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Currently, when multiple Smart Filters are applied to a layer, they share a single global filter mask.I would like each Smart Filter to have its own independent mask, allowing precise control over the visibility of each effect separately.This would greatly improve flexibility in non-destructive workflows, especially when stacking multiple filters that require different masking areas.
When I import photos from my Nikon D-750 and Z8, I choose the "Make a second copy to..." option to a directory on my Windows Home Server, where they are backed up into the cloud by a backup service and are also monitored by Amazon Photos for backups. I have hundreds of backup folders and they all have names like this: These names are utterly useless for finding an import backup that contains a specific date and the date created/modified is not helpful. Please allow me to specify a name for the folder, using a pattern. I'd prefer a name like YYYY-MM-DD Lightroom Import so I can find the folder containing photos taken on a specific day. I'm using Lightroom Classic 13.0.1 on Windows 11, with the backups over SMB to a Windows Server 2016 Essentials host.
When sending an image from the AI Assistant to Firefly Boards, give the user the ability to choose an existing board instead of just creating a new board every time.
Hello Adobe Firefly Team,I’m Juan Diaz, Course Director for Compositing & Scene Finishing at Full Sail University. As part of our AI-integrated production curriculum, we actively test Firefly alongside platforms such as ComfyUI, Weavy, Runway, and Pika to evaluate real-world workflow integration.While Firefly’s generation quality and Creative Cloud integration are excellent, I would like to formally request consideration for a node-based modular workflow system within Firefly for advanced users and enterprise pipelines.A node-based architecture would enable:• Procedural prompt stacking• Mask and region-based routing• Multi-pass generation control• Style and motion layer branching• Depth and normal pass injection• Controlled iteration comparisons• Export-ready compositing structures• Seamless After Effects / Premiere / Photoshop pipeline flowCurrently, tools like ComfyUI allow modular control but lack Adobe ecosystem integration. Firefly is uniquely positioned to bring professional, non-destructive procedural AI workflows into mainstream creative production.As an educator integrating AI into compositing workflows, this capability would:• Elevate Firefly from generative tool to production system• Align with node-based industry standards (Nuke, Houdini thinking)• Enable deeper curriculum adoption• Support enterprise-level pipeline integrationI would welcome the opportunity to participate in beta testing or provide structured educational feedback if such a development path is being considered.Thank you for your continued innovation in AI-driven creative workflows.Best regards,Juan Diaz
My academic email is REMOVED IN THIS PUBLIC FORUMI used it to log in, im sure of it, but it doesn't open any feature yet my University is subscribed.
I'm a documentary director currently working on a film with approximately 13 hours of interview footage. I've been testing a workflow that I think points to something important for the future of editing inside Premiere Pro.Here's what I did:I used Premiere Pro's Text-Based Editing to transcribe all 13 hours of material. The resulting transcript runs to tens of thousands of words across multiple sessions. I then exported that transcript, combined it with my written script, and fed both into an external AI tool.The AI did two things: first, it helped structure the film into chapters and narrative arcs based on the script logic. Second, it matched specific transcript fragments to each section — identifying which moments from the footage correspond to which part of the story.The result was a working assembly blueprint: a structured map of the film before a single cut was made on the timeline.The workflow works. But it requires exporting from Premiere Pro, switching to an external tool, working through the material in chunks (because the files are too large for a single session), and then manually bringing everything back. It's slow, fragmented, and breaks the creative flow.None of this should need to leave Premiere Pro.What I'd like to see built natively:— Script import + transcript matching: load a script, let AI identify which transcript segments correspond to each beat or scene— Chapter and act structuring: let AI propose a narrative structure from the raw transcript before the director even touches the timeline— Intent-based clip suggestions: describe what a scene needs emotionally or narratively, get relevant clip recommendations from the transcript— Reference-based assembly: analyze the pacing and structure of a reference video and apply similar logic to your own materialPremiere Pro already has the transcription layer. The text is there. The missing piece is the ability to reason over it narratively — not just search it, but understand it structurally.This would change editing from a process of finding and placing, to a process of directing and refining. For documentary work especially, that's a fundamental shift.Thanks to the team for Text-Based Editing — it's what made this entire experiment possible in the first place.
Prompt Enhancement feature in Firefly Boards has been removed from the interface.
It would be useful to have a “search” function in the “actions” tab to search for an action by entering text. Alternatively, the existing generic “search” function could be extended to include “actions”.
I’d love it if Premiere could insert audio edits at the beginning and end of every word. You already have the timing data via Media Intelligence and Text-based Editing, why not extend that to the timeline, the way you do with Scene Edit Detection for picture? A bit more nuance: I’m not sure what level of granularity Media Intelligence captures timing data, but it would be nice to be able to toggle a setting so that the cut points are either created at the frame or time unit level.
No English (British) accent option in Adobe Firefly. I can only see English (US) and English (India) for English accents.
There are a good number of new color management settings and changed color management defaults in the 2022 release. I would expect we will be getting more as we go along. This is becoming a nightmare to manage!We need a single panel. One with perhaps two tabs:1) The overall Default options for color management settings, and for default options for various media types.2) The Override tab for clip or sequence overrides, covering the same items as in no. 1.Essentially, One Panel To Rule Them All.
I updated to Photoshop version 22.5.0 and just noticed that File > Export > Export As has a majorly dumbed down JPEG quality menu. Photoshop is for professionals. Having accurate control over quality is import for optimizing to a small file size. Giving a few choices (and not even telling us what quality they are) is not acceptable for a pro app. I know for now I can go into prefs and use the legacy version, but please bring back the quality percentage! I also posted this on the Photoshop Feedback website which I think is a more appropriate place to discuss this, but wanted to see what other people think. It's probably best to comment there so Adobe knows. Photoshop Feedback: Bring back JPEG quality percentage to Export As dialog {Moderator edited title - PS-71391}
Video MoCap will help customize the animation or flow in AI video.
Please add the feature to Generate 3D Scene from the video generated by Firefly for animation refinment or editing within Adobe suite of products. Generated characters should have bones and controll attached for fixing animation or apply new animation.
hi admin, i have request feature on adobe firefly. can you implement zoom in to view image as large detail, because I need to view some ai image detail like finger or other detail before I click download it, thank you for your attention.please implement zoom on adobe firefly generated image with caurosal right or left button click if generated is some image, because I like to make sure that image quality is good before I download it, specifically on number of fingers and other detail. thank you
Now that we have Object Masks in Premiere, along with the several versions old media intelligence and PRIN files, it’s time to talk about how this stuff is all organized. I’ve made a post about the PRIN files and posted on a lengthy thread about them elsewhere. But it seems the masks have the same problem. And that problem is that in professional workflows we duplicate our project files daily. As such, Premiere creates a new PRIN file with the new filename, and in the case of having mask data, it now creates a new Masks folder with that filename. So every day I’m going to end up with more data to delete? The masks, the PRIN files, etc should all live in some sort of Adobe Premiere Pro Caches folder alongside your Video Previews, Auto-Save, Preview Files, and Video Previews so that we don’t end up with more and more and more floating elements in our nice clean project files folder.So tomorrow when I duplicate this and make a v04, I’m going to open Premiere and it’s going to find the masks, and when it can’t find them it’s going to make another folder with them in it.Why is Premiere tying Masks and media intelligence to a file that requires it to be the same name as the project file, a thing that is likely to change and iterate as we work?
Hello Adobe TeaM!In Avid MC I can use a shortcut “audio/video track” for toggle on and off audio and video tracks in source and program monitor(1 shortcut works on 2 screens). In Avid MC I can select different audio source tracks with the same shortcut as in timeline tracks.avid MC shortcut for source and program monitor selection tracks But in Premiere Program monitor and source monitor has a different shortcuts and especially I can toggle all sourcePremiere shortcut only for all source Audiotracks at once, not seperatelyI can only select or diselect source from A1 to A6, But I cant select, for example, turn off A1 and A2, but source tracks from A3 to A6 still working
Currently, Adobe Firefly (Web version) lacks an effective way to manage or delete "failed generation" records. While successful images can be managed in "Your Stuff," failed prompts and blank placeholders resulting from errors remain in the history with no option to remove them.Furthermore, there is no manual option to clear the prompt history/suggestions in the input field. I suggest adding: A way to "Delete failed attempts" from the generation history. A feature to clear or manage the prompt history in the input field. Please add a "Delete" function to the options menu on the right for these failed generations.
When you have a complex project with many layers. Clicking on, lets say a text layer does not make it much easy to fint. Adding the abibity for AE to jump down in layer stack and highlight the layer would be a huge time saver.Bonus wish: Clicking the “top lock icon”, should unlock locked layers or lock all layers.
Hello Adobe! Sometimes I wanna turn on or off “toggle sync lock” function on the timeline, but will be great add this ability by using keyboard, as you did with “Toggle Track output fo all targerted video tracks”
The current PSD (or any layered file) importer only allows importing the entire document, or selecting a single layer from the document to import. For those of us that work with regularly updated PSDs that have many new layers added, this can be very cumbersome. My suggestion is to modify the PSD import function with the ability to check off boxes for layers to import, allowing the user to import a specific set of layers in one step.
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