I just finished a session with one of Adobe’s help desk officers, trying to find a way to import SVGs from Affinity Studio into After Effects in a way that would generate a composition of individual shape layers for each vector layer. Unfortunately all I get is one shape layer with a bunch of groups nested inside. Apparently this is due to the way in which Affinity exports SVGs, where layers are somehow turned into groups. That’s a bummer and of course rather Affinity’s problem than AE’s, but if there was a way in which the SVG import could be improved with an option to turn SVG groups into layers too, that would help my workflow a lot :-)
We that bought Canon EOS R6 mk3 (many of us) loves shooting in RAW and 7k and Open Gate, etc… But coming to Premiere and not being able to drop it and edit it… Makes me, my team, my freinds and a lot of people question the money we spendon this app while there’re assistants encouraging us to use competitor’s software like DV do transfer it to ProRes and then export it to Premiere… If I need to do that then might as well spend the same amount of money on the other software than this…No hate but please team, work faster… R6 mk3 came out Nov 2025… We are 3months into 2026...
Create a second additional cursor for Windows that is controlled by your AI. The program could use it to teach me, for example, Photoshop.
I would like to suggest an enhancement to the alignment tools. Currently, objects can be aligned to the page edges, but for print design workflows it is often more important to align elements relative to the bleed area.It would be extremely useful to have the option to align objects, nodes, and vertices directly to the bleed boundaries, similar to the existing page alignment functionality. This would significantly speed up print-ready artwork preparation, especially when working with backgrounds, full-bleed graphics, and other elements that need to extend precisely to the bleed line.Suggested options:Align to left / right / top / bottom bleed edge. Extend or fit an object to the bleed area. Snap nodes and vertices to bleed boundaries. Allow users to choose the alignment reference: Page / Bleed Area.For print designers, this would be a major workflow improvement, eliminating many repetitive manual adjustments that currently have to be performed on nearly every print project.
This will effect a few aspects so I will just go over one example. Canvas size, we are presented with Width, unit, Height, unit… These can be tabbed through but it’s not instinctive, you enter width then have to tab twice to get to height, it should be enter width then tab to height, never have I ever had to change a width unit to be different to a height unit, I wouldn’t ever need width as pixels and height as millimetres… can you just separate the units to be above the size. Work flow is then Canvas size > enter width > tab once > enter height. A small tweak but if this is implemented across New Document and Export, it will save a lot of clicks. Cheers!
I am a college instructor in the art department and there needs to be a way to detect if Generative AI has been used to create an image or if we can disable that feature in the software, as my college and many other educational art programs will be prohibiting the use of AI generated work of any kind. Also, I understand that currently Photoshop Beta cannot be used for commercial use, however when it does get out of Beta, what will be done for consumers of art who do not want AI generated artwork? Will there be a watermark, or file info or something that will tell us in any file format that AI has been used? I was able to save a .psd and .jpeg file with AI generation and besides the purposely poor quality of the image on my end, nothing is showing that I used AI to create it, or is preventing me from printing the image or selling it online as an independent artist(which of course I will not be doing as I was just testing the capabilities). If these concerns are not being addressed, please make sure they are. For those of us in the educational community need to have safeguards regarding the use of AI in your software, as many of us are trying to teach the traditional skills of creating the artwork "by hand" and having to think their way through it and not just having it made by typing a couple of words and clicking a button, because in most careers in the art and digital media fields, they still need to have the knowledge and skills to do it the more traditional way. It is a fun tool to have, but when it comes to educational purposes and commercial purposes it needs to be able to be detected easily. Thank you!
I want to be able to create, delete, move, and rename preset folders myself. It’s already 2026, and you still haven’t added this feature. I want to be able to move the preset folders; please make that possible. It’s already 2026, and you haven’t updated anything in this panel for 10 years.
Hello Adobe Firefly Team,I would like to request the addition of WAN 2.7 and other advanced WAN video generation models to Adobe Firefly.WAN 2.7 has demonstrated impressive performance in AI video generation, particularly in areas such as prompt adherence, motion consistency, cinematic quality, scene transitions, and overall visual realism. Many creators and video professionals are increasingly interested in using WAN-based models because of their ability to produce high-quality results with detailed control over generated content.Adding WAN 2.7 and future WAN models to Firefly would provide several benefits:Higher-quality AI video generation Improved motion coherence and temporal consistency Better prompt understanding and execution More creative flexibility for filmmakers, designers, and content creators Increased competitiveness with other AI video platforms Expanded options for professional and commercial workflowsAdobe Firefly is already an excellent creative platform, and support for WAN models would make it even more powerful for users who rely on AI-generated video content.I hope the Firefly team will consider integrating WAN 2.7 and other WAN models into future updates. Thank you for continuously improving the platform and listening to community feedback.
It would be very useful if the smart collections could work recursively. What I mean is that the filters on the upper lever would work on all collections under that collection and the lower level collections could have additional filterse.g.| Landscape| |- 5 stars| |- marked redPortraits| |-John| | |-5 stars| | |-B&W| |-Mary|-5 stars|-B&Wand so forth. This would make lot of organizing much more straight forward.
As Safe zones on Adobe Express are now available for limited social media templates, It would be great if this list gets extended.Available safe zonesFor example, the YouTube channel banner is a tricky one because YouTube shows only its middle horizontal part on most devices (except TV), and new users don’t always know why the banner template has a larger height.YouTube channel banner safe zonesYouTube also puts a dark time stamp above video thumbnails on the channel page so the safe zone for the correspodning template shoud not include right lower corner.And so on. It would be great if this super-useful feature were available for all social media templates where visual issues can appear.
I purchased weekly premium subscription subscription subscription amount too debited from my bank but I didn’t get access to premium features
When giving and edit especialy as a specific motion, usine a system where you have a ponter system overlay on the image which alows you to draw the action movement with or without the prompt will give an exact vision to the AI instead of it having to guess at your meaning. Example: So I have an arm, I want it to first go down to the ground then sightly out to the right i pic the points of action and direction for the first movement and then the beginning point of action for the second point. Use start stop points and directional arrows to choreograph specific movement.
Thank you implementing transcripts in Premiere Pro. It's a very useful feature. Currently, you choose your default language before transcript is executed, then PP transcribes the entire clip. What is your clip has multiple languages spoken within the audio? It would be great to PP auto detect different languages, or at the very least be able to select some text and change the default language for that particular text. Right now I am cutting different sections of my clip in different sequences and transcribing them in the approriate language. It creates a transcript that has timecode that is inconsistent. It would be great if it was possible to toggle the language within a clip / transcript to preserve the time code continuity. Thank you.
Since it’s obvious that Premiere will never get a Warp stabilizer that:will not reset if a stabilized clip length is changed work with a time-remapped footage… it needs a simple but powerful upgrade like this:The new Lock button in Warp StabilizerSince every time you stabilize footage Premiere writes data (you can tell it by the size of the project file that becomes bigger with every stabilization alone), this new Lock button would lock this data preventing Warp stabilizer from resetting with every minor change to a clip. In case you want to unlock the effect you hit this button again (it changes from “Lock” to “Unlock” and back). So locking is a fast (instantaneous, unlike Freezing for Roto in AE) and nondestructive process, it just locks the data of the part of the clip where the stabilization was applied so if you just drag the clip out beyond the stabilization part the rest of it will still be not stabilized but the locked stabilization will remain locked no matter what you do to it until unlocked even if you retime the whole clip or just the part you stabilized. It’s simple yet functional mechanism.
Would love it if my Lr Mobile and Browser would mimic the organization that I’ve set up in my LrC collections. Moving images and albums around in Mobile and Browser is cumbersome, practically impossible, frankly. I only use Mobile and Browser to share albums, or to show images from my phone when away from my computer. I find they are difficult to find in Browser or Mobile once synced, and manually organizing them in browser or mobile is way too many steps.
The floating text bar is always in the way, when formatting text. Could you move the bar by default to the right or left, and not above or below the text. Also a option to disable it would be good. thanks
In Adobe Premiere Pro when a text box is created, it can be resized with the mouse by dragging the text box handles. But there is no way to specify the exact size of the text box...For example, the anchor point position can be specified by entering values, but it has no sense if the box size may not be specified...What I'm missing? Is there a hidden setting somewhere outside the "Effect Controls" panel?
The fade handle function was added in the 24.4.1 update.However, when controlling an audio clip with the mouse, you end up grabbing the fade handle when you want to grab the edge of the clip.It should be made so that this doesn't happen by mistake, or it should be possible to turn the fade handle on and off. オーディオクリップを縮めたい時、フェードハンドルの小さな四角形をつかんでしまう24.4.1のアップデートでフェードハンドル機能が搭載されました。しかしながら、オーディオクリップをマウス操作でコントロールする時、クリップの端をつかみたいのにフェードハンドルをつかんでしまいます。誤操作しないように工夫してほしい、もしくは、フェードハンドルのオン/オフの切り替えできるようにしてほしい。
To have the ability to color code folder icons instead of using the current labels would be such a great feature to help with quick viewing and finding folders in the left pane. Bridge is such a powerful hub for the creative cloud for organization in addition to being able to initiate calling up of needed applications. Color coding a folder to quickly recognize what you need would be an amazing update and from what I can tell having researched this a very popular feature request. I hope you will consider implementing this in a recent update to make bridge the perfect app for finding, organizing and the first step in a quicker workflow. Kind Regards - Patrick
以前から、Premiere の日本語化の際の翻訳に、誤りが散見されます。過去にも「録音。709」という誤訳がありました。現在のベータ版でも、カラーモードの色温度を選択すると、ベクトルスコープのHUDが出ますが、Temperatureを表わすY軸に、「テンポ」という誤訳が当てられています。もうそろそろ、「次の編集点を再生ヘッドまでリップルトリミング」という日本語もなんとかしてほしいものです。翻訳を日本側で行なうか、少なくとも日本人スタッフを参加させてほしいです。
Case: I have a video with a shaky camera and a moving object in it. In older cases you would have to mask out the object to make Warp stabilizer ignore it and stabilize the rest of the picture. Since Warp stabilizer though an effect had never had a mask option you would have to add the mask and then nest the clip in order to make Warp stabilizer ignore the moving object. Now that we have a new masking mechanism that can added to effects as a separate masking layer with a set of adjustable tools of its own, I don;t a see any reason why a tracked object or normal mask can’t be added to Warp stabilizer to make it ignore an object without nesting
Hi Adobe, Can you please iclude an "editors notes" or todo list, inside of Premiere Pro? This would improve the worflow a lot (especially when passing over projects to new editors). Just having a dedicated window for comments/notes (that are saved with the project) seems like a no brainer and should not be too difficult to add in a future update?Thanks in advance!
We have Social Safe Zones for the video content templates (Instagram, Facebook, LinkedIn, Tik Tok), but some static templates could benefit from this, too. For example, the YouTube channel banner has a complex structure, with only the middle horizontal part shown in most use cases. Could you please add those, too?
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