Skip to main content

Filter by idea status

10000+ Ideas

Back to top of the list
Ally+Perry
Ally+PerryParticipant

P: Colored Markers in TimelineOpen for Voting

As an event photographer, there are many different sections to each of my galleries across the day, take a wedding for example, there are many various different parts of the day - during editing, sometimes it is helpful to be able to see when each section starts and ends, as you may only need 5 photos from a 50-100+ similar / duplicate photos, a very long section which does happen when people like myself are a bit trigger happy with the camera!My proposition is based around the ability to add your own markers into your timeline - similar to premier pro with the marker tool (by pressing M), this will help gauge each section down to easily locatable areas, maybe having the ability to jump to that section without scrolling straight past the beginning! This will especially help in on-day-edits during events like the weddings. I hope this all made sense! Thank you for reading!

0
Ally+Perry
Forum|Forum|3 months ago
Michael J. Hoffman
Community Expert
Michael J. HoffmanCommunity Expert

P: Please add lens profile selections to the Optics section of Lightroom on iOSOpen for Voting

Lightroom on iOS has an option to "Enable Lens Corrections," but has no provision to select a specific profile. Please add this capability, which is already on Lightroom for Web, as well as the Desktop and Classic applications. Lightroom for Web is a partial workaround, but is not useful if you are traveling and don't have a sufficient connection to be able to sync your photos to the web.   This became critical for me as I was struggling with this issue, for which the workaround for a faulty new lens profile was to change to an earlier version of the lens profile: Lens Correction Profile for Canon RF24-240 exhibits edge artifacts   This would also be helpful for several other cases where lens profiles are incorrectly applied, or there are other profiles that may work better. For example, iPhone 12 wide angle back camera, DJI Mavic 2 Pro, and some recent GoPro cameras.   Here is what we have in Lightroom for the Web:   For comparison, here is Lightroom on iOS (iPad):   And here is what we have in Lightroom for iOS (iPhone):    

6
lucascaribe94
Forum|Forum|3 months ago
fuzencoKnown Participant

Fit Frame to Content (Text)Open for Voting

The single-most used feature in InDesign is the convenient Fit Frame to Content option. There are so many times I am writing text in Illustrator and I want to reduce the size of the text frame to fit the content. I rely on this for quick spacing of elements (image and text frames; text frames and text frames) all the time. Please bring this feature to Illustrator so I am not frustrated every time I think I’m in InDesign but am instead in Illustrator. Besides, I use Illustrator a lot more than InDesign for small print pieces where I am already creating the vector art.

0
Forum|Forum|3 months ago
Light SpiritParticipant

A real dual-color brushOpen for Voting

There’s no way to have true duel color stroke effect when painting. At the moment the only thing we have is color jitters when painting. Thus making every part of the stroke being a different color.It would make life so much easier and faster if we had the ability to have a duel tone brush stroke like this: https://x.com/jferdaous1/status/2066567525446701497?s=20Or at least photoshop gives us the ability make our own script plugins for brushes and tools. I often find myself swapping to other programs for what should be now standard or basic features.Honestly the whole brush settings panel needs an overhaul and push of new features.

0
Forum|Forum|3 months ago
vantagepointmedia3Participant

A cancel option for image/video generationsOpen for Voting

A cancel option to stop a generation before it completes, especially for those that use credits. Sometimes the button is hit too early by accident, or the wrong model is chosen, or some thing is incorrect in the prompt but its not caught until the generation starts. Would be nice to not have to waste credits on an useless generation.

2
Hajar Toutsi
Forum|Forum|3 months ago
Eduardo BoremParticipant

when Generate is pressed, show a Stop button, to not use the credits and to not spend time on a prompt you realized is not fully correctOpen for Voting

I want to stop the model to generate an output while it is thinking.  

1
Hajar Toutsi
Forum|Forum|3 months ago
Mg17
Mg17Participant

Modern tiktok style caption toolOpen for Voting

Premiere Pro urgently needs a native tool for creating modern social media captions without relying on plugins or MOGRTs.Right now, the workflow is far too cumbersome compared to CapCut. To achieve the caption styles that are now standard on TikTok, Instagram Reels, and YouTube Shorts, users often have to convert captions to graphics, manually animate them, or purchase third-party solutions.In CapCut, these styles can be applied in seconds. In Premiere Pro, the same result requires significantly more time and effort, making the process inefficient for creators who produce short-form content regularly.Features that would make a huge difference include:Word-by-word highlighting. Automatic pop-in and scale animations. Presets for popular Reel and TikTok caption styles. Easy customization of fonts, outlines, shadows, backgrounds, and colors. Automatic emphasis of key words through animation or color changes. The ability to apply these styles directly to generated captions without converting them to graphics or using external plugins.The current workaround is simply too complicated for something that has become a standard editing feature across social media. A built-in solution would save time, simplify workflows, and allow creators to stay entirely within Premiere Pro.

2
jane-e
Forum|Forum|3 months ago
SD310820
SD310820Participant

Sync keywords between Lightroom Mobile and Lightroom ClassicOpen for Voting

Hello Adobe Lightroom team,I’d like to request improved keyword synchronization between Adobe Lightroom mobile and Adobe Lightroom Classicdesktop.Currently, keywords added on mobile do not reliably sync to Lightroom Classic in a structured way, which breaks workflow for users who manage catalogs on desktop after capturing or editing on mobile.It would be very helpful if:Keywords added in mobile fully sync to Lightroom Classic Keyword hierarchy (if used) is preserved Sync is consistent and editable on both platformsThis would greatly improve cross-device workflows for photographers who shoot on mobile and organize on desktop.Thank you for considering this improvement.Best regards.

1
jane-e
Forum|Forum|3 months ago
Hard CoderKnown Participant

P: Add collage/composite to LR COpen for Voting

There are already features that create new images in LR, so why not add collage, and perhaps compositing. There are a whole bunch of ways in which such a UI could work, but ... here's something fairly easy to visualize in the case of collage. User has a panel from which to select collage layouts. Let's say for now they're all rectangular.User selects a layout, along with color/gradient/photo to use as background, etc., then selects photos to drop into it.With photos in the layout, drag to swap them, click and hit delete to remove, etcResize with scroll wheel, also the usual "fit/fill" etcMove borders by grabbing the border and draggingWiden/narrow borders by grabbing border edge and draggingDraw new slots with right click-drag rectangle, or whateverOverlapping slots should be fineDelete slots in one of the obvious ways, right-click context menu, click-select delete key, whateverBorder changes have optional snapping to make it easy to keep things aligned Ideally the collage could be saved in a form that allows for future editing, updates when embedded photographs change, etc., but if not, hey, that's still 100x better than the current situation. Note that this is pretty similar to how print and book modules do or should work although they are creaky as h-ll and in desperate need of a good update. For composites, trickier, but the spiffy new masking tools would be awesome to have. Heck, just being able to create and export an alpha channel would be a start.

1
Rikk Flohr-Retired
Forum|Forum|3 months ago
Simon Booker
Simon BookerParticipant

P: AI-Assisted Wildlife Burst Culling in LightroomOpen for Voting

As camera technology has advanced, wildlife photography has reached a tipping point.Modern cameras routinely shoot at 20, 30, 40 FPS and beyond. Capturing key moments requires bursts because photographers have only fractions of a second to capture motion behaviour a barn owl striking prey, a kingfisher entering water or an eagle flying close.The result is that a good morning in the field can easily generate 500–2,000 images, with hundreds of near-identical frames from burst sequences. Good fieldcraft and technique captures THE image. The challenge is finding it.The Last BottleneckI am an experienced wildlife photographer, speaker and Lightroom advocate. Every presentation I give and almost every wildlife photographer I meet asks the same question:"How do you deal with burst photos, and do you ever get tired of the editing process?"The answer is that editing is no longer the issue. Culling is.You guys have transformed image editing with an amazing suite of tools. However, wildlife photographers still spend countless hours manually reviewing burst sequences to identify the one frame with - Sharp eye focus | wing position | poseThis process is repetitive, time-consuming and largely mechanical. I work in IT and this is exactly the type of problem AI is built to solve.My Workflow In Lightroom TODAY Import images into Lightroom Cloud. First pass: remove obvious failures and assign ratings. 3★ = keeper 4★ = potential edit Tag species and behavioural information. Review burst sequences using Compare mode. Examine groups of 10–15 similar frames looking for: Sharp eyes Strong poses Clean composition Select finalists and mark them for editing. Perform detailed editing. Final keywording and publishing. Everything in this workflow works perfectly. The bottleneck is Step 4. On a productive day photographing, this step alone can consume hours.The Adobe OpportunityWildlife photographers may not be the largest photography segment, but they are very engaged Lightroom users.Some AI business model gymnastics assures me that the global market size for wedding is maybe 10:1 v Wildlife. However, with 41 million subscribers to Creative Cloud Photography Plan (at  $120 per year take 15% photographers and 1.5% Wildlife. Call it 500,000 and if just 5% of those are serious enough to subscribe that nets out to 25,000 x $120 = $3 Million.Enough for a developer or 2? 😎I invest in Lightroom because my workflows depends on:Big archives | Cloud sync | keywording | AI denoise | Smart AI masking | Mobile acces | Long-term storageAdmin v CreativeEditing is creative, but culling is “admin” and that makes a huge difference! Happy to spend time making a perfect final creation. But … what kills me is spending hours comparing 300 identical frames to find the one that is sharper than the rest (see below). Every hour saved is an hour back for shooting and most important of all … my wife :-)You know somethinsg wrong when you walk out the door and your partnder says - “Remember not to take too many pics and remember to select 10FPS every now and again”!A Perfect Storm for Adobe AIYou guys already have ALL the underlying tech: Subject detection Spatial analysis Eye detect Focus analysis The final piece of teh jigsaw is bringing it all together into a workflow to eliminate the repetitive work to find the strongest candidates. Indeed Lightroom is already awesome & this would make is THE goto for a growing genre that supports nature and educates people on teh planet.Sample below. 300 classic wilidlife images of a Harrier at distance. Cropped 1. Current Assisted Cull cannot see eyes in any of them so fails 100% 

0
Simon Booker
Forum|Forum|3 months ago
Tibia
TibiaParticipant

Halation effect, Glow, Grain and other Film Simulation Controls on Color ModeOpen for Voting

I would love to see Adobe Premiere Pro's new Color Mode expanded with dedicated film-emulation controls, allowing users to achieve cinematic film looks without relying on multiple third-party plugins or complex effect stacks.Suggested additions:Halation Control Adjustable intensity Highlight threshold Color tint options (red/orange film-style halation) Film Glow / Highlight Bloom Soft highlight diffusion Radius and strength controls Film-inspired optical bloom behavior Film Grain Multiple grain profiles (16mm, Super 16, 35mm, 65mm) Grain size, intensity, and response to exposure Resolution-independent grain rendering Gate Weave & Subtle Film Movement Optional micro-movement simulation Adjustable strength Film Texture Controls Halation Grain Glow Color separation Highlight roll-off Shadow softness The new Color Mode already provides an excellent foundation for modern color grading. Adding integrated film-emulation tools would streamline cinematic workflows, reduce dependence on external plugins, and help Premiere Pro compete more directly with the film-look toolsets available in other professional color grading applications.Thank you for considering this enhancement.

0
Tibia
Forum|Forum|3 months ago
Jean+Vdv
Jean+VdvParticipant

Generative Fill layers should auto-rasterize or allow direct deletion instead of blocking with an error messageOpen for Voting

When using Generative Fill on transparent backgrounds, the AI constantly generates useless background pixels (like grey artifacts/floors) instead of transparency. When we try to select these unwanted pixels and hit the "DELETE" key, Photoshop completely blocks us with a dynamic layer error message. We shouldn't have to manually right-click and "Rasterize Layer" every single time we just want to clear an area. Adobe needs to either allow direct deletion on these layers (by auto-rasterizing behind the scenes) or give us an option to bypass this restriction. It's totally destroying the workflow for cutting, compositing, and character design.

0
Jean+Vdv
Forum|Forum|3 months ago
Mg17
Mg17Participant

Modern Caption ToolOpen for Voting

Premiere Pro urgently needs a native tool for creating modern social media captions without relying on plugins or MOGRTs.Right now, the workflow is far too cumbersome compared to CapCut. To achieve the caption styles that are now standard on TikTok, Instagram Reels, and YouTube Shorts, users often have to convert captions to graphics, manually animate them, or purchase third-party solutions.In CapCut, these styles can be applied in seconds. In Premiere Pro, the same result requires significantly more time and effort, making the process inefficient for creators who produce short-form content regularly.Features that would make a huge difference include:Word-by-word highlighting. Automatic pop-in and scale animations. Presets for popular Reel and TikTok caption styles. Easy customization of fonts, outlines, shadows, backgrounds, and colors. Automatic emphasis of key words through animation or color changes. The ability to apply these styles directly to generated captions without converting them to graphics or using external plugins.The current workaround is simply too complicated for something that has become a standard editing feature across social media. A built-in solution would save time, simplify workflows, and allow creators to stay entirely within Premiere Pro

0
Mg17
Forum|Forum|3 months ago
boonheilig
boonheiligParticipating Frequently

Allow users to disable automatic mask creation for Adjustment Layers and Smart FiltersOpen for Voting

I would like an option in Photoshop Preferences to disable the automatic creation of layer masks on Adjustment Layers and filter masks on Smart Filters.While masks are an important part of non-destructive editing, many professional workflows use adjustment layers purely for global image corrections. In my own work, I only need a mask on a small percentage of adjustment layers. The remaining masks are unused and create unnecessary visual clutter in the Layers panel.Currently, every adjustment layer and Smart Filter creates a mask by default, even when it is not needed. This results in larger layer stacks, reduced readability, and extra clicks when removing masks manually.I would like to see a preference such as:Create masks on Adjustment Layers by default: On / Off Create masks on Smart Filters by default: On / OffThe default behavior could remain unchanged for existing users, while advanced users could opt into a cleaner workflow.This would improve layer management, reduce interface clutter, and better support users who primarily use adjustment layers for global corrections rather than localized masking.Thank you for considering this feature request.

2
Ged_Traynor
Forum|Forum|3 months ago
ZigaPhotographyParticipant

P: (Masking) AI detection request to add animals (horses, dogs,...)Open for Voting

Lightroom clasic has great new features with AI masking, however I am still missing animal detection. I believe this would be very helphul for equine, dog, wildlife photography and even for basic home users.    Current solution is use of AI feature subject detection, however it often fails as it does not predict well shape of an animal, this results as manual corrections needed on every mask when batch editing is used.

3
JohanElzenga
Forum|Forum|3 months ago
.random..
.random..Inspiring

Customizable Save Format MenuOpen for Voting

Customizable Save As Menu Photoshop’s Save As workflow is currently based on a fixed, predefined list of file formats. An optional feature in Preferences could allow users to fully customize this menu to match their workflow while preserving the current behavior as the default.Proposed Features1. Custom Format VisibilityUsers could choose which formats appear in the Save As menu.Unused formats could either:be completely hidden, or remain visible but disabled/grayed out.This would significantly reduce menu clutter while still preserving discoverability.2. Custom Format OrderingUsers could drag and reorder formats according to their needs.For example:PSD TIFF PNG JPEG PDFinstead of scrolling through a long list of rarely used legacy formats.3. Keyboard SelectionUsers could assign number keys to formats.Example:1 = PSD2 = PNG3 = JPEG4 = TIFFWhen the Save As dialog opens, pressing a single number key would immediately select the desired format.4. Save PresetsUsers could assign one or more save presets to each format.Examples:1 = PSD (Layers ON)2 = PSD (Layers OFF)3 = PNG (Web)4 = TIFF (ZIP Compression)This would allow instant selection of common save configurations without creating Actions or navigating multiple dialogs. Why This MattersI understand that similar workflows can already be achieved through Export As, Quick Export, Actions, Scripts, or custom automation.However, that is not the point of this request.The goal is not automation. The goal is to make the most common daily operation—saving files—faster, cleaner, and more efficient directly inside the standard Save As workflow.Most users repeatedly save the same few formats every day. Allowing them to customize the Save As menu would reduce clicks, reduce visual clutter, and significantly improve workflow efficiency without changing the default experience for existing users.

2
Stephen Marsh
Forum|Forum|3 months ago
brandon_4490Participant

P: (HDR) gain map single channel + scaling supportOpen for Voting

Exporting HDR images from Lightroom with HDR gain maps appears to embed a three channel gain map of equal size to the image. As someone who works with high resolution (60MP) images, the increase in file size from this is not manageable as it can nearly double the size of images that can themselves be 40MB+.   ISO 21496-1 accommodates for this by allowing the gain map to be smaller than the actual image by an integer scale factor, and allowing for a single channel version that is effectively a luminance map.    As an example, Apple uses a 1/4 size (scaled down by factor of 2 on each axis) single channel gain map for photos taken on iPhone. This minimizes the increase in file size. Putting aside image compression, you have 1/4 the number of pixels, and 1/3 the bits per pixel, so the parameters Apple uses may take up something like 1/12 the size of a 1:1 size three channel gain map.   In a use case like mine, a scale factor of 2 would still be a 15MP gain map which would have no perceivable loss of quality; you could potentially scale by a factor of 3 to 6.66MP and still get good results. In many cases when I view the gain map embedded in output from Lightroom it is so close to greyscale that there's clearly not much differentiation in the per-channel values, and in such cases a single channel gain map could be used for little loss of quality in exchange for significant size reduction.   It would be very useful if Lightroom added support for previewing and exporting with the option of a single channel gain map and the option of a scaled gain map. 

1
LazySapiens
Forum|Forum|3 months ago
BRAMOTORS
BRAMOTORSParticipant

FIREFLY NO DEJA GENERAR VIDEOOpen for Voting

PESE A QUE LE IMAGEN ME LA ENTREGÓ LA MISMA IA, SOLO SOLICITÉ QUE ANIME LA IMAGEN DE UNA FAMILIA EN AUTO Y NO LA GENERA SEGÚN SUS “POLÍTICAS”

1
jane-e
Forum|Forum|3 months ago
Elisa+Valdivia
Elisa+ValdiviaParticipant

No haya erroresOpen for Voting

quiero crear un video con Kling 3.0 en firefly y no lo permirte marca error 

1
jane-e
Forum|Forum|3 months ago
Light SpiritParticipant

Symmetry/ Mirroring for Liquidify and SmudgingOpen for Voting

[ please delete ] I uploaded into the wrong feature request section.

1
jane-e
Forum|Forum|3 months ago
TheNextGenLibrarianParticipant

Guided Activities in AquaOpen for Voting

Guided Activities in Adobe Express is such a time saver for teachers. Is there a plan to add those types of lessons in Aqua?

1
Nancy OShea
Forum|Forum|3 months ago
FeedbackCommunityMemberInspiring

P: Lightroom Desktop: Segmentation on desktopOpen for Voting

Provide segmentation features on desktop to match iOS app

14
danielw58122329
Forum|Forum|3 months ago
SherO+Cam
SherO+CamParticipant

phone photosOpen for Voting

Natural photos  

1
Peter Garaway
Forum|Forum|3 months ago
rb14325879
rb14325879Participant

The ability to add allow=loopback-network to the add-ons enclosing iframeOpen for Voting

We are developing an add-on that integrates with our software over a local websocket. In development this is working great -- We are able to maintain a constant connection and transfer data between the local agent into Express. Recently Chrome (and most chrome based browsers) have started restricting local websocket connections that are not specifically allowed. Adding `allow=”loopback-network”` to the parent iframe should prompt the user to accept the connection and allow our integration to function as desired. The current workaround is to turn off the flag ‘local-network-access-check-websockets’ flag in Chrome, but this is not acceptable in a shipping product. As of this writing, Firefox does not have this restriction. I imagine it surfacing as a manifest declaration we are able to use with our add-on.Thank you for your consideration.

0
rb14325879
Forum|Forum|3 months ago
Light SpiritParticipant

Symmetry for Liquidify & SmudgingOpen for Voting

I don’t know why this isn’t a feature for PS already, but please give us the ability to mirror smudging and liquidifying. Procreate has it so it’s clearly possible, and it’s so easy to and intuitive. I will literally leave the PS app just to go use them in procreate. I use symmetry a LOT in my work… So please… I beg

0
Forum|Forum|3 months ago
Show more posts

Filter by product

  • All products
Terms & ConditionsAccessibility statement
Using the community Terms of use Privacy Cookie preferences Do not sell or share my personal information ad choicesAdChoices