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Tranquil_Cosmos157F
Engaged
Tranquil_Cosmos157F
Engaged
Activity
‎Nov 30, 2024
06:57 AM
1 Upvote
I could already have used Finnish and Urdu sometimes. In the Nordic countries, we also have Sami speaking people, so I'm sure I will need that in the future.
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‎Nov 24, 2024
12:23 PM
1 Upvote
This is a very nice time-saver. The accuracy is pretty impressive. Need more languages, of course, but I guess more are coming.
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‎Nov 19, 2024
05:56 AM
1 Upvote
FYI: A friend of mine thinks this may be related to editing the camera order in the Source Monitor. He says it seems this is only affecting edits where the cameras have been edited to a new order. Also, Match Frame twice will match to the wrong camera when they have been edited.
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‎Nov 17, 2024
09:54 AM
3 Upvotes
About the Append keyboard shortcut, it would be great if pressing a modifier key could prevent the playhead from automatically moving to the end of the timeline.
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‎Nov 17, 2024
09:36 AM
22 Upvotes
Quoting from the Adobe Premiere Pro Classroom in a Book: The Overlay, Insert Before, and Insert After edits are available only when dragging a clip onto the appropriate drop zone in the Program Monitor. There are no buttons or single-key shortcuts that achieve the same results. Why are these only available here? Why? This must be the easiest fix in the world. The features are already in place. The only things lacking are the keyboard shortcuts. Why? Please add them! Plus one for Append (add after last clip in timeline). We needed them in CS5 and before, and we still need them.
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‎Nov 17, 2024
02:37 AM
I'm trying to understand the workflow here. You have edited sequences that contain multicams, and when you put them into a new sequence, the multicams show different angles? If I got that right, this smells like a bug. I know Paul Murphy has used this workflow a lot, and it also how I usually work on larger projects.
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‎Nov 17, 2024
02:28 AM
2 Upvotes
If support for multiple audio tracks is not added, I'll have to take this back. MKV support without multiple tracks has no value for me.
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‎Nov 17, 2024
02:26 AM
I use this same workflow, recording my microphone and the desktop sound on different audio tracks. If this is not supported, the MKV support has no value for me, unfortunately.
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‎Nov 05, 2024
04:29 AM
1 Upvote
This makes my life easier. Thanks!
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‎Oct 28, 2024
01:48 PM
1 Upvote
I guess you mean the Effect Controls panel. Yes, that's still the only place to reset individual parameters.
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‎Oct 24, 2024
01:11 PM
I don't see Avid, Apple and Blackmagic Design logos on the menbers page on the website. Thats's a bummer.
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‎Oct 16, 2024
10:36 AM
I like the new look. Less wasted space, more intuitive and clear.
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‎Oct 05, 2024
03:16 PM
1 Upvote
Uservoice? Really? Which year is it?
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‎Oct 05, 2024
02:51 AM
18 Upvotes
Problem More and more users are editing podcasts, Zoom/Teams events, video interviews done with tools like Riverside etc. in Premiere Pro. Especially after we got Text-based editing, I’ve seen an increase in clients doing this kind of editing in Premiere Pro. One thing they all have in common is that they’d like to auto-mix voices that are on different audio tracks. Say you have two or three audio tracks, and you want to duck the levels on the tracks of those who are not speaking at the moment to avoid spill/bleed/leakage/phase issues, noise, and generally low audio quality. For now, this is mostly a manual task. Examples This is a screenshot of a client’s timeline of an interview with two microphones (track 1 and 2), and as you can see, they’ve done a lot of manual cutting back and forth between the tracks. Manual cutting of interview with two microphones I have tried to trick the Essential Sound panel into auto-ducking one voice against another, calling one of them a music track, but it’s impossible to find a setting that makes it work 100% of the time. Tricking Auto-Ducking into ducking one microphone against the other FR: So my feature request is: I want to select all the voice clips, and make the AI duck them an amount of dB, very much like the auto-ducking we have for music. We need to be able to choose one voice as the winning voice if/when multiple voices compete for our attention.
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‎Aug 28, 2024
03:42 AM
2 Upvotes
I like the rounded corners! I also liked them in Rush. I teach both Premiere Rush and Premiere Pro, and in my experience, it's easier for beginners to find out where the start and end of a clip is when the corners are rounded. The only thing that's bothering me is the current way the white corners for "beginning/end of source" are showing. Need a new solution for that. Otherwise I'm happy with these changes!
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‎Aug 25, 2024
02:23 PM
3 Upvotes
This is exactly why I do my stabilization in a separate project, and export a ProRes file that I keep in my edit project.
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‎Aug 25, 2024
01:02 AM
I'm sorry, I didn't quite follow this either.
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‎Aug 17, 2024
01:54 AM
2 Upvotes
When you post via Help > Provide Feedback you're talking directly to the Adobe people. If it's MOGRT related, it will be read by the team responsible for MOGRTs. There's nothing you can write in an email that you can't write there. Will they always answer all the posts? No. But if they have questions, they will ask. Even when they don't respond, your ideas may end up in the app.
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‎Aug 16, 2024
06:17 AM
To talk directly to the team and add feature requests or bug reports: Help > Provide Feedback
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‎Aug 16, 2024
06:07 AM
I'm not an expert when it comes to text styling, but yes, there are lots of limitations at the moment. It's been just a few months since we got the possibiloity to use expressions to control styling on individual characters. Let's hope we get simpler access to styling words in future updates. Make sure you add a feature request, or add your vote to an existing one.
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‎Aug 16, 2024
03:16 AM
You can use Expressions to style individual characters, but it gets messy when you want to style individual words. https://helpx.adobe.com/after-effects/using/expressions-text-properties.html
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‎Aug 16, 2024
03:12 AM
1 Upvote
Hi Stan, I have never found a way to apply any animations or individual styles etc. to a MOGRT that's an updated Subtitle. This, for me, makes this feature just about worthless. I don't see how it can speed up my workflow in any way.
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‎Aug 10, 2024
07:48 AM
As I have explained in another comment, the unzipped MOGRT files (no longer .mogrt, but .aegraphic or .prgraphic) that are used in a sequence are stored wherever you choose to store Motion Graphics Templates under Scratch Disks. If that folder is not on a shared drive, they will get offline for other team members. They will also get offline if the path to that folder is different on the different systems. You should only have to relink them once on each system, though. Where have you chosen to store the Motion Graphics Templates files that should be shared between the team members?
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‎Jul 14, 2024
01:32 PM
1 Upvote
Can you show us a screengrab of the timeline you're exporting? And the export settings? Sounds like there could be some clips or effects that gives parts of the timeline a red render bar (green after rendering) - which could lead to shuffling data between the CPU and the GPU, which again is slower than doing everything on the CPU.
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‎Jul 07, 2024
08:15 AM
2 Upvotes
I have sometimes used this quick and dirty method. It's a bit of a hack - but hey! Draw a rectangle, choose blue linear gradient (blue to transparent blue) as the fill, and Darken blending mode. If it works, it works 🙂 If your shot is a moving shot you can add keyframes to position and rotation for the rectangle. You can of course combine it with masks with lots of feathering. I've totally overdone it in this example to make it obvious. Use your best judgement in your case.
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‎Jun 17, 2024
03:48 AM
In that case, something like this should work  
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‎Jun 17, 2024
03:44 AM
Also, Warren Heaton has a good answer in this post: https://community.adobe.com/t5/premiere-pro-discussions/adding-a-5-1-mix-and-a-stereo-mix-in-premiere-pro-for-final-export/td-p/12123434
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‎Jun 17, 2024
02:52 AM
The tracks need to be routed to separate channels. Try the method explained here: https://jwsoundgroup.net/index.php?/topic/32765-premiere-export-of-file-with-51-and-20-mixes/ The main thing to understand is that you need to pan tracks left and right in a multichannel sequence for them to land in separate output channels. Making all sources mono will help. Tip: In the Audio Meters you can choose what channels to listen to while editing.
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‎Jun 16, 2024
01:41 PM
Yes, but we need the whole panel, not just part of it. And for now, it seems you have not routed your audio at all? Everything goes to the mix track - and we don't see what your mix track is set to because we don't see the whole penel.
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‎Jun 16, 2024
12:45 PM
1 Upvote
Could you please provide a screenshot of your Audio Track Mixer?
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