Feature Requests

I use the colors for particular classifications as most probably do....   If images are marked yellow and green and they are not selected, the colors are are too close and easily confused.   I understand the dulling of the colors when images are not selected is good, you don't want bright colors when you are scanning a grid or the filmstrip....but if you are looking for the yellow or the greens it is easy to get mixed up. Mix ups mean time lost, time lost means money lost.   If the yellow and green are right next each other, it is plain enough but if either of those colors not near the other one, it easy to get mixed up.  

If I edit my photos and create a curstom order (which I always do on wedding projects) and I have to denoise some of them - they are added at the end of my folder. This is very annoying since I need to move them back again to were they belong manually. This is very cumbersome on projects with 1000 or even more images.    My suggestion:  Why not put the newly added DNG files next to the original (which has the same name)? This would be so much more convenient.  The same is true btw when you edit an image in an external editor (photoshop etc).    In other threads  it has been suggested to use the order by timestamp than >> but this is definitely not a solution! Since I intentionally move images around to tell a story. 

Has anyone else taken a bunch of images they have applied the adapative colour profile to, and then used "match total exposures"?  I find that when I do this totally messes up... now the adaptive profiles obviously do a lot of jiggery pokery behind the scenes and from what I can see try to get a vaguely evenly distributed histogram (which is great btw).   So my guess is that one shouldn't really use match total exposures when using adaptive profiles, which I have no issue with, in which case should LR not pop up some sort of warning like it does if you click on the "auto" button when using the adapative profile?  Maybe an idea for an improvement?  Am using v14.3 of LrC

Hello I am a user of Adobe products I use Lightroom classic and Photoshop mostly. My question is when in watermark editor, I should be able to move my watermark anywhere in that photo and not have to create a preset. Not every photo requires a watermark to be in the same position. When I post from my business page I like to show the quality, but that sometimes leaves it open for people to steal that photo but at least if I can move my watermark and position it in that photo close to the subject at least if they steal, they're gonna know who took that photo. But the way I do it now I have to create a preset every single time so now I have a list of presents to go through every time which slows down my work flow time is money. If there is a way that can be done already and I'm missing it. Someone please let me know. Thank You.  Michael Hofmeister 

Bug in LR CC: Since LR 6 there is no horizontal scroll bar in the Book Module anymore (when enlarging a page 1:1 or 4:1). The vertical scroll bar still exists.

Sync will sometimes lock up if it gets to a "bad" file. However, I have had several times where I've accidently clicked a very large collection and turned Sync on at the Collection level (a confirm panel would be nice). Even if you uncheck the Collection right away, there is no stopping the sync effort after that. The ability to Remove All Pending sync files, like at the Sync Activity panel on the Lightroom Sync Preferences where you can currently right click on a file in the list and remove it,  would be much appreciated and save users like me days of effort. Right now and for the last few days (I have slow internet) I am waiting for 27,000 + photos to sync only to then remove them on the lightroom web versions clunky interface.

Ability to change the font size of the caption/description window in the IPTC Large Caption mode.

When a face has been identified, add the name into the ‘Persons Shown’ field instead or as well as keywords.

The new Landscape mask feature includes the sky as part of the composition. That renders the dedicated SKY mask obsolete. I suggest to remove the dedicated SKY mask icon and convert it to a LANDSCAPE icon in the top panel.   A related feature improvement is to also always expand all Mask options and not force the user to click and expand the RANGE masks.  

Currently, when you have a rejected image selected and perform the delete rejected image(s) from disk function, Lightroom Classic jumps all the way back to the first image instead of moving to the next or previous one. It slows down culling a lot. Would be way better if it just stayed in place (or moved forward/back). Thanks!

Now that lightroom has masking advanced enough to take advantage of it, it would be nice if we could get a simple slider or set of sliders to add blur that looks like authentic defocus blur added directly to lightroom. 

When using the Angle tool in the Crop overlay, it’s really easy to mess up the line when lifting your finger off a trackpad. It moves the cursor slightly and throws off the straightening.   I would be elated if there was a way to finish the line by pressing a key (like Shift, Enter, whatever) instead of lifting off the trackpad. This would make straightening way more accurate and less frustrating, especially for laptop users.

Feature Suggestion: Please make the Navigator panel update in real-time when toggling Develop panel settings on or off (e.g., hiding aka enabling/disabling Tone Curve, Effects, etc.). Currently, the Navigator only updates after an actual slider adjustment or panel switch. It would improve workflow efficiency if the Navigator preview reflected the current state immediately after toggling a setting.

I would like to request a feature in Lightroom Classic that lets us create a true black and white version of a photo, without any leftover color from color grading, calibration, or curves. Right now, even after clicking the B&W button or using Adobe Monochrome, colors from cruve, color grading still stay in the image. I want an option that removes all color information at the final stage, but keeps the contrast, curves, and look of the edited photo exactly the same. It would make it much easier to create perfect black and white copies without needing to export or use Photoshop.

The tether bar ironically gets in the way while shooting tethered.  The ability to "dock" the tether bar or pin it in place would be useful.   

Using Lightrom Classic v14.3 on Mac OS Sequoia v15.4.1   Steps:   1. Create a custom camera profile using X-Rite Color Checker 2. Install custom camera profile in Lightroom Classic and verify it works as expected and that there is a noticeable difference from standard Adobe Color profile. 3. Use custom camera profile on one or more images in a Lightroom collection 4. Sync the collection to the web 5. In Lightroom Classic make the synced collection public by clicking the Make Public button above thumbnails 6. Open the synced collection in a web browser using the URL provided above thumbnails in Lightroom Classic. 7. Compare color and contrast between Lightroom Classic and web browser display of same photos with custom color profile and note that they are different. 8. Log in to lightroom.adobe.web in another browser and navigate to one of the synced photos that have custom profile name expected to edit it on the web. Note that it has the correct profile name and that displayed

When creating AI masks using the people mask tool, i can select individual features of a person: hair, clothes, etc. All good. These masks are then called Mask 1, Mask 2.Would it not make more sense to have these masks labelled as Hair, Clothes, Eyebrows, etc?    

I have two monitors, and in Develop mode, I keep the Grid visible on the second monitor. When I'm cropping, I like to use the second monitor for the crop preview, since the main monitor shows the grid overlay. It would be convenient if Lightroom would automatically switch from Grid to Loupe view when I start a crop operation, and switch back to the previous view (Grid) once the crop is accepted. I know I can press Shift+E to switch the second monitor to the Loupe View and Shift+G to switch back to the grid view. This is handy, but automatically switching (maybe with an option) would be even better. This would save me the trouble of switching manually every time I want to crop an image.

In Lightroom Classic, I’ve been working in the same catalog for years, and now it contains over 50 collection folders with more than 50,000 photos. Since the more photos there are, the slower Lightroom gets, I want to create a new catalog just for this year. However, I don't want to download all the old photos to my computer — I want them to remain on the server.   The idea is for Lightroom Classic to have an option where, when you click on SYNC, a window pops up asking you to select which collections you want to download to your computer or mobile devices.   For example:   Select collections you want to download to this catalog   Download all photos from all collections to this catalog     In other words, pressing SYNC shouldn't automatically start downloading all photos from the server into the catalog, which can take days.   The best solution would be: display a list of collection names, each with an icon indicating that the photos have not been do

Feature Request for Lightroom - 'Sync Settings Presets' - so that we can save custom preset combinations of settings to sync instead of just 'select all' and 'select none'.Especially useful when you want to paste certain combinations of settings. For example, paste all settings except for brush, gradient, radial, upright transformations and crop adjustments etc.

With Auto Sync, if I select several images with the same mask id and change one setting in one of the images, it should update only that setting of the mask on all seleted images. The same behaviour as for global settings changes across multiple selected images.   eg. 2 photos with Linear Gradient "Mask 2". All have different settings. If I change the Shadows on the selected image, it should update only the Shadows on the other photos mask with that id and not all other settings, including the size and position.   Look what happens with the exposure of the first image when I update the shadows on the second. That should not happen on masks with the same ID like it does not happen with global settings changes  

The way files are managed and linked make it difficult to reconnect files that have been reorganised in different hard drives. I would like the relink process to be more efficient and almost automatic, jiìust get the files names and reconnect everything that is found in the folders and subfolders in the designated paths.   At the moment Lightroom tries to do that, but only manages to reconnect a single folder at a time. I contacted customer service and they also agreed that this is the only possible way to do it at the moment, and that it could be improved.

I use LRC for all photoediting and photo and video organization. I use an iPhone for all photo and videography. My workflow: Take photo/video. Auto upload to iCloud. Rule in Photos keeps all in a Smart Album until I move them into an album. Periodically delete unwanted photos/videos from Smart Album, then export all unmodified original contents of Smart Album to a folder on my desktop. Switch to LRC to import all photos/videos. Continue to discard, keyword, rate photos & videos. File videos by year on external drive. Copy all photographs to a collection which is synched to Adobe Cloud (which allows viewing in LR on my iPhone), and then move the photos to files by year. This solution keeps all photos and videos on my hardware (which is backed up by Time Machine), allows me to see all my photos on my iPhone in LR. SInce they are also availabe in Photos, I can use search tools in both.   Here's what I'd like to see: 1. LRC continually pulls all photos and videos directly from App

I would like to have the ability to have a slideshow that you can start from a top level parent folder, and for it to be able to shuffle the order the photos appear. for example - I have a 'Travel' folder and then albums of each of my travels/holidays contained within. I would like to be able to set a random slideshow shuffle of these photos. We like to sit as a family and view our photos in this way, rather than every photo from one trip, and then every photo from another trip.

Is there a way to create a watermark in either Photoshop or Lightroom that is "smart" in that you can customize it to pull data from the metadata of the photo (date/time image was taken, lens used, camera body used, etc.) or file information (folder, subfolder, etc.) ?