Feature Requests

Hold H to momentarily activate the Hand tool, move the timeline around, let go of H to return to the previous tool.Same action for the Zoom tool.At the present time, you have to reselect the tool when you're done moving around.HUGE advantage for those of us who use Wacmon tablets and don't have a scroll wheel, as there is no other way to easily move in the timeline. The only way to achieve it with my Wacom, is to hold my top button and scroll the pen up & down - left & right doesn't function in Premiere. And it only registers for the portion of the screen that the timeline window takes up.Also the same way it functions in Photoshop, it's a very natural way to interface with the application.

I define SFX and MUSIC under two different green layers, to help differentiate my music, stems, sound effects, etc., in the timeline and keep it organized.At this time I can select all bins and change all bin colors, but expanding the bins still have the original green.I can expand a bin and drag and select all items to color different (which should have a key shortcut to select all items in selected bin anyway), until I need to add a new SFX, which is again the original green.Is there a way to control label colors, or to have them update when dragging items in (i.e. dragging an item into an orange bin would color the label orange)? This would be way more useful mid-edit than to spend so long pre-edit to organize my assets, and then still stumble mid-edit to organize again.

To play whack-a-mole with your timeline to find why a certain track is unable to be ripple deleted is insanity-inducing. The sync-locks on this sidebar should be highlighted or maybe not highlighted if you try to ripple delete. There should be better indicators for why a simple command is not functioning.My use case is cutting out dead spots in vocal audio to align with clips and stay independent of the backing song track. To accomplish this I need to continually variably trim, select, slide, etc., ad nauseum just to slide a track left. Come on you guys!! Please!! So many instances of this app are completely devoid of situational context clues about its workflow and hardstops! Come on! My entire past month in this forum is constantly ringing the bell for new ones that fail to be noticed or changed that would benefit everybody.

When you export a video to some mp4 format, what Premiere does is that it renders first video and audio to 2 separate files and then it combines them to mp4, that's why it's stuck on 100% for a while when rendering.The problem is that when creating the mp4 there's not enough space on the disk, the mp4 file will be created but incomplete, it can be played normally, it will show the length video is supposed to have but if you try to play the video at the end, it won't play. Problem is that Premiere doesn't let you know in any way that there's not enough space for creating the mp4 because while creating it separate audio and video files need to be also on the disk. Premiere can warn you about low disk space but it doesn't work for mp4 files properly. For example if Premiere shows estimate file size 3.5GB and there is 3GB of space on the disk then it will warn you. If you have 4.4GB of free space then it won't warn you and the file will be incomplete. Realistically it's good to have 3

Using Premiere Pro, I am making short videoclips from longer videos recorded at 5 fps. 5 fps is used for technical reasons and is adequate for the purpose. I want the clips to have identical quality and fps as the input, i.e. no re-encoding, just copying the relevant frames. However, in the export tab, Premier won't let me choose lower fps than 10. I can't see any good reason for such a limitation. The resulting exported video indeed has an fps = 10 in the metadata tag. However, duration is correct, not half as long as expected if playback speed was doubled by doubling fps. Playback of the exported video also seems correct. This indicates either a doubling of the framecount by interlacing, wich I doubt, or rather an erroneous mismatch between fps tag and real fps (bug). This is very unfortunate, because the consequences for later use of the video clips in various programs are unknow, since I do not know if the eronous tag will be used.

I've had this issue for many versions of Premiere. Was hoping it would resolve in latest, running v24.3.0 (Build 29) on Windows 10 Pro, AMD Ryzen 9 5900x 12-Core. The issue is EVERY time I choose to Replace Footage, it defaults to opening an old folder. Even after navigating to the correct folder, I will choose another file to replace and opens to that same old folder.  There's nothing in Project Settings that would allow me to assign a path for replacing footage, but you would think that it would default to the same location of the original file being replaced. I'm simply updating multiple versions of After Effects rendered files. (I know, I know... I could use Dynamic Link) Any suggestions? 

The dynamic link import dialog box could be way better. It could at least sort the bins in the search tree in alphabetical order. Currently, it's randomly sorted, and we can't do anything about it. A perfect caos.

When you first open Premier Pro it offers a list of recent projects.  So far, excellent.  But I have a number of projects with the same name for different clients. While I need to remember to add the client name to the project so they're unique, it would be most helpful to have the PATH of the project listed alongside the project name in that opening screen. Fortunately, File|Open Recent shows paths. Thanks.

Background rendering like Final Cut Pro would be nice. If you do nothing for a few seconds, it would be good if premiere calculates effects in the background automatically. It saves a lot of rendertime in the end.

PLEASE PLEASE PLEASE let us have the ability to LOCK a workspace once we have the panels and windows in place. Accidental click and drags causing windows and panels to shift and resize or disappear all-together when you're in the middle of editing is really frustrating.

Please Please, for a very long time, I've been lazy to suggest this, but if resolved it'll save me a lot of time while editing:  When I click any text box in the Video display that I want to edit, change size or change colour....where there are two or more text layers in one timeline row, the effects panel selects ANY layer. So for example, if I select a text in view that is completely on the opposite side of the video, and double click it to select all the text, and went to the effects panel to change it's colour, it can potentially change the colour of the other text box layer in the same timeline row.  It would only be common sense for the software to know that the text I double clicked is the text I want to change it's colour.It should automatically select that layer in the effects panel, I shouldn't have to yet again select it manually from the layers by clicking the drop down, to change the size or colour.  It's common sense. I double clicked that te

Hi, this issue has bothered me for long time.I often have captions in mixed English and Chinese. The English font does not apply to the Chinese font but I need to use certain perticular English font anyway.If it is in MS Word, I can select all text using Chinese font A, and then all text with English font B. The second action will only apply to the text in English using font B and not affect the font A. However, in PR if you use the same approach, the Chinese font A will also be affected, change back to a strange font I don't where it comes from. Thus I have to manually select every English word and set them using font B instead, which is so time-consuming and does not make sense.Could you please fix this? Thank you.

Hi, ladies and gentlemen. How come in v25.1 we still have this "resolve fonts" problem which is still unresolvable? Will there be any fix for it?Everytime I open any project that has mogrts in it I get this window (the fonts mentioned may differ):The checkbox above is inactive.In Premiere Pro preferences I have it set to substitute the missing fonts to the font which can be found on any system - Arial regular:And I have the warning messages turned off here:But the most interesting thing is that I do have those fonts and Premiere Pro shows them and lets me work with them:So what the hell? Why does Premiere Pro have to warn me about missing fonts on every load? Isn't it time to add an option to completely turn off this warning message if the person has set the default font anyways?PS: I know how to fix it, I just don't want to have to do it or see this message about it. Oh, yeah, and for those who will ask this - yes, I do have the fonts in CC too 

Ive got an Idea, Please add Radial Blur to Premiere Pro! I even have video editing apps on my phone that have radial blur effects, chromatic distortion effects (way more interesting than vr chromatic aberrations),and some other effects that Premiere doesn't have. Premiere being "Pro" should have a Radial Blur which at this point is a basic effect. It shouldn't be necessary to have to use a plugin or use another program for that. Same with motion blur like the RSMB. If you include Radial Blur in Premiere, After Effects will still be important for us. It exists in a different realm don't make us go to After for this one, please.  🙏

Hi everyone, one feature I really miss in Premiere Pro, which I previously used in Avid, is the ability to view a clip in the Preview panel as a timeline. The big advantage of this timeline view is that you can precisely analyze the waveform before setting In and Out points.Right now, my workflow in Premiere requires me to place all my raw footage on a separate timeline just to inspect the waveform properly, and then copy the selected parts into my master timeline. This feels unnecessarily cumbersome.A native timeline view in the Preview panel would significantly improve the workflow, especially for editors who rely heavily on audio waveforms for their cuts. Does anyone else think this would be useful? Please upvote if you think this would help your workflow too! 😊

Quoting from the Adobe Premiere Pro Classroom in a Book: The Overlay, Insert Before, and Insert After edits are available only when dragging a clip onto the appropriate drop zone in the Program Monitor. There are no buttons or single-key shortcuts that achieve the same results.  Why? This must be the easiest fix in the world. The features are already in place. The only things lacking are the keyboard shortcuts. Why? Please add them! Plus one for Append (add after last clip in timeline). We needed them in CS5 and before, and we still need them.

Hello Adobe Guys...I really love premiere pro.. But i see that Premiere Pro should be More Stable On Windows Os Like Mac Os And Much Effects Should be More Accelerated Specially With RTX Graphic Video Cards .. So here Are My Suggestions, I hope that u Make A Window For Effects Like it Showing a thumbnail Of The Effects Before Applying them Like CupCut & Filmora do ( Idea Num 1 )💡 .... ▶️I really hope you Add Some Of Trendy Text Animations Presets Like ( Glow - Neon - Type Writer - Pop Up - Storbe - Flicker - Wiggly Text Effect ,Etc... THESE EFFECTS SHOULD BE IN PREMIERE SINCE 2020 ,Guys&#x1f605 ( Idea Num 2 )💡 .... ▶️I hope That U improve The Match Color Feature In the Lumetri Color Panel Cus it Needs To Be More Accurate By Matching The Same Light Levels & Colors We Are in ( 2025 ) Come On Adobe U Can Do it 💪❤ ( Idea Num 3 )💡

If we could get an effect that when added, automatically fills any space (or black bars) with a scaled-up and blurred copy of the original video. Doing this manually is possible but a hassle when you factor in animated or any more advanced scaling/positioning.

If there is one thing I believe would really assist longform editors using Premiere Pro, it would be re-imagining label colours from the ground up. Please, please learn something from Avid Media Composer. Any clip can be assigned any colour from a full palette range - both within the bin (and reflected on the timeline) or just locally on the sequence. A lot of longform editors like myself, especially in documentary organise a whole project using colour labels for contributors, scenes, cameras - and is fundaamentally how I navigate a timeline speedily. Having a predetermined amount of colours per project that Premiere currently has just comes nowhere near being usable.

In Premiere Pro, is there an equivalent adjustment as the Dehaze in Lightroom?

Seems crazy that if you have a project where you are editing your usable footage down to clips and you have, say, 200 clips on your timeline, you cant set up premier / media encoder to export all clips on the timeline. I know there are a few things you can do like render and replace (for individual clips, doesnt work if you have nests making clips) or nest all the individual clips and then export the nests but that is unbelivably time consuming if you have lots of clips. Surely this is a problem people encounter regularly and would be much more valuble to the end user than some of the gimmicky stuff like morph cut. Anyone else see it as a complete oversight by Adobe?

I would like to see a folder button next to the location dropdown in the new project dialog. I know it's petty but it would be easier to go directly to the system file location dialog than clicking on the dropdown and scrolling to the bottom and choosing the choose location option.

Bring back Adobe's immersive video environment to playback directly on Meta Quest

I would like all projects within my production to auto-save to the same folder. This keep my production folder tree clean, and keeps me from having dozens and dozens of Auto-Save folders. This seemed to work for a while, but now I keep having all these Auto-Save folders pop up in my Production sub-folders. There's like 8 of them now. In my Production Settings I have Auto-Save set to "Same as Production." Anything else I can do? It's annoying and confusing to have all these Auto-Save folders scattered about.

Reveal In Finder used to show where proxies were located, now it doesn't. I found this a really useful shortcut and I don't personally see any benefit in removing it. Please add it back.