Adobe Media Encoder

Hey there!I've recently updated my Media Encoder to version 13.0.2 and now I can't import FLV files into it. I made the mistake of saving my recordings as FLV files and would like to convert them to MP4s. All the available sources online say that I can use Media Encoder for this conversion, however, when I import the files a "File Import Failure" box pops up with an error message that reads "The source compression type is not supported". I would really like to edit these files in premiere pro and would first like to compress and convert them in media encoder. Is there any way around this? Please let me know.Cheers!

Hello Everyone,I'm starting to create a youtube channel about drum and bass univers. Mood - YouTube I did some mix and created 30 videos to animate my mix with some effects. After 2 months, i still cant find the way to export my video fastly. Here is the mac that i use : For a video of 30mn, the time left is 40 hours .. I tried H264 Youtube HD codec and Prores 422 I cant use that mac all the time, so i have to find a solution soon ..I really hope that someone can help me.Thank you,Thomas

Hi there,I want to export with media encoder and got the following error-message. I tried several times, but it occurs again and again. Anybody knows a solution to this?Thanks, Christoph

HiI just exported a 2-hour video using Adobe media encoder, there was no error while the renderingbut when I play the video the last 20 mins are not working and take me back to the begging of the videoRegards!

There seem to be various answers regarding this, like, it will if you send it a sequence from Premiere etc.  I am sending ME a composition from After Effects.  About 1 minute long, 5376x2688.  I'm encoding this to a ProRes 422 HQ at 25fps.  I can see my CPU at 100% but my Quadro P2000 is doing nothing.  Is this normal? Under what circumstances is the GPU used? I'm using CC 2019 version 13.0.2.Thanks!

Hey, I am working on an iMac with OS X 10.11.6Since the last update of AE and Mediaencoder , media encoder does not start any more.Any thoughts on this? Kind regards Peter iMac (Retina 5K, 27 Zoll, Ende 2015)4 GHz Intel Core i732 GB 1867 MHz DDR3AMD Radeon R9 M395X 4096 MB

Hi all,I noticed that all my renders from AE having issue with black bar on the top of the video (1 px) when rendering to JPEG 2000 MXF OP1a @ 1920x1080.If I change the frame rate from 30 to 29.97 the bar changes colour to Red... Is that a bug?edit:Added more infoThanks,Peter

Hello, i would like to know if there is a way to cut out the middle man when compiling in after effects and sending to media encoder.All i want to do is add audio to render with a jpeg sequence.

I am using PP CC 2018 and AME 2018. It will render MP4's fine but I get errors on all MOV renders.Footage is R3D files, AE comps and music bed. Trying to render a ProRes 422HQ 1920x1080 MOV. Will render out fine in Premiere.------------------------------------------------------------- Encoding Time: 00:03:0402/07/2019 10:49:34 AM : Encoding Failed------------------------------------------------------------Export ErrorError compiling movie.Export ErrorExporter returned bad result.Writing with exporter: QuickTimeWriting to file: /Volumes/VIDEO/Videos/VIDEO APPROVALS/Around timecode: 00:00:37:04Component: QuickTime of type ExporterSelector: 9Error code: -2147287036Same error code on each MOV render.MacPro (Late 2013)2.7 GHz 12-Core Intel Xeon E564 GB 1866 MHz DDR3AMD FirePro D700 6144 MB

I've sent in a bug report, but wanted to post here as well to see if anyone else has had this issue...Used an Ingest preset to batch export some video files. The preset contains an output file destination along with a file renaming command, yet two of the files were exported to the default destination for Media Encoder and were not renamed. Pic demonstrating this in the act is attached.Mac OS 10.14.3 AME 13.0.2

I run a small post production shop and we've been having consistent issues with Media Encoder 2018 causing crashes. We've been troubleshooting for weeks and have tried every other possible solution. Details below:OS: macOS 10.13.6 and 10.14.3Hardware: Mac Pro 2013 (various configurations), iMac ProSoftware: Adobe Media Encoder 2018, After Effects 2018, Premiere 2018, fully updatedMedia location: SMB Server over Gigabit LANSymptoms: Adobe Apps, Finder, web browsers completely lock up and become unresponsive. Computer must be hard-rebooted.Steps to reproduce: Open Media Encoder while using other applications. Exports are not necessary but seem to accelerate the process.Frequency: Varies. It will be fine for a full day, but once it starts happening it happens roughly every hour while Media Encoder is open.Tried so far:Ruled out the network entirely. Changed switches, changed wiring, changed computers, forced SMB2Clean installed both macOS 10.13.6 and 10.14.3.Clean installed Adobe CC apps.

Im not sure if its only me but Media Encoder is been rather slow when it comes to Gpu acelerated rendering. Usually when i check its my cpu doing most of the work while gpu is idleing and all. Im not sure if this is a proof but ill do more test. But what im sure rendering takes longer these days and i usually have my projects gpu acelerated

Hi, today i saw a couple of tutorials for Media Encoder Windows, that changed the settings of media encoder with a new file to force the cpu to work harder. Is there anything like this on mac?

Description I want to create a Media Encoder preset that includes a generic or custom Rec.709 LUT for proxy creation when ingesting to PP, but this applies to other situations, too.Here's what I want to do: I want to use the proxy-creation feature in PP, and burn in a log-to-rec709 LUT to the proxies. There are standard proxy-creation presets in PP (none of whi, as well as the ability to use AME's Add Preset button to create new custom presents. One or the features in the Add Presets dialog is a dropdown to apply a "Lumetri LUT/look" Several LUTs are listed, which appear to be a subset of what is available in Lumetri in PP. All of the available LUTs have a "SL" at the beginning. Missing LUTs include the Arri Alexa and Amira technical (input) LUTs designed to convert Arri log footage to Rec709.Problems:1. None of the luts in the dropdown are able tp convert generic Log to rec709. They are all "looks" that expect rec709 input. Useless.2. Other standard installed LUTs (both "basic"/techni

We're on Mac platform running CC 2019. We are delivering commercial spots for distribution. The digital distribution network demands files with H.264 video compression and AAC audio at a very specific bitrate of 192Kbps. When we transcode our ProRes masters using AME we're never able to achieve that precise AAC bitrate- the file always comes out at something like 189.3Kbps. We also tried a 320Kbps export and it came out around 317Kbps. Those bitrates are reported by analyzing using ffmpeg, and also Media Inspector on MacOS. I'm not sure what inspection software the network is using but they bounce the files, telling us that they don't match their specs. If I use Squeeze to compress the same files they come out perfect. Ignoring the issue of whether or not the network genuinely can't use anything other than exactly 128Kbps, is there a reason AME cannot get these bitrates perfect? Is there another tool I should be using for analysis? We've tried VBR and CBR to no avail.

For isolation purposes i created a simple After Effects animation using the wiggle position preset.Rendered lossless via After Effects CC2019 Renderer:And rendered via Adobe Media Encoder CC2019 (H.264 - 50Mbit/s - whole composition):Any suggestions? It's kinda important scince i have many ongoing projects i need to render in H.264 and they have too many presets to change it all manually.I asked the same question in the After Effects Forum:Re: PRESETS PROBLEM

I am encoding Quicktime Source files from my Avid Media Composer. And at least once a day, if I encode something in AME in the background, after it starts a file, about 5 or 10seconds of encoding..suddenly...BAM! Black screens and a full restart. It is a pretty rare problem where an application takes the system down. So I find it quite alarming.Funny thing is after it crashes, it will encode.It seems to be a combo of Avid MC and AME running at  the same time.But only crashes some of the time.Mac Pro 2012 (Westmere)96gigs RAMNVIDIA CardHigh SierraLatest AME software (totally up to date as of today)

when exporting a project from Ae to Me, when saved as a gif it gets grainy, how to fix?

I have a large batch of .R3D footage from my Red Scarlet - W that I need to convert over to ProRes 422 HQ. Media Encoder isn't reading the source fps in the .R3D file. I click the Match Source button in the Basic Video Settings but it always coverts them to 23.976 even though some are 59.94. I have to go in manually look up the frame rate and manually set them in Media Encoder Frame Rate drop down.

Hey I recently Joined Adobe After Effects ive already known how to use it and everything else but one app that annoys me so much is media encoder. I simply cant be patient anymore. Everytime i try to render a project it starts rendering like nothings wrong but later come to find out, It Failed this is the error logRender ErrorRender returned error.Writing with exporter: H.264Writing to file: \\?\F:\Uploads\Bhad Bestie.mp4Writing file type: H264Around timecode: 00:00:05:19 - 00:00:05:36Rendering at offset: 5.200 secondsComponent: H.264 of type ExporterSelector: 9Error code: -1609629695------------------------------------------------------------ - Encoding Time: 00:02:5502/06/2019 07:19:05 AM : Encoding Failed------------------------------------------------------------Export ErrorError compiling movie.Render ErrorRender returned error.Writing with exporter: H.264Writing to file: \\?\F:\Uploads\kl.mp4Writing file type: H264Around timecode: 00:00:05:19 - 00:00:05:36Rendering at offset: 5.2

I've got a simple color correction and a LUT on a few clips. Wanted to batch export them through Media Encoder (ME) from Premiere. But after the clips queued and I go and open one in ME, just to check on it, the Lumetri effects don't show in ME. I tried doing an batch export through ME regardless and they did not export either.  How do I batch export in ME with Lumetri?Thanks,

Hello!I'm currently using Encoder to export MP4s with BITC and clip name for transcribing purposes.The interviews are being shot on a C300 camera in .MXF format, so the clips are composed of multiple spanned .MXFs every 5 minutes or so.When I highlight the .MXFs that make up a single clip (and therefore have unbroken timecodes) and stitch them together, I notice that all the start TC is 00:00:00:00.I've been manually typing in the new TC, but is there a way to retain the start TC of the first clip to avoid this step and inevitable human error in hand-typing the timecode?Thank you!

Kennt wer das Problem? Beim Einblenden eines TimeCodes wird dieser nicht als Zahlen sondern als Quadrate dargestellt. Erinnert irgendwie am "Windings" ..Does anyone know this problem? When burning in a timecode, it will not be displayed as numbers but as squares. Somehow reminds me of "Windings" ..Working on Premiere Pro CC 2019 on OS X 10.12.6

Hi, I really hope that someone can help me find the answer to this as it is driving me crazy now! So after creating videos in After Effects, I would usually add to the Adobe Media Encoder Queue.. for some reason when I do this to composition doesn't appear in the ME queue. I have tried to add it manually but get an error that ME cannot connect to the dynamic link server. So I am having to render my videos in After Effects and then convert to mp4s which makes it a really long process. I have googled it many times to try and find an answer and I have already tried the following:- try installing a previous version of ME - check for firewalls- Check startup settings If anybody has any other suggestions and can help me solve this I will be eternally grateful to you! Thanks.

For a start I will tell you what I would like to achieve because maybe there is a better way to do it - I would like to render a sort of "music video" in parts (over the course of few nights) rather than in one go over few days and few nights, as I need computer during daytime.So I thought the way to do it is to render separate sections and then stitch them together with AME. As far as I understand, using "Match Source (Rewrap)" setting (when stitching clips) will not do any transcoding but literally only stitch the clips together so there will be no quality loss right?But the problem is that when I stitch the clips together I can hear an audible click in an audio track which means that stitching is not sample accurate on an audio level. In a test I did now my stitches were as precise as possible on video level - if one clip had frames from 1 to 1000, second clip had frames from 1001 to 2000 etc.If I try to put my clips together on Premiere Pro timeline and use one continuous audio tra