It might be very useful to change the board background color.
As discussed in the other thread, LrC 14.4 will store AI denoise/super resolution data in .lrcat-data. This storage seems to be permanent: once AI denoise is enabled for a photo the blob will be stored indefinitely. The proposal is to limit the amount of AI blobs stored in .lrcat-data by some threshold size and automatically clean up old blobs. If a user opens a photo with a deleted blob again, it needs to be recomputed by running AI denoise again. So this basically trades storage space for additional processing. I know that this means that opening a photo with a missing blob the first time will result in a significant delay. Users might still want this behavior. Standard size preview generation could use the non-AI-enhanced version of the photo since AI enhancements (except adaptive color profile) are probably not visible on small previews anyway. This would make AI blobs work the same way was preview storage works.
The After Effects user interface is very diffuclt to work with at 4k, even on very large monitors. To wit, on a 32" monitor at 3840x2160, the text of a layer name is 1/16 of an inch tall– 8 layers are packed into each vertical inch. The Console Debug "AdobeCleanFontSize" workaround has no effect on some aspects of the interface, such as layer names, text in effect control panes, etc. This undersized UI poses legibility challenges, and slows workflow by requiring an extrordinary level of pointing accuracy to click on things. Illustrator solves this problem elegantly by adding a "UI scaling" slider control to the "User Interface" pref pane. Photoshop solves this problem a bit less elegantly but still effectively with a "UI Font Size" and a "Scale UI to Font" option. I suggest the AE team adopts one of these appoaches. I'd also suggets that this be a very high priority. It is necessary for most AE artists to work at 4k these days, making this an annoyance that I deal with every single day. I feel this is the most glaring feature oversight in AE currently. Thank you for your consideration, AE dev team. And if you are a fellow AE user reading this and you have the same issue be sure to upvote, because apparently upvoted posts in this forum is what passes as a feature request/bug report nowadays. Thanks!
Please include the ability to move Photos from one Album to another, as per LrCC iOS.
您好: 我是 Lightroom Classic 的長期訂閱用戶,平時在修人物照片時,非常習慣透過 LAB 數值檢視與控制膚色。這對我判斷膚色是否自然、穩定,以及維持不同照片之間的色彩一致性非常有幫助。 近期我希望能更彈性地搭配平板、手機等行動裝置使用 Lightroom 進行調色,但發現目前 Lightroom 行動版似乎只能檢視 RGB 數值,無法像 Lightroom Classic 一樣以 LAB 數值輔助判斷。 因此想許願 Lightroom 行動版未來也能加入 LAB 數值檢視功能,讓使用者在不同裝置與工作情境中,都能用一致的方式判斷色彩與膚色,也能更自由、無痛地在 Lightroom Classic 與 Lightroom 行動版之間切換工作流程。 謝謝。 Adobe 愛用者吳先生
How is it that in this day and age of AI where you can replace objects, we still have fringing correction that just turns things grey? Why are we not matching the surrounding colour? I understand that without any kind of intelligence, this would likely just result in one side being biased, and likely the result would be no better than the grey or indeed, not fixing at all. But surely with AI, a reliable colour match based on subject is possible while retaining edge integrity.
For bird photographers, an application that allows editing birds independently of their surroundings (vegetation, sky, water, etc.) would be very appealing. However, birds are not always detected as the main subject, and when they are, the mask often includes vegetation or other elements.It would be fantastic to be able to edit detected birds using the "select birds" function, similar to how "select people" is currently done.
Please add the option to arrange panels on a second monitor, so we can access them immediately without constantly scrolling and expanding/collapsing sections.Please allow users to customize keyboard shortcuts and assign shortcuts to commands that currently have none. For example, Select Objects is one of the tools I use most frequently, yet it has no dedicated shortcut, even though there are still unused keys available (such as K–M range combinations) that could be assigned to commonly used functions.Also, please consider adding an option to use the Camera Raw-style interface in Lightroom.
Whaaaaaat.I'm finding it incredibly hard to believe that every graphics program supports using the brush and pen through touch screens EXCEPT for Photoshop, the Queen of them all. Am I really going to have to draw in GIMP?I'm well aware that touch screens aren't nearly as ideal as graphic tablets but really, GIMP even supports pressure sensitivity and Photoshop doesn't support anything?Please, please incorporate this feature, it should have come standard years ago.
A helpful addition to the Project Manager would be to include an option to keep folder structures when collecting files and moving to a new location. So instead of having just one folder with all the media content, premiere pro will output the files into the same folder structure created within premiere. After Effects saves the folder structure. Could Premiere Pro do the same?
Description:Currently, this is only panel that doesn’t automatically update when you switch to a different active composition. If it’s going to lock to a different target comp, there should be a lock icon like Effect Controls and Comp/Layer/Footage viewer panels. Additionally, if the lock icon was added, then it should match the logic when new unlocked panels automatically open when you already have a panel of that type locked.(e.g. Lock your Effect Controls panel, switch to a different comp, and double-click on an effect’s name in the timeline. A new unlocked Effect Controls panel opens next to the previous panel.) This additional panel would then give the user the ability to work with multiple EG panels at once. This could be very handy when designing multiple EG settings/mogrts that should look identical/similarily. Why:Often times, I try to add properties to the wrong EG comp, just to be greeted with an error. (It could be said that instead of an error, it should automatically switch to match the active comp…)
What is this? For a year they have told us this would be equivalent to a desktop version of Photoshop. Not at all. Where is the shape tool??? I’m so sad 😞
Hello Adobe Lightroom team,I’d like to request a keyword search feature for presets in Adobe Lightroom mobile.Currently, presets can only be browsed by scrolling through groups, which becomes difficult with large preset libraries. A simple search bar to filter presets by name or keyword (e.g. “cinematic”, “portrait”, “moody”) would make workflow much faster and more efficient.This would be a very useful improvement for mobile users who work with many presets.Thank you for considering it.Best regards.
The Xiaomi 17 Ultra is supported by Camera Raw, but not the Leitzphone (based on th Xiaomi 17 Ultra). So I have no access to my Color-Profile created by Calibrite Profiler Software
When copying keyframes from a layer’s Scale property and pasting them to a shape’s Scale property, AE returns an error:After Effects (Beta) error: The paste cannot be completed. Please check the copy and paste is between similar types of properties.Details: The clipboard contains data with a different number of dimensions (3) than the paste target requires (2). ( 26 :: 269 )While correct, it’s not intuitive. It would be helpful if, when copy-pasting from a 3-dimensional property to a related 2-dimensional property, the third dimension is ignored. Conversely, if copy-pasting from a 2- dimensional property to a related 3-dimensional property, paste in the first and second dimensions, and retain the existing third dimension already set on the property.
Keywords do not sync correctly: When added on the mobile app (iOS), they do not appear in LR classic and not in LR Web (I deleted the new LR CC immediately, this version does not make sense to me). Same problem into the other direction: Keywords from LR classic do not appear on the mobile app. Attention: At this stage the whole keywording within the iOS app should not be used!
Subject: Adobe Creative Cloud User Experience Improvement SuggestionsDear Adobe Team,I am a long-time Adobe Creative Cloud subscriber and professional content creator. Over the years, Adobe products have become the industry standard for creative professionals. However, there are several workflow issues that regularly consume valuable production time and create unnecessary frustration.I would like to share the following suggestions for improvement.1. Improve Adobe Fonts Library OrganizationCurrently, font families are automatically expanded to display all font variations such as Light, Regular, Medium, Bold, Black, and Italic.For users with large font collections, this creates an extremely long and cluttered list. Finding fonts becomes difficult, and users often spend time manually collapsing font families just to navigate the library efficiently.Suggested Improvements: Keep font families collapsed by default. Add "Expand All" and "Collapse All" buttons. Provide better filtering and sorting options. Allow users to save their preferred library view. 2. One-Click Font Installation Directly Inside Adobe ApplicationsWhen a font is missing in Premiere Pro, Photoshop, After Effects, or Illustrator, the current process often requires users to leave their project, open Adobe Fonts, activate the font through Creative Cloud, wait for synchronization, and then return to the application.This process is unnecessarily complicated.Suggested Improvements: Add an "Activate Font" button directly beside missing fonts. Allow users to install fonts without leaving the application. Automatically sync fonts in the background. Provide clearer status messages when font synchronization fails. 3. Create a Unified Adobe Asset ManagerAdobe currently offers: Adobe Fonts Adobe Stock Motion Graphics Templates Audio Assets Graphics Creative Cloud Libraries Unfortunately, these services often feel disconnected from each other.Suggested Improvements:Create a single Adobe Asset Manager panel available inside all Creative Cloud applications where users can access: Fonts Stock Footage Motion Graphics Templates Audio Graphics Creative Cloud Libraries from one centralized location.This would greatly simplify asset management and improve workflow efficiency.4. Introduce a Dedicated Motion Graphics Templates SubscriptionMany users find the Adobe Stock credit system confusing, especially when downloading Motion Graphics Templates.Creative Cloud subscriptions are straightforward because users understand exactly what they are paying for.Suggested Improvements: Create a dedicated annual or monthly Motion Graphics Templates plan. Allow unlimited downloads or a generous fair-use policy. Make template licensing as simple as Creative Cloud subscriptions. This would encourage more users to adopt Adobe templates without worrying about credits.5. Create a Unified Customer Support SystemAdobe customers often have difficulty finding the correct support department.For example: Font issues require one team. Adobe Stock issues require another team. Creative Cloud billing issues require another team. As a customer, it should not be necessary to determine which department handles a particular issue.Suggested Improvements: Create a single support entry point. Allow support representatives to handle multiple Adobe services. Transfer cases internally without requiring customers to start over. 6. Prioritize Stability Over New FeaturesMany creators spend significant time troubleshooting: Font synchronization problems Missing assets Template issues Workflow disruptions after updates As professionals, our goal is to create content, not spend hours resolving technical issues.Suggested Improvements: Focus on reliability and workflow stability. Improve testing before major updates. Reduce issues caused by software updates. Provide one-click repair tools for common problems. 7. Improve Communication Between Adobe ServicesMany Adobe products operate as separate ecosystems even though users see them as one subscription.Fonts, Stock, Creative Cloud, Premiere Pro, Photoshop, and Libraries should feel like parts of one integrated platform rather than separate services requiring different workflows and support channels.As a professional creator, I estimate that a significant portion of my production time is spent troubleshooting software issues, asset synchronization problems, and font-related challenges instead of creating content.I believe these improvements would save creators countless hours and make Adobe Creative Cloud a more efficient and user-friendly platform.Thank you for your consideration.Sincerely,A Professional Adobe Creative Cloud User
I can't remember the last time I ever had to worry about duplicates but recently I imported pictures manually from my camera roll and it clearly has imported hundreds of duplicates (with identical filenames mind you). This exclusively happened to HEIC and JPGs from my iPhone's camera roll so it feels like a bug specific to iOS perhaps. All this brings up the very odd choice of not offering the same deduplicate feature available within the import flow *after* the images are already in the library. In my case, that's hundreds of photos I have to hunt for manually, when the process would be instantaneous if the dupe finder was available outside of the import flow. It would also be incredibly useful to be able to group photos from the library that are not *quite* duplicates but very identical (think bursts or multiple edits of the same shot) and allow me to find them, pick the ones I want to keep and either delete or mark the others as rejected. I'm not quite sure what version of Lightroom for iOS I was running when the duplicated import issue happened but I'm currently on v7.1.0 if that's any help.
When you press T it does different things depending on whether the photo is already in the target album If the photo is NOT in the target album: it adds the photo AND it displays a popup saying that it added it If the photo is ALREADY in the target album: it removes it WITHOUT the popup feedback EXPECTED: a popup that says "removed from target album" Thanks
XDには「開発用に共有」する機能があるのですが、Photoshopにはありません。XDでPSDを「開発用に共有」する機能を使用すると時間がかかったり、機能が使えないことがあるのでPhotoshopでも使えるようにしてほしいです。
Bonjour. Quand on utilise l’Outil supprimer, une fois la zone à supprimer validée, Photoshop est bloqué sur le calcul et on doit attendre la fin pour pouvoir travailler. Il nous faut pouvoir travailler les autres images pendant que le calcul de modification s’effectue sur l’image… Je suis photographe de mariage avec souvent 2500 photos à retoucher par session et cette attente est insupportable. Il faudrait pouvoir passer à une autre image et travailler sur autre chose, puis revenir sur l’image modifiée. Merci.
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