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David J WoodKnown Participant

P: Support network tethering for post-2020 Sony camerasOpen for Voting

Lightroom Classic already supports USB tethering for a wide range of Sony cameras. Adobe uses Sony's proprietary PTP extensions, which are documented in Sony’s “Camera Remote Command” documentation.Sony has released an updated version of its “Camera Remote Command” documentation, which explains how to add PTP-IP network support for cameras supporting Camera Control PTP 3 (models released from 2020 onwards: A1, A1 II, A9 II, A9 III, A7R IV, A7R IVA, A7R V, A7S III, A7C, A7C II, A7CR and A6700).Please add PTP-IP support to the current Lightroom Classic tethering code, so that users of modern Sony cameras can tether their cameras by Wi-Fi, built-in Ethernet or a USB-C-to-Ethernet adapter (depending on the networking support in their camera).Not only would network tethering support be a worthwhile feature enhancement, but adding network tethering will help to overcome user frustration and Adobe’s support burden from the USB driver clash between Sony Imaging Edge and Lightroom Classic on Windows.

0
Forum|Forum|6 months ago
BrandonBB
BrandonBBKnown Participant

Contextual Tool Bar Shortcut KeyOpen for Voting

Contextual Tool Bar Shortcut Key. Allow for the Contextual Tool Bar to hide and reveal with a keyboard shortcut! 

1
BrandonBB
Forum|Forum|6 months ago
Serj Shtefan
Serj ShtefanParticipant

Native FFT (Fast Fourier Transform) Filter for Pattern, Texture, and Moiré RemovalOpen for Voting

I am writing to address a critical, long-standing gap in Lightroom’s toolset that has remained unresolved for decades: the lack of a native FFT (Fast Fourier Transform) filter.As a photo restorer and long-time Creative Cloud user, I frequently work with archives where physical paper textures—such as "silk," "honeycomb," or linen finishes—create repetitive patterns that severely degrade scan quality. While Lightroom has made incredible leaps with AI-powered Denoise and Generative Remove, these tools still struggle to distinguish between high-frequency noise and the structural, mathematical patterns of paper textures and digital moiré.The Problem: Currently, to remove periodic patterns or heavy moiré interference, we are forced to export files to Photoshop and rely on outdated, third-party 8-bit plugins or complex manual workflows. The current "Moiré" slider in Lightroom is often insufficient for deep texture patterns and lacks the precision that an FFT-based frequency domain approach provides. This breaks the non-destructive RAW workflow that is the core of the Lightroom experience.The Solution: In an era of "Neural Filters," a mathematical FFT implementation is long overdue. Integrating a "Pattern Suppression" tool based on FFT directly into the Masking or Detail panel would: Allow restorers to neutralize paper textures and complex moiré without losing essential image details or sharpness. Maintain a fully non-destructive workflow for high-volume archiving and professional retouching. Finally solve a problem that the community has been requesting for over 20 years. We don't just need more generative features; we need professional, fundamental tools that handle the reality of physical photo restoration. It is time to listen to the restoration community that has been waiting for this since the early versions of Lightroom.Please consider making FFT a native part of the Lightroom ecosystem.

1
jane-e
Forum|Forum|6 months ago
tkusmick_ea
tkusmick_eaParticipant

Premiere Pro UXP DOM API: No way to add or rename tracksOpen for Voting

Currently, the VideoTrack and AudioTrack classes expose a read-only name property but provide no way to rename tracks programmatically. In ExtendScript/CEP, track renaming was straightforward via direct property assignment (app.project.activeSequence.videoTracks[i].name = "newName"), but this capability has no UXP equivalent.Requested API:Add a createSetNameAction(inName: string): Action method to both VideoTrack and AudioTrack, consistent with the existing Action pattern used by AudioClipTrackItem.createSetNameAction, VideoClipTrackItem.createSetNameAction, and ClipProjectItem.createSetNameAction.Thanks!

0
tkusmick_ea
Forum|Forum|6 months ago
shifasali
shifasaliParticipant

Mobile Notification for Export Completion in Adobe Premiere ProOpen for Voting

I would like to request a feature enhancement for Adobe Premiere Pro and Adobe Media Encoder.Currently, when exporting videos, users receive completion notifications only within the desktop environment. For professionals handling multiple exports or working on high-volume projects, it becomes difficult to constantly monitor the system.Requested Feature:A mobile notification system that alerts users when an export is completed.Suggested Implementation Options:Push notifications through the Adobe Creative Cloud mobile app Integration with email or SMS alerts Webhook or API support for third-party automation tools Optional desktop-to-mobile sync via Adobe accountUse Case:Content creators, agencies, and video editors often export multiple files daily. This feature would allow them to:Save time by not checking the system repeatedly Improve workflow efficiency Manage exports remotelyAdditional Suggestion:Allow users to enable or disable this feature and customize notification preferences.This enhancement would significantly improve productivity, especially for professionals managing large-scale video production workflows.

2
Forum|Forum|6 months ago
RobBarrett
Community Expert
RobBarrettCommunity Expert

Add keyboard shortcut to allow interacting with the UI while in the expression editorOpen for Voting

Often while writing an expression, I'll need to refer to a property that isn't currently visible. In this case, I have to leave the expression editor to twirl down properties, and then have to open the expression editor again and find where I left off (and potentially have to resize the editor again).   It would be helpful, while the expression editor is active, to be able to hold down a key (eg. Alt), allowing the user to interact with other parts of the UI without closing the editor.

1
RobBarrett
Community Expert
Forum|Forum|6 months ago
RobBarrett
Community Expert
RobBarrettCommunity Expert

Shortcut to allow UI interactions while pickwhippingOpen for Voting

Currently, if you’re pickwhipping and you need to access a property that’s hidden, then you need to stop pickwhipping, open up the property, and then pickwhip again.It would be helpful to be able to hold a designated key to temporarily suppress the pickwhip, allowing you to interact with the UI (eg. twirl open properties, unshy layers, or open another comp), before continuing to connect the active pickwhip.The above is an example for the expression pickwhip (where this would be most useful), but this would also be applicable to layer pickwhips and matte pickwhips (eg. if you need to unshy layers).

0
RobBarrett
Community Expert
Forum|Forum|6 months ago
narisanKnown Participant

Feature Request / Feedback: Mask Editing Behavior in Premiere ProOpen for Voting

I would like to request improvements to the mask editing behavior in Premiere Pro.Currently, when editing a mask, double-clicking allows entering a mode where individual vertices can be adjusted, and keyframes can be added to the mask path. However, in this state, if I drag the entire mask to reposition it, the movement is applied as a “Transform (Position)” change instead of updating the mask path itself.This leads to the following issues:If there is a previous keyframe far back in time, the position animation starts interpolating from that earlier frame Movements that should be treated as mask path adjustments are instead treated as position changes This often results in unintended and difficult-to-control animationsIf I am in mask path editing mode, I believe moving the mask should be recorded as mask path keyframes, not as transform position changes.Additionally, the system should take into account the previous mask path state, including any vertex adjustments, position, and scale changes.I understand that this behavior may be influenced by After Effects. However, for more complex animations, After Effects is a much more efficient tool. Premiere Pro should prioritize intuitive and straightforward editing workflows.Personally, I am currently using both the latest and previous versions in parallel, but I know editors who have switched to other editing software due to these kinds of changes.Also, the recent change that fixes zoom behavior to the mouse wheel has significantly reduced usability for me.I would appreciate an option to customize or toggle this behavior in the settings.

1
Forum|Forum|6 months ago
TheKhamisiProjectParticipant

Return Navigational Arrows To The "Edit" section of the "Firefly Image 4" ModelOpen for Voting

Though Adobe Firefly has a long way to go, it’s “Firefly Image 4” model actually yields pretty decent results (if prompted correctly), so I use it often. Unlike the other models, it outputs four pics instead of just one. I would click on any of the four pics, and it would take me to the “Edit” page, where I could quickly navigate through those pics, using the navigational arrows that USED to be there.. However, at some point in Firefly’s update history, they decided that we didn’t need these navigational arrows.🤦🏽WTF, ADOBE - PUT THE NAVIGATIONAL ARROWS BACK. What tf is wrong with your UX team?? Which one of y’all decided that we no longer needed navigational arrows???? I am truly baffled. I honestly don’t understand how ANYBODY thought this was a good idea.  This might not seem like a big deal, but for me, it absolutely is, because “workflow” is important when I’m creating, and there is nothing more aggravating than software that INTERRUPTS my workflow, rather than aiding or enhancing it. Now, when I click on a pic, and it takes me to the “Edit” page, I have to go BACK to the “Generate” page JUST to select another picture. It’s MADDENING. WHY would you cripple the software like that?? in 2026?????? Folks are paying y’all WAY too much money for impractical SaaS. The UI could be better, but it’s sufficient. The UX, however, SUCKS - this is NOT how human beings actually work. 😠

1
Kartika Rawat
Forum|Forum|6 months ago
Serj Shtefan
Serj ShtefanParticipant

P: Need for a Native FFT Filter to Combat Paper Texture and MoiréOpen for Voting

Native FFT (Fast Fourier Transform) Filter for Pattern, Texture, and Moiré RemovalI am writing to address a critical, long-standing gap in Lightroom’s toolset that has remained unresolved for decades: the lack of a native FFT (Fast Fourier Transform) filter.As a photo restorer and long-time Creative Cloud user, I frequently work with archives where physical paper textures—such as "silk," "honeycomb," or linen finishes—create repetitive patterns that severely degrade scan quality. While Lightroom has made incredible leaps with AI-powered Denoise and Generative Remove, these tools still struggle to distinguish between high-frequency noise and the structural, mathematical patterns of paper textures and digital moiré.The Problem: Currently, to remove periodic patterns or heavy moiré interference, we are forced to export files to Photoshop and rely on outdated, third-party 8-bit plugins or complex manual workflows. The current "Moiré" slider in Lightroom is often insufficient for deep texture patterns and lacks the precision that an FFT-based frequency domain approach provides. This breaks the non-destructive RAW workflow that is the core of the Lightroom experience.The Solution: In an era of "Neural Filters," a mathematical FFT implementation is long overdue. Integrating a "Pattern Suppression" tool based on FFT directly into the Masking or Detail panel would: Allow restorers to neutralize paper textures and complex moiré without losing essential image details or sharpness. Maintain a fully non-destructive workflow for high-volume archiving and professional retouching. Finally solve a problem that the community has been requesting for over 20 years. We don't just need more generative features; we need professional, fundamental tools that handle the reality of physical photo restoration. It is time to listen to the restoration community that has been waiting for this since the early versions of Lightroom.Please consider making FFT a native part of the Lightroom ecosystem.

0
Serj Shtefan
Forum|Forum|6 months ago
dbeaty2Inspiring

Batch Editing Speaker Names in TranscriptsOpen for Voting

I have a documentary with a voice over artist that edits his takes as individual wav clips. So I have a folder with over 100 VO clips. I can transcribe these to do Text based Editing. But I can't find a way to change ALL the hundreds of clips of the same voice Speaker Name to the narrator. It seems this would be metadata? I can't find Speaker in any of the metadata lists unfortunately. So I guess its saved outside the actual clip within the transcipt.  I'd like to be able to change the speaker of all clips I select as a batch function. In some cases this would cause problems when there are multiple speakers, so it would have limited use to clips that are all the same person. But still a very usuful feature.  

6
Forum|Forum|6 months ago
Travis24635247j1h9Participating Frequently

Artboards for iPadOpen for Voting

It would be great to have the ability to create and work with artboards in Photoshop on iPad. 

4
Naira M
Forum|Forum|6 months ago
Mark Graf
Mark GrafParticipant

Why can't a website be added in content credentials?Open for Voting

It is still not clear why someone's brand for their work has to be associated with some third party platform.  Why not allow someone's domain name/website?  Verification can be done like it is on platforms like Mastodon or Bluesky.   This way your brand is independent of any big tech account and you control it, not some platform.   This is where CR will fail for creators if it is not made independent of a social account.

1
Forum|Forum|6 months ago
IBRAHIM VLLAHIUParticipant

P: Ability to search presetsOpen for Voting

Hello Adobe Community.I have a request for you or, let's say, a super suggestion. An idea came to me, and i wanted to share it with you because it would be a super convenience for creators who work with photos all the time and are quite busy. My request is that in the Camera Raw section in Photoshop, a window be created where we can search by name for the presets we want to use quickly so that we don't waste time looking for them.I would be very pleased if my request is considered by you, and I would be even happier if in the next update, you could create a window to search for Presets more easily to save our time. Thank you very much.

3
taylor_2217
Forum|Forum|6 months ago
FeedbackCommunityMemberInspiring

P: Add Liquify ToolOpen for Voting

Please, oh please, add a simple liquify or warp tool to the Q panel! Wedding photographers adore Lightroom, but round-tripping 1500 photos over to CC just to give errant armpits and dress straps a five-second cleanup is an enormous bog. Lightroom, I love you. This is all I ask to make my world complete. Please, we beg of you, let us move some pixels!

29
Rikk Flohr-Retired
Forum|Forum|6 months ago
danilouphotoParticipant

Lightroom Liquify Brush PleaseOpen for Voting

As a wedding photographer, I rarely have to leave lightroom now to edit photos thanks to skin editing being easier with the texture tool... super helps with the work flow. Literally the only thing I have to go to photoshop for is liquify... seems like it would be easy enough in my mind to have a liquify brush in lightroom (basic pinch or expand)? PLEASE ADOBE! 🙂

1
Rikk Flohr-Retired
Forum|Forum|6 months ago
RachelWood05Participant

Come on Adobe, We need liqify in Lightroom already!Open for Voting

Came here to rant about Lightroom not having a liquify tool, is anyone else frustrated by this?! I have switched over to Lightroom from Photoshop to try and cut my post processing time down and I am finding it so frustrating not to have a liquify tool. I provide my clients with colour and black and white images from their sessions. So now I have a predicament, when someone in an image needs a little touch up to a double chin, or arm flab, etc, I now have to either liquify both the colour and black and white jpegs and try to get them to match, or export all the RAW colour files, liquify the few that need it in colour, and then import the JPEGs back into LR for a quick convert to black and white. OR send all the RAWs into PS for the few that need a touch up and do my black and white conversions in there. Thus somewhat defeating the purpose of speeding my editing time up using LR.  If anyone has found a way around this can you please enlighten me?Sincerely,A Frustrated Photog 

1
Rikk Flohr-Retired
Forum|Forum|6 months ago
jonanderson1
jonanderson1Participant

P: Ability to create grid thumbnails in bulkOpen for Voting

Would like the ability to create the grid thumbnails in grid mode outside of generating standard previews. It’s my understanding these are separate 160x106px previews. This is helpful with large collection - for example after clearing preview file. Right now, the only option is to scroll the grid view and wait for them to populate. I’ve pulled the Lightroom window out to make the window extra extra extra wide to save in having to scroll to generate, but this obviously isn’t ideal. Thank you!

1
jonanderson1
Forum|Forum|6 months ago
jeffChan TW
jeffChan TWParticipant

Search image in Firefly, then can use the prompt to gen imagesOpen for Voting

Can search for the type of images you want to generate, and then use the prompts of these images as templates to generate your own images. This makes Firefly a more efficient tool for generating AI-generated images, essentially an AI version of Stock.

1
Kartika Rawat
Forum|Forum|6 months ago
WeezypainInspiring

Film impact transitions as effects instead!Open for Voting

I would love to be able to use the film impact transitions as effects, example would be glitch or kaleidoscope. I know of a few tricks to kind of make that work by using adjustment layers and splitting them in half and pulling the handles past the clip beneath, but please tell the devs we would all love to use those transition effects as actual effects.  If you guys can make this happen I promise to be your best friend. Thanks.

1
Kartika Rawat
Forum|Forum|6 months ago
Jruterh
JruterhParticipant

Granular Control for "Recent Files"Open for Voting

The current "Recent Files" implementation in Photoshop and Illustrator follows a rigid "all-or-nothing" logic. Professional users need the ability to curate this list to maintain a focused, clean, and secure workspace. This isn't just about privacy; it's about removing "workflow noise"—files opened for quick edits, assets used once, or outdated versions that clutter the dashboard and slow down navigation.The Problem: Currently, the "Recent Files" list is a chronological log rather than a managed workspace. This leads to several issues: Workflow Clutter: Opening a dozen small assets for a quick task pushes important, long-term projects off the list. Version Control Confusion: Multiple iterations of the same file appear as identical thumbnails, leading to accidental openings of the wrong version. Privacy & NDA Risks: In screen-sharing or over-the-shoulder client sessions, sensitive or unrelated projects are exposed with no way to hide them without wiping the entire history. Non-Relevant Assets: Assets opened via Bridge or Lightroom for a "round-trip" edit stay in the Recents list forever, even if they were only needed for a 30-second adjustment. Suggested Solutions: Selective "Remove from Recents": A simple right-click option on any thumbnail to remove it from the list immediately without deleting the source file or clearing the entire history. "Pin" Critical Projects: The ability to pin specific files to the top of the Recents list so they aren't pushed out by minor tasks. One-Click "Presentation Mode": A toggle to instantly blur or hide the Recents panel for screen-sharing or client meetings, maintaining professionalism without losing one's history. Auto-Filter by Type: Options to exclude specific file types (e.g., .PNGs or .SVGs) from appearing in Recents, keeping the list dedicated to main project files (.PSD/.AI). Benefit: Implementing these features would transform the Home Screen from a passive history log into a powerful, professional dashboard. It enhances user productivity by reducing visual clutter, improves security for professionals under NDA, and gives users the same level of control over their "Recent" list that they already have over their Layers and Assets.

0
Jruterh
Forum|Forum|6 months ago
4491t4491
4491t4491Participant

イラストレーターOpen for Voting

画像が生成されない、いくら生成しても問題があるとなんども表記される

1
jane-e
Forum|Forum|6 months ago
FeedbackCommunityMemberInspiring

Color Emoji supportOpen for Voting

We mock up tweets, Instagram and Facebook posts daily for our newsroom and color emoji fonts simply don't work in AE. We have to go find each individual emoji as a PNG, import it manually and sync it up with our text animation.Having emoji support would be a big deal for us. And I'd argue it's necessary in today's social media obsessed world!

21
Forum|Forum|6 months ago
Fabrice290640085dc3Participating Frequently

expression : word to findOpen for Voting

Hi everyone, I need a new expression to find a specific word in a sentence and apply another style to it. best regardFabrice

1
Forum|Forum|6 months ago
_nicdean
Community Expert
_nicdeanCommunity Expert

Remove All Transitions: Feature RequestOpen for Voting

The Film Impact acquisition brings great video transitions to PPro. But working with them is clunky, as there is no way to remove multiple transitions at once.   Over the past 15+ years editors have used various workarounds which all have downsides.   Workarounds: 1. Change Speed/Duration of all your clips from 100% to a higher percentage (ex. 200%). Transitions are deleted. Problem: Ruins your sequence if you uniquely edited Speed/Duration for each clip 2. Simplify Sequence > Remove Transitions Problem: Creates a duplicate sequence instead of editing your current sequence 3. Select all the clips holding the Ctrl key so all edit points will be selected Press Ctrl+Shift+T to toggle trim type three times so that all out points will be marked in red Press Ctrl+left Arrow to Trim Backwards  once Press Ctrl+Right Arrow to Trim Forward once Problem: Unintuitive.   Solution: I propose 3 simple solutions. Do one, or do them all.   1. Allow Simplify Sequence to affect active sequence, without creating a duplicate sequence. Add a checkbox enabled by default for "Duplicate sequence". If user turns off checkbox, it affects active Sequence and does not dupe. 2. Add command in the right-click edit-point Context Menu for "Remove Transitions". This should delete all transitions at selected edit points. 3. Use the existing "Clear" command when user right-clicks on a transition. If user has multiple clips selected, clear all the transitions instead of only 1.   Old threads: https://community.adobe.com/t5/premiere-pro-discussions/deleting-multiple-transitions-at-once/m-p/9529912 https://community.adobe.com/t5/premiere-pro-discussions/how-to-remove-all-transitions/td-p/1631643/page/2 https://community.adobe.com/t5/premiere-pro-ideas/function-to-quot-remove-all-transitions-from-selected-clips-quot/idi-p/13515737 https://www.reddit.com/r/premiere/comments/190qzn7/how_do_you_remove_a_multiple_audio_transitions/   Please add. Big help. Thank you.

2
MarekMularczyk
Forum|Forum|6 months ago
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