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Does lightroom gather analytics on web shared images or albums? In order to better understand how my customers are using sharing my albums I have to use other online album sharing services that show me simple analytics. When sharing images or albums online. I need to know how or if my customers are reviewing or sharing the albums or image links.
I have two Mac Studios on which I use the Creative Suite—obviously, only on one machine at a time. On rare occasions, for academic reasons, I need to work on an old 2012 MacBook Pro that is no longer compatible with the current versions of Adobe. My use on the MacBook would be limited to Photoshop only. I was wondering if it’s possible to get just the standalone installer for this app in the old version compatible with the 2012 MacBook.
We need to have the grids and the guides in Photoshop for iPad ! I can’t work without them. Thank you !
Is Premiere cursed or something? Or are we, professional video editors? How can cell-prone app have such a simple and needed feature for years and Premiere Pro, which is obviously for PROs, sends you to AE for this? Adobe, this is not funny. Every other PRO level software has had tracking for years, even your own software has it, why is Premiere ignored?
Adobe Lightroom remains the gold standard for RAW image processing, catalog management, and professional color grading. However, the modern photography industry is rapidly evolving toward AI-assisted, high-volume, and automation-first workflows — especially in portrait, wedding, beauty, fashion, and studio photography.While Lightroom has introduced selective AI tools over recent years, the platform still lacks a deeply integrated, end-to-end intelligent portrait workflow system that dramatically reduces manual editing time while maintaining professional quality.This feature request proposes a next-generation evolution of Lightroom into a fully AI-native photography production environment.The Current Workflow ProblemLightroom is exceptional at:RAW development Color grading Asset organization Metadata management Preset ecosystems Adobe Cloud synchronization Integration with PhotoshopHowever, modern portrait workflows still require excessive manual intervention for:Retouching Facial cleanup Hair cleanup Clothing refinement Batch consistency Image culling Expression selection Beauty enhancement Delivery optimizationProfessional photographers today increasingly need:Faster turnaround Same-day delivery Large-volume processing Automated consistency AI-assisted production pipelinesCurrent Lightroom workflows often involve:Lightroom → Photoshop → Third-party plugins → Manual retouching → ExportThis process is time-consuming, repetitive, and inefficient for modern production environments.Requested Features1. Dedicated AI Portrait Retouching WorkspaceLightroom needs a fully integrated AI Portrait Workspace specifically designed for portrait photographers.Current tools such as:Healing Brush Skin masking Subject selection…still require significant manual work.Requested AI-powered capabilities:Automatic blemish removal Acne cleanup Wrinkle softening Intelligent skin smoothing Under-eye correction Skin tone balancing Shine reduction Pore-preserving retouching Automated dodge & burn Facial texture preservationCritical requirement:All retouching should remain fully non-destructive and RAW-based.Photographers should no longer need to leave Lightroom for standard portrait retouching tasks.2. AI Facial Feature EnhancementLightroom currently lacks intelligent facial refinement tools commonly needed in portrait and beauty photography.Requested capabilities:Facial symmetry correction Jawline refinement Eye enhancement Smile enhancement Lip refinement Teeth whitening Nose balancing Facial proportion adjustments Natural beauty enhancementAdditionally, Lightroom should support adjustable retouch intensity modes:Natural Mode Editorial Mode Beauty Mode Commercial ModeThis allows photographers to maintain creative control while reducing repetitive manual work.3. Intelligent Hair Cleanup ToolsHair retouching remains one of the most time-consuming tasks in portrait editing.Requested AI features:Flyaway hair removal Stray hair cleanup Hair edge reconstruction Hair smoothing Hair shine balancing Wind distortion cleanup Background contamination cleanup around hair Hair volume enhancementThese features would be transformative for:Outdoor portraits Fashion shoots Weddings Beauty photography Studio headshots4. AI Clothing & Fabric CleanupLightroom currently offers limited support for garment refinement and fabric cleanup.Requested AI capabilities:Wrinkle reduction Clothing smoothing Fabric texture cleanup Dust/lint removal Shirt symmetry correction Jacket cleanup Dress refinement Fold reduction Clothing edge cleanupThis would significantly improve workflows for:Corporate photography Fashion photography School photography Studio production environments5. Adaptive AI Batch RetouchingTraditional presets apply identical adjustments to every image regardless of subject differences.Requested improvements:AI-aware adaptive presets Subject-aware retouching Face-aware batch processing Intelligent skin balancing per subject Adaptive beauty correction Automatic consistency matching across entire galleriesFor example:A preset applied to 500 portraits should intelligently adapt based on:Skin tone Lighting conditions Facial structure Exposure differences Camera characteristicsThis would dramatically improve efficiency for high-volume photographers.6. AI Smart Culling SystemModern photographers require intelligent image selection tools.Requested AI culling capabilities:Closed-eye detection Motion blur detection Duplicate frame analysis Sharpness ranking Expression ranking Smile detection Pose evaluation Emotion analysis Composition scoring Burst-sequence optimizationEspecially valuable for:Wedding photographers Event photographers School photography Sports portrait sessionsA feature such as:“Automatically select the best frame from each burst”would save professionals hours of manual sorting.7. AI Background Cleanup & Scene OptimizationLightroom’s masking tools are strong but still require substantial manual intervention.Requested AI features:Automatic distraction removal Studio backdrop cleanup Background object removal Crowd removal AI horizon correction Background extension Intelligent depth blur enhancement Subject isolation refinementThe goal is to create a more seamless production-level editing environment.8. AI Makeup Enhancement SystemBeauty and fashion photographers need advanced cosmetic refinement tools directly inside Lightroom.Requested capabilities:Lip enhancement Foundation balancing Eye makeup enhancement Eyelash refinement Eyebrow enhancement Shine reduction Makeup consistency correction Skin cosmetics balancingThis would reduce dependency on external retouching software for standard beauty workflows.9. AI Expression OptimizationModern AI technology now makes subtle expression enhancement possible.Requested capabilities:Smile enhancement Eye-opening correction Expression balancing Eye direction correction Facial emotion refinementThese tools would help photographers reduce costly reshoots while preserving realism.10. Real-Time Studio Workflow AutomationStudios increasingly require immediate processing pipelines.Requested Lightroom workflow upgrades:Real-time tethered AI preview enhancement Instant portrait cleanup previews Automated client preview generation Same-day delivery optimization AI-assisted export workflows Automated gallery preparationModern production environments increasingly demand:Shoot → Process → Deliver within hours.11. AI Consistency Matching Across Entire ShootsOne of the biggest challenges in portrait production is maintaining consistency across large galleries.Requested AI consistency engine:Match skin tones Match retouch intensity Match lighting mood Match color balance Match contrast profiles Match facial refinement levelsEspecially critical for:Weddings Corporate headshots School photography Fashion catalogs Team portraits12. Intelligent AI Retouch ProfilesLightroom presets are primarily technical adjustments.The future requires aesthetic-aware AI retouch profiles.Requested preset categories:Natural Portrait Cinematic Portrait Luxury Beauty Corporate Headshot Wedding Soft Skin Editorial Fashion Commercial Beauty Social Media PortraitThese profiles should intelligently adapt based on:Subject age Skin texture Lighting conditions Camera characteristics Portrait style13. Personalized AI Learning SystemLightroom should evolve into a system that learns photographer editing preferences over time.Requested capabilities:Learn retouching intensity preferences Learn color grading tendencies Learn masking habits Learn export behavior Learn subject treatment stylesThis would allow Lightroom to become increasingly personalized and efficient over time.14. Unified Editing Ecosystem Without Workflow FragmentationOne of the biggest productivity issues today is fragmented editing workflows.Modern photographers increasingly need:RAW editing AI retouching Culling Portrait optimization Batch processing Delivery preparation…inside a single environment.The future version of Lightroom should minimize dependency on:External retouching apps Plugin chains Complex Photoshop round-trippingThe goal is not to replace Photoshop entirely, but to eliminate unnecessary workflow fragmentation for standard portrait production tasks.Final RecommendationAdobe has already built the industry’s most trusted photography ecosystem.The next evolution should focus on transforming Lightroom into:An AI-native editing platform A portrait-aware workflow engine A high-volume production system An intelligent retouching environment A modern automated photography pipelineProfessional photographers today need:Speed Scalability Consistency Automation Intelligent assistanceLightroom already dominates:RAW editing Color management Cataloging Ecosystem integrationThe next opportunity is to dominate:AI-assisted production Intelligent retouching Workflow automation High-volume portrait editingThe future of photography editing is no longer just about editing images.It is about building intelligent creative workflows.
I've created keyboard shortcuts for all tool tips like brushes, stamps, etc., but it doesn't work for the selection brush tool. This should be implemented.
I feel the need to contribute adding some graphic that I made for the community to use !
최근 발매된 스마트기기의 자체 카메라 화각 범위가 확대된 것에 비해라이트룸 촬영시 배율은 초광각 광각 망원으로 제한된 점이 불편합니다. 전문가 모드를 사용과 라이트룸 클라우드 생태계 편의를 위해 라이트룸 촬영을 하는데 기능적 제한이 있어 아쉽네요
This has been a long time coming.When Premiere Pro outputs playback for ‘unsupported frame sizes’ to a broadcast monitor or client monitor via SDI/HDMI out of I/O hardware (Blackmagic in particular), it stretches the image to fit 16:9 streams. In this day and age, vertical and other frame sizes, 9:16 4:5 1:1, should all be supported. I wish Premiere Pro would, through a setting, automatically add pillarboxes to embed these frame sizes into the 16:9 stream out to the monitors. Yes, there’s a work around for this, but adds to a cumbersome workflow in editing. Davinci Resolve for a while now has a toggle to ‘Use Vertical Resolution’ when outputting to monitors, regardless of I/O hardware. What this means is, it adds pillarboxing and maps it into 16:9 so it’s displayed correctly on monitors. AJA’s hardware now has the ability to do the same mapping, through it’s I/O hardware. It’s hardware is typically much more expensive than Blackmagic hardware. Most independent artists use Blackmagic hardware. However, BMD is unlikely to add this feature to hardware, instead they did it in their software, which in a way forces artists to work in Davinici Resolve. Most times, we don’t have a choice and have to work in the software that client’s support, such as Premiere Pro or Avid. I would like to submit a feature request where Premiere Pro does this mapping into the 16:9 SDI/HDMI stream so that monitors display vertical formats correctly, like Davinci Resolve.
The ease of identifying tracks in the timeline is very important. In the current situation, instead of the boundary line, I create a thin track. I also divide the tracks according to the type of telop. I think it would be very manageable if you could color the tracks. Furthermore, when using many tracks, it is difficult to understand mute and solo with "switch only". I'd like to have a net mark like when the track is locked, or a visual cue for the entire track once it changes color. タイムラインのトラックに、ラベルカラー機能がほしい(任意のトラックに色をつけたい) ・タイムラインのトラックの識別のしやすさはとても重要。 ・現状では、わざわざ境界線の代わりに、細いトラックを作成したり、テロップの種類別にトラックを分けたりもする。 ・トラックに色がつけられるとても管理しやすくなると思う。 ・さらに、トラックを多く使用する時、ミュートやソロが「スイッチだけ」では分かりにくくて困る。 ・トラックをロックした時のように網の印をつけたり、色が変わってほしい。 ・トラック全体に対してトラック全体にビジュアル的な目印をつけてほしい。
I would like to be able to change the font and font size across the board in the interface. it is WAY to small for my old eyes
Uso bastante referências de imagens da internet e me incomoda o fato de eu ter que baixar as imagens e depois fazer upload no firefly para pode criar algo baseado na referência de imagem que vi na internet. Pois alem de baixar preciso excluir tudo depois, por conta de que a imagem só será usada para referência, e entre as plataformas de geração de imagens que eu estou utilizando atualmente, firefly é o único que não me permite fazer isso! Sempre tenho que baixar a imagem primeiro e depois subir para usar como referência.
que la edición con IA no sea tan ridículamente censurable! cuesta mucho trabajar con ese nivel ridículo de censura!!!!
Requesting a Hotkey feature that allows adding a cut to a clip or selected clips where there are in and out points set. So, for example, on a clip, select an IN point and 2 seconds later I select an OUT point. On those points be able to hit a hot key command that Add Edit to those two points.
Hi Everyone,I hope you’re all doing well.|I've been a dedicated user of Premiere Pro for quite some time and love the robust features it offers for video editing. However, I've noticed that other platforms, such as CapCut, Descript, and Opus, provide more advanced options for animated captions and AI-driven features.Given the increasing demand for these functionalities, I find it somewhat inefficient to edit a reel in Premiere Pro and then export it to another program to finalize the captions. Does anyone know if there are plans to integrate more animated caption options and additional AI-driven tools directly within Premiere Pro in the near future?Thank you for your insights!
I have a maybe a good idea regarding selling stock photos by photographers like myself.I sell my photography work to Adobe Stock, among others.If I need a description of a photo, I currently always consult Google Lens on my smartphone and take a screenshot of my screen to be able to provide a good description of the photo.This is very cumbersome for me, and I think for many photographers as well.Is it a good idea to add such a search function to Photoshop/Lightroom?
I am on the go a lot, and not being able to pause and close lightroom to put my laptop in my bag is really unfortunate. I use external hard drives for lightroom, so I can’t eject them until it’s done exporting or denoising. Being able to pause it and close lightroom to finish later when I have enough time would be really nice. Having to put my laptop in my bag with the hard drive still attached is really annoying.
firefly video generator doesnt work since a couple of days. i cant type any text to generate a video
Can we please have the option to disable these grey squares on each end of the clip on our timeline (the transition handles). They are incredibly irritating. I used to be able to click and drag clips with no problem. Now it’s so frustrating to move clips without accidentally engaging with the transition handles to create transitions between clips (which I don’t want to do).We need the option to disable these, please and thank you.And also trying to extend an audio transition doesn’t work. It often makes me trim the clip before of after.
I wish I saw color label mark when I see my clips as thumbnails in bins. Right now I can only see the color label I set when changing it to list view.
The Sony A7Siii has the ability to add Shot Marks whilst recording video. Premiere Pro has no way of reading these shot marks. It would be great to have this metadata be imported with each clip? All the added Shot Marks should be visible in the Time Ruler of the Source window for quick access to these points in a long recording.
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