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Add custom lut access in the new Colour panel
Feature Request: Keyboard Shortcuts for Graph Editor Fit CommandsSummary Please make the Graph Editor's "Fit all graphs to view" and "Fit selection to view" buttons assignable as keyboard shortcuts in Edit > Keyboard Shortcuts. Both functions already exist as buttons at the bottom of the Graph Editor, but neither can be bound to a key, and there is no scripting equivalent via ExtendScript.Requested change Expose both existing commands in the keyboard shortcuts editor so users can assign keys to them:Fit all graphs to view Fit selection to viewWhy this matters / use case When fine-tuning curves, I frequently disable Auto-Zoom Graph Height so I can zoom into specific regions of an F-curve. With Auto-Zoom off, the only way to reframe the view is to reach for the mouse and click the small buttons at the bottom of the panel — which breaks flow during detail work where the rest of the interaction (selecting keyframes, adjusting handles, nudging values) is already keyboard-driven. Shortcuts would make these one-key actions and match how similar fit/frame commands work elsewhere in the app (e.g., Shift+/ to fit the composition).(Auto-Zoom Graph Height keeps the view fitted automatically, but it prevents manual zooming into specific areas, which defeats the purpose for detailed curve work.)Thank you so much!!
Users of Blender will feel right at home.While changing something it's common to feel like this action is unnecessary. So after it's done all of us just use ctrl+z.But there is a great alternative that saves time: while changing any value just press right mouse button and return to where you were.It can also be used when entering a number in any box or moving/rotating/scaling an object in the viewport.
I marked many photos to create previews and changed star rating of thousands of photos without noticing right away. Using the “edit/ go back one step” functionality wasnt too helpfull, because it didnt gave me enough info about the steps. A history menue like the one in the editing menue would be helpfull to go back a few steps when working in the library module.
Illustrator has done it right.- dragging guides out of the rulers is easy- guides snap and show relations via smart guides- guides can be selected and moves via the keyboard & the position value can be easily adjusted in pixels- smart guides help when positioning and resizing layers- snapping helps to change the origin for the ruler- elements snap to guidesIts also an Abobe tool, so please copy this behaviour over. In comparison illustrator feels like a very old, outdated software, even though you obviously know how to do it right.Cheers
こちらの動画(Where Curves Went and What Replaced Them | Adobe Premiere Color Mode (Beta))を拝見しましたが、やはりカーブを調整する機能はあって損はないものだと思います。 たとえば、下記GIF動画のようなRGBそれぞれのカーブ調整で色味を変えつつ、全体のコントラスト感を整える操作を新しいカラーモードで行おうとした場合に、直感的にできる良い方法が思いつきません。 また、色調は変えずに明るさとコントラスト感を整えたり、ハイライトを抑えたいといった場合にも、カーブなら暗部からハイライトまで手軽に直感的に滑らかに調整することができました。 是非「RGBカーブ」機能の搭載をご検討いただけましたら幸いです。 よろしくお願いいたします。
With AVIF being supported in modern web browsers the need for AVIF as a save as option or export to option would be very helpful. For those of us that still use Photoshop as a primary graphic editor (even for simple web sites) this will become more and more important as JPG's are replaced.
I would need a 48fps (HFR) sequence setting and export possibility.It does not seem possible in Premiere pro 24.2
Right now the only way to create a new project is with a blank project or video files. I actually start my projects by laying down the vocals first and then I start working on the video.Right now I have to add each audio file 1 by 1. My latest project as 50 audio vocal files…I’m pretty sure we had the ability to import multiple audio files with in the last 3 or 4 months. I don’t know what happened to that.Thanks,Arthur
I often taking HDR screenshots on XBox Series X gaming console and on my PC with 4K HDR monitor!Those pictures look amazing and they are higher display quality than usual PNG or JPG images. Can’t compare.But I can’t edit them in Photoshop for what I’m paying Adobe CC subscription each month. I hope that Adobe responsible team for this feature be able to make. Photoshop can edit or make some HDR file formats but not a .JXR format files.I would like that developers, implement JXR files support in Photoshop.Thanks.
Hi, please add a one-click "Match Sequence to Clip" option for existing sequences (to automatically match resolution and frame rate to a selected clip).Also, allow custom presets inside Sequence Settings (Editing Mode list) for faster switching between formats.This would greatly improve workflow speed.
From what I’ve seen (and I’d be delighted to be proven wrong), since cloning and paint have to occur in the layer viewer, there is no way to actually see the composition while working on these things. (You can/have to open a second viewer and watch there, but that should not be considered an acceptable workaround.) These features should either be able to work on layers while still in the composition viewer, or there should be some way to view the entire composition while in the layer viewer. This is one of those “how-the-heck-haven’t-they-fixed-this-after-20-plus-years” things.
We need to be able to go from a transcript clips/paper edit to a finished timeline automatically.
Hi guys,It often happens that when I have a layer selected and switch focus to its mask to paint, if I make a mistake and press Undo, the focus automatically jumps back to the main layer. If I don't notice it immediately, I start painting on the layer itself instead of the mask.My colleagues and I all face this same issue. The "Undo" command shouldn't change the selection target. While this behavior might be handy when going back many steps in history, it’s very annoying when you are simply painting on a mask.I’ve noticed that this happens frequently, though not every single time. Could we have an option in the Preferences to toggle this behavior?Something like: [ ] Include focus/selection change in Undo history
I would like the option to pin or lock sequence tabs at the top of the timeline.Often when I switch between sequences, I close one by accident. There is no ctrl-t option like in most browsers or softwares. So an option to pin or lock the tabs could solve that. Obviously a ctrl-t option to re-open the recently closed tab would also solve this.
We embed captions on the data track of a MXF file in an AVID interplay environment. We encode the MXF in Premiere for faster and more controlled export but the data track doesn't import natively.. Our work around is to export an SCC file from Avid, import into Premier and realign captions.
Feature request: Quick 1:1 scale resizing using known measurementsIt would be extremely useful if Photoshop had a simple, discoverable way to resize an image to true 1:1 scale based on a known real‑world measurement.For example, a user could use the Ruler Tool (or similar) to measure a known object in the image (such as a physical ruler), manually enter the real‑world length, and have Photoshop automatically scale the image accordingly—either with resampling or by adjusting resolution only.This would greatly improve workflows for digitisation, archival imaging, product photography, and technical documentation, where accurate physical scale is essential.
I would like to be able to “replace footage” with anything from within premiere thus having ‘footage be more abstract’. Current Limitations: Replace footage only applies to footage on disk. Improvements: Replace footage with anything already imported. It should just become a reference and behave similar to ‘replace with Clip from Bin’ but on a project level. I would like to be able to swap anything with anything within the project window: ie. Source footage with a sequence, subclip, AE project, imported image etc. and vice versa. A piece of ‘footage’ should become more abstract. Maybe all footage should get an additional ‘container’ with a basic timeline where you can manually drag in a new source and handle the duration etc. ‘Footage’ then can never be used in timelines directly only through the ‘containers’. Your edit is then totally independent from your source footage and you can swap the actual footage in the container and modify it if needed. This allows you to macro manage your whole project. You could put everything from ‘modify clip’ (interpret footage, etc) in this container. Basically how you deal with this reference throughout the project. Usecases: - Footage within a Graphic (note: NOT graphic templates) cannot be swapped currently, thus one can only replace the source footage from a file on disk and NOT assign a different Clip/Subclip from the project, making native graphics not reusable unless you render all to disk and replace every clip (destructive workflow) and creates unnecessary bloat. - replace footage with a already imported image, video, sequence, project. - adjust your footage in a container before it gets used: scale to frame, crop, rotate, color manage, - grade on a project level at once, then overwrite / micro adjust in the timeline itself. - Video size is no longer a consideration when editing in a sequence. - you can fix footage before it is used (using AI). considerations: - self reference: possible parent child relationships that could cause a cycle. - option to pre-render sequences or subclips when swapping, keeping the link to the source and option to update from source (simular to offline footage). Thank you
3D scene and characters with bones. Similar to iclone and DAZ 3D to control frame by frame video output. Poses will be sent as images for firefly to generate consistent video scenes.
Fotos de arquitetura normalmento preconiza uma boa composição onde temos a necessidade de retirar elementos que destoam. Gostaria que a IA pudesse fazer essa analise previa nas imagens. Além disso seria bem vindo a correção automática de perspectiva preconizando a paralelidade dos elemento retos quabdo acontecem
i can only type about 300 words in veo 3.0 video generation please upgrade it more so we can easily explain also Kling 3.0 is always saying error with big prompts also sometimes it doesn’t take 300 words prompt
Quanto tempo si perde, dopo aver esportato le foto, nel raccoglierle e organizzarle in cartelle, suddividendole e raggruppandole per non disperderle in folder contenenti centinaia di file? Il modulo di esportazione di LrC permette di esportare contemporaneamente immagini da molte sorgenti. Usando le esportazioni batch anche in molti formati diversi, ma sempre e solo verso un unica destinazione. Non sarebbe utile poter applicare una logica di esportazione flessibile e articolata come quella d’importazione?Uso LrC dal 2007 e gestisco collezioni di centinaia di migliaia d’immagini, organizzate in cartelle e sottocartelle con molti livelli di profondità. Conservo i file originali (convertiti in DNG) e spesso li riprendo per rielaborarli per utilizzi e pubblicazioni sempre diverse. Per valorizzare l’ordine con cui sono suddivisi i file ho sempre trovato utilissimo un semplice plugin donationware sviluppato da Timothy Armes chiamato LR/TreeExporter.Con questo strumento posso esportare interi archivi e ritrovarmi con le foto organizzate in maniera precisa e strutturata, con una gerarchia di cartelle e sottocartelle uguale a quella dove conservo i negativi digitali.Il plugin LR/TreeExporter funziona molto bene, anche se non viene più aggiornato da molti anni. Potrebbe essere incorporato in LrC? Il mio timore ad ogni aggiornamento è che smetta di essere compatibile e quindi di perdere questo fondamentale strumento.Ecco un esempio del risultatoInoltre potrebbe essere utile applicare la stessa possibilità all’esportazione di Raccolte: se ho raggruppato dei file DNG in un sistema di Raccolte e Set di Raccolte vorrei poterli esportare rispettando questa organizzazione.Ecco l’interfaccia di LR/TreeExporter
I often find myself needing to sync multiple (20+) shorter clips to a longer clip, and currently I have to manually put the video clips onto separate channels, as well as the audio onto individual channels, then the sync is possible. This takes a very long time, and is very frustrating having to resize the timeline window to accommodate it all.
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