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Hello, We work a lot in virtual production and there is a need for "heavy" imports and exports, especially with sttiching and vr capture footage. I have invested in computers that can do the heavy lifting, but premiere cannot handle the import of the larger files for final finishing and adjustment. It would be great if I could import 12k and possibly 16k files to inlcude in our workflow. Thanks!
Why does such an obvious thing as scrollzooming works for the timeline but doesn't work in the effect controls window? Don't you think it's worth adding? I always start zooming there because of getting accustomed to zooming the timeline and I see no response to the mouse scroll + alt\shift\control.This is wrong.
I think it would be incredibly useful if After Effects displayed the waveform of an audio file when double-clicking it in the Project Panel—just like how other footage types appear in the Footage Panel. As motion designers, we often work with voiceovers and music directly in After Effects, and finding the right in/out points without a waveform preview is a guessing game. A built-in visual preview of the waveform would save time and make trimming much more intuitive. If you think this would improve your workflow, please upvote this request! Let’s make it happen.
I love that you added functionality to remove distractions such as wires and people. I would love if you could add cars to that. i photograph many cityscapes and those darn cars are always in the way. Thank you for all you do.
I often need to save 8 bit tga for a game and 16/32 bit pngs for archiving and using as input for other materials . Would be really nice to have it Designer .
Hello everyone, I am here to request for a new necessary feature for Adobe Lightroom. It's basically a toggle for "Embedded DNG GainMap" which allow us to disable the lens corrections done via Metadata of RAW file. I am a professional photographer who mostly shoots DNG RAW images for my Documentry Street photography with an Android smartphone which embedds the "lens vignette correction" & other "lens corrections" in the metadata of DNG file. With current Lightroom version this metadata is always read and the DNG is auto corrected which is fine for most but sometimes when an artist wants most control out of the DNG this feels like a restriction. There are times when I want that organic lens vignette and hue shift at the edges of my frame to highlight the subject at centre or sometimes I don't like the excessive noise at the edges of frame as they are digitally corrected by increasing the exposure to correct the lens shading. I kindly request the Adobe Developers team to please offer this toggle switch in the optics section of Lightroom right next to "correct chromatic abbreviation" toggle. Thanks & Regards Akshay Nagar
I would like to see guide lines. Like a zero point in 3 directions.So one can have a better orientation 6^^
The output size options in Stager have always been confusing to people who don't understand the relationship between ppi and pixel dimensions. Please see this thread to understand the issue: https://community.adobe.com/t5/substance-3d-stager-discussions/stager-and-print-300dpi-or-higher-web-digital-72dpi-what-s-the-deal-adobe/m-p/14507707#M2094 In Adobe Dimensions, you had canvas units and scene units together in one place. I understand why it is separated in Stager. AND, we are still missing a resolution setting and it requires us to pre-know the pixel dimensions that our printed piece is going to be at 300 dpi when we set up up camera properties for the output dimensions. Adding an output resolution setting would take away this frustration and misunderstanding. Dimensions settings: Stager settings:
Espero adobe pueda bajar sus precios para que mas gente pueda tener acceso a sus herramientas digitales. Eso democratizaria la plataforma
I'd love the ability to assign each camera of a muticam sequence its own label color, so that whenever I switch the cameras in a sequence, a color of my choice is automatically assigned to that segment of the multicam track. This would make it so much easier to identify the camera swaps at a glance in a sequence, instead of having to scrub through the video if I forgot. Being able to assign the colors in Premiere's settings would be awesome too, or at least have the color settings save across projects. This way, I would always know camera 1 is red (or whatever color), camera 2 is orange, etc.
I don't know if I'm just doing something wrong, but I've been running into this annoyance for several projects now. I bring in my big Photoshop image with a ton of layers, do some animation, then realize I need to add some more time. So I change the comp length and for some absurd reason, everything in the timeline doesn't change so I need to go into every single folder and change it there too. Why can't I set it so all the folders in the timeline automatically adjust to the new time? Why does Aftereffects look at all my folders and go "Oh, they changed the length from 0:00:02:00 to 0:00:03:00, they don't need this other stuff to be the same size surely 🙂 " It's so frustrating and takes up so much time.
The erratic zooming with the Apple Magic Mouse is really frustrating. I know this issue has more to do with the Apple mouse than it does Adobe but if there was an option to lock the screen size it might fix the issue. This is a problem in other Adobe products as well, Premiere Pro, Photoshop and so forth.
I dont know why but it seems super outdated don't having an option to import at once several image sequences. All I have to do now is to manualy impor one by one which is ridiculous.
I would like the three color balance sliders that photoshop has put into Lightroom. I use the cyan/red slider a lot in PS but as a wedding photographer I do not want to edit them all in PS just to allow for this. Adjusting the HSL sliders to compensate for this lack of a slider is time consuming. Please consider adding this.
It would be great if we could specify colors for referenced graph nodes from other graphs in the current graph in Substance Designer. Currently, referenced graphs are displayed in the same red color (#a21318) as default nodes, which is not very intuitive.While allowing users to customize the color would be ideal, if it disrupts the consistency of the user experience, it would be better to represent them with a distinct fixed color instead.For example, a highly saturated red color like #f01c24, similar to the bright green (#86f047) used for sbsar nodes.
Hi there, I used Adobe Premiere Pro for almost 8 years and I am quite comfortable with it because I Love the way it works but now a days I face a critical Health issue from it. Actually, my eyes are hurting a Lot in new Premiere Pro 2025.I try to change the theme by going to Premiere > Preferences > Appearance. There three colour themes are present, they are "Darkest", "Dark" and "Light". I tried with each theme but result is same, it gives me horrible eye strain and literally water is coming out from my eyes and develop eye allergy as well. I have a small YouTube channel name "TECHNIACL MAITY", Actually I edit a lot of videos of my channel using Adobe Premiere Pro because it's one of my favourite video editing Software in this world.But now I face this pathetic issue. I don't face this issue in earlier versions of Premiere Pro like - (Premiere Pro cc 2017, 2019) but I don't know what the Adobe developers applied in the Source Code resulting eye strain.Hope someone help to restore the Previous version of Premiere pro colours and themes really Love that past.If Adobe unable fix this then I definitely cancel my Creative Cloud subscription.
Lightroom'un bilgisayar versiyonunda Türkçe dil desteği olmadığı için zorluk çekiyorum lütfen yardımcı olabilecek var mı??
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