Audition

ted with how little support Audition and Premiere Pro have for it. For instance, support is limited to Mackie Control (MC) mode, the encoder knobs are limited to panning, and the buttons to their default functions, some of which don't work. This device is relatively inexpensive and is extremely popular with Lightroom Classic users (using the midi2lr plugin). It is unfortunate that the developers couldn't invest a little bit of time to make this device awesome in Audition and Premiere Pro by creating one or more maps for it to make this and other control surfaces as useful as possible. Though similarly limited in the default MC mode, Presonus' Capture One supports full MIDI mapping. I was able to switch the controller to MIDI mode and by adjusting the settings in the X-Touch editor and mapping them in Capture One, I was able to control 16 tracks of audio.It shouldn't be difficult for Adobe to purchase the few common control surfaces out there and have its dev team create some default

It’s a feature for podcasters mainly. You can use markers, and save them to wav/mp3 files using “save with all metadata” feature in the export settings. However - they are stored in a different format. The podcast chapters that are commonly used by all podcast platforms are in the ID3 tag of an mp3 file. When I want to prepare my podcasts I have to use other software to transform markers into chapters. Like Forecast (only accepts wav files which can be huge, and when they exceed 2Gb app just refuses to work properly), or Auphonic (which is great, but you have to pay for using it when you have a lot of podcasts on your hands... ;)).It would be awesome if Audition had this feature built in.

Would love to see a feature that removes multiple gaps between clips. In other words selected clips are pulled together so the edges meet, or pushes them all to the left. The main point being to remove multiple gaps at once.

We should clips to different tracks in the multitrack editor, select them all, and synchronize them! For example, I have several sources from a live event - i want them all synced before I start to edit. This technology already exists in Premiere - please add it to Audition!

It would be a massive time saver if it were possible to razor tracks during playback without having to stop playback first. It's possible to do this in Premiere Pro, and I'd like to see the same feature in Audition's Multitrack. I'm in a position where I find it faster to rough cut multitrack speech programming in video editing software than audio software!

Sometimes I need a specific explanation of the track, but it doesn't exist in the current system. I would like to be able to add a Comment function to any kind of track like the attached photo.

Add a feature to synchronize few tracks in multi-track

'Adjust clip gain' appears to be absolute only.e.g. select a number of clips, call up properties | 'clip gain' and type +6dB - actually sets them all to 6dB - should be an option for a relative adjustment.

Currently there is no way to organise your imported files within the Files window. I would love to sort my audio files into Music, SFX, Dialogue, Video etc. After Effects and Premiere both support this and would be a great addition to Audition as well.

separate different multi track projects into groups or folders to be more organized.

Automation data needs to be able to be copy/pasted to other tracks, or saved with the effects rack preset.

Auto-scroll should disable on click if user is trimming clips during playback. To speed up my edit, I trim clips whilst playing back, and it gets very frustrating when I'm fine-tuning the in/out points of a clip and the timeline scrolls/cuts away before I'm done. There should be an additional option in the auto-scroll settings to have auto-scroll activated initially and then disable once the user begins to make live edits, re-enabling on the next stop/start (or when the playhead is repositioned?)Alternatively, a push-to-disable keyboard shortcut for autoscrolling.

Audition, unfortunately, doesn't expose VST/VST3 parameters to the control surface plugin APIs nor to a universal MIDI learn capability. I'd like to recommend to expose this parameter to MIDI so that it would benefit users of every audio control surface (specifically looking at getting Monogram Controllers for Audition). If exposed to the control surface plugin API, it would benefit other similar devices to Monogram that use a native integration with Audition.

Allow Audition to be able to use VST instruments and midi.

Create a shortcut, similar to Premiere, where I can select the audio clip at the playhead. That way I can extract a clip without having to click on it.

I would LOVE to be able to link multi-track sessions to one another like pre-composing in AE. I find my multi track sessions get so busy so quickly as I use a lot of sound layers in my work and not having dynamic links to other multi tracks makes it really hard for me to have an efficient workflow.

Please add Copy and Paste for Keyframes wherever they are.

Hi there // the ability to import AAF is so necessary. I mean, this embedded AAF i just received opens in Davinci Resolve, why can't it be opened in Adobe's audio program? Seems pretty basic. Guess I'll move off Audition and into Resolve's Fairlight page.Enjoy my subscription money anyway, what is it now, $960AUS a year? ****, you guys are killin it!

Please add the ability to import and export AAFs, OMFs are being phased out and have limited functionality compared to AAFs. Having the ability to use both would be incredibly useful.

I would like to see Adobe Audition as a mobile app.

This will allow real time manual control over pitch correction using an automation lane as well as providing a reference track for easier tuning.The Manual Pitch Correction FX in Audition in the hands of a skilled operator can produce far superior results than 3rd party FX like AutoTune and Melodyne

In most NLEs timecode entry (e.g. to go to a time in the editor) does NOT require the colons entering, or all the numbers. Typically an entry of 12 would take you to the nearest HH:MM:SS:12Period acts as :00, so 12 period period would go to nearest HH:12:00:0010 period period 15 would go to 10:00:00:15Frames entered above the current frame rate are calculated so 35 would go to nearest HH:MM:01:10 in a 25fps project.+ and - allow relative movement.PPro is only recently getting to grips with this though.

Currently, you cannot record a macro and include the Diagnostics>Delete Silence action in it. Attempting to do so causes an error message to occur saying something akin to no recognizable actions were entered for the macro.In fact, it was confirmed by Adobe staff in 2014 that the macro doesn't recognize the Diagnostics panel. This works well with batch processing in Cool Edit Pro 2, and it's frustrating having to revert to legacy versions in order to get this to function. Please add it to Audition.

It's simple to use Diagnostics to identify all the silence in an audio file. I want to mute (not delete) all the silence.Oddly, the "Fix by: Deleting Silence" setting is documented to do just that (mute instead of delete), however the implementation doesn't mute. It deletes. You can get the exact behavior by choosing "Fix by: Shortening Silence" to 0ms. I recommend, fixing the documented feature, then renaming it to "Muting Silence" in the interface (so people can actually find it)Here's a screenshot of the feature as documented here... https://helpx.adobe.com/audition/using/diagnostics-effects-waveform-editor-only.html#delete_silence_and_mark_audio_optionsDocumentation says:

I couldn't believe it the first time I opened the new Adobe Audition interface. The gray on gray and tiny font is IMPOSSIBLE to read easily in any color "scheme". Please go back to the previous Adobe Audition interface, which was wonderful and much easier.