I am writing to request the addition of Marathi language support for the Auto Subtitles/Auto Captions feature in Adobe Premiere Pro.Marathi is one of the major languages spoken in India, with millions of native speakers, particularly across Maharashtra and other parts of the country. However, Marathi is currently not available as a language option for automatic subtitle generation in Premiere Pro.As a content creator, video editor, and educator in India, I frequently work on Marathi videos, social media content, educational videos, advertisements, and promotional reels. Creating Marathi subtitles manually takes a significant amount of time and makes the editing workflow less efficient.Adding Marathi to Adobe's Auto Caption/Subtitle feature would be extremely useful for:Marathi content creators and YouTubers Professional video editors and filmmakers Social media creators producing Reels and short-form videos Educational institutions and teachers Businesses creating Marathi advertisements and promotional content Government and public-awareness content creators Accessibility for Marathi-speaking audiencesAutomatic Marathi subtitles would help creators save time, improve accessibility, and produce more content efficiently. It would also help Adobe Premiere Pro better serve India's large and diverse creator community.I request the Adobe team to consider adding Marathi language support for Speech-to-Text and Auto Captions in a future Premiere Pro update.As an Adobe user and creator in India, I believe this feature would make a meaningful difference to many Marathi-speaking creators.
When painting multiple strokes on the same layer, the Normal channel blends strokes in an additive/accumulative way by default. There is no brush/stroke-level option to make a new stroke replace or overwrite the previous stroke’s normal information. To achieve an overwrite result, I have to either change the layer blending mode or create a new layer for every stroke. Creating many layers hurts performance and makes the project messy; changing the layer blending mode affects the whole layer and does not solve per-stroke behavior.
Hi, I just want to first give kudos to the dev team. It’s been a year since I started complaining about how Premiere for mobile wasn’t nearly as good as Premiere Rush, but I have finally forced myself to use it since I plan on upgrading my phone and shouldn’t be using Rush officially anymore. I applaud the integration of items that have been on my wishlist (and the lists of others), including Rush’s speed ramping and auto reframing, plus things that Rush wished it had: captioning, custom speed curves, and audio enhancements. The ability to save custom text overlay templates hasn’t been integrated yet, but I’m getting by just doing them in Adobe Express and importing them. All that said, we all really still need the basic functionality of being able to select multiple clips so we can drag jumpcut sequences all at once, and not by individual clip! Rush was also good with the ability to lock, hide, or mute tracks—which the current build still lacks. Lastly, if we could just export the prproj file to continue working on desktop WITHOUT having to copy all the files over, that would be icing on the cake. Anyway, keep on keeping on!
If I have folder that has nested folders, images, footages, audio files.it would be nice that I can select the folder and after effects handles what’s inside it.it can skip unsupported files.the result will be a folder inside the project panel with nested folder and footages with the same names.of curse, it can be done using scripting, but having it as a native import option I think it is more professional.I hope to see this small feature in the next update.These small details what will make after effects better, Thank you!
Aplicativo nao está com opção de usar as ferramentas , não consigo editar nada.
Imagine how awesome it would be to be able to “Apply transforms” to Null object (like in, dare I say: BLENDER 3D), to retain the shape but reset the Scale property.
Eigenlijk is het compleet fout dat er credits aangerekend worden voor waardeloze gegenereerde video’s. Ik ben 4000 credits kwijt en heb werkelijk niet 1 seconde bruikbaar beeld kunnen genereren. Credits moeten aangerekend worden op basis van resultaat niet op basis van pogingen die de service zelf verknalt door totaal onrealistische zaken te gaan genereren. Dat je als gebruiker al je credits kwijt bent aan AI-modellen die duidelijk nog niet op punt staan is intriest. Ik overweeg sterk om Adobe niet meer te gebruiken voor AI-video.
Forced AI is generating a resurgence of open source tools. Adding an “Non-AI” or “AI Free” option to installations and apps would be highly advisable. Furthermore, a lot of individuals are already running with limited hardware and resources, and these AI features are burning up computer resources rendering simple tasks like cropping a jpeg almost impossible. For the longest time the only thing preventing me, as well as a lot of other users, from switching to a Linux OS has been the power of the Adobe tools. However, as Adobe keeps up with this forced usage and installation of AI they will start to lose more users to programs like Davinci and Darkroom.
Opening image with .heic extension requires Windows plugin from microsoft store which is very old and does not support 10 bit .heic files made by my cellphone while they open just fine in latest Lightroom.I would think Adobe Camera Raw should also support HEIC import but there is no option to directly open HEIC format in ACR!
Looking to still be a graphic designer in 2027.
Bright white screens are distracting and difficult for many of us to deal with. Please let us select a dark mode when working in Adobe Podcast. Thank you!
I want to save all my CC app prefs to the cloud, as I am constantly loosing them in system & program updates. If they were as easily downloadable as fonts or plug ins that would be awesome.
Hi,I’d like to suggest an improvement for the Reference View feature in Lightroom Classic.Currently, when using this view, hovering over the image shows the RGB values for both the reference and active images below the histogram. However, this is only useful when the tones you want to compare happen to be in the exact same position in both images — which is rarely the case. My proposal is to allow users to place pairs of color sample points (eyedroppers) — one on the reference image and one on the active image.Ideally, we could place multiple pairs (e.g. up to 3–5), and click on the pair we want to activate. This would display the RGB values of those two specific points side by side under the histogram (e.g. R: 120 / 135 — G: 200 / 185 — B: 180 / 170).This would allow for much more accurate and targeted color comparisons between images, which is especially useful when trying to match color, light or white balance across a series or between unrelated shots. Alternatively —and perhaps easier to implement, though less versatile— there could be a keyboard shortcut (e.g. Ctrl+Shift+click) that lets the user "lock" the RGB value of a specific tone in either the reference or the active image. This locked value would then stay visible below the histogram. For example, you could Ctrl+Shift+click on a shadow tone in the reference image, and then on a similar area in the active image, to keep both RGB values visible while making adjustments. This would greatly improve targeted tone matching without requiring exact spatial alignment. Thanks for considering these suggestions. P.S. I wouldn’t be surprised if someone already suggested something like this, but I searched the forum and couldn’t find it.
I noticed that oklab (perceptual) method of showing colors was added to the gradient tool, and suggest that it be added as an option of displaying and choosing colors more accurately. Here is a well known example of blue color inaccuracy with curent methods:The left is what Oklab HSB/HSV would look like while on the right is the default RGB HSB/HSV that Photoshop currently uses. It would also help solving color distotions when changing opacity and blend modes, because currently the only blend mode in photoshop that doesn't distort hues is Multiply.Left is opacity at 50% using RGB methodRight is opacity at 50% using Oklab method (simulated) using "lighten" blend mode with a different colorLeft is currentRight is Oklab (simulated)
When saving a brush preset, we are able to save the color, which is great. I do a lot of masking work where I need to bounce back and forth between white and black. Which means when I save a brush, I need both the foreground color and the background color to be saved specifically like that. But when you grab a custom brush, it only remembers the foreground color that you had saved. So let's say, for instance, that you have your foreground and background color both set to red. And then you would like to use one of your custom brushes, so you select it. The foreground color will now switch to your saved color, but the background color will continue to be red. We should have an option when saving brushes to remember both foreground and background color. This is more efficient and eliminates extra steps when we need something specific.
Really simple one - Illustrator has recently added a ‘Copy’ button next to the Hex code in the colour palette. I’d love to see the same thing in AE!Most brand colour work I do uses Hex values, so something like this to speed up copying values would be great for quality of life - the saved clicks would add up.Adding it next to the colour pickers in the Effects and Properties panel would be very welcome as well - bringing it as close to the surface as possible. As well as any other places I’ve not thought of 😂
Make the existing tools work without crashing.
Please add Seedance 2.0 Mini as a video generation model in Adobe Firefly.Adobe Firefly already offers Seedance 2.0 and Seedance 2.0 Fast, and I would really like to see Seedance 2.0 Mini added as another option.Seedance 2.0 Mini is especially useful because it offers a very good balance between video quality, generation performance, and cost. For many generations, I personally find its results excellent and sometimes prefer it over the Fast model.Adding the Mini model would give Firefly users a more credit-efficient Seedance option, allowing creators to generate and experiment with more videos without consuming as many generative credits.I hope the Firefly team will consider integrating Seedance 2.0 Mini alongside the existing Seedance models. Thank you!
Got Photoshop because some of RetroSupplyCo’s brush packs were not available on Krita. Unfortunately, unlike in iPad and Desktop, I can’t actually import them. I can’t open the .abr with photoshop. This limits my art with specialty brushes and halftones to when I’m on my computer. The ability to import brushes would significantly improve the program.
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