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Does anyone know if in Subtance Painter, for the output maps it is possible to omit some words using $textureSet or $mesh? I mean I always use the name of my materials as MAT_House, I would like that "MAT_" does not appear when exporting or if my mesh is called FBX_House does not appear "FBX_".Thank you very much.
i use free trial version in substance painter to get idea and get experiance . i can't see many options like materials, filters why is that happen ?
So I've come accross an issue where, when I add a new sub-paint layer to an existing or new fill layer it essentially changes to whatever settings the other sub-paint layer I have has, and any changes made on either one carrys over to the other. It's kinda hard to explain well so I've attatced a video to show the issue I'm having. This is a very annoying bug (at least I hope it's a bug).
Hey, I am noticing with some scenes I am working on in Painter, that I cannot zoom in to objects very closely which is making it hard to paint. Is there a max zoom in option? I havent found one but I am not sure why I cannot get right up close and personal with my objs's. Any ideas or settings to make this work? Thanks!
Substance documentation says we should be able to make changes to brush settings, and then right click on our brush asset and select "Update Preset" to save/apply the changes permanantly. However this option doesn't show up for me. The only way I can save my edits is by making an entirely new (duplicate) brush preset.
I just completed my first Substance Painter tutorial and I was very impressed by this program. I work as a 3D modeler using Maya and to date I have used Photoshop to create textures. With that being said, I would like to ask if SP is the prefered method of creating textures over Photoshop? I'm not dismissing either one, but I would like to focus on a program that will offer me all the control I need to create textures with the details I require. In other words, can SP do all that Photoshop offers when creating textures?Lastly, with all the filters that SP offers, is there a manual somewhere that explains what all of them do? I have relied on Youtube for my SP tutorial but some others just take you through the project by telling you to, "pick this option and connect it to that...". I would like to understand the basics and move from there.Thank you.
Started a new job recently and I'm at my wits end for trying to solve this problem. When in Painter (and Designer) my middle mouse on my pen isn't registered at all. This makes it impossible to navigate in the software with standard Substance/Maya navigation. MMB works correctly in all other software packages as far as I can tell. Only Substance Painter and Designer are having issues.I'm using the following version of painter with the most recent drivers for my Cintiq. Substance Painter, version 6.2.2Build 661 - 90395d89ce8b089bdb4bffbb6bd272741a80f04fWindows 10, up to date. Painter registers my LMB and RMB within the interface correctly, but doesn't register my MMB at all.Any help is extremely appreciated.
Im using a SP plugin called HairTG-Surface to create a base layer of hair to cover the scalp of a character. As the title says I'm getting these strange lines on my exported textures. I thought It might have been something to do with the cage when baking but I've tried adjusting the cage size and used low polly mesh as high polly, but I get the same result. Can't find much info on whats happening here and I've not come accross this before when exporting textures. Appreciate any help.Substance Painter Base colour exportDisplacement exportOpacity exportRoughness export
When I have imported a model for a wall, I made in blender the model had some problems that i could not fix, The model in blender was tottaly fine
Adobe told me to use my personal Adobe CC account for a "90 day trial" then transfer it to my companies's account. This didn't make much sense and quite dubious, so I opened a third account no associated with my credit card or my work. The 90 day trial never happened. And the 30 day trial expired before I could get the 90 day trial to work. Now it's been 90 days and I'm getting threatening emails telling me my third account will be closed. did anyone else have to jump through a ton of hoops just to get a trail, only to give up and look for alternative software before the trial period supposedly ended? Also is Substance worth learning? I will probably use it once every few months so not worth doubling my bill, but may be able to convince work if I have a chance to learn it.
I love the new curve updates, and they arrived just in time for a project that is perfect for them. I've run into a few things that would make them much better. 1. Gang select curves: I realized early on that curves can independently affect layer settings. That is, normal can be toggled on and off per curve, for example. This is a powerful feature, but selecting each curve to match or alter settings quickly becomes laborious. 2. Universal override for curve settings: I would love to be able to toggle an override so that I can change the settings of all curves at once. 3. Copy and paste curves! They can take a while to draw. Please let me reuse them. I used curves to make a pretty complex mask. I then wanted to use the same curves with the new pucker brush. It was a bummer to realize that wasn't possible, and I would have to redraw all of my curves again. 4. Curve import: would love to be able to import curves from my 3D apps. Bonus: The pucker brush stamp
When I convert a texture created with Substance Painter to PSD, the text layer information is converted to an image.I would like the text information to be converted to PSD while retaining the text information.I would like to have the ability to adjust the text spacing like PhotoShop.I would like to be able to use various Adobe fonts easily in Substance Painter.
when i am applying noise in height its not worrking seamless i saw so many video but now one tell what i want.how can solve this issue?
Hi Adobe, It would be great if you could rename the various adjustment we add on masks. Like that example doesnt help me later: what did I do here? I use to create a folder with a black black and use a fill layer in the mask to invert opacity channel (so my exported map of opacity work with Arnold Transmission) But seeing Fill as a name doesn't help me understand what I did on that layer when I revisit my work months or years later. I always rename all my stuffs. Would be great to see that feature in the next update of Painter Thanks,
Hi there...I have been working on my model all morning.I have been adding high poly meshes and exporting as normal, baking has gone well. I am using obj.So, I modelled a few extra bits, and the dont show up at all despite being visible in the Bake room.You can see from the screenshot which ones are missing.I tried a load of things, combining the HP meshes together, triangulated, exporting out as one file type then bring it back in as another. Applying scale, rotation and all transforms.Heres the high poly in bake room showing all details...Heres in texture window showing nothing?any help would be great..
Hi I have a basic white square on a layer, and no matter which overlay mode i use (on Base color) the square just stays white and doesnt seem to blend with the layers beneath it (namely, overlay or softlight - as would happen in photoshop). Am i doing something wrong or does painter not work like this? thanks for your help!Nick **EDIT** oh! so it seems if i put that layer in a folder and mark the folder as overlay it works! Is that how it should work? Seems a little odd
I am very new to UV unwrapping and Substance Painter and I am sure I am doing something wrong. I have a basic model in C4D. I unwrap the model in C4D and test it in C4D Paint after unwrapping and the paint works. I then export as .fbx so I can import into Painter. When I do this the geometry is incorrect and so is the UV map. What am I doing wrong?
Hi there,Was wondering if anyone know's if it is possible with substance painter, or know of any other solutions, to go about baking AO from and onto objects with transparent textures.I came across this video by Outgang on youtube, who examined the character model Cloud from the Final Fantasy VII Remake game. With the hair they appear to use multiple UV sets, one with the texture and one where they have made each hair plane it's on UV shell so each hair plane could have it's on AO.Link to video (Hair texture topic at 25:21):https://www.youtube.com/watch?v=w8SjXHQ8ASYAnyone know if substance painter can do this? or any other software that can?
Hello, my brush is lagging after changing the color from the brush menu. I thought my file is too big so I tested with a brand new one (texture set to 2048x2048). I'm using a Wacom Tablet. The lag is present while using the mouse too, but not that obvious. Windows 11, latest version of Painter.(Driver up to date for the tablet)I saw many others that have this same issue, I wonder if there's a fix to this.Thanks.
how can I export t the existing model to use only a single mesh/material for the blender because when I try to import it into the blender it imports with all face mesh it does not correctly size to larger my building model in the blender i want to import a single mesh as a material only.
Hi, I would like to ask whether it affects performance or memory if somebody paints on differents layers with one channel turned on (one for color, one for roughness etc.) instead of using all channels of one layer.
[EngineBitmapLoad] Failed to decode bitmap.resource://project8/Ambient Occlusion Map from Mesh Std_Skin_Body?version=5da1255d6743ce6363aed3a852ff16a5b7a4c518.imageI am getting the following error on every UV Tile group except the first one. I see other people have had similar error but I dont know if its the same problem. I cannot fix this by renaming, mostly because I cant find this temp resource in any of the folders like C:\Users\<username>\AppData\Local\Temp.The FBX file used is exported from Character Creator 4 to Blender and then to Substance P. I am baking all maps using Substance P baker even though CC4 has maps. So the AO map that is failing to decode here is a Substance P generated map. It is being used in a fill layer. So in that regard, as well as being UDMI setup with tiling (not legacy) it is simliar to other cases. But deleting cache folders did nothing. Renaming the texture sets to end in _001 etc, also does nothing. The normal map format is Open
I have created a dynamic progress bar in my tool window, so I can update progress or enable/disable the progress bar as a busy indicator. I am using event dispatch / listeners. So for instance, if I receive a bust state change I can control the progressbar state: def _busy_listener(self, event_cls) -> Tuple[Callable, bool]: def _set_busy_state(event_cls) -> bool: self.busy = bool(event_cls.busy) _SBSP_LOGGER(sp_logging.INFO, self.name, f"BusyStatusChanged: {self.busy}") if not self.busy: self.progressbar_reset() else: self.progressbar_spin() return self.busy self.add_event_callback(event_cls, _set_busy_state) return _set_busy_state, self.busyI also have project status listeners for what i'd call "Pre Busy Events", something like:_pre_busy_cb = self._getting_busy_listener(sp_event.ProjectOpened) _pre_busy_cb = self._getting_busy_listener(sp_eve
Hello!I am using a custom shader as part of a pipeline and it generates this error, failing to render:error C1503: [Shader Helpers] .... error C1503: undefined variable "environment_rotation" I saw one related post that suggests 'environment rotation' variable has been replaced by 'environment_matrix', substituting each instance then generates a new error:[Shader Helpers] 5(368) : error C7623: implicit narrowing of type from "vec3" to "float"I assume this is because the newer environment matrix is a different data type, but some guidance on how to update the .glsl file to work properly would be helpful. I did try one fix that allows the shader to render, replacing 'environment_rotation' with 'uniform_environment_rotation', but I am not sure if this matches the previous shader exactly. Any tips?Thanks!
Hello,It's pretty easy to explain but I don't know if it's difficulte to implement :Having multiple painter software open at the same time, it's a must have to be able to copy and paste between open painter software without having to create something in the library like smart material etc. could be layer, material, filter etc.Maya does it and it's really handy.Thanks
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