Product ideas

10000+ Ideas

unhekKnown Participant

P: alt+right click drag resize opacity lockReleased

Would be great to have an option that will lock opacity when resizing my brush with alt+right click drag, There is one for brush hardness, but never found one for opacity!

Forum|Forum|5 months ago

Joost van der HoevenCommunity Expert

Native support for Affinity.af filesOpen for Voting

*feature request*Blackmagic announced support for drag and drop .af files into DaVinci Resolve, including access to individual layers via “Split Layers into Place” in Fusion. Much like the way Resolves supports .psd files. I’m receiving more and more affinity files. Would be good if Ae and Pr supported .af natively too. Now I need to open the .af in Affinity and use the save as psd option.

Forum|Forum|5 months ago

smiff1000Participant

reference image/video option for subject and background for image to videoOpen for Voting

When using an image or first frame/last frame image reference for image to video, it would be very useful to add an option to upload a subject reference.So in practice I have an environment image reference, and I want to add a specific effect to the space, or a specific character. or even a consistent effect/character for use in other generations. Currently its trial and error each time to try and find the correct prompt. Would additional references be possible? For instance a picture of the kind of character I want, or a video of the kind of effect?Specific example: I rendered a 3d start and end frame image of a room interior. I wanted to animate the trees outside the window blowing in the breeze, or the sunlight casting shadows on the floor, or a person walking through the room.It took a lot of trial and error to get the trees looking correct, but eventually managed it. I gave up on the sunlight effect since I was burning through credits, and I managed to get the character walking through the room, but on the next generation it was a different character even with the same prompt. I think video references for the effect might have helped, and image references for the character might give some consistency.Additionally, I wonder if theres a way to specify which area of the image to edit in the video, by a grid ref over the image for example. Whilst attempting to add the shadows and moving trees I lost count of the amount of times I had tree branches and leaves flying through the room nowhere near the windows.

Forum|Forum|5 months ago

alexm89154847Participant

Shared Device License Automatic UpdatesOpen for Voting

SDL instances have to be kept up to date manually as the automatic updates cannot be set during the installation and change depending on what account is signed in to the CC app. We need a way to set the updates/version upgrades to download and install automatically. I should be able to set this behavior when creating the installer and set it so that non-admin users cannot change the behavior after installation. I should be able to schedule a window for these updates to take place within when the computers are not in use in the installer as well. Your current lack of this feature means that we cannot use our device licenses to the extent we intended because of the management workload to keep them updated. This applies to all adobe apps (not just Photoshop) but I was forced to select a category below.

Forum|Forum|5 months ago

Jo Anna Riedemann

Dr Jo Anna ParnesOpen for Voting

What a very deceptive finding today! As I have paid for 8 years for Adobe Acrobat services! guess what!! I have paid with my Apple Id, without fail. i just learned this app bundle is from a 3rd party! live chat disconnected immediately without assistance! unable to attempt to resolve because now timed out!

Forum|Forum|5 months ago

Edward RochevParticipant

Remove "Solids" folderOpen for Voting

Maybe I`m wrong on this one, but so far in three years I`ve worked with AE I never really understood why making Null object, Solid or Adjustment layer creates a folder in Project panel. Those are internal objects like Light, Camera or Shape but creating them doesn`t make them appear in this folder like it`s an external media file.Is there any upside for this behaviour? Or making this folder “invisible” in a panel would make no difference?

Forum|Forum|5 months ago

CthauserParticipant

Render in place and create a new video clip to replace the rendered the rendered effect/videoOpen for Voting

We use Premiere as part of a newsroom workflow with Mimir.The two function very well together except in one area, rendered effects and HEVC/HEIC/HEIF formats.When directly uploading to Mimir from a Premiere sequence, any video or pictures in high efficiency formats will display an error message when being broadcast.The same is true for effects like warp stabilizer and other effects needing rendering.My idea is to allow a user to select “render in place and create new video clip” or something to that effect.It would allow a user to render the effect or high-efficiency clip and replace it with a user-selected video format and replace it on the timeline.The only way we can guarantee a rendered effect or high-efficiency clip will play correctly is to export the sequence to a local drive and then upload to Mimir.I think many users will find this feature beneficial.Feel free to ask any questions about workflow or any other needed information.

Forum|Forum|5 months ago

Edward RochevParticipant

Timeline columns improvementsOpen for Voting

There are two QOL improvement suggestions for columns in timeline.First, I recommend erasing “No Matte” & “None” from Track Matte and Parent columns so it will be much easier to search for dependencies when working with A LOT of layers.Secondly, in the Layer Switches panel there's a small gap at the end of it which also can be resized but doesn't make anything wider aside from the gap. It's common when you switch between devices (PC, laptop) and these columns appear in different sizes on the same project, so you have to always adjust it so it doesn't take up necessary space from the timeline.

Forum|Forum|5 months ago

Edward RochevParticipant

Make numeric field widerOpen for Voting

Whenever you're changing a percentage, position, or any value field, it's too short to show the whole number. I really hope you'll make it bigger so you don't need to use arrow keys to see the start/end of it.

Forum|Forum|5 months ago

Rix BackParticipant

Disable Rich Tooltips / Hover Panels in Photoshop 27.xOpen for Voting

Photoshop 27.x forces large hover tooltip panels (e.g., Generative Fill) with no option to disable them. These appear across tools and interfere with normal workflow. Previous versions allowed turning off “Rich Tooltips,” but that control has been removed. Please restore a simple preference to disable these panels.

Forum|Forum|5 months ago

BrettAlexander.StudioParticipant

Feature Request: Smart Frame Rate Handling Tool for Mixed Frame Rate WorkflowsOpen for Voting

Description: As a professional editor in television production, I often work on projects involving footage shot in varying frame rates (e.g., 24p, 30p, and 60p....ect). While I appreciate Premiere Pro's existing tools like Frame Rate Interpretation and Optical Flow, managing mixed frame rates within a single timeline can be time-consuming and requires extensive manual adjustments, particularly with high-motion footage such as drone or action camera clips. --- Problem: When footage with mismatched frame rates is added to a timeline, the current workflow requires manual interpretation, time interpolation settings, and trial-and-error testing to ensure smooth playback and motion consistency. This process can result in judder or artifacts, especially with motion-heavy clips, and takes time to resolve. --- Proposed Solution: Introduce a Smart Frame Rate Handling Tool that automates and streamlines this process. Key features could include:   1. Automatic Detection and Prompt: When importing or adding footage to a timeline, Premiere could detect mismatched frame rates and offer options: Match timeline frame rate using Optical Flow or Frame Blending. Maintain original playback speed without dropping frames. Convert for slow motion if desired.   2. Global Frame Rate Preferences: Allow users to set a default behavior for handling mixed frame rates (e.g., always apply Optical Flow, Frame Blending, or maintain native frame rates).   3. Dynamic Warnings and Fix Options: Provide subtle notifications when a clip with a different frame rate is added, along with a one-click “Fix Now” option to apply the chosen optimization.   4. Optimized Presets for Motion-Heavy Footage: Create presets tailored for drone footage, action cameras, or other high-motion content to minimize judder and ensure smooth playback automatically. ---   Benefits:   This tool would: Significantly reduce time spent adjusting mixed frame rates manually. Improve consistency and quality for projects combining footage from multiple sources. Empower editors to focus on creative storytelling rather than technical troubleshooting. ---   Industry Impact:   Mixed frame rate workflows are increasingly common in industries like television, advertising, and social media, where footage often comes from various sources. Automating this process would enhance Premiere Pro’s value as a professional editing tool and address a key pain point in modern production workflows. ---   Thank you for considering this idea. I believe this enhancement could benefit a wide range of Premiere Pro users and further cement its reputation as the leading software for professional video editing.   Sincerely, Brett

Forum|Forum|5 months ago

Haidar KarimInspiring

Pin text layer to a tracked mask from other clipOpen for Voting

Can we have the ability of pining the text layer to a tracked mask (Unassigned Masks) so the text can move along with the tracked mask.Or you give us the ability to track features on the screen and review them at [Tracking Panel] so you can link them to any layers (transform) text or clip.Linking any transform (text or clip) to any tracked feature on the timeline.

Forum|Forum|5 months ago

Sai Venkat25142639qge8Participant

Feature for Auto updates disable for Adobe Creative Cloud Desktop applicationOpen for Voting

Currently, from adobe we don't have any commands to manage the adobe creative cloud desktop application for to disable the auto updates. As most of the Organizations manages the updates by themselves and in our organizations we have 6000+ users affect by this non functionality. Can you please implement this feature as this is great help us to manage the adobe creative cloud desktop as well.

Forum|Forum|5 months ago

FeedbackCommunityMemberInspiring

P: Don't understand the undo/redo systemReleased

Unlike most modern apps, Photoshop only has a single "undo". If you press command-z a second time, Photoshop will redo the change instead of continuing to undo. Not even Illustrator or InDesign works this way at this point. To work around this issue, I customize my keyboard shortcuts to use "step backward" (command-z) and "step forward" (command-shift-z). For the most part this works great and I've been very happy with it. But it brings up a new problem: if I change the selected layer, then press command-z ("step backward") then the layer change is undone as well. This is a constant frustration for me, and it seems there's no solution to get both the behaviors I want. To me, there are two possible ways to fix this problem: • Adopt a standard undo/redo system with multiple levels of undo/redo • Make layer selection a separate step in the history Personally I don't care that much, I'd be happy with either. But adopting a standard undo/redo system makes more sense to me, for consistency amongst the CS apps (as well as other apps). Perhaps it could be an option if there's disagreement over what works best for people.

Forum|Forum|5 months ago

Shivakumara98A4Participant

if user takes image through modification, at the end it will be nice to see the images side by sideOpen for Voting

When I asked it to compare the images before and after, I get the following message. It will be really nice to see before and after once the modifications are complete. “Unfortunately I can't display two images side by side in this interface, but you can compare by scrolling up to the very first image in our conversation against the most recent one. The difference should be quite striking!”

Forum|Forum|5 months ago

Roland KahlenbergLegend

Feature to convert Expressions to FFXOpen for Voting

Based on my extensive, house-to-house, global research - each After Effects user has about 12 billion Expressions, in text files, scattered on their systems.Converting these text files to FFXs is a good step upwards to making these Expressions more easily deployed and this accounts for the new/old Quick Apply feature; to increase its efficacy. A huge issue is the sheer number of text files involved - so, I was wondering if TeamAE is able to provide a Script UI to convert Expression Text Files into FFX. The Script UI would include relevant checkboxes and perhaps drop menus to allow for tagging each Expression and for renaming purposes.

Forum|Forum|5 months ago

Rdb.PhotoParticipant

P: Adaptive AI Denoise: Intelligent Grain Analysis and User Preference LearningOpen for Voting

The current AI Denoise implementation uses a static default value (50) and requires manual activation per image or batch. This is inefficient for professional workflows: Unnecessary Processing: Currently, Lightroom doesn't distinguish between a clean photo and a noisy one when syncing settings. It applies Denoise even if the image doesn't need it, wasting time and storage. One Size Doesn't Fit All: Every photographer has a different "noise tolerance." Some prefer a clinical, smooth look, while others want to preserve some natural grain for aesthetic reasons. I propose a smart and adaptive AI Denoise system with the following capabilities: Noise Detection: The AI should first analyze the image to determine if Denoise is even necessary. If the image is clean, it should skip the process or apply a 0% value. Intelligent Auto-Intensity: Instead of a fixed number, it should calculate the minimum intensity required to clean the specific grain of that file without washing out textures. User Preference Calibration: Allow users to set a "Noise Tolerance" profile. The AI would then modulate its intensity to match the user's specific style—learning whether the user prefers total smoothness or a film-like grain retention. This would transform AI Denoise from a manual "fix-it" tool into a background intelligence that ensures a consistent, personalized look across thousands of photos with zero manual intervention.

Forum|Forum|5 months ago

Sammy Red the Betta FishKnown Participant

Can you put back the Essential Graphics panel in Adobe Premiere Pro 2026Open for Voting

Hi There, can you please put back the Essential Graphics panel in Adobe Premiere Pro 2026 Thanks Kevin

Forum|Forum|5 months ago

21NikoletaParticipant

Add Greek language support for Speech-to-Text / Auto-CaptionsOpen for Voting

I am a professional editor and I need Premiere Pro to support the Greek language for automatic transcription and captions. Currently, Greek is missing from the language packs, forcing us to use third-party tools or manual work. Please prioritize adding Greek to the supported languages for Speech-to-Text in Premiere Pro 2025. It is a vital feature for the Greek creator community.

Forum|Forum|5 months ago

Barry RudickInspiring

Bridge: show dimensions in inches at exact sizeOpen for Voting

Going all the way back to the beginning of Bridge, I have always wondered why Thumbnails, dimensions in inches, does not show exact numbers. It is always rounded up from a tenth of an inch. Example: a file described in Bridge shows a file as 15.2x22.6, yet when opened in PS it is 15.2x22.527.I assume it is to save visual real estate but it requires opening every file to confirm exact dimensions in inches. We often make print files with a fine black line around the image. So a 16x20 will show up as 16.1x20.1 with only 6 pixels added around for trimming. It assumes that we are good with the "estimated" numbers. Having exact dimensions allow checking for accuracy and consistentcy.

Forum|Forum|5 months ago

Maiara_SchParticipant

Por favor, preciso versão 23 do after effects, que suporta Rosetta.Open for Voting

Por favor, preciso versão 23 do after effects, que suporta Rosetta.

Forum|Forum|5 months ago

Hedda Gabler1Participating Frequently

Smart Auto-Organize for Layers and Assets in PhotoshopOpen for Voting

It would be really helpful to have an AI-powered feature that can automatically organize layers, groups, and assets based on content and naming patterns.For example, detecting similar elements (text, shapes, images) and grouping them intelligently, or suggesting cleaner layer names instead of “Layer 1 copy 5.” This could save a lot of time, especially in complex projects with dozens or hundreds of layers.An optional toggle or preview before applying changes would make it even more practical. Would love to hear if others feel the same or have ideas to improve this!

Forum|Forum|5 months ago

GregioriKnown Participant

workflow in bridge that keeps files adobeRGBOpen for Voting

#1 I like the workflow option in Bridge. It would be even better if it had an option to keep a photos colorprofile adobeRGB instead of making it sRGB. #2 Also it would be nice if the workflow could make preview jpg's from rawfiles WITH the adjustments made in rawconverter. If #2 is not possible it would be nice to have the option in export files (which do process the raw adjustments) to not only put the preview jpg in a new folder (wich it can do) but also rename it.

Forum|Forum|5 months ago

Rickard JaasParticipant

Add an AI-prompt tool that responds to all functions and commands in Premiere Pro.Open for Voting

Integrate a real useful AI-tool to Premiere Pro (and other softwares like After Effects) - Add an AI-prompt tool that responds to all functions and commands in Premiere Pro. For example you can type “Add a Gaussian Blur to all the clips in the timeline with the blur level of 50”. Think of all the possibilities and effective workflow this could contribute to!(And while we’re at it - integrate an AI-optical flow that competes with DaVinci Resolves optical flow)

Forum|Forum|5 months ago

TyleratTheCrossingKnown Participant

Adobe Podcast Integration or EquivalentReleased

The enhancement from (formerly Project Shasta) Adobe Podcast is AMAZING.  It transforms (most) bad audio into professional sounding audio and professional audio into beautifully-curated EQ'd and Compressed, pristine audio.  If you haven't tried it first-hand, you MUST give it a shot.  It could make you a believer. The good: For single-channel, vocal driven audio, there is literally nothing that sounds better to me.  The bad: 1. I have to export a Raw Waveform and submit it to the website. 2. I have to wait for the file to process. 3. If there are any anomalies that created unwanted compression/limiting/EQ, I have to keyframe the audio's gain in those parts and rinse and repeat until I get the result I want.  4. There are NO parameters to fiddle with, but the end result is usually 99% perfection, I kind of don't care: it is quickly becoming part of my editing workflow on every project.The hope: Whether the process could live locally on Premiere or whether it could live through an integration (maybe like the Auto-transcribe function), I would absolutely LOVE the ability to let the AI of Adobe Enhance process do its magic with less steps - maybe even something along the lines of the Remix feature (which is also an amazing feature).Anyone who has had first-hand experience with Adobe Podcast Enhancement will tell you: this is an AI goldmine for the novice and/or the rushed/impatient editor.  Integrating it better into Premiere and Audition and even After Effects would absolutely push it further ahead of the pack of competing NLE's.

Forum|Forum|5 months ago

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