Feature Requests

Idea is simple enough: In the timeline it would be great to have the ability (like clip names) to toggle on/off the visual of the volume db on the clip. Similar to how avid media composer has it. Currently, I believe the only way to tell would be to either hover over the volume line, or select the clip and view the effects controls tab. It would be nice to see by just looking at the timeline what the volumes are on my music edits when I'm editing trailers. 

It would be great to have the Align and Transforms tools also in the Effect Contorls. It's time consuming to togggle between the Essential Graphis and Effects Controls when creating text/graphics       

I would love to be able to create a submix from specific audio clips regardless of which tracks they are on, instead of from whole tracks. Simply add an output assign feature on each audio clip that would allow the user to send the audio clip to the main mix or one of the submixes. It would cut way down on my projects' vertical timeline growth and allow me to keep more efficient track management. Thx,- DK 

Did I post this in Bugs too it kinda is that too, but seriously Adobe? So many years and the industry standard still doesn't have a dark mode for the menu bar and selections in PrPro? Every free program has it and I was surprised at how much I had to scour the internet before asking a support agent and realizing it's literally not possible in 2023. This literally sounds like Apple not having USB-C or AOD. I don't mean to sound frustrated but for someone who has systemwide dark mode turned on for years, this is pretty disheartening.

PLEASE PLEASE PLASE PLEASE PLEASE PLEASE PLEASE PLEASE! IMPROVE THE STABILITY OF ADOBE AFTER EFFECT LIVE LINK WITH PREMIERE PRO BEFORE INTRODUCING ANY NEW FEATURE! FIRST PRIORITY PLEASE PLEASE PLEASE! I AM OUT OF WORD TO DISCRIBE HOW I FEEL WHEN IT TAKE FOREVER TO LOAD A SIMPLE AFTER EFFECT COMP!PLEASE!PLEASE!PLEASE HELP ME!

Since version 1.8, Final Cut Pro has changed from exporting .xml files that used to be capable of being imported into Premiere Pro CC to what is now .fcpxml that Premiere Pro CC CAN NOT import. This makes Premieres ability to import Final Cut Pro timelines outdated and useless by at least 2 versions of Final Cut Pro (1.9 and 1.10).This makes collaboration between creators and/or businesses who use the newer versions of Final Cut Pro impossible without the use of a seperate, $50 application called XtoCC that CLAIMS to convert .fcpxml files but I have no proof of this.Seeing as how Premiere used to import .xml files, it only makes sense to me for Adobe to revisit the development of Premiere Pro CC 2023 and incorporate the ability to ALSO include importing of .fcpxml.Again, not to replace the importing of .xml files as we do not want to lose the ability to open older .xml timelines, BUT TO ADD .fcpxml as a supported format that can be imported into a premiere project.

Is there any plan to make Premiere fully featured on the iPad? Resolve has the full desktop experience in the iPad and now Final Cut also has their app out but Adobe users still stuck with the basic Rush that has no scopes, no colour grading options and a magnetic timeline you can't even leave gaps in. 

I am writing to request the addition of Greek language support in the Speech-to-Text feature of Adobe Premiere Pro. As a user who primarily works with Greek and Cypriot content, I believe it would greatly benefit the community if we had the ability to accurately transcribe and subtitle our videos in our native language.While I understand that Greek and Cypriot may be considered a minority language in the global context, it is important to note that there is a substantial community of Greek-speaking users who rely on Adobe Premiere Pro for their video editing needs. By including Greek language support, Adobe Premiere Pro can cater to the diverse needs of its user base and provide a more inclusive experience for all.Greek-speaking content creators, educators, and businesses around the world would greatly benefit from the ability to generate accurate and automated transcriptions in Greek. This feature would not only enhance their workflow efficiency but also improve accessibility and reac

Suite à des problèmes de shortcut rapporté par mes collègues, j'ai découvert qu'il n'existait pas de clavier en français QWERTY. La seule manière de ''régler'' le problème semble passer du clavier Canadien français au clavier Canadien anglais à partir de nos Mac, ce qui est assez dérangent. Je crois que ce serais important que ce clavier soit ajouté dans des updates à venir car plusieurs caractères sont plus facilement accessible en QWERTY dans le clavier Canadien français que celui anglais. Ce serait un superbe ajout pour améliorer notre efficacité!! 

I love the essential sound panel IDEA. But why there are features "outside" adobe that can't be fully accessed without adobe stock? I know there's a partnership between them but can't you guys make something for the people who doesnt have adobe stock but still want to save time while browsing music on epidemic sound? It would really help me and a couple of editor friends of mine

Hi, Its been 14 years I am using Adobe Premiere Pro.I found there is a playback lag while using dual screen for editing . I found its because of the Audio Track Mixer sound fader animations. When i switch it back to effects or project window, the play back is fine (Graphics performance)I really dont know if its happening in my computer or just with the software .  Here is my system configuration. OS Name Microsoft Windows 10 ProVersion 10.0.19045 Build 19045OS Manufacturer Microsoft CorporationSystem Type x64-based PCProcessor AMD Ryzen 9 5900X 12-Core Processor, 3701 Mhz, 12 Core(s), 24 Logical Processor(s)BIOS Version/Date American Megatrends Inc. 4602, 23-02-2023SMBIOS Version 3.3Embedded Controller Version 255.255BIOS Mode UEFIBaseBoard Manufacturer ASUSTeK COMPUTER INC.BaseBoard Product TUF GAMING X570-PLUS (WI-FI)Installed Physical Memory (RAM) 128 GBTotal Physical Memory 128 GBAvailable Physical Memory 113 GBTotal Virtual Memory 147 GBAvailable Virtual Memory

Is there a way to automatically export every two minutes for a project that lasts more than an hour?

I hope this reaches someone and is considered. I have been in need for a metadata good burn in system for Premiere Pro for a while as a long form doc editor, getting reels out for burn-ins takes infinitely longer than it needs to, as well as doing so for turnovers. The new metadata and timecode effect is an improvement, but unforuntately it is a bit more of the same - only saving you time by putting several lines into one effect, rather than having multiple effects. I think I can speak for everyone when I say we don't actually want it to be an effect at all, this is an unneccesary demand on our timelines.  In Premiere there is a well programmed feature in the programme monitor called Metadata Overlay. This overlay set up is perfect, can it not just be programmed so we can burn this into the export? The only thing it needs really is source file name checkboxes for each timecode, and probably more lines as there's only 4. I'm not sure why an entirely new effect h

I work in Canadian politics, and since we are a billingual country, billingual videos are important.  Part1- Multi language support in transcription Often, the person speaking in my videos will switch back and forth between English and French. I love the auto transcribe feature, but right now I can only select one language for the transcription. If I set it to English, the French parts will come out in "that's what the words sound like in english" giberish. It would be awesome to be able to tell Premiere that both English and French is being spoken, and get a transcript that swaps between the two.   Part 2- TranslationWhen I caption a video that is billingual, I need to have both English and French subtitles on the screen. Right now, I need to have the translation done manually, and then manually add it. It would be really cool if Premiere could translate the transcription in app. The software would have to be able to recognize when English or French is be

Simple idea:I select Wipe as a transition.I make a couple small adjustments (duration, direction of wipe).I save Wipe as a NEW PRESET.I can now drop it other places or set as default. Why is this not possible?

I am editing a YouTube video, and in order to create a fast-paced video, I am doing jump cuts (cutting blank spaces). However, it takes me 3~4 hours to jump cut a video of around 10 minutes, and then I have to edit the ticker and other things, which is very tiring... So I am looking for a service or add-on that can automatically jump cut, but I am struggling to find one.Furthermore, the video I am editing has two people talking, so I am recording one sound source per person.(like this image) So I am looking for a service that will do the jump cut automatically while keeping the two sound sources separate.(Many services do not support dual sound sources or combine two sound sources into one!) Can someone please help me....

It would be helpful to have the playhead position to quickly jump to different timecodes when doing text to video editing.  Love the new transcription feature, but I keep having to click back to the source viewer to punch in a timecode and switch back to text, which is time consuming (small laptop edit, so keeping both windows open is a pain).  Adding it down to the bottom would be fantastic.  Image as suggestion. 

Rather than creating an adjustment layer from the project panel first before adding into the timeline, it would be great if you could simply add one into timeline directly. This could done within a click of a button from within the timeline UI or a keyboard shortcut. Perhaps a dialog box could also appear first, asking about the duration of the adjustment layer (you could set to this to your in/out point) and on what track it should go on.  These settings could be saved as preset which could then be assigned to a keyboard shortcut.

The ability to solo/unsolo a video track, preferably with an assignable shortcut, in the same fashion as for audio track soloing.

Many of you know the plural eyes plugin/ software. It was able to sync audio to video in seconds. No matter how long the video was. The built in sync in Premiere is way slower. I am syning footage 40h + and it takes ages to get it synced. You even have to do it clip by clip if you want to sync it in the same sequence. Please Adobe step your game up and make the syning faster and the bulk sync easier ....

I'd like to work with folders in the browse mode of essential graqphics to order my inserts etc. in a proper, individual way to get a nice overview.

Hi everyone,  so I love using Premiere for many things. However, one thing that I always dislike is the tideous processs of using curves and animations in the effect control panel. In After Effects I can go into the graph for the curves and also comfortably adjust the size of the windows that I'm working in. In Premiere, the area I can use to adjust curves and beziers is just unworkable. Sure, you can resize some panels in the effect monitor but it's not as good as the graph in AE. Also I would love a function that locks in a certain frame before or after the speedup and a more AI supported suggestion on making the speedramps smoother or sharper. I even prefer working with the stone age display in Avid than the graph tool in PP.  Are you guys experiencing the same issues or did I miss something? In any case, I think with more and more speedramps being trendy this is something that could use an update real soon.

I really struggle with the Time Remapping functionality. I wish I could grab a frame in the middle of a clip and then position it where I want that frame to be in the timeline. Premiere Pro should figure out the interpolation between the frames. Right now, I want to slow down a 360° product video until it halts and ramp it up again after a few seconds until the rotation of the product halts again at a certain position. This is a pretty laborious task right now. I want things to behave more predictably. 

notei nesta versao beta, uma agilidade , pelo menos em minha maquina , em relaçao a versão anterior, que nao sei por qual motivo, ficou lenta demais, engraçado que algumas atualizaçoes de versoes acabam piorando muito a performance da maquina. Apesar de eu melhorar um pouco meu hardware, como trocar os hds para ssds, colocar cartao NVME para sistema e para ediçao, a melhora é perceptivel, mais ai vem uma nova versão do premier e tudo fica lento novamente. Esta versao beta, foi uma surpresa pois ficou muiiito mais agil. Gostaria de sugerir , na aba texto, que após uma transcrição, seja possivel apagar oque foi feito , escolher a lingua da trabscrição (traduzir depois). Fiz um teste onde foi gerado uma transcriçao em ingles, apesar de minha maquina e software estar configurado para portugues e nao consegui apagar, de maneira facil a transcriçao feita. Oque acabei fazendo foi fechar este projeto e abrir uma versão anterior a transcrição. Eu acredito que isso poderia ser resolvido de forma

When having several layers of subtitles stacked on top of each other, is it possible to batch export with one version for each subtitle track? I want them hardcoded for each language, but the export settings of the movie can be the same. It's a tedious task to do single exports for each language and aspect ratio.. Screenshot from timeline: