Feature Requests

Hi,It would be great to have all "ums", or maybe any requested words to be removed from clips in the timeline.This might be something for AI to handle.Regarding the remaining jump clip, I overlay B roll to eliminate that issue.Or, what if Generative Extend could seamlessly blend the two clips together? It's usually just a slight head movement thats the issue.Cheers.

I would like to request two highly useful audio features in Adobe Premiere Pro that are triggered via keyboard shortcuts:Solo Audio Track via Shortcut:A keyboard shortcut that solos the currently selected audio track(s) — muting all others. This would function similarly to how "S" works in Adobe Audition or other DAWs, allowing for fast isolation of a single track without needing to manually mute/unmute others.Solo Selected Audio Clip via Shortcut:A keyboard shortcut to solo the currently selected audio clip(s) in the timeline. Pressing the shortcut would temporarily mute all other audio clips and tracks, letting the user preview and fine-tune only what’s selected.Why This Is Important:Currently, isolating audio requires manually muting or soloing tracks, which breaks editing flow. Adding these shortcut-based solo options would:Speed up audio editing, especially in complex timelinesEliminate the need to navigate the mixer or toggle track buttonsBring Premiere Pro in line

When working on large projects with tons of rushes, we often import entire folders that include both video clips and audio-only files (usually recorded separately on professional recorders). Currently, when we bulk-create proxies for those folders, Premiere skips audio-only files, which makes sense from a technical standpoint, but it creates a problem down the line. In collaborative workflows, we usually only share the proxies folder with offline editors to save time, space, and bandwidth. Since audio-only files don’t get proxied, they often go unnoticed and unshared, unless someone manually digs through the rushes folder and finds them. I’d love to see an option to generate proxies for audio-only clips, even if it just copies or transcodes them to a lightweight format and stores them alongside the video proxies. That way, when passing the proxy folder to another editor, all essential media is there, including separate audio tracks. It’s a small thing that could rea

Hello there,I have been an Adobe user from Photoshop 1, yes I'm old!One thing that you guys could actually do that would help a lot is to allow the top menu bar to be part of the software window. I am working on a 65" monitor and it's a real pain having to use the top bar menu all the way up left of the screen, while my main window is down to the right of the screen.It shouldn't be too hard...

I would like to request two highly useful audio features in Adobe Premiere Pro that are triggered via keyboard shortcuts:Solo Audio Track via Shortcut:A keyboard shortcut that solos the currently selected audio track(s) — muting all others. This would function similarly to how "S" works in Adobe Audition or other DAWs, allowing for fast isolation of a single track without needing to manually mute/unmute others.Solo Selected Audio Clip via Shortcut:A keyboard shortcut to solo the currently selected audio clip(s) in the timeline. Pressing the shortcut would temporarily mute all other audio clips and tracks, letting the user preview and fine-tune only what’s selected.Why This Is Important:Currently, isolating audio requires manually muting or soloing tracks, which breaks editing flow. Adding these shortcut-based solo options would:Speed up audio editing, especially in complex timelinesEliminate the need to navigate the mixer or toggle track buttonsBring Premiere Pro in line with other pro

Premier should have a script, where you can build your own export infrastructure. Let say you want to export Video, OMF, EDl and XML, AAF all at once, or just select two of them. You can set up your own export work flow, you select what order it executes the export and in which settings, you can selects it to export each video or audio track in a EDL and then export a QT, giving the user to set up a master export workflow.

Hello, In the Export settings page for Premiere Pro, I am only able to view a single rollout at a time. In other words, I can view the Video settings, or I can see the Audio settings. I'm not permitted to see them both at the same time.This is incredibly poor UX. I need to see all of the settings at a glance. If stuff is hidden away, I will export without knowing what settings I will get. It's super error-prone.My only recourse is to manually open and close every rollout. This is a waste of my valuable production time.If the design intention here is to streamline the interface to reduce clutter, may I suggest that users be permitted to decide what they want to see and when. Hiding stuff automatically takes the power away from users and is a productivity killer.This is not a trivial request. It is an important UX consideration. Please restore the ability to open multiple rollouts at the same time.Thank you

Premier should have a function where you can compare two or multiple timelines with each other. Let's say you are working with alternative edits in different formats, it would be great to compare if each video, graphics and audio or if there is a diffence, so that you can see if anything has accidentally moved. A function to set a master timeline which it then highlights the differences against. Like in word where you can compare the differences in a text.

I make 360 video. I experiemented with several video editors and I have to say Premiere pro handled and rendered it much better than anything else I tried, brilliant ...except fror one major flaw. Like most people I aim to post my videos on youtube. Youtube have an option of First Order Ambisonics with Head-Locked Stereo, Why can't premiere pro do this, It can do First Order Ambisonics but can't do it with Head-Locked Stereo. Adobe at very least should be fulfilling best options for posting on youtube, it shouldn't come in as failing compared to others. I want ambisonics gor effects but not on the main part of my main audio, I want that fixed. Anyone offer any solutions? I've seen one YT video but it was stupid fliddly and I didn't get it to work. Any idea when Premiere will actually catch up with others on this please?

Can Premiere make these subtitles automatic?https://www.youtube.com/shorts/LRzFJ3ExEmY Like a www.submagic.co

In my Adobe Premiere Pro Audio Previews folder, I often find many empty folders for older versions of my projects. Where I work, many of our editors are off-site and do not remote in, so I have to keep multiple drives and projectsx reconciled so we don't lose anything important. Is there a way for Premiere to stop making these folders unless it needs it? 

[This is a reiteration of the Idea at this URL: https://community.adobe.com/t5/premiere-pro-ideas/peak-files-generating-without-priority/idc-p/14967972#M17609] Please make Premiere prioritize building audio waveforms (.pek files?) for the sequence I'm working in, maybe even for the part of the sequence where my playhead is.  As an Assistant Editor, there have been many times when I've needed to see the waveforms for a section I'm working in (i.e., to see where two clips might sync together; to see where a sentence starts & ends, etc.). There are many work situations where I'll need to move to a different computer on which the .pek files will need to be rebuilt. In a big project with tens of thousands of source clips, it is frustrating to see, in the bottom right corner, a progress bar saying that Premiere is busy building a .pek file I don't need rather than prioritizing the .pek files I need right now. This can be especially frustrating when a producer or direc

Currently, I don't use the A.I. features that use the .prin file. However, even when I will start doing so, it'd be nice for it to not be next to my project file, as I like to keep my project file folder really uncluttered so it's real easy for my colleagues to know which version of a project is my current version. Could Premiere maybe put .prin files in:/Users/[user]/Library/Application Support/Adobe/Common/PRIN Files

Sometime you don't want to nest everything , when i put an adjustment layer down and would like it to effect certain layers, not every layer below it. Can you make it that the adjustment layer only effects the layers below it untill it sees a empty layer. So the empty layer would work as a spacer, or some other insert that would stop the adjustment from going any further. 

When going to "View>Guide Templates>Manage guides...", I would like that option to be available even when the program monitor is not selected and guide visibility is not turned on. It seems like an unnecessary block to have it greyed out/not available when there's no assigned shortcuts associated with it that would interfere with other windows.

It's become fairly common use now having Transcriptive and Captioning in Premiere Pro. Beginning this year our team is supposed to now also use  Descriptive Video Service (DVS), also known as Second Audio Program (SAP) which provides enriched verbal descriptions of what is heard and seen on a TV's primary audio and video channels. Will Premiere have an AI feature in the near future that will do this? Otherwise this could be quite time consuming as an editor to do this for every video. Any thoughts are greatly appreciated!

This is a simple feature as it is in DAWs. If you activate solo on any audio track, it will turn on (Soloed) regardless of its mute status. 🙏

Since Adobe bought Frame.io, the app has seemingly stalled and is still, a year later, stuck on "V4 Beta" - that's ridiculous.   And, there are inevitable questions, suggestions and bugs to offer to the developers, so that hopefully they can find a way out of the mess Frame.io has become.   It needs a forum of its own, surely?

1. Please add button to delete font style button (deleting from Explorer taking long time)2. In Premiere 2017 this function is working and it was comfy.

Hello everyone, I am editing a project with another director - and we initially started marking our footage with clip markers. We have however now worked out that this is problematic. So, instead of watching the footage all over again - we would simply like to copy and drag our clip markers - and turn them into sequence markers instead. So does anyone know if there is a way to move clip markers and make them into timeline/sequence markers? Many thanks Ross

I'm a ghost hunter, and I always set up the cameras in each location I investigate. I also make YouTube videos. One thing that would make it much better and easier to edit and make videos is motion detection. Like, any motion or change in the screen would put the marker on the clip. It would allow me to check out every detected motion, instead of sitting down and staring at the screen for hours. Yes, I've used the scene edit detection feature, but it's not the same. 

It is pretty good for getting rid of some dust that is on a few minutes of close-up product photography footage in a 22 minute project, and then the export takes 11 hours or more. I know it's "obsolete," but hey, there is still dust in 2023 and so I think we still need this to work. Please! Thank you!(I know there are other methods. Sometimes it's really handy to use this method though.)

I think the terms Temporal and Spatial are confused.A Hold key frame keeps the value (e.g Position) until a new keyframe is reached.Position is a Spatial property rather than Temporal

Let us replace a keyframe by dragging a copy of an other keyframe on top of it.Just like in After Effects.Please make these kind of things work alike throughout the Adobe apps.  

Hello Adobe Community,I'm experiencing a thumbnail display issue with SLog3 footage in Premiere Pro 25.3.0 that I hope someone can help resolve. Current BehaviorSource Monitor: When I load SLog3 clips in the source monitor, they display correctly with proper Rec709 conversion. The color processing is set to "gang to active sequence color management" and the footage looks properly tone-mapped with normal highlights and contrast.Project Panel Thumbnails: The same SLog3 clips display in extended dynamic range in the project thumbnail view, showing completely blown out highlights and appearing very flat/washed out. This makes it extremely difficult to browse and select clips. My SetupPremiere Pro Version: 25.3.0 (June 2025)Camera: Sony (SLog3/S-Gamut3.Cine footage)Sequence Settings: Rec709 color spaceProject Color Management: Standard workflow What I've TriedBased on previous forum discussions, I've attempted:Auto-Detect Settings: Enabled "Auto-detect Log Video Color Space"