Feature Requests

This might be a long shot and I dont know if its technically possible to implement, but I think this would be a major improvement to after effects as a whole. I think the easiest way to explain it is looking at the dynamic link feature between premiere and AE, but from AE projects to AE projects.I would have plenty of usecases for this and I it would elevate professional workflows into new heights.Just like having your own library of functions in coding, that you can link in multiple scripts, updating or adding new logic to the source function which automatically integrates in the scripts where its linked to. In this case the function would be an After effects project that you can reuse and implement in other projects and automatically updates in all linked projects if theres changes to the master project.Reallife example: I have a beverage flatlabel that I wrap around a beverage can with UV Map. I use this Label in multiple projects, since theres plenty of different campaigns and

Two things that would make a huge difference:Bend / Twist deformersRight now extruded shapes are completely rigid. It would be really useful to have simple deformers like bend and twist so we could curve ribbons, banners, UI bars, arcs, etc. directly inside After Effects.These are very basic modifiers in most 3D tools, but in AE the only options are exporting to Cinema 4D, or using blender, using plugins, or building awkward workarounds with multiple layers.Boolean operations for 3D shapesboolean operations (subtract, intersect, union) for extruded shapes. For example: cutting holes in a 3D object , creating frames or cut-outs , combining shapes into more complex formsRight now there’s no way to do that in AE’s 3D system, which makes the modeling side of it very limited.Even basic tasks often require switching to another program, which breaks the workflow.deformers and boolean operations would make the system much more practical for everyday motion graphics work.

Hi Adobe team, I’d love to see a major update to the 3D Camera Tracker in After Effects — something that brings it up to modern AI standards and makes it a truly intelligent scene analysis tool instead of just a point solver.Right now, the 3D Camera Tracker works, but it still feels very manual and outdated comparatively. We get tracking points and a solved camera, but we still have to figure out ground planes, scale,         object anchoring, occlusion, and scene layout ourselves.What I want to see is an AI-enhanced version of the 3D Camera Tracker powered by Sensei.   Something that understands the scene, not just tracks it.What This Could Look Like1. Context-Aware Auto Camera Solve AI-assisted solve that distinguishes between static and dynamic objects Better drift prevention by ignoring moving people, cars, etc. Real-time confidence feedback so we know if a solve is solid 2. Automatic Ground & Room Detection Auto floor detection and proper world orientation Basic room bui

We want to hear your ideas about how we can improve After Effects. Your opinion is very important to us and the ideas provided here regularly appear in future versions. When posting an idea, here are a couple of things to keep in mind:   How will the idea help your workflow?  You're the expert on your workflow, so tell us how your idea would improve your workflow. What problem are you having today that the idea could solve? That helps us understand your idea better. It also makes it easier for us to follow up with you to get more info on your idea.    One idea per thread If you've got two (or more!) ideas, make each of them a separate thread. Doing this will allow others to vote on a single, specific idea and not confuse up-votes amongst a list of feature requests.   Enlist support! If you feel strongly about a feature, and you know other people do too, get them to vote on it.   

The title says it all. Auto-save should function in the background and NOT pop up with an annoying progress bar every time it runs. Gets REALLY bad on large project files when auto-saves take up to a min every single time.Total workflow killer. Should be just like taking snapshots of your project in the background while continue working.The dialog even pops up and steals focus from another app you're in.

In Blender there is a really cool way to move keyframes around, you can select one key frame and turn on proportional editing where a sphere of influence pops up and you can adjust the size. it's great for stuff like gradually increasing the size of the bezier points in the graph editor. here is an example of it in blenderhttps://youtu.be/hfzfykbbjBw

Timeline folders. We have them in Animate, Photoshop, Illustrator... precomps can utterly ruin your work and is NOT an alternatives to having a simple folder hierarchy - especially when dealing with shape layers or anything that requires continual rasterization.

In After Effects versions up to 2024 it was possible to enable UI theme colorizingvia internal console/debug settings (theme colorizing).Starting from AE 2025 this functionality has been removed or disabled,and there is currently no way to customize UI accent / highlight colors.This negatively affects:– readability for long sessions– accessibility (eye strain, color sensitivity)– user workflow consistency across versionsRequest:Please restore UI theme color customization (even as an experimental or advanced option)or officially expose it in Preferences → Appearance.This feature already existed and worked before AE 2025. 

a simple panel where we can add project notes.rather than build a comp with a text layer in it, which risks deletion when a project is reduced, a basic text notepad to explain to other users, (or yourself if its been a while since you opened that project,) any need to know info or links to the source inspiration or tutorial. please, thank you and shoutout to the spiderlord.     

When I duplicate a layer using Ctrl + D, the duplicated layer still references the same source item as the original.This means that when I change certain properties on the duplicate, the same changes also appear on the original — as if both layers were still linked.This is not the expected behaviour.When duplicating a layer in the timeline, the result should be a fully independent duplicate that I can modify without affecting the original in any way.

AI tools can now generate normal and depth maps from video. These maps are extremely valuable for compositing and relighting workflows.Please add native Normal Map and Depth Map support to After Effects, and integrate AI tools to generate these maps directly inside AE (natively, without external roundtrips).Thanks!

We need a simple 3D tool in After Effects to create basic polygons/planes between points—for example between Nulls or 3D Camera Tracker points.Right now AE can solve a camera and generate 3D points, but it’s missing the next essential step: quick proxy geometry. For even a few simple surfaces we’re forced to roundtrip to a 3D app, which breaks the workflow.Why this matters?Fast proxy surfaces are crucial for: shadow catching / contact shadows projection mapping (projecting a plate onto simple cards/planes) quick set-extension cards and grounding elements RequestAdd a Create Face / Create Plane from Points tool: select 3 points → create a triangle select 4 points → create a quad keep it editable (move vertices / reassign to points) optional: Shadow Catcher surface mode + Project From Camera helper This would make AE far more practical for real 3D compositing workflows.thx

3D Camera Tracking in After Effects is currently very basic and needs a few important updates: No built-in tool to calculate lens distortion from a calibration grid/checkerboard. No option to place and solve from manual tracking points (true supervised tracking/constraints). No object tracking No reliable workflow to export/import 3D camera tracking data between After Effects and professional 3D/VFX packages. The Maya Live Link is unreliable, doesn't work too often, and the whole round-trip is frustrating—honestly, not professional enough for production workflows. Request: Please add a native import/export tool for AE 3D camera tracking data, so we can reliably exchange solves between After Effects and the most important DCC/VFX tools, e.g. Blender, Maya, 3ds Max, Houdini, Unreal Engine, Cinema 4D, Nuke, PFTrack, SynthEyes, Mocha Pro, etc.Ideally, this should support: Camera animation (position / rotation / FOV) Film back / sensor size Focal length / zoom curves Lens distor

Frankly, this is far too outdated.Shape layers should be rendered on the GPU to achieve significantly faster performance.

I’ve used variable fonts on a few projects and I have a feature request.Can we PLEASE, PLEASE, PLEASE have a filter in the text panel (and Properties Panel text area too) to filter for variable fonts in the font dropdown? We can already filter for “Favorites” and “Fonts from Adobe” in those spots, so please give us this third option! 

Vegas is an old plugin which allows some pretty unique looks within AE.Can this be added to GPU acceleration? When I add it to a adjustment layer at the moment it takes over 0.5 a second to render each frame. Not great.

Please give us a way to display layer name or source name PER LAYER. The toggle in the timeline is monolithic per comp, and gives no control over whether an individual layer is displaying a layer name or a source name. This can get really messy and confusing, ESPECIALLY given that After Effects has NO native ability to rename layers to their source easily, other than manually one by one.

Please allow the simple selection of locked layers.It’s never made sense to me that it’s not possible to even select a locked layer. There are several reasons to want to be able to do this, including going to that layer’s in and out point, and opening the layer source with the RMB context menu.The latter is particularly irksome when working with a complicated project that has many, many comps and folders.

When I select a parameter from a shape layer and copy it (anything that would go under a “Shape 1” for example, including Path, Size, or Animators), if I try to select another shape layer and paste, it always creates a new shape within that layer rather than simply updating those parameters in the shape that already exists. This doesn’t make sense and is extremely frustrating in use cases where you need to batch update a lot of shape layers to match a master shape. I have used expressions to brute force the parameters to match across all shape layers, but this is not only hacky but also creates crashes and slow downs when (as in my case) you have 100 shape layers in a comp. To clarify - If I have two shape layers with the same shape name in them (e.g. “Square 1”), and I copy a parameter from Square 1 on the first shape layer, I should then be able to select the second shape layer in the composition and paste, and it should update that exact parameter within the “Square 1” shape. The sa

The current CC Composite (v2.0) requires manually specifying a “Top Layer”, but I’d like to request the option to use the previous version (v1.10)’s behavior, where the effect automatically composites the layer’s own original image.The old version worked fully self-contained, which made it much more practical for effect presets, templating, and layer duplication workflows.While the new version is more flexible, needing to reassign the Top Layer every time is a real bottleneck for reusability and efficiency.If possible, please consider:- Keeping or making the legacy CC Composite behavior selectable- Or allowing expressions like `thisLayer` in the Top Layer selectorThank you for your time and consideration.

Please add safezone options for current social media platforms to After Effects and Premiere!99% of the videos I create professinally are for social media campaigns, yet there are only guides in AE for broadcast safezones.

just recently I learned with right click you can edit the position of guides :-) And you can even do math in there! Now: Woudn't it be handy, if we could select multiple guides als change it positions? For eG measure/match the space between a coule of logos or text blocks thanks! :-D

Create layer groups (Folders in the Timeline, bam!),apply adjustment layers to selected layers,andclone layers, merge mattes, pre-render, and more!Please Adobe reach out to Constantin and hire him!  

I like to set some ‘key frames’ where I use Rotobrush to tell it how I would like it to mask. E.g the first and the last frame of a clip. But unfortunately, when brushing the first frame and then jump to the last frame to brush that, the tool starts propagating already, using a lot of resources and kind of freezes. I would like to see a button to manually stop and start propagating, when needed.

 Imagine this field from the “New Comp” dialog in the “New Comp from selection” window. Saves a couple clicks.