Feature Requests

I wish it will be

This is a feature I miss from Avid.  Is there a way to avoid clicking on the timecode display first when entering a source TC number?  In Avid, if you start typing on the num pad, it automatically enters those numbers and jumps to that TC. Thanks

And/or a little icon to the left of the automate to sequence one.

To remove a tool that editors rely on daily is a HUGE mistake.  Who else agrees that Adobe Premiere Pro should bring back the Change to Color effect?

After Effects allows you to use the Collect only Selected Comps. Why can't this be a feature on Premiere Pro? It would simplify breaking down projects should we need to share or back them up.

Hello,I encountered a problem with importing presets to transcribe module. Most of the time I'm using custom captions with my own custom settings (font type, font size, text position etc...) due to missing language support in transcribe module.I had finally a chance to use transcribe module but there is a problem because transcribe module can't generate captions with my own caption settings.As a workaround there is an option to generate captions from transcribe, select them all and then change all their settings manually, item per item. To be honest it's not very pleasant experience.I can imagine to work only with transcript module and have my preset there but that's not possbile for me. As I said the transcribe module does not have a support for a language I need so I need to swap between transcribe and custom captions.So the idea is to been able to export caption settings and import them straightly to the transcribe module as custom preset. Then the transcribe module will generate ca

Let's say you have a second of darkness between clips... it would help to be able to right click and fill it with a black video clip without having to create a new black video in the project panel. Same with audio. Even better, if you could tag it with text options, like "footage missing" or "insert animation," etc.

Hello!   How do I disable the playhead from following playback in the timeline?   On playback, the playhead follows the current frame. This will shift the view in my timeline. If I am trying to look at something the playhead will shift the view over along with the playback thus losing my place on the playlist. In FL Studio, this is feature is disabled by default in but may be enabled for its purpose. Is there a way to disable playhead from following playback in timeline?   Since I began using Premiere a few months ago I have never had an easy time locating helpful information. It's horrible but it's not only Adobe. Most software systems nowadays have minimal support systems in place. I tried searching for something in Adobe's User Guide but found nothing. I had to watch a few videos by non-partisan third-party sources to find the information I needed - an unnecessary workaround.   My question here is simple and should have an obvious answer - How do I disable that t

The export expereince™ would be much improved if we had relative paths with a true custom name generator. Adobe used to be really good at this. Look at how Lightroom allows you to name and place files on export for inspiration.  Export Destination should be relative to project file. For example an extremely basic project folder structure is usually something like this: 📁PROJECT ROOT📁Project Files/📄MyProject.Proj📁Media📁Exports So if you had open MyProject.Proj, and knew that you always kept your exports in  your Exports folder. You should be able to designate ../Exports.  For those who have never used command line: Basically go up one folder and place in Exports folder.  2. Additionally you should be able to pass in any type of relevant metadata into a subfolder name. For me that is usually the date of the export but this should be flexible.  So ../../Exports/[date][time][custom text][other me

Since Adobe is unwilling to remove the cumbersome import page, please allow the users who have been using the app for 10+ years to be able to dismiss this window. Problem 1: On starting a new project you are presented with the oversize Import window that nobody likes. Okay maybe someone likes it but I haven't met them yet. This would be fine if you could acess the edit Tab and start building your project as normal and then ..."Save As" when you wanted to pick a destination. I want to be free of that window as quickly as possible.  Right now there is no way to dismiss it.  Problem 2: When resetting app preferences, or reinstalling the app, which happens somewhat frequently unfortunately, its helpful to see where your scratch disks are. This was actually a feature I used a lot in the old project creation window. It is nowhere to be found in the new flow. Sometime you are working on another machine and want to double check things.  Solution: Give us the optio

Good day Adobe Community, When mousing in the timeline (not the header section) of Premiere Pro, especially when lassoing to select clips on tracks, sometimes the tracks vertical size expands and/or shrinks (most of the time the tracks shrink in size). How do I turn this feature off? If I need to expand and shrink the tracks, I usually go over to the track headers anyways. Keeping this function from activating while on the timeline itself would really help to only activate one function (lasso selection) rather then activating two functions at the same time. Thank you for any help.  

Since the new Import tab now opens by default for a new project, it should include the automatic image sequence import. This would be particularly helpful in 3D workflows where animations are frequently rendered as PNG image sequences.

The inability to trim clip media to save disk space from unused frames has been a frequent issue for many Premiere Pro when archiving projects.   Please consider adding features currently included in Plume Pack . 

I would like to have the ability to modify the easing curves of multiple property keyframes of a clip simultaneously. For example, easing the keyframes for both the position and scale of a clip so both easing values are identical.   My ideal workflow would be toSelect desired keyframesEasy Ease the incoming and outgoing velocity of the selected keyframesAdjust the outgoing velocity of the first group of keyframes simultaneouslyAdjust the incoming velocity of the second group of keyframes simultaneously This would allow for a consistent change in values between multiple animated properties of a clip, and speed up the process of creating simple animations in Premiere.

Look adobe you've went out of your way to make your application harder to use.   Please reinstate media encoder export.   I even changed my keyboard shortcut to ctrl+M send to media encoder, but the preset is still being picked up by premiere before it goes to media encoder!   You seriously suck. Can you please fix the dumb export tab and bring back the smooth operation of media encoder connections sent from premiere.  (Import / Edit / Export) Tabbed workspaces are the worst thing you've ever done to peremiere. One of these options should be MEDIA ENCODER CONTROLLED EXPORT SETTINGS:  

Hi there, I often sort my clips by date in the list view, then I go back in icon view and use "sort list view". It works fine, but every time I close and reopen the project, my sorting is not saved, thus I have to redo everything. Not a big deal, but a minor improvement could help I guess.

Feature request to add capability of naming and assigning audio tracks that is embedded on the rendered file without going through a separate program after export.  (Up to 32 channels). See attached.

Hello, After contact with support on a different matter I asked if he did know a solution for my question. He replied like a customer agent should do by saying it was a great idea and did forward me to here. In my workflow I create a lot of sequences for each video I create a sequence. (auction lots) the reason for this workflow is that when a corrupt file messes up my sequence it doesn't ruin my whole project. However this workflow is somewhat of a pain at the start of it, as it can only be done by several clicks per sequence. And each sequence individually. I often end up with sequence numbers exceding 100. Is there a way you could speed up this task? Instead of the option create sequence create a large number. With the addition of naming made easy that would be saving me a lot of clicks.  Thanks in advance

Add ability to see marker(s) name and/or descripition on the timeline directly beside the marker. Thanks,- DK

This is sort of a bug / feature reqest.  Issue 1: Premiere only supports 260 character file path name limit (afaik)  When sharing assets on Google Drive, you start with a handicap of about -60 characters for Google to print its shortcut id file path " Example something like this: Z:\.shortcut-targets-by-id\xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx\root folder Its fairly easy to end up with an asset over 260char at this point and then Premiere refuses to link to the file or says something cryptic like "unsupported file format." If you move this file to the desktop it opens with no issue.  You can enable long file path support in Windows, and some apps have no problem opening files, (namely the native photo viewers and video player in Windows) but All Adobe apps struggle with long file paths.  Please enable premiere to read file paths longer than 260 char.  Issue 2, related:  When relinking to a G-drive folder, 9/10 Media

The text editor is so handy and it really saves time in the overall edit. Only issue is dead space. Especially when I clip two words, then I get "[...]" on both the line before and the line after.  I don't want [...]. There were only 1-2 times I needed to keep [...] in.  I propose SHIFT-DEL or SHIFT-ALT-DEL to delete, and not leave any [...]. Maybe even a preference that says "include [...] removal whe you press delete".  The faster I edit, the better. With this option, I can create a key on my Stream Deck to delete and leave no white space. Otherwise, I have to do the highlight, delete three times. So this will option, I can edit 3x faster. 😉 Thanks. 

Dear Adobe,I hope this message finds you well and that someone from your team will read and implement these changes as a suggestion from who has used all your software professionally for over three decades and that has been an ACE for at least 2.I will not bore you with the accolades and awards that I achieved worldwide, whether in photography, cinematography, and editing, but I must bring these points to the public and your attention. Like many colleagues on this forum that are definitely better than me, I believe we can all agree on these points that Adobe "should" be focusing its attention.  As much as I understand the appeal of AI and the appeal of small social media content creators as they are the masses that make your wallet rumble, they are not your best and most loyal users. Their content can be edited with anything and they are not interested in keeping Adobe as their only software house. They will move to any other free software in a blink of an eye compared t

I'm having trouble finding any information to see if what I am looking to do is possible in Premiere Pro.  Essentially, I want to create a master sequence that is 1920x1920, and have something similar to a subsequence that is different aspect ratios that are all linked to the master sequence.  Whenever a clip or video is edited on the master sequence, it goes to the other aspect ratio subsequences, and is properly positioned.  Similar to what Smart Objects due in Photoshop.I'm trying to do this to streamline productivity to be able to export different aspect ratios without having to go and fine tune each sequence.  I'm not sure if this is even possible in Premiere, or After Effects for that matter.  I've searched all over the internet without any luck. Thank you for your time.

When I save an effect preset, 3 instances of Lumetri Color let's say, the original effect instances have been renamed to Lumetri-Main, Lumetri-Face, Lumetri-Darken Bottom, or the like. Yet once saved as a preset, the effect instances are renamed to "Preset Name" so now I have 3 renamed effect instances all with the same name. I would prefer to have my original assigned names that are relevant to the effect.

It would be great if we could search the  Premiere Pro User Guide online. Unless I'm not seeing it, the only search option is to search "Adobe Support.    https://helpx.adobe.com/premiere-pro/user-guide.html