Skip to main content

Filter by idea status

10000+ Ideas

Back to top of the list
Martin Wieland 12Participant

Dolby Atmos ? When ?Open for Voting

When supports Premeire Pro, Audition Dolby Atmos? I have to pay since now,  Da Vinci Resolve as well . Only to make my Dolby Atmosphären Track. I dont like Da Vinci Resolve......

0
Forum|Forum|1 year ago
博22823642ltqoKnown Participant

About Shortcut-Brush Toggle Clear Mode Pencil tool is not supported.Open for Voting

I use the pencil tool a lot, but the shortcuts don't support mode switching for the pencil, hopefully it can be updated in the next version!

1
davescm
Forum|Forum|1 year ago
Pedro32580681p28kParticipant

não conseguir baixar versões mais antigas dos appsOpen for Voting

felizmente tive esse problema resolvido!  basta ir no suporte da adobe e conversar com um agente e ele te mandará a versão que deseja. muito obrigado pela atenção e respeito adobe! Observação de melhoria: sugiro que deixem as versão mais antigas disponíveis mais facilmente (exemplo: after effects 2023, 22, 21, 20...)

1
MarekMularczyk
Forum|Forum|1 year ago
Peter ReefInspiring

Feature Request: Include Marker Color Information in CSV and Text ExportsOpen for Voting

Current Limitation:When using File > Export > Markers in Adobe Premiere Pro, the exported CSV and text files include marker names, timecodes, comments, and durations, but completely omit marker color information. This means that any color-coding workflow using different marker colors (red, blue, green, etc.) is lost during export. Requested Feature:Add marker color information to the CSV and text export formats when exporting markers from Premiere Pro. This could be implemented as:For CSV exports: An additional "Color" column containing either the color name (e.g., "Red", "Blue", "Green") or hex color valuesFor text exports: Include color information in a standardized format alongside existing marker data Use Cases and Benefits:Post-production workflows: Many editors use color-coded markers to categorize different types of notes (e.g., red for technical issues, blue for creative notes, green for approved segments)Collaboration: When sharing marker data with other team members or departments, color coding provides immediate visual contextProject management: Color-coded markers help track different review stages, client feedback categories, or production phasesCross-application workflows: Preserving color data when moving between Adobe applications or external tools Current Workaround:The suggested workaround of adding color abbreviations to marker comments (e.g., "gr" for green, "re" for red) is functional but inefficient when dealing with hundreds of markers. Impact:This enhancement would significantly improve workflow efficiency for editors who rely on color-coded marker systems and need to export marker data for reporting, collaboration, or integration with other applications. Technical Consideration:The color information already exists in the project file, so this would primarily be a matter of including existing data in the export process rather than adding new functionality.This feature would align with professional post-production workflows where color-coded organization is essential for managing complex projects efficiently.

0
Forum|Forum|1 year ago
POwensInspiring

Gather all saved Presets in one, sensible placeOpen for Voting

Keyboard presets, caption presets, Lumetri presets, Essential Sound presets, Workspace layouts - and on and on and on.   We all create so many presets as we work, and they become pretty essential to the workflow.  But where are they all?   I can never, EVER find them, because they're all over the place - some in ~/Documents/Adobe/PremierePro/xx/Layouts,, some are in ~/Documents/Adobe/PremierePro/xx/username, some are in ~/Library/ApplicationSettings, some are somewhere else etc etc.   You know the deal. While there's no way we'd expect you to start moving all these around in the filesystem the app references, because doubtless there's specific reasons you have to put things where they are etc, surely there's a way to create hard links or whatever to them all, and flile them in a folder called for e.g. ~/Documents/Adobe/PremierePro/UserPresets, and place them all in subfolders beneath that?  We so often need to move a project to another machine/location or turn an entire project over to someone else, it often is essential those settings get passed along too (e.g. Lumetri presets, fore just one example).

1
R Neil Haugen
Forum|Forum|1 year ago
SquareEyz
SquareEyzInspiring

Replace Footage dialog box : Premiere style upgrade please!Open for Voting

Hi all 🙂 Relinking / replacing media is a core function to all of our workflows - a near daily part of our experience with this software. Personally, my time is split roughly between Adobe After Effects and Adobe Premiere, and one very robust feature of the relink/replace media experience in AP is the "Display only exact name matches" check box in the link media dialog box. If this is checked, the only clip shown to the user is the one with the matching name as the file in the project.  By comparison, when I perform replace/relink in AE I feel like I'm hot wiring a car. For those unfamiliar with Adobe Premiere's Link Media interface, there is this preliminary dialog that provides a very robust  set of preferences for how AP seeks to automate relinking once the user has selected the first file. Are you jelly yet, AE users?I've been thinking of this for years, and am finally writing this to the community in the hope of getting this upgrade!To make this even more pertinent:I just started working on Macs again after many years of primarily working on PCs, and I was absolutely shocked to find that the AE replace footage system dialog on a Mac DOES NOT EVEN HAVE THE FILE NAME OF THE CLIP YOU ARE TRYING TO RELINK ANYWHERE IN THE DIALOG. (that was with the latest OS, and AP, June 1 2025)Thanks for your time!Lets do this, and drop our cortisol levels during routine tasks like file relinking/updating.   

0
SquareEyz
Forum|Forum|1 year ago
MeistaBuG
MeistaBuGParticipating Frequently

Wünsche mir eine Möglichkeit eine Vielzahl von Clips mit separatem Audio via TC zu syncenOpen for Voting

Ich habe einen Ordner voller Kamera Clips und einen weiteren Ordner mit extern aufgenommenen Audiofiles. Nun möchte ich diese per Timecode syncen. Anstelle nun jeden Clip einzeln mit den Audiofiles zu verknüpfen, was Stunden bis Tage bei einer größeren Produktion bedeuten würde, wünschte ich mir eine Art Stapelverarbeitung für die Zusammenführung von Clips. Man markiert beide Ordner und drückt auf SYNC. Anschließend beginnt die Stapelverarbeitung und fügt jedem Videoclip eine zusätzliche Metadaten-Information hinzu, welcher Audioclip anhand des TCs nun damit verknüpft ist. So würden nicht unnötig "neue" Clips erzeugt, die ja bisher zwangsweise mit "Clips zusammenführen" entstehen würden.In Davinci Resolve funktioniert das bereits seit längerem sehr gut, was mir jedoch absolut nichts bringt, da ich ja gern in Premiere schneiden würde.  Mir ist bewusst, dass eine ähnliche Funktion über "Multicam Sequenz erstellen" vorhanden ist, aber wie der Name schon sagt, ist das eher für Multicam Editing und es erstellt mir eben auch eine Sequenz mit allen Clips darin. Ich bin absolut kein Fan davon mein gesamtes Material aus einer Sequenz step by step in den Schnitt einzufügen. Schöner wäre es da eben im original Clip IN und OUT zu setzen und den gesyncten Ton dann automatisch gleich mitzunehmen.

1
R Neil Haugen
Forum|Forum|1 year ago
antonio_0105Participant

Add reset button on text to imageOpen for Voting

Por favor añadan un boton de "reestablecer" para volver a comenzar en la sección "Texto a imagen" sin tener que hacerlo manualmente.

1
caroline_edits
Forum|Forum|1 year ago
Henrik Heigl
Community Expert
Henrik HeiglCommunity Expert

show Storage QuotaOpen for Voting

The current Creative Cloud Storage quota is displayed in the options menu, so you can always see and monitor your actual Creative Cloud Storage usage.

1
caroline_edits
Forum|Forum|1 year ago
ShanaLesaiParticipant

Square videos + layered exportsOpen for Voting

It would be great for the Video generation feature to enable also a square format for social networks such as instagram, to be able to match square generated images as vignettes, etc. Would also be nice to be able to generate a video of the exact length you want, 5 seconds is too short.Regarding photo and videos, it would be nice to be able to export as layered images (e.g. photoshop format) to animate ourselves the various components of an image, or, to export in adobe Aero for 3d effects in the AR software!See the example of the generate photo/video which would have been amazing for this.

4
droopydog500
Forum|Forum|1 year ago
michaelh7882600
michaelh7882600Participant

Can you create a voice to a British accents?Open for Voting

It would nice to have a voice creation of accents preferably, "British" 

1
caroline_edits
Forum|Forum|1 year ago
gdgiorgettiParticipant

IA Generativa LocalOpen for Voting

Existen distintas tecnologías de IA Generativa locales, pero su instalación es bastante compleja para la mayoría de los usuarios. ¿Podría Adobe apostar a generar versiones locales dentro de sus productos tanto de audio, como de imagen y video?

1
caroline_edits
Forum|Forum|1 year ago
grafilkerParticipant

Save designs to individual foldersOpen for Voting

Hello, We should be able to folder the designs we create separately

1
caroline_edits
Forum|Forum|1 year ago
Joakim38709062sei6Participant

Add padding to the generated imagesOpen for Voting

I've noticed alot of times that the generated images are cut off by the canvaz size at the edges. Add some padding so that the image isn't cut.

1
caroline_edits
Forum|Forum|1 year ago
walker_robert8173Participant

Freelance UI/UX Project – Adobe XD + IllustratorOpen for Voting

Hey everyone As a freelancer, I recently worked on a small UI/UX project for a party game  and used Adobe XD for prototyping and Illustrator for the visuals.It was a fun challenge to design a clean, mobile-first layout with custom icons and simple user flow. 

0
Forum|Forum|1 year ago
Emran0708
Emran0708Participant

P: We need Photoshop Mobile on AndroidOpen for Voting

Hello Adobe Company,    We know that adobe is most popular for adobe photoshop software. This software we can't use in Android only use it PC. Recent time we know that our phone is powerful. We use it heavy gaming, video making etc. We have no graphic design software. I am a graphic designer and I work on mobile. We use pixellab software, picsart software, Lightroom. But we have not many tools that's way we do not make any design professionally. I hope you can understand my or other people problem. We need a Photoshop mobile software.     Please create a Photoshop mobile software. I am highly request that please make this type app. We need this app because We can't build a PC for money problem. 

8
John Waller
Forum|Forum|1 year ago
otakars47762619Participating Frequently

Photoshop Benutzeroberfläche - Einfluss der gewählten Sprache auf "Ebenen"-FensterOpen for Voting

Bei der Fotobearbeitung hat man i.d.R. das "Ebenen"-Fenster permanent auf dem Bildschirm, und daneben auch andere Fenster, mit welchen man regelmäßig arbeitet. Das Foto hat Platz im Hauptfenster, und es ist von Vorteil, wenn dieses nicht allzu klein ist. Dabei soll das Bild darin nicht hinter schwebenden Fenstern verschwinden - eine klare Teilung zwischen Haupfenster mit Bild und "Bedienbereich" statt Chaos. Ich nenne es Ergonomie. *Falls PS in Deutsch läuft, ist das "Ebenen"-Fenster um bis 1/3 breiter als in PS in Englisch. Auf meinem 27"-Bildschirm macht es etwa 2 cm aus, wenn ich als Fontgröße "sehr klein" wähle (siehe Anhang). Sonst ist der Unterschied noch größer. Auf meinem kleinen MacBook Air ist dieser Unterschied sogar 40% (!).Eine solche Platzverschwendung fällt negativ auf, und ist meiner Meinung nach völlig unnötig. Von Adobe erfuhr ich, dass dies kein "bug" sondern ein "bekannter Nebeneffekt der Lokalisierung" ist. Wozu es gut sein soll habe ich nicht erfahren.Ich denke mir, dieser "Effekt" könnte und sollte von Adobe behoben werden. Ich sehe keinem Grund, dass es so bleiben müsste, wenn in Englisch offensichtlich ein schmäleres Fenster reicht.*) Mir ist eine saubere, übersichtliche Benutzeroberfläche wichtig, Chaos mag ich nicht. Andere können es anders sehen. Ota

1
Forum|Forum|1 year ago
48_VOIDParticipant

Suggestion to change Premiere Pro's Title Bar to Match Dark Mode Like Photoshop/Illustrator.Open for Voting

Feedback: Please Make Premiere Pro's Title Bar Match Dark Mode Like Photoshop/IllustratorDear Adobe Team,Thank you for your continued efforts in improving Premiere Pro. As a loyal user, I appreciate the powerful tools and workflows the application provides. However, there's a persistent inconsistency in the UI that has been a source of frustration for many users:🚨 The Title Bar in Dark Mode Is Still Bright WhiteWhen using Premiere Pro in dark mode on Windows, the application’s title bar remains glaringly white. This disrupts the otherwise cohesive dark theme and creates unnecessary visual strain—especially in low-light environments.🎨 Photoshop and Illustrator Handle This BetterApplications like Photoshop and Illustrator already support dark title bars that align with the rest of the UI. This makes the user experience more seamless and visually consistent. Premiere Pro, as part of the same Creative Cloud suite, should offer a similarly polished experience.🛠️️ Why This Matters:Visual Consistency: The bright white bar clashes with the rest of the dark interface.User Comfort: Especially for editors working in dim lighting, the white title bar can be distracting and even cause eye strain.Professional Look: A fully dark UI is not just aesthetic—it signals polish and attention to detail.✅ Suggested Improvement:Please add support for a dark-themed title bar in Premiere Pro, matching how it works in Photoshop and Illustrator. Ideally, this should integrate with Windows’ dark mode settings and/or Premiere's Appearance preferences.Thank you for considering this request. A small UI change like this would greatly enhance the overall experience for many users.Sincerely, @48_VOID   

2
Forum|Forum|1 year ago
Productie22862298jaocParticipant

Animation Blocks - LauncherOpen for Voting

Hi there, we built an custom batch exporter (and other stuff) using automation blocks. This is super handy. Now for user friendliness it would be nice to have an easier launcher. No need to go into the script, but a handy overview with a bigger 'run' button and the user input field, that would be amazing. thanks for the great work. 

2
Mathias Moehl
Forum|Forum|1 year ago
48_VOIDParticipant

Please Make Premiere Pro's Title Bar Match Dark Mode Like Photoshop/Illustrator and consistence.Open for Voting

# Feedback: Please Make Premiere Pro's Title Bar Match Dark Mode Like Photoshop/IllustratorDear Adobe Team,Thank you for your continued efforts in improving Premiere Pro. As a loyal user, I appreciate the powerful tools and workflows the application provides. However, there's a persistent inconsistency in the UI that has been a source of frustration for many users:## 🚨 The Title Bar in Dark Mode Is Still Bright WhiteWhen using Premiere Pro in dark mode on Windows, the application’s title bar remains glaringly white. This disrupts the otherwise cohesive dark theme and creates unnecessary visual strain—especially in low-light environments.## 🎨 Photoshop and Illustrator Handle This BetterApplications like Photoshop and Illustrator already support dark title bars that align with the rest of the UI. This makes the user experience more seamless and visually consistent. Premiere Pro, as part of the same Creative Cloud suite, should offer a similarly polished experience.## 🛠️️ Why This Matters:- **Visual Consistency**: The bright white bar clashes with the rest of the dark interface.- **User Comfort**: Especially for editors working in dim lighting, the white title bar can be distracting and even cause eye strain.- **Professional Look**: A fully dark UI is not just aesthetic—it signals polish and attention to detail.## ✅ Suggested Improvement:Please add support for a dark-themed title bar in Premiere Pro, matching how it works in Photoshop and Illustrator. Ideally, this should integrate with Windows’ dark mode settings and/or Premiere's Appearance preferences.Thank you for considering this request. A small UI change like this would greatly enhance the overall experience for many users.Sincerely,*@48_void*

0
Forum|Forum|1 year ago
mitchzillagParticipant

Import Premiere Presets in Adobe CC LibraryOpen for Voting

I love that I could export MOGRTs directly to a CC Library to share with multiple Adobe users. Would be great if I could also add Premiere Presets to that CC Library, so that editors can have all their presets and MOGRT options in one place in Premiere. 

1
Tarun Saini
Forum|Forum|1 year ago
Torbjoern Braende5EB8Participant

Please color code "Toggle sync lock"Open for Voting

Sometimes when inheriting a timeline from a different editor, the "Toggle sync lock" has been swithced off on certain tracks. So when I continue editing, these tracks slip out of sync. The icons for on and off status are too similar, a really small line across the icon is all that separates them. I would really appreciate if the "off" status changed the icon to red, so it is obvious that the status has been changed.

2
R Neil Haugen
Forum|Forum|1 year ago
leigh341
leigh341Participant

Share for ReviewOpen for Voting

Almost every client I  have wants to download a PDF from the "Share for Review" link. You should make that an option to turn off and on by the creator.

2
Forum|Forum|1 year ago
JM Le GoffKnown Participant

Exporter SVG directement dans la librairieOpen for Voting

"Export pour les écrans" direct vers Bibliothèque... Pour stocker et partager un élément graphique dans un Bibliothèque en SVG il faut passer par un export vers un fichier SVG puis l'importer dans la bibliothèque. Pourquoi il ne serait pas possible via la palette "Export pour les écrans" de sélectionner "Ma Bibliothèque" en plus ou à la place d'un dossier sur disque?Comme c'est le cas pour la création d'une couleur... Merci

0
Forum|Forum|1 year ago
KazuT_Y
KazuT_YInspiring

Tools for Assistant EditorsNot Prioritized

As an Assistant Editor, I would LOVE if Adobe would provide some tools to help Assistant Editors, including "dumb" A.I. that would automate repetitive tasks that humans are bad at but computers are great at, things Assistant Editors have to do all the time and have to triple check our work to make sure we didn't make mistakes, but a computer could do in minutes, error free. I put an asterisk in front of ones I think are higher priority: * Greatly improve AAF turnovers to sound vendors. I've heard many sound vendors complain mightily about turnovers they receive from Premiere projects. * Batch renaming: ex. Find and Replace, as well as adding prefixes or suffixes, to clip names as a batch. Currently, I have to run a 3rd party program (Keyboard Maestro) to do this. * It'd be great if the A.I. could "learn" a process I need to repeat over and over by watching me do it several times, then repeating it. At the simplest level, I guess this would be recording a macro. It'd be interesting if it could go a little bit beyond that, i.e. learning exceptions: rename the suffix on a clip name to .R3D, but only if it's a video file. * "Auto sequence": lay out clips with timecode in a sequence so each clip is placed where its timecode starts. Ex. A clip whose start timecode is 18:05:00:06 will be placed so the head of the clip is at 18:05:00:06 in the sequence. This makes it easy to build a sync map when syncing by other methods isn't working well. * More distinguishable label colors with simpler names. The label colors in PP 2025 are pleasing to the eye in their subtlety; but what I need are colors that are clearly distinguishable, so I can easily identify, "Oh, this is a sound FX clip; this is an archival clip; this is a subtitle clip." The current colors are so subtle that some of them look almost the same. Also, there are many that are red-ish, which aren't very useful because I want to avoid red so it's easier to identify offline media. And the names are a nightmare. They're beautiful, but it's difficult for a human being to remember, "archival is Caribbean, music is Cerulean." - Consolidate Duplicates for selected clips rather than the whole project, and Consolidate Duplicates without causing source clips to disappear. I LOVE Consolidate Duplicates, but it sometimes makes source clips disappear, so that "Find in Project", which is essential for Assistant Editors, is no longer avaiable. Closing and reopening the project, or Exporting the sequences as a Premiere Project, sometimes restores disappeared source clips into a "Recovered Clips" bin, and I can be manually put those clips back in the correct bins. It'd be great if Premiere could put them back in the correct bins for me, maybe by searching the project for a source clip with the same name, moving the Recovered Clip into that bin, then Consolidate that Duplicate? - Rename to match source file name for selected clips: I'm on a project where I'd had to rename thousands of source media files, then rename all the source clips in Premiere to match those names. The "Replace" function does the same thing; but it seems like Premiere could do it for me, since it knows the name of the source media file it's connected to. I'm also hesitant to use "Replace" since Premiere will allow me to replace the source media file with ANYTHING. Since humans make mistakes, especially with repetitive tasks, it's too easy to replace it with the wrong file. Then, it's very difficult to identify the file the clip should be linked to because all the clues (source clip name, source file name, source file path, duration, etc.) have been replaced (you have to open an autosaved version of the project). - It'd be good if "Replace File" had an alternate version of the command (like "Replace with file with same [duration]" or something) that did some kind of fail-safe check (like checking if the file it's replacing with has the same duration, starts on the same timecode, has the same Tape Name, or something) to prevent replacing with a completely inappropriate file. - Reorganize selected clips based on source file path: This may not be a feature anyone else needs, but if it is, it'd be a way to reorganize a project that's turned into a chaotic mess. I'm on a project where I'm doing this manually and it's taking me weeks. A computer could probably do it in minutes. I would find these tools extremely helpful, right away, far more than the really complex A.I. tasks Adobe has been working on. The "A.I." ones probably aren't really even A.I., just basic computing. It'd be great if Adobe had a panel of working Assistant Editors it would consult annually to see what simple tools would make Premiere an even more useful and desirable alternative to Avid in scripted TV and film environments. Right now, the consensus among my colleagues is that Premiere is good for short-form, lower budget jobs, but is severely lacking for high-end scripted work.

3
Kevin J. Monahan Jr.
Forum|Forum|1 year ago
Show more posts

Filter by product

  • All products
Terms & ConditionsAccessibility statement
Using the community Terms of use Privacy Cookie preferences Do not sell or share my personal information ad choicesAdChoices