Join the conversation on all things Adobe Audition.
Recently active
I come from a Nuendo background and there we had the option to increase/decrease the clip gain by +/- 1 dB with a keycommand (or with a Hardware controller).we have the "clip gain" command but that only brings up the clip preferences up and puts the cursor at the numeric value.. so, still al lot mouse or numeric keypad hassle for a simple level adjustment..
First you should make it compatible once again with the 32 Bit plugins, and also make it compatible with Slates plugins, like VMR and the VMS
It would be great to be able to use Waveform Editor as a source monitor like in Premiere Pro. Basic functionality is there already, (you can insert selection into a multitrack session) but the interface could be more intuitive to use. Easiest way to implement this would be allowing Audition to have both Editors in separate panels so they could be stacked side by side. Ability to drag and drop a selected portion of the clip from a Waveform Editor to Multitrack Editor would be much faster and more intuitive than just blindly copying stuff from one editor to another. I would also like to be able to do some destructive changes to my audio (like a quick noise reduction process) without ever leaving the multitrack view. Jumping between two different views is extremely distracting and counter-intuitive especially when you're dealing with a huge amount of tracks in Multitrack Editor. Having both editors open side by side would be a much better option in my opinion.
can't see a thing
After Effects has an knob in the Composition panel that is labelled "Adjust Exposure (affects view only)." This knob allows you to adjust the exposure to see what's going on better without affecting the final product at all.I would like a near identical feature inside Audition for the amplitude of a Spectral Waveform view.I work on a lot of quiet audio and it can be very hard to see. We don't dynamically compress audio until the end of our workflow in Premiere. Being able to visualize at a higher (or lower) amplitude would be incredible on the eyes
No text available
The cross fade option while mix-pasting is great, but i would love to be able to set it to crossfade just the top or just the tail (or both like it is now) depending on the situation.Example...I want to mix-paste something, but want it to cross fade at the start of the paste, and be a straight cut style paste at the end of it.I will try to explain better if that didn't make sense.
There should be an Adobe Audition app for those broadcasters and musicians who reply more on mobile devices.
There is already Audition running on the Mac M1 why not have a version for the iPad Pro m1?
The ability to select multiple clips or tracks and apply the same effect to them simultaneously - either by using the track/clip effects or by copy/pasting effects - would be a huge time saver. Yes, I realize you can create a preset and apply an effect rack that way, but you still have to do it one track or clip at a time.
I want to be able to multi select effects in the effect track, in wafeform and in multitrack to quickly copy and paste them to other tracks. And a function with that I can bypass all selected effects at once in Mixer view
Currently when using keystroke M to add markers, Audition names the new marker with the prefix specified in the Marker Prefix field in Preferences and a 2 cipher number is assigned sequentially with no user control.The requested upgrades would be:1) Allow users to set/reset starting number during a session, regardless of existing markers2) If user sets a new Marker, then immediately renames it in the Marker panel, a pop dialog box could then prompt user if new markers should be named with the same prefix (this prompt could have a “Do not show me again” checkbox so this behavior could be silenced.This will save the user from opening preferences multiple times in a session to adjust track name prefixes to identify particular parts.3) Allow user to rename all prefixes of a group of selected makers with one edit by selecting all the markers to be changed and edit the prefixes as a group, while leaving the number suffixes alone.4) Similar to 3) above, Allow user to rename all numeric suffix
Hello, Audition-Team!Blackmagic Design just rolled out some pretty impressive audio additions to Resolve 16... these SHOULD be in reach for Audition's next release - hopefully. Hey, we're talking about a Color-Grading-Suite regarding Resolve! Function and interface are looking pretty good there.Great work so far, Adobe, but THIS and bins to better organize your project... would go a LONG way to be future(/present)-proof.Best, MichaelFeatures in DaVinci Resolve 16: https://youtu.be/8fmvUsBPJn8?t=1218PS: Truly great new steps in the current version! Loving it!
The ability to organize presets into folders would be extremely helpful.
A search window for the timeline, similar to that in files panel, to search for clips in the timeline.Discussion- https://forums.adobe.com/thread/2572083
It has been a while since they all shared the same color and it is still a bit inconvenient especially when I am looking at multiple project files of different kinds and I have to take extra time to go through to make sure I am clicking the file I am looking for.
ted with how little support Audition and Premiere Pro have for it. For instance, support is limited to Mackie Control (MC) mode, the encoder knobs are limited to panning, and the buttons to their default functions, some of which don't work. This device is relatively inexpensive and is extremely popular with Lightroom Classic users (using the midi2lr plugin). It is unfortunate that the developers couldn't invest a little bit of time to make this device awesome in Audition and Premiere Pro by creating one or more maps for it to make this and other control surfaces as useful as possible. Though similarly limited in the default MC mode, Presonus' Capture One supports full MIDI mapping. I was able to switch the controller to MIDI mode and by adjusting the settings in the X-Touch editor and mapping them in Capture One, I was able to control 16 tracks of audio.It shouldn't be difficult for Adobe to purchase the few common control surfaces out there and have its dev team create some default
It’s a feature for podcasters mainly. You can use markers, and save them to wav/mp3 files using “save with all metadata” feature in the export settings. However - they are stored in a different format. The podcast chapters that are commonly used by all podcast platforms are in the ID3 tag of an mp3 file. When I want to prepare my podcasts I have to use other software to transform markers into chapters. Like Forecast (only accepts wav files which can be huge, and when they exceed 2Gb app just refuses to work properly), or Auphonic (which is great, but you have to pay for using it when you have a lot of podcasts on your hands... ;)).It would be awesome if Audition had this feature built in.
Would love to see a feature that removes multiple gaps between clips. In other words selected clips are pulled together so the edges meet, or pushes them all to the left. The main point being to remove multiple gaps at once.
We should clips to different tracks in the multitrack editor, select them all, and synchronize them! For example, I have several sources from a live event - i want them all synced before I start to edit. This technology already exists in Premiere - please add it to Audition!
It would be a massive time saver if it were possible to razor tracks during playback without having to stop playback first. It's possible to do this in Premiere Pro, and I'd like to see the same feature in Audition's Multitrack. I'm in a position where I find it faster to rough cut multitrack speech programming in video editing software than audio software!
Sometimes I need a specific explanation of the track, but it doesn't exist in the current system. I would like to be able to add a Comment function to any kind of track like the attached photo.
Add a feature to synchronize few tracks in multi-track
'Adjust clip gain' appears to be absolute only.e.g. select a number of clips, call up properties | 'clip gain' and type +6dB - actually sets them all to 6dB - should be an option for a relative adjustment.
Currently there is no way to organise your imported files within the Files window. I would love to sort my audio files into Music, SFX, Dialogue, Video etc. After Effects and Premiere both support this and would be a great addition to Audition as well.
Remix with Firefly Community Gallery
Thousands of free creations to fall in love with and remix in Firefly.
Already have an account? Login
No account yet? Create an account
Enter your E-mail address. We'll send you an e-mail with instructions to reset your password.