I would do Productions similarly, yes. With a Production folder instead of the Project Files folder.   ... View more

That would be a fantastic addition! I don't use the project templates for exactly this reason. I use my own project folder template (that includes folders and a project file) instead. Having Premiere Pro create the folders - much like Post Haste - would be a fantastic time saver. It would also make it much easier for beginners to get started properly with their project. ... View more

Thanks Theresa, per word changes would be extremely useful when making MOGRTs. ... View more

I  have finally downloaded the project and assets, and I can confirm that H.264 export is softer in the 2024 versions. Exporting a ProRes file WILL obey the MRQ setting, and export a crispy clear file. Using that file to export an H.264 file will result in a crispy H.264 file.  So something in the H.264 export is broken in the 2024 versions. It doesn't do its MRQ (or better, with hardware rendering) thing when Hardware Encoding is selected. Please fix, Adobe! ... View more

Sorry, all email notifications from community.adobe.com ended up in my spam folder. Now your screen recording is no longer available, so I have not seen it. 🥲 When you say "A screen recording of Prem 24 would look the same, but with all exports looking blurry." - that's an assumption, and I'd love to see that version in the recording too. When we see the whole UI in the video, we might spot a small detail that you didn't think of that's set differently, or a default setting that's been changed in the newer version. When it comes to bugs, never assume. 😊 ... View more

I'm sure Wes will get to the bottom of this. But here's my thinking around this. Some of it may be obvious to some of you, but not to everyone.   Maximum Render Quality (MRQ) does nothing when the timeline does not have a red render bar. When it's red, it might, but you can't be sure until you know what effects are used.  MRQ only works when a frame is rendered on the CPU (which will happen if you're suing a non-GPU-accelerated effect, even though GPU acceleration is on).   MRQ in the timeline has no influence on the export, only on the preview.  To get MRQ on the export, it needs to be ticked in Export Settings  As is the case in the timeline, it will do nothing for frames rendered on the GPU in your export either  High Quality Playback in the Program Monitor will get you the closest to what the output will be  Every timeline in Premiere Pro has an "output". So putting an UHD clip or sequence in an HD sequence will output HD, not UHD resolution, no matter what you do. This has not changed since Premiere Pro CS 5.5, AFAIK.   There's no equivalent to Collapse Tranformation from After Effects (same button as Continuously Rasterize) in Premiere Pro  When you're scaling clips or sequences, some sort of re-sampling and anti-aliasing will have to be done  Scaling more than once will introduce more re-sampling and more anti-aliasing  H.264 will soften edges a bit more than ProRes will   For troubleshooting purposes, I'd love to see a high-res screen recording of the whole process, with different versions of Premiere Pro and the same sources. A sample export file from those different versions that shows the difference would also be great.  ... View more

We need a keyboard shortcut for FIT that works even when the Program Monitor is not the active panel. I keep finding myself needing to click way too much just to set the zoom to FIT. I do not like extra clicks.  ... View more

This is great – but why do we need the 8-bit option? For making bad video on purpose? Please just make all ProRes render at 16-bit, and remove the 8-bit option.  ... View more

I think you mean this article on frame io: https://blog.frame.io/2021/06/07/premiere-pro-max-render-quality-max-bit-depth/   That article deals with video exports, not taking a still image from the Program Monitor. It's not clear to me what method the OP is using to export the images. If you use the Export tab and choose TIF or PNG, you can choose the bit depth. ... View more

What were the color settings in After Effects when the MOGRTs were made?  Was Composite in Linear Color on or off? ... View more

Absolutely LOVE this! 😊 ... View more

Have you tried using the Sequence > Simplify Sequence feature inside the Multicam? ... View more

It's true that you can't move individual points if they are outside the panel, but you can move the whole mask. And if you maximize the panel, you should have lots of space on the sides if working on an ultrawide monitor. See image. I do agree that it could be simpler, like in After Effects. I'm just offering a pretty good workaround for those who may not know about it.   ... View more

Even though it's not possibloe to create a mask point outside the frame, you can create it inside the frame and then drag it out of the frame. I use this method all the time. ... View more

The EDL export gives you an option to use the file name, if that's an option. ... View more

The file id entry in the XML shows the file name, while the clipitem id shows the name of the Source Clip name inside of Premiere Pro. Not sure how Resolve can be told to use the file id.  ... View more

It's been a while since we got the Settings panel, but is there really STILL no way to change the Tone Mapping Method on multiple clips? Any plans to fix this? It seems that the team thinks they have this done, because the Apply to All Instances button is there. But my clips are not instances of the same file, they are separate files. So I have to click-click-click-click-click-click-click-click-click-click-click-click-click-click-click-click-click-click-click-click-click-click-click-click-click a lot to change the Tone Mapping Method. This feels like going back to the late 90's, when it comes to user friendliness and efficiency.  Please fix this very soon! Pretty please! ... View more

This is a huge improvement! I especially like that it imports only the top folder of "camera formats" like ACVHD, XDCAM, etc. Nice. Thank you!   The new Import mode still fails to import Adobe Illustrator (.ai) files, though, even when importing a whole folder with its content. It's about time Adobe supports its own format in this mode, so we don't have to drag from Finder/Explorer or use the Media Browser for .ai files. It's 2024—you can make it happen!  😊 ... View more

The UI in this forum is not exactly perfect for images, and when they don't have proper names, it's a bit hard to navigate them. But I think it's better if you can share a small project with a short sample file. If that's not possible, at least a project file with no media, but both the sequence you're exporting from, and the one you're adding the re-imported clip to, would be nice. I don't yet fully understand how you're using that exported file in your new sequence - and what sequence settings that sequence has. If the channels are routed differently (say, panned to the middle instead of to the left and right,) you're mixing the tracks, and that will result in different levels. ... View more

I have not emailed you as far as I know.  ... View more

Sorry, the notification ended up in the spam folder. But we need more info. When you say "Generally, upon re-importing them into Premiere, it shows around -26 LUFS" How are you measuring that?   What are your sequence settings?  What are the Export settings?   Screenshots tell us much more than a lot of words. ... View more