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Working in the HDR colorspace in premiere, after creating proxies, makes Premiere apply two different colorspaceces and colors appear oversaturated and too contrasty in an SDR screen.
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How is it applying two colorspaces?
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Basically, with HDR footage, I had to create proxies with the same colourspace. However, when I'm editing, toggling proxies on and off makes the image drastically different.
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have they fixed the broken HDR proxy?
https://community.adobe.com/t5/premiere-pro-discussions/proxy-color-management/m-p/12561471
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Currently, there's no way I can find to work with proxies from HDR media on a Rec.709 timeline. Yea, that's a major pain. And yea, the engineers are aware and trying to get that fixed but we're all waiting for that fix.
Neil
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Thank you so much, I didn't know if it was me making a mistake or just Premiere not being able to handle HDR.
Let's hope Adobe fixes this soon. Do you know any other way I can release feedback to them?
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Their UserVoice system is the way to get both feature requests and bug/stability/working compaints to the engineers:
I've supplied a sample to an engineer, and he responded that he'd replicated it and the team was now working on fixing it. But again, how long ... who knows, the Shadow knows!
Neil