Feature Requests

The FIT CLIP DIALOG is a meaningless tool. It serves to confirm what I already indicated... Copy the Avid Media Composer method and make the world happy?

It would be great to be able to select all the disabled clips in a timeline.When I edit, I often disabled audio clips I don’t want to hear, but I don’t want to remove them (because I want to pass all the clips to the soundmix department by exporting aaf when the picture is lock).When exporting aaf or omf, the disabled clips are not passing through. So up to now, I would need to duplicate my sequence, then re-enable manually all the disabled clips.If there was a function to select all of them at once, it would be much easier for me.

Could you please re-implement the ability to export at 18fps. I know this is possible and would be of great help for many creators using Super8 footage. Thanks.

As seen above, the only place to see the full duration of the timeline is in the program monitor. It would be beneficial if the full duration of the timeline could be visible within the timeline window itself. This would eliminate the need to constantly switch to the program monitor, saving valuable editing time. There already some open space above the timeline to put it on the right underanth where a name would go.Such a feature would be particularly appreciated by users who spend extended periods working on Premiere Pro. At a glacne inofrmation is a standard eye strayn prevneton fautrye int he broadcast industry.Theres isn't enough information in Premiere Pro for me to say that the large at a glance information is important to Adobe.

Hello, My Name is Alonzo Kirby and I have a request. Can you put Premiere Pro on the iPad, please? I know Adobe Rush is on the iPad, but I want to use Premiere Pro. When I'm on the go, I can use Premiere Pro. Please

ExtendedScript Toolkit is missing? We need it back again.I want to separate the video according to the timestamps as AI knows where things begin and end.It would be cool to write a script that does this automatically where it can export with the title name and each part without having to nest. It should just send it to Adobe Media Encoder with the title and whatever else.

When cutting a caption with the "Add edit" tool, there is a workflow problem or bug. After the Add edit, the left side of the cut appears selected for editing. But as soon as you start doing text changes, the selection unexpectedly switches to the right side of the cut. You end up doing the opposite of what you were intending to do. For example I cut the caption "I ate an apple. It was good." in two.The result is two captions with both lines. I want to remove one line from each to get "I ate an apple." and "It was good". The left side appears to be selected. Therefore, I remove "It was good".But as soon as I change text, the selection silently changes to the right side. At this point, I have a left caption with the text "I ate an apple. It was good." and the right caption with  "I ate an apple."It is the opposite of what I was intending to do. Please make it so that after and Add Edit to split captions, the left side of the cut is selected for edit an

 new premiere pro update(24.4) changed a lot, and they took out something really usefull,when i applied color into the video, there were a icon that changed the color into the time line, and thats helped to know what scene already i changed.Now i have to click on to see it loosing time   pleaseeee!!!! get back      

Its a big help; and it will save a ton of time; I really need help with the hinglish transcription; there is no other way around now; beside captions ai; but if  I am paying for the creative cloud service; I would like to have this feature inside premiere pro; I have to do all this manually; 

You can easily set a 'Label Default' colour for things like stills, audio and video in Premiere but I fail to see an option to set a colour for text. At the moment, when I put text in my sequence it's just colour labelling it as the colour I have for stills which can be confusing.Does anyone have a solution to this?

As an enthusiastic user of Adobe Premiere Pro, I wanted to share a suggestion regarding the enhancement of the Deflicker effect within our editing software. While working on recent projects, I've encountered footage with flicker issues that have posed challenges in post-production. In seeking solutions, I've noticed areas where the Deflicker effect in Premiere Pro could be further refined to offer more comprehensive and efficient correction capabilities. Given Premiere Pro's reputation for excellence and innovation, I believe there's an opportunity to elevate the Deflicker tool to better address the diverse needs of users encountering flicker-related challenges. By optimizing this feature, we can enhance the editing experience and empower users to achieve their creative vision more seamlessly.

The way interactive fades behave in Audition is preferable to me, but I'm glad the feature is somewhat avaialble in Premiere Pro now!Can we get the Fade Shapes Cosine and Linear into the context-click menu when right-clicking on a crossfade? Having to switch it up in the effects controls isn't as streamlined as it could be. Some sort of hotkey (ALT or CTRL & click) to be able to instantly swap would be huge. Fading in and out to silence generally sounds better when it's more linear than cosine to my ears, so being able to switch with a modified click would be a benefit. The tooltip in Audition shows the "Fade Value", so if you drag up or down, you have a number to reference. The tooltip also displays whether it's cosine or linear in Audition. Can you put this into the tooltip while adjusting the fades?The Asymmetrical crossfade feature in Audition seems way more useful by default than the Symmetrical one, which is the only one implemented at the moment. Can you bring in an Asy

If you are using the beta Premiere, you will have noticed that they forcefully changed our color label in the timeline to some really annoying and unusable colors with a weird contrastual look.  It looks like an 8 bit tetris game like they're trying to go back to the 80's editing color style for some reason. Even after manually changing the colors back, they still do not look good and it can be hard to see the waveform well on audio when zoomed out due to the change.  Dear adobe, if you're going to change something major like color labels which we rely on when editing, allow us to opt in or out. I do not want to be apart of this new color change that I would assume will eventually make it to the normal version of PP.  Thanks 

To be independent of Apple color profiles, I have a Blackmagic Ultra Studio Box for audio and video output. My class 1 Flanders XMP310 is connected to the Blackmagic Ultra Studio via 1x 12G SDI.Unfortunately, I now have the problem that all non-SDI-compliant resolutions are not displayed on the Flanders.For example: 9:16, 1:1 or any exotic resolutions.When I open Davincy Resolve, I can define the output resolution and the frame rate here and therefore all exotic resolutions and aspect ratios are also displayed on the Screen.In Adobe Premiere I am missing exactly this setting for playback resolution, frame rate and aspect ratio.That would be the feature request:Setting the resolution, aspect ratio and frame rate for the video output via Mercury Transmit

Guys, please make Warp Stabilizer more fast. After start editing in Davinci Resolve (Stabilizer is very FAST there), i cant back to Premiere without being nervous with the speed of Warp Stabilizer, it took so long to stabilizing a short clip.      

Hello Adobe team! im a content creator and is a huge time consuming try to import and export emojis one by one, specialy because it needs to match with the text and such. with the new wave of shorts or reels creators... can we add emojis fonts? i will be a huuuge time saver and a usefull tool for all the Adobe ussers i guess. for now im crossing fingers and dreaming with this to be real ❤️

Sony started to add post-recording stabilization using gyroscopic data to their line up which started with cameras like the Sony FX9 and later became available in the RX0, ZV-1, a7c, a7SIII, FX3 and FX6. Some of these cameras don't have IBIS. The only software so far that uses the gyro data is Sony's own Catalyst Browse which is free. It's awkward to do a round-trip to stabilize footage. Sony once announced they wanted to make the metadata available to other software companies.

Is there a date planned for this? Is it anytime soon?

Hello Premiere Pro Community and Developers, I'd like to propose an enhancement to the way Premiere Pro handles the storage of media cache files, specifically the .pek and .cfa files. Currently, the location of these files is configured globally in the program's preferences under Media Cache settings. This approach requires manual intervention to change the location for each new project if we want to keep project files and cache files together, which is not very practical for those of us managing multiple projects. Suggestion: I believe a more streamlined and project-friendly approach would be to allow users to set the media cache location on a per-project basis. This could be integrated into the Project Settings or Scratch Disks settings, where we could have an option to select "Same as Project" for media cache files. Such a feature would automatically store all media cache files in the designated project folder, thus keeping all related files consolidated and making project

Solved Edit: this is already a feature using the text-based editing transcript, I was accidently using a static transcript. Idea is null. Leaving parts of the original post for reference below:Search and delete all instances of any word/phrase as filler words are not always just "um" and "uh".Currently, I can search a phrase, but it gives me no option to 'delete' or 'delete all' in either regular or Beta..Example: a 1hr 30min video with "you know" 448 times.... 

Better wipes (choose from adobe premiere elements)Also better animated titles.

Adjustment track!Imagine having a track, with motion settings and the possibility to add effects to it.Imagine moving a clip to that track and get that clip autamtically affect with those settings (heart iconx3)

I have always felt that while the UI in Premiere Pro is very good-looking, it hinders productivity on smaller screens because it is so large. When switching from a 32" 6K display to a 16" MacBook screen, I find myself struggling to edit efficiently with such limited screen space while on the go.Recently, a company called JetBrains introduced new UI scaling options with values going below 100% in their integrated development environments. This made me realize that this solution could completely resolve my issues with Premiere's UI. I do not want to adjust the scaling of my MacBook screen; I would only like to adjust the scaling of Premiere. I'm sure many other users feel the same way and would greatly appreciate such functionality.  

Hi,I work in Animation and am often having to fix technical glitches in the rendered animation .movs. I'm very efficient with using masks however, often times it would be a lot easier if more of the paint/drawing/cloning tools from Photoshop were available right in the effects window in Premiere. Especially with cloning tool - lately I've been doing the "manual" version of what cloning does - all with a duplicated copy of the clip on the next video layer on top, masking in the "preferred' spot of the picture I want to use as a patch on the main video track, and adjusting the position of the "patch" video clip, which is exactly what the clone tool does in photoshop, but with more simplicity and user-friendliness. I know there's (relative) seamless integration with beinging able to both send a still image to Photoshop and use the exanded toolset there, and/or bring a clip into an After Effects comp and use the expanded toolset there. HOWEVER - if I'm either at a company that only pa

Hello folks,Quick question -- is there a way to set a certain list 'View Preset' as the default for the Program panel when creating new projects? I teach video editing courses, and the two most basic properites for a video clip are the frame rate and the resolution. In list view, the Frame Rate column is right there after Name, but Video Info (Resolution) is waaaay down the line, after a bunch of comparitively useless columns. I know the easy fix of clicking the hamburger button and Saving a New View Preset, and from then on you can switch to it for any project and it retains that view upon reopening, which is great! However, my students often start new projects throughout the semester, and every new project starts with the defualt view. This isn't a huge issue, but the new project process is already cumbersome enough for some of these kids, with me having to remind them that aside from name and location, they should completely ignore the absurdly broken "Import" screen that