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Hi Folks, Anyone know how to get an alarm sound on a completed render in PP - like in After Effects?Please please. Thanks!
This is for multi-display users. Given I'm using an older mac (imac 2015) that still works great and using PS 2024. Can someone explain to me why dialogue windows/boxes do not open near the current document, but probably opens in the location you last used it. So for example if I haven't opened the Selective Color Adjustment Window in a while it will open in another screen I probably used it last. So I'll have to drag the window to the currently window (usually my drawing tablet) and use the functions there. Then the same with Hue Saturation or Levels or Curves, etc. Why aren't they opening in the display that is currently being used? Doesn't that make the most logic. Sometimes my tablet is 2-3 feet away from me. I use a trackpad as well, but if I'm using my pen on the tablet I may have to put the pen on the table to use the trackpad (granted I use the trackpad with my opposite hand, too), but it is not workflow conducive. I've been dealing with this seemingly forever, but haven't seen anyone post here recently or in other forums. Why isn't there an option in Interface Preferences that checks something like "Keep dialgue boxes on Active Document."Also Workspace Resets don't work for Dialogue boxes. Tool palettes and eveyrthing else work as they should "most times."
It looks like scripting listener and recording actions do not allow access to create shortcuts for this.Is there a way to access the layer panel attributes via scripting? I use Not Visible most often, would like to be able to toggle back and forth easily.
Hello, In the library module we can filter photos by metadata. There are a lot of opportunities but unfortunatelly there is no option to filter by altitude. So now I have 3500 drone photos from photographic inventory of the 3 cooling towers on electric plant and have to manually group it into separate folders by their height. Maybe it wuold be cool to add feature like filter by "altitude range" to group photos i.e. with altitude between 100 to 120m. Pointing the range by suer would avoid ugrouping photos with small altitude differencies such 0,1 - 0,5m I think that this option will have value for people who do a lot of technical photographs with drones.
In InDesign (Mac) I'd love the ability to scale down the CC Libraries list view (both the preview image and text) like pages panel has - Grid view is too big so I use list view but work on 8 different brands at once and between colours, logos, various object group assets, I find I have to expand it a ton and it takes up so much screen real estate. I'd love to be able to scale it tiny like swatches or links panels are. You can do this for parent pages in the pages panel too, can we have smaller options in the CC library one?
Hello, it would be really nice to add a scale section when sharing something for review. Our creative team at times needs to view items at 100%. It's hard to tell how big or small something is when we don't know if it's at 100% or not. Thanks!
I have to import several After Effects Compositions (variations of a pack shot).Unfortunately, Premiere can't import those in one go. Have select Import over and over, and point to the right Comp each time. Time consuming, and risks erroneous or double imports. Please make it possible to cmd/shift-select more than one Ae comp for import, just like in any other import situation througout the CC apps.
Submix Tracks are very powerful when making mixes for multilingual broadcast content, like sports. But currently we can't use the super useful Auto Ducking tool as it can only traget clips and not tracks or submixes. Request: auto ducking to be able to write Submix keyframes.
We're working on animation movies, and more specifically editing a feature film. We have 1600+ shots in this movie, that are all rendered to image sequences in various 3rd party software.We need an efficiant way to import the shots into Premiere. Right now, there's no way to batch import the sequence. We should at least be able to drag & drop folders containing image sequences and have them imported all at once.A dialogue box upon import should ask us if we want to import the folders content as image sequences, and maybe even let us define the framerate at that point (this would be nice).Right now, the only way to import sequence is to use the import dialogue and go through each and every folder and select the first image and check "image sequence").This is not feasible on very large project. Thanks!
Hello Adobe Support,I would like to ask if there are any plans to make it possible to export .mogrt files from the latest version of Premiere Pro (25.2.3) in a format that is compatible with Adobe Premiere Rush. This would be extremely helpful for my workflow.
Hi all, My issue is to do with the Graphics Panel to review and amend text titles including MOGRTs. I would like to be able to filter multiple tracks. I use transitions by Mister Horse (which are flipping excellent FYI) which show in the graphics panel and flood the whole view ("If the transition isn't working..."). I can filter by one track at a time to make text corrections but often my text titles need to be split across multiple tracks. See screenshots attached and explanations: "Ben Premiere Graphics panel 1 - All tracks.jpg"This shows my Workspace and the playhead over a single text title 'Place suction hose into paint'. You can see 'All tracks' is selected in the Filter option in the Graphics panel and you can see all the fluff from Mister Horse. "Ben Premiere Graphics panel 1 - Track V4.jpg"This shows another section of the video where there are three MOGRTs stacked but the Filter is set to V4 in the Graphics Panel and thus I can only amend the text in the MOGRT on V4. My idea would be to move all the MH🐴 transitions to a different layer and then have my titles on a specific set of layers which I could then filter in the Graphics Panel. I have tried Nesting to get them on one layer but this does not seem to work - the text in the nested sequence does not show in the Graphics panel. Is there another workaround? I would rather not use Nesting as I want the text easily accessible in the Sequence. I really hope this all makes sense. I have tried to include as much detail as possible without overwhelming! Thanks everyone. Kind regards,Ben
1. Reveal in Project – Inconsistent Panel BehaviorWhen using multiple project panels, the “Reveal in Project” function often highlights the clip in a random or previously active panel, not the one I originally opened the clip from.It would be great if the clip always appeared in the same panel it was first accessed from. 2. Trim Edit Mode – Fullscreen OptionI’d love to see a fullscreen trim edit mode, similar to what Final Cut Pro 7 offered.The current layout feels too restricted for fine trimming work. 3. Track Lock Shortcut (Per Track)There’s currently no shortcut to lock/unlock individual timeline tracks.A simple keyboard shortcut for this would speed up track-specific editing significantly. 4. Merged Clip – Manual Sync AdjustmentIf a merged clip is out of sync, there’s no way to manually slip the audio or video inside it.It would help a lot to have manual sync adjustment inside merged clips — a flexibility Final Cut Pro 7 used to offer. 5. “Make Independent Clip” FeatureI often want to duplicate a clip in the timeline and edit it independently without affecting other instances.A “Make Independent Clip” function would allow for this kind of non-destructive editing. Thanks for listening, and I hope some of these ideas can be considered in future updates!
Dear developers! I really appreciate your work and new features in Premiere Pro. But please add the ability to assign a hotkey to the TIME REMAPPING function.
The right lcick menu in Premiere has become bloated, often not fully fitting on the screen and including waaaaay too many options. The easiest and most verstaile fix is to allow customising this menu like in Photoshoop. Go and talk to the team there and implement it please.
I have a saved workspace in the arrangement that I want; however, every time I open/create a new project, my workspace is in a different arrangement than what I have saved. When I press "reset to saved layout" it does not reset to my saved layout—it does change the layout, but not to my saved layout, and I have to manually re-arrange the windows every time. Note: When I press "save changes to this layout" (after rearranging it), then put the windows in a different arrangement, pressing "reset to saved layout" works ie. puts the windows in the arrangement I want. It's just every time that I open/create a new project that the arrangement is messed up. I have tried checking/unchecking "import workspace from project" and this has no effect on fixing the problem. If you know the solution to this problem, I will be forever indebted to you! *I am on MacOS Catalina w/Premiere version 14.1 installed.
I'm putting this in as an idea because it technically isn't a bug, though in my mind this is a flaw in the programing, as this feature should be essential to an NLE in 2025.I recently had a film accepted to a festival and they required a DCP. I exported one using the Wraptor settings directly from Premiere (version 2025). It was rejected by the festivals service. I was told they do not accept Wraptor DCPs ever, because of known problems with them playing in many venues.How is this possible? Why would you have a feature in the software that makes DCP's that don't work everywhere, or at least has the capability to work everywhere. This boggles my mind that this could even be a problem. I'm going to have to use another service, or Resolve to get the DCP that I need for this festival. Thankfully there are free options. Why wouldn't Adobe have not only a working DCP export that works everywhere, but one that is known as the best in the business?
Allows for tools to be reenabled if they are not found in the tool bar.
I know it's America but really, generating black or white female park rangers, the first thing you notice is the breast size, seems like the Ai was trained on Dolly Parton
When designing graphics to be super imposed in editing or live video situations, I make use of dummy footage, which I define as Guide Layer, to prevent them from being included in the final renders, where there should be alpha in stead of the dummy footage. Unfortunately, this Guide Layer is included when using the T switch (Preserve underlying Transparency), which makes it a lot harder to achieve some effects, such as combining Alpha and Luma matting. Please let Ae ignore the Guide Layers always, also in the compositing - guides should have no effect at all.
This would be very useful when you have lots of clips on the track that need to be positioned.
In my workplace we work off of daily team projects as we deliver daily video turnarounds and the admin of setting this up every week is painful. I want to be able to automate the creation of a weeks worth of projects, from a template (so folder structure and assets are already available), and shared to the same group of users. I've tried having a look at UXP but doesn't seem to be able to do what I need it to unless ayone knows otherwise?
Adobe has been doing great work with Lightroom Mobile in the areas of Editing and Sharing, but its time to work on the Capture element. The in-app camera is good but is starting to lag behind some of the other pro-camera apps that are available. I would like to see: Live histogram while shooting Burst mode via volume up button(I think it was available back in 2017) https://lightroomkillertips.com/tips/ Remote shooting via Apple Watch or other BT device Return of long exposure Updated camera interface I use an iPhone 13 Pro Max with the latest updates.
Es realmente muy necesario que mejoren el reconocimiento de voz y la creación de captions.La puntuación en español es pésima, prácticamente hay que corregir todas las oraciones. Se pierde muchísimo tiempo y hay enorme cantidad de softwares que esto lo solucionan mucho mejor.Gracias!
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