Hey, I've posted truly epic rants here myself on occasion ... no problem.   There are a good number of complaints about extra, wasted space in several of the panels. Which are quite accurate, really. A very valid complaint. The inability to set font size, when the native fonts on the panels is so freaking small, is another very valid issue. Which makes it hard for many users.   So pointing out there are problems here is actually a very good thing ... as oft noted, it's better to do it professionally politely, with details about what is a pain and why, and what would be the specific 'cure'.   I upvote a ton of those Idea posts, even ones I'll never use ... if it looks like something others might really benefit from.   And at times, a rant keeps us from having to buy a new monitor because we threw something at it ... 😉 ... View more

I work for/with teach pro colorists. Been "around" the uppers of the pro colorist community really since NAB 2014. So I work in Resolve, have since ... 12? something like that. And I teach colorists how to work with Premiere's color management, do conform/out of Pr into Resolve ... and even some things in Resolve, especially as far as using Tangent Elements panel and their new Warp Drive software.   I've got a lot of experience in both, shall we say? And major time with power users of both, way above my skills. And yes, I've always used the "Studio" full version of Resolve.   They both have good things and not so good. Resolve is probably never going to accept ProRes RAW, don't even try to discuss it with their staffers ... that pretty much ends any discussion. And they're never going to allow any user customization of workspaces. If you like their standard UI fine, if you don't, tough.    Premiere allows a ton more user customization, and has still quite a few more user settable keyboard shortcuts (especially in editing work) than Resolve. That said, Premiere's got some pro media misses too. It's a pick your troubles thing.    While Resolve has a marvelously detailed 4,000 plus page manual, much bigger and more detailed than Premiere ... there isn't any index, and BlackMagic uses as many "in-house" terms for things as anyone I've ever seen. So if you don't know what they call a generally used tool, good luck ... you might be reading the odd hour or five to find it.   "Masks" .... no, you have to go to power windows. Right. Whatever.   Both those apps, and Baselight, the other top-end grading app, and Avid, and Nuke and whatever ... all have long and steep learning curves. For many newer to video editing, Capcut and Premiere Elements and other similar things are faster as they automate so many things for the user. And therefore are fast to use, for what they can do.   The pro apps do not automate most things, that's just starting to come in, as pro workers have normally wanted absolute total control of everything and every effect. This startles most noobs, as they expect the pro apps to be even more automated, rather than it being the other way around. But you can do things in all the pro apps way past what any of the prosumer apps can do.   All of these are simply tools, though ... fancy hammers is what I call them. I don't care about the brand on the hammer if it does the job I want, and I don't yell at hammers. Pick your hammer, and be happy with it.   And yes, Adobe is actually increasing paid customers rather handsomely ... as is Resolve. ... View more

Post the driver you can install please.   And maybe @RjL190365 can pop in, as they are the resident expert on hardware. ... View more

What's the driver number for that ancient GPU? I'm not sure it's even supported anymore, dates from 2013.   And your GPU probably doesn't have any 'hardware' for internal processing of long-GOP H.264/5 media, so that system is having to do full CPU decode/encode work. Not really great for long-GOP workflows. ... View more

Is the default audio input set to None? That typically is the best setting for that in Premiere's audio preferences. ... View more

Color shift can occur anywhere in the entire processing chain, both internal in Premiere and external outside of Premiere on any machine.   Some people are disturbed because the Source monitor and Program monitor don't show the same thing ... well, Source monitor is source image, and they've applied changes in the clip on the sequence.   Some note a shift in the Program monitor between playback and paused .... and that can happen if you don't have "High Quality" selected in the Program monitor. And for the Program monitor to display full quality both paused and during playback. Those settings are in the Program monitor's wrench icon menu.   And some see a shift between the media on Premiere's Program monitor, and after export when viewing outside of Premiere. Or there's a difference between the image on a couple different monitors attached to the same computer.   Which is why I asked for clarification. ... View more

Ok, that's really a pain and quite odd.   How about showing a screengrab of the full folder tree from Finder/Explorer including the folder open with LUTs in it. Maybe there's something "we" could see there ... maybe? ... View more

We would be happy to help, as that is rough behavior. But not something I'm getting so i can't replicate.    We would need specific data, which CPU specifically in full listing, like a 19500K or whatever. The letters are crucial.   As is the specific media, what is the framesize and framerate, what is the format/codec, and what created it.   Also what effects you use. ... View more

The historical name in English for sharpening even in Photoshop has been "unsharp masking".   It dates from older press printing processes. Yea, kind of confusing. ... View more

I don't understand what you mean by the color shift persists inside Premiere. Not a clue. So further explanation or screengrabs could be quite useful.   The only thing I can guess is that you see Premiere as giving you different internal 'views' ... or something? ... View more

Setting the default audio input to None has been a major recommendation for the last decade among users, and is heavily and repeatedly mentioned on this forum as a first thing to check with many playback irregularities.   But it is not useful for all users, of course. So like with so many other things, this is something each user needs to sort out for their workflow on their hardware. Always has been. ... View more

Color management can be complex and confusing enough without Apple having thrown this mess into the mix. But it is always about the entire chain of CM settings, in app, OS, and the monitor.   On a Mac, you should probably also had the extended dynamic range option on. I don't claim to understand precisely what that does in SDR workflows, but ... it has on numerous occasions with other users been needed to get correct displays on the Mac Retina monitors.   With a sequence CM set to SDR, then it supposedly should work.    How are you viewing the media outside of Premiere? That is crucial.   QuickTime player, Chrome, and Safari, allow Apple's ColorSync utility to apply that bizarre 1.96 gamma display transform, that is not used by anything other than Macs without Reference modes, and only then, on those specific Macs when set to the HDTV option. Apparently most Macs do not have that option.   VLC and Potplayer do not allow ColorSync to mangle the image management, and therefore will show you fairly closely to what the image will look like on all other non-Macs screens.    And of course, as all colorists are taught ... no one ever!!!! ... on any screen, and by any display deliverable tech from broadcast to streaming to BluRay/DVD to YouTube ... will ever see the identical image you saw on your Reference monitor.   Color is always a mix of both mathematical computations and the vagaries of manufactured devices plus the choices of most screen makers to do things to "enhance the viewing experience" that you can't begin to predict.   As has been proven by the top color management and scientist types, over and over, no two even indentical screens can be calibrated such that to the eye, they give visually indentical images of the same signal.   Or as is often stated, "You can't fix gramma's green TV". ... View more

That would be an excruciating thing, to have to render after any change to any effect. No question.   But I don't get that behavior, on either my desktop, or my laptop. The desktop is a Ryzen 3960X 24 core, 128GB of RAM, 2080Ti, twin Nvme drives one for OS/progams, the other for all cach files, and eight internal large SSD drives for working folders.   On that I can run several video and audio tracks of UHD and 4.6 BRAW, various Arri and Sony media, and ProRes and other mov files, several audio tracks, and it just ... works. My 2019 Acer Triton laptop has a 2080Ti, but of course the laptop is old enough it can't handle the sequences the desktop can, but it still gets me through stringouts and other smaller projects ok.    And I don't hardly ever render a sequence on either rig.This is one of those things where I really try to puzzle out why the behavior is so different between rigs. ... View more

Darn ... okay ... are these proxies from the camera, or that you had Premiere create? ... View more

Just curious, as Paul provided good comments ... if the client wants to end up with 24-ish FPS, why is the main editor working at 29.97? ... View more

For that dialog, you should go to the specific timecode set, and rebuild those few seconds. Which will probably fix your issue.   As a person heavily into the colorist side of things (I work for/with/teach pro colorists) ... I don't recommend that export LUT at all.   In "modern" Premiere it is neither needed nor useful, which is why it's not there.   If you want to set your image to Apple's brighter gamma display transform .... simply set the display color management and extended dynamic range on, set viewer gamma to 1.96, and correct your image.   It will then look the same in QuickTime Player, Chrome, and Safari on Macs ... but only those without Reference modes set to HDTV.   On all other systems ... Macs with Reference modes set to HDTV, most TVs, most Android ... all broadcast compliant displays too ... the image will be too dark and oversaturated.   Oh ... even on Macs without the Reference modes set to HDTV .... if viewed in VLC or Potplayer, the image will be the dark one that others will see. ... View more

How about just rotating it in Premiere? Easy and fast ... ... View more

That's ... intriguing! ... View more

Abd you're not using the   "multicam" process for this because  ...? As that is designed for this work. ... View more

I'm getting instantaneous exports direct out of Premiere 25.4.1 build 3 ... on a PC. I can't replicate ...    So for troubleshooting, details matter.   OS/CPU/RAM/GPU, GPU driver, the media specifics for format/codec and framesize/rate, what created it, how long is the export, and of course any effects applied to the media and sequence.   Also ... what your drive setup is on that machine, and what codec you are exporting to. ... View more

Actually, no, that doesn't reset the preferences as far as I recall. Premiere leaves such things as user prefs on the computer ...   unless you use the "nuclear option" to uninstall, the Adobe CC Cleaner Tool. ... View more

Huh ... I've used Premiere daily for over a decade, and don't recall any such option. But then, I've never had the behavior you are getting either ... which again, would be a right royal pain. And I clicked and dragged all over the audio and video clips.    What you're getting is just so weird! Wow. ... View more

It's only major version changes that won't open in a previous major version ... we are in the 25.x series now, last year was the 24.x, right?   You can't open a 25.x project in a 24.x Premiere, but you can always open a 25.x project in any 25.x version. ... View more

Please search the Ideas section, as it's better to upvote presently posted ideas than willy-nilly create new ones.   Peru Bob provide one, but there is already quite a few threads about this. ... View more

That's quite the drone, btw ... but interesting that on the DJI site I can't even find the specs for the video files it produces. Lengthy data on the moving/holding ability, all flight characteristics ... ah well.   It has always been the case that DJI pushes the boundaries of what is even possible or allowable for long-GOP video file encoding ... one file I saw over a year ago had a spot with four partial i-frames in a row, it was over 120 frames between actual full i-frames, and yea that was a mess to work with.   So I'm wondering if the Adobe folks are having to play catch-up with another "innovative" encoding process from DJI ... which might be the case.   Using the Tree View of MediaInfo, and drag/dropping a screen-grab of the video data section into your text reply box. might be an interesting thing to see the encoding they are using. ... View more

I presume you're referring to one frame forward/backward, the left and right arrow keys (on an English "qwerty" keyboard at least ... ) .... is that correct? ... View more

That would drive a person around the bend. Sheepers.   But I've got nine custom workspaces, across a couple PC desktops and laptops, and haven't ever seen this.   So like many things, something is likely 'off' on your system for this to be happening.   So ... typical troubleshooting rules apply, please give:   OS/CPU/RAM/GPU, GPU driver, number of drives/types in use, media in use full data: what made it, format/codec/frame-size/rate, CFR or VFR.   Then we can probably start to get this solved. ... View more

I just tried and I can't replicate.   I don't get that effect to pop up no matter whether I'm grabbing someplace on the video or audio part of the clip.   So I do wonder if something is off or set wrong on your machine? ... View more

Filmed a bunch of interviews a week ago, sat down to transcribe to do an edit from the transcrition yesterday.   A few words were missed ... otherwise, it worked great. So I can't replicate your issues.   And as Rob mentions, if you'd spent the time telling us the specifics, we might either have been able to get you working, or alternatively prove a specific bug.   Can't do either at this time. ... View more

Curious also, as I've a couple computers with older project versions I do need to use on occasion (SpeedGrade!) ... and a couple laptops still in heavy use in our shop that aren't upgradeable to Win11.   And I do not want to have to replace them. ... View more