Feature Requests

Hello Adobe TeaM! Right now I am working on movie using Adobe Production panel.And Everytime “Media Pending” is appearing.And This a little bit annoying. I have no adjustment layer, no any layers, only multicam media on timeline, but everytime Media Pending.Will be great create feature like "Avid MediaFiles” or something like this, where media will stay and Adobe will scan this folder

Hi everyone,I’m running into a highly frustrating bug with workspaces in Premiere Pro, and I’m hoping to get some visibility so Adobe can finally fix it.Here is what’s happening: Every time I open a project, my panel sizes shift and resize themselves. I am fully aware of the "Import Workspace from Projects" option under the Window > Workspaces menu. I have intentionally made sure this is unchecked so that my global workspace stays locked and doesn't adapt to the project file.However, Premiere Pro completely ignores this setting. Even when it is told not to change the workspace, the panel sizes change every single time I load a project.Just to clarify, my actual workspace files are not corrupted. If I go to Window > Workspaces > Reset to Saved Layout, the workspace resets perfectly to my custom layout. The issue is strictly that opening a project forces a layout change despite the settings telling it not to.I shouldn't have to manually reset my workspace every single time I ope

Need Speech to text Bengali add on pack for adobe premier pro in next update.

So, I try to work in a non-destructive workflow. That means I duplicate sequences a lot when I have edits to make. It is THE MOST ANNOYING THING that even though I iterate my sequences (The name always ends in _v1 or whatever version I'm on) but when I duplicate it, it renames it _v1 Copy 01. After Effects recognizes I have a number at the end and just adds 1. Perfect! But no, Premiere makes me rename it. Then when I hit enter, it thinks I want to rename the next file in my project. SO DUMB. This really gets my goat if you couldn't tell. If they are going to make a stupid naming convention, at least let me have some input to what it gets renamed, right? AE has it figured out, why can't the Premiere team just copy and paste?  If anyone has a solution I'd love to hear it. Is anyone else bothered by this? Is there anyone on the Dev team that reads these? It seems to me like a rather simple fix, but I'm just a guy that has used this software for 15+ years that finally got fed up

Premiere Pro’s timeline can get very crowded very quickly, especially on complex edits.I’d love to see a Track Groups system that lets us:Group audio tracks together, such as Dialogue, SFX, Music, etc. Collapse groups to reclaim valuable vertical space in the timeline. Apply effects to an entire group, rather than having to apply them clip-by-clip. Extend the same grouping functionality to video tracks for graphics, adjustment layers, B-roll, etc.The key point is that grouping would be organisational, not a change to the underlying audio/video routing. It would simply give editors a cleaner way to manage complex timelines without changing how the timeline actually works.Ableton Live and Final Cut Pro already demonstrate how useful track grouping can be. Bringing a similar workflow to Premiere Pro would be a huge quality-of-life improvement for editors working on complex timelines.Adobe, please give us Track Groups. 🙏P.S. Apologies for the AI-generated mockup! It was simply the quickes

Warp Stabilizer can be very hit or miss. With Generative AI for video making leaps and bounds, it would be great to have a built-in tool that takes advantage of Generative AI to assist in stabilizing even shakier shots than usual, in a way that they actually move stable in the same general manner of the original shot, without warping the image too much.

I will request adobe to provide a dedicated fx for sky replacement with cloud in premiere, like dacinci has.So video editors like us who are using premiere for a long time don't have to shift to davinci for sky replacement.

When transcribing spoken text Dutch is not recognized anymore in 2026 Version. After a long search I switched back to an old 2025 Version and cc goes again fine. It can not be that a new Version is worse for transcribing dutch than a new one! I can't understand this is not fixed yet, it has been months!

I'd like to have the name of the sequence burned in with my timecode/metadata burn in, as well as the ability to add freeform text as one of the Lines, without having to use separate instances of a Text clips in order to burn in this metadata.  

Want to be able to group tracks (dialogue, sfx, music) and lock them when working with something else. Like when I already have my interview created, I can lock those tracks and work on music stems, and then vice verrsa. Right now I have to hand lock each one. Extendscript allows access to lock/unlock tracks I designate, UXP does NOT.Technical detail for the Premiere API team:ExtendScript has Track.setLocked(0|1) and Track.isLocked() (undocumented, but in use for years). The UXP AudioTrack / VideoTrack classes have setMute() / isMuted() and an EVENT_TRACK_LOCK_CHANGED event, but no way to read or set the lock state. With CEP disabled by default in December 2028, extensions that lock tracks have no UXP migration path. A matching isLocked() / createSetLockedAction() on the UXP Track classes would close the gap.Related older thread: "Lock / Unlock audio or video track" (Adobe backlog item B-125363).

Speed up development of being able to use Canon RAW in Premiere and other Adobe products without glitches or crashes. Has said it’s in development for 7 months now.  Learning Resolve as not being able to work in raw is limiting.

I use the object mask feature to mask out a the background around a subject in a talking head video. The background and lighting setup is the same every time. I want to save a preset for the object mask so that I can reuse the feather and expansion settings every time I edit this kind of clip.The only thing I am able to do currently is copy and paste attributes from one clip with an opacity object mask, but it transfers the tracking data over as well, which does not match the new clip.

Premiere Pro 26.5.2 (UXP plugins), macOSSUMMARYUXP plugins can read and add video transitions, but they can't do anything with audio transitions. Plugins can't see them, create them, remove them, or carry them along when copying clips. That makes it impossible to build tools that rebuild or move an edit "exactly as it was", because almost every dialogue edit uses short audio fades to avoid pops.USE CASEI convert finished vertical shorts into horizontal long-form videos with a UXP panel. The panel copies each finished edit onto a master timeline. Clips, effects and keyframes come across through SequenceEditor.createCloneTrackItemAction, but the audio crossfades are lost. One edit can have around 50 of them, usually 2–8 frames long. My only workaround is to place each edit as a nested sequence and un-nest it with a third-party CEP extension. That depends on CEP and ExtendScript, which are being phased out.WHAT HAPPENS TODAY (UXP)audioTrack.getTrackItems(TrackItemType.TRANSITION, false) r

In any long-form or multi-deliverable job, one of the most common questions in the edit is "where else have I used this clip?" usually because a client wants a shot swapped, regraded or pulled for clearance. Right now the Video Usage column in the Project panel tells you how many times a clip is used, and Reveal in Timeline takes you to one instance at a time. What's missing: 1. A list of every use, across every sequence, with sequence name and timecode2. Uses inside nested sequences, resolved back to where they land in the master3. A way to select every use in the active sequence at once, so you can Paste Attributes, nudge, label or delete them together4. A note when the same media file has been imported twice, which is often why a "replace" only catches half of the uses Would love to see this built into Premiere. In the meantime, for anyone who needs it now: I'm a freelance editor and grader and I built a free UXP plugin that does this, called Trace. Full disclosure, I made it. It's

hi adobe,as more and more cameras and mobile devices shoot images in heic (heif) format, we need support for importing those images as image sequences for creating timelapse. thank you

Please add Select All and Search/Filter controls to the Sequence list in File > Project Manager.I recently had to select 36 sequences by clicking each checkbox individually (see attached screenshot). With 100 or more sequences, this becomes unnecessarily slow and makes it easy to miss a sequence when collecting or archiving a project.Requested improvements:• Select All / Deselect All buttons.• A search field to filter sequences by name.• An option to select all filtered results.These simple controls would make managing large projects and multiple language/version sequences much faster and more reliable. 

allow an increment and save feature in Premiere same as Ae. this way you can easily create incremental versions of your project in cast you want to go back and auto save is not enough. this will solve the workaround of "save as" and adding _number.

Currently, the 'Creation Date' field under 'Metadata Display' does not show when sequences is created.
I suggest that Premiere Pro adds support for displaying the creation date for sequences, allowing users to quickly see when a sequence was created directly within the metadata view.
This would make it much easier to organize and locate older sequences, especially in larger productions with many sequences.
Ideally, the creation date could be shown in the bin view along with other metadata fields. BenefitsBetter project and sequence managementFaster workflows in larger projectsMore consistent metadata handling between media and sequences

Timeline Track Header Labels is AWESME. thank you for this.. I have some ideas.allow the user to select All Video or All audio or ALL tracks to assign a single label color. also maybe a brightness adjustment somewhere to make the colors brighter on a darker GUI big one here - enable Timeline Track Header Labels in sequence presets - so that a user can create a sequence preset tem|late with color coded tracks prior to editing l

This would enable the user to Right click using a contextual menu for "File>Export> Final Cut Pro  XML" command when active in Project Panel and (right) clicking on a sequence.

Hi, I used AE before I started editing with Premiere CC , but there is something cool aboutduplicating a "composition" aka "edit" aka "sequence" in the project panel. If you do this in AE it increments the version number your comp has. (or it generates one number) In Premiere it adds the word copy 01 to the duplicate. (atlas in german is "Kopieren 01") Even if my Sequence is written with a number at the end ? like "edit 01" Why? I can understand, that you ad copy 01 when it has no number in the end of the wordbut why can't it just increment the number and leave the name of the sequence untouched. And I would like to be able to duplicate the complete sequence from the sequence menu. When i am editing, i like to hit a shortcut of right click on the sequence name in the sequence and get the little text: "increment duplicate now" > feel free to name it differently but it felt right to me.  1. increment duplicate by number _01 > _02 &g

Is it possible to use the "Basic" Metadate fields "Creation Date" and "Modification Date" for sequences as well.I know sequences are not files (that live outside Premiere, are "just" linked to within Premiere and those date information is actually stored in these actual files and Premiere just reads and can then display that) - but maybe it could be done anyway, so that "inside the Premiere project" where those sequences/timelines exist only their creation and (last) modified date could be saved and the displayed as well...

We work with a lot of audio stems and it would be amazing if there was a way in Premiere to be able to assign a key command that allows users to pull all the stems into a sequence and stack them vertically.