Adobe Aero

I’ve been using Premiere for more than the past 12 years. In that time, the number one frustration for me all along, regardless of input device is snappiness when moving clips around on a timeline. I often find extending head/tails of clips or moving along the timeline that for no apparent reason the clips will be off a frame or two, snapping to virtually nothing else. I dont experience this at all in any other NLE, particularly Resolve or Media Composer. For once and for all, I’d love the snapping to just SNAP!

Good day. I am kindly asking for your consideration for a refund of my subscription of your Pro version of the app. I forgot to cancel the 7-day free trial before it ends. My Phonepay was charged with the amount of Rs 2600 as the 1 year subscription of the app.  I understand that it is not easy to make a refund decision immediately but I hope to be considered as I am still a student and I can't afford to make such huge amount of purchase. I really am hoping to be refunded as I need the money for my tuition fee for my college studies. I have no means to purchase such huge amount of money. I really need the money for my studies. I just forgot to cancel before the free trial ends. Please help me with the refund. I can't afford that amount and accidentally purchased the 1 year subscription and forgot to cancel the free trial. Google Play won't allow me to refund that's why I am humbly asking for your consideration. Attached below are proofs of payment and purchases. Please let me know if y

With so many people moving away from Windows and Mac Environments due to hardware compatibility, privacy and security reasons, we need Adobe products to also support Zorin OS linux.  Please make this happen as soon as possible before we find linux software or AI alternatives to your products. 

"Dear Adobe Premiere Pro Team,I am writing to propose a breakthrough AI feature for Premiere Pro’s Multi-Camera workflow.Currently, auto-syncing relies heavily on Audio. However, in many professional scenarios—like weddings or live events—we have a 'Live Mix' (Reference Track) recorded by the vision mixer.I propose an AI-powered 'Visual Eye' feature that analyzes the frames of the Live Mix and matches them in real-time with the corresponding raw camera angles on the timeline. Instead of manual switching, the AI should 'see' which camera is currently active in the mix and apply the cuts automatically based on visual recognition, regardless of the audio state.This would be a game-changer for editors handling multi-cam projects with pre-existing reference cuts.Best regards,Ashur"

Why are all the files inside Adobe CC show the same date. Would be great if Adobe can only show the actual date the file was last updated. This would allow the user to see when the last update. This facilitates knowing a change was made to a tool in PS

Currently, when multiple Smart Filters are applied to a layer, they share a single global filter mask.I would like each Smart Filter to have its own independent mask, allowing precise control over the visibility of each effect separately.This would greatly improve flexibility in non-destructive workflows, especially when stacking multiple filters that require different masking areas.

I'm a documentary director currently working on a film with approximately 13 hours of interview footage. I've been testing a workflow that I think points to something important for the future of editing inside Premiere Pro.Here's what I did:I used Premiere Pro's Text-Based Editing to transcribe all 13 hours of material. The resulting transcript runs to tens of thousands of words across multiple sessions. I then exported that transcript, combined it with my written script, and fed both into an external AI tool.The AI did two things: first, it helped structure the film into chapters and narrative arcs based on the script logic. Second, it matched specific transcript fragments to each section — identifying which moments from the footage correspond to which part of the story.The result was a working assembly blueprint: a structured map of the film before a single cut was made on the timeline.The workflow works. But it requires exporting from Premiere Pro, switching to an external tool, wor

Requesting support for generating multiple videos simultaneously.  Currently, only one video can be processed at a time, which slows down workflows. Enabling concurrent generation would significantly improve efficiency and productivity for creators handling multiple outputs.  Thank you for your consideration.

I would like to request a modification or addition of an option to change the appearance of the screen displayed when exporting images. I'd like it to not show the images in the background, but rather that when the "Exporting images, 1/14" screen appears, everything behind it is black, or that the "Exporting" box fills the entire screen so that no images are visible behind it. When exporting large quantities of images, I have to leave my tablet or phone on for several minutes, and if I have to leave it on the table, or if someone walks behind me, I want to maintain privacy regarding the images I'm exporting. This process often takes more than 40 minutes when there are over 140 images. Please add this option or modify the export screen to provide this privacy while browsing. Thank you.