would be amazing to have a button to stop rendering all effects applied on clips inside project without going to individual clips and turning effects on/off.

Hi! Just wondering if you could make disabled audio tracks brighter, so that the waveforms on them are clearly visible (even when the track is disabled). Disabled audio waveforms actually were considerably easier to see in earlier versions of Premiere Pro. It's just the latest version where the waveform is difficult to see. Purpose of viewing disabled tracks: to know when to make a cut and switch to audio on that track. I tend to line up my separate audio tracks first, and only enable the parts of the track where there is audio present. To do this quickly, I need to be able to see from the waveform that there is audio present. I'm using Premiere version 23.6.0 on Windows. 

Ich weiß nicht, ob es diese Möglichkeit gab oder gibt, aber Clips (Footage) im gesamten Projekt auffindbar zu machen, wäre sehr hilfreich. Also Rechtsklick auf den Clip z.B. I don't know if there was or is this possibility, but making clips (footage) findable in the whole project would be very helpful. So right click on the clip e.g.

Hello - does any one have any tips please to slect all clips at once and changing the type of CLIP KEYFRAMES that are displayed? Currently to view speed ramping keyframes I need to right click on each clip in my timeline (over 100) and manually select for each clip SHOW CLIP KEYFRAMES ---> TIME REMAPPING ---> SPEED Is there a faster way of doing this please?

Currently it's only possible to deactivate Masterclip effects in the project panel. This command is useless, unless being able to activate all masterclip effects at once as well. Selecting multiple clips with masterclip effects and activating/deactivating all them by one clip would be a very useful command. A keyboard shortcut would also be useful.

Hi, My colleague, Tammy, would love to see a feature where you could access Google Drive assets directly in the app, perhaps via a CEP panel. This would greatly improve her workflow. She has seen others in the commmunity wanting the same thing.   Other folks, please upvote.   Thanks, Kevin

If possible, could Premiere be 'encouraged' to prioritize the audio track in the active sequence to generate peak files for, instead of whatever priority it inherently has? I can sometimes force it to that track if I start an export, but when editing a compilation of oral histories, it can be quite a wait. Thanks!

Hey would love the option to select all clips of a certain camera kind of how you can select label group but being able to selext all of a specific camera

I'd love to see the ability to set Motion parameters in the timeline via some version of a pop-up box or hover-based option menu. Position, Scale, Rotation, etc. I want to be able to adjust these parameters without needing to switch over to the Effect Controls menu all the time. This would be a similar improvement to what was done with the Properties panel in AE, but I'd want to have the option to make these adjustments in the timeline. EDIT: I'm aware that there are options to see those parameters by right clicking the "fx" box in the upper left corner of each clip, but that is cumbersome and doesn't give the option to type in numeric parameters or make adjustments via keyboard arrows. I guess I'm asking for a more advanced version of that functionality that's more user friendly.

Add numerical values to the Curves (like we have in Photoshop).  

After more than a decade, there are still simple things that could save EVERYONE a lot of time that I wish Adobe could implement. I've got a LONG list, but here are my top two: 1. Increment sequence names while duplicating them and open the new sequence. Similar to what's done in AE but even better, just assume that if someone is duplicating a sequence, they most likely will want to work on the new one.2. keyframe property box when double-clicked. Yet again, so convenient in After Effects and so clunky in Premiere Pro.

It would be nice if the bin/file colors would stretch across the whole file like a colored bar, Mac used to do this years ago. It would really help with navigating through hundreds of files and make it easier to spot the bin/file you're looking for.

When creating proxies form RAW footage, like R3D, Canon and ProRes Raw, the source settings in the Premiere Pro bin are ignored. Please add an option to in take the source settings in account when creating proxies.   Example: Import 8K ProRes Raw footage form the a drone. In Premiere Pro I set the PRORES RAW Soucre Settings' Color Space to D-Garmut/D-Log  Footage looks correct in source.  Create Proxy in Bin; choose ProRes Medium   Result: over exposed Proxy, als the source setting is ignored in AME and the default colorspace BT.709 is used.   Workaround: Interupt proxy creation in AME, and set File > Soure Settings to correct Color Space. Do this per clip in the Queue, as this can't be applied to mutiple clips at once. Note that Interpret Footage Color Space settings are preserved then creating proxies.

Me gustaría que se incluyese dentro de la opción de "Project Manager" que al copiar los archivos a un nuevo directorio, se mantuviese la estructura de carpetas del proyecto original. No es muy practico el sistema actual de tener todos los archivos en una misma carpeta y sin ningún orden. Con el problema que conlleva también cuando hay archivos que se llaman igual en la estructura original de carptas y al copiarse todos los archivos a una misma carpta, estos se renombran para no ser pisados, no sabiendo que archivo es cual. Gracias, 

I would like to see a feature in Premiere Pro that allows users to save a default sequence with assets so that one could bring it into a project through the Presets menu. As it is right now, one can only save the sequence settings as a preset, but none of the assets come through.  I asked Adobe technical support if there was a way to save a sequence with assets, and they said that there wasn't and that I should post the idea on this forum.

Feature request: a 'find room tone' option that can analyze waveforms and find sections of clean room tone.

Masking with gradient is a fundamental feature and is available in very basic video editing apps even of mobile like VN Video Editor. And this is nothing new. We do masking with gradients in Photoshop and Illustrator. Then why this feature or any similar feature like this is not available in Premiere Pro?I request to include this feature as it would greatly enhance the user experience with Premiere Pro for many of us.Thanks and regards.