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It would be nice to have a layer panel right click "Export As.." to Webp feature.When exporting layer elements and groups for websites it would be nice to have to ability to export them directly to webp...
I use a lot of very fine brushes and even with the palette set to its largest size, I can't see the nuance of what brush I'm trying to select. I wish there could be an option to display a separate window with a much larger view of a selected brush.I know it's not AI, but it would be helpful!
Olá, gostaria de deixar aqui uma sugestão de ferramenta nova para o Photoshop, que seria, ao selecionar um objeto e rotacionar, apareça uma opção para alinhar a rotação com alguma linha na diagonal, para o objeto selecionado ficar rotacionado no mesmo angulo da linha selecionada.
Wie entferne ich einen Blendeffekt im Foto?
In Photoshop/Bridge allow the option for Bridge to open a file without applying file size, colour profile, MB size changes. Have an option to allow Bridge to open the file as is. For example I've already edited and exported a DNG to jpeg. Now I want to add a lens blur to the jpeg version but i do not want my default setting of 300ppi, ProPhoto, applied to the jpeg when it opens in Bridge..
Adjustment Layers palette rolling from the bottom of the screen is annoying. Photoshop 2024, MacOS Sonoma. This effect slows down the work process. It used to be different in previous versions of PS CC - the whole palette appeared at the click on Adjustment Layer icon.
Hi,So since the Beta versions of Adobe came out, there is this floating settings menu, that I feel is not user friendly at all. I can see the benefit of it, tbh I only use that for AI generation as I'm just so used to my UI layout and this little window does not offer enough settings for me to start using it.Still I think it could be useful and as I mentioned I use it for AI, BUT the automated positioning of it is driving me crazy it is way too close to my working area and I keep accidentally clicking into it then I have to drag it out of the way then I have to drag it again as it never remembers of the position where I moved it.Can this be worked on? Same for illustrator. I'd use this feature if it wasn't literally between my cursor and graphics that I want to see and work on. It's just way too closeThanks for considering it! 🙂
Adobe has made significant improvements to Photoshop and ACR over the past couple of years. Yet in one key area competitors such as Capture One are at least as good as ACR as a pure raw converter. One key area for Adobe to address is its black recovery in ACR. In 2019 Capture added this module to their converter, and the black recoveries are superior to anything Photoshop offers. I would drop Capture, save for the power of its raw converter. The capture tool alows me to take pictures where I know I have a lot of dark exposure but can get great recoveries using Capture - and much better than ACR. Thanks!
Would be great to have the Export as... function the ability to take the filename and add into the export files filename, and /or ability to add custom prefix!! Already a Suffix field exists. PLEASE!!!!!!!!!!!!!
the filter skin smoothing to put in all skin hands foots not only in faces he dident look ok like that
Dear Adobe Creative Team, I hope this email finds you well. My name is Jerome, and I am a passionate user of Adobe Photoshop and Illustrator. Today, I am reaching out to share an idea that could significantly enhance the user experience and functionality of these industry-leading design platforms. The concept is to integrate a live assistant, powered by advanced AI similar to OpenAI's GPT technology, into Photoshop and Illustrator. This assistant would have capabilities such as vision, hearing, and speech, enabling it to interact with users in real-time. Imagine an AI companion that can provide immediate assistance, offering suggestions on design elements like fonts and styles, or guiding users through the various tools and features available to bring their creative visions to life. This AI assistant could operate in two modes:An autonomous mode, where the assistant takes the helm, executing tasks and making design decisions based on user input.A collaborative mode, wher
Add shortcut customization on Adobe camera RAW or give suitable shortcut key arrangement.EX: there is no necessary image rotation CMD+R and L, if can customize at least object masking shortcut. it's easy to mange our work load.
well i've been using photoshop ai for a month but noticed it has some issues with generation it sometimes doesn't understand what you want and just goes random like a right effects it just makes huge weird stuff instead of trying to make effects and like in gaming wise i write a minecraft character or cow it'll give me weird shaped cow instead of atleast a real one i wish this could be more utilized and focused on fixing cause if you like make it master this this will be the future or thumbnails and more to come for it
Olá pessoal do fórum da Adobe! Tenho uma ideia para melhorar o Photoshop, como não encontrei nada parecido por aqui, vou postar... A idéia seria adicionar setas de ajuste de texto, assim como temos no Illustrator. Essa ferramenta seria incrível para facilitar o dia a dia dos usuários, permitindo um ajuste mais preciso e rápido do texto. Com as setas, seria possível aumentar ou diminuir o tamanho do texto, alterar o espaçamento entre as letras e as linhas, além de ajustar a rotação. Essas melhorias trariam mais agilidade e praticidade na edição de textos no Photoshop. O que vocês acham? Agradeço a todos os envolvidos pela atenção! Qualquer dúvida estou a disposição!
It would be great if the align options auto-defaulted to Canvas when only one layer was selected!
Is it posible that Adobe Photo shop ad more Select optionsLike Full HD 1920x1080 , 4k 3840x2160 .... I'm Bird Photografer and use most these... 🙂
There are so much types of frames.
Hi, I've been exploring firefly 2 through the web and using style references that it provides to generate novel images, which work really great. Is there a way to do the same for the in-Photoshop Generative Fill feature? Prompts to mimick what the style sheets do seem to go in all different directions (and I know how to tweak it so I don't get a bunch of oil paint blotches, for example). What I'd like to do, is use my own image with the style sheets available in firefly to generate the same variations that I can generate via style sheets with the AI images it creates. I also tried out using neural filters with downloaded images in the styles I liked from firelfy, but that didn't help much either In firefly, I prompted a photo of the "president of the United States" and it gave me 4 faces that I then made variations of using the styles in firefly. They came out really cool to say the least. It would be really helpful to artists / illustrators to generate images in a
Would love to see some kind of AI feature to correct glare in eye glasses! ❤️
If the object finder tool in Photoshop could detect areas that do not have such a high contrast difference. Such as railings and other substrates on a building, would be a huge time saver for rendering purposes.
Right now the only option to transfer PSD files from the Adobe Cloud is to open every single file in Photoshop and select "Save As"... When running out of drive space, or to just have the files backed up on another drive, this makes bulk transferring impossible, and calls for even a full day dedicated to just transferring files to a local drive. Adobe NEEDS to add the ability to bulk transfer Adobe Cloud files out of the Cloud. For people who say "just use file explorer", the issue is that the files are not availible in file explorer. Where the files would be, there is only a link to assets.adobe.com/cloud-documents, which gives you four options for files: Move, Copy, Delete, and Rename. Move and Copy only let you move and copy the files within the cloud documents (lowkey rendering those options useless.)Please adobe add the ability to get Cloud docs out of the Cloud in bulk, please.
I propose a new tool that would be in the same category as the "Dodge" and "Burn" tools and would increase the contrast of the affected pixels, or if the "Reduce Contrast" mode is enabled, would decrease the contrast, the same the Brightness/Contrast adjustment works, but applied locally via a brush that can be softened, rather than globally.Alt-clicking a color will set its grayscale value as the "middle point", meaning that colors brighter than it will get lighter, while colors that are darker would get even darker, increasing ease of use in over- or underexposed images.It could also have a dropdown menu that lets users customize how the lightening/darkening is done, including modes such as "Multiply/Screen"; "Darken/Lighten"; "Dodge/Burn" and "Reduce Contrast". How this could be useful:While it is possible to make a Brightness/Contrast adjustment layer and paint the mask to only affect the image locally, these are way too many steps with too much configuring, and yet it doesn't
Then you add 3 party filter they will be destructive most of the time. My idea is change hove 3 party filter adds to Ps so they will be nondestructive as Parametric filter.
Is anyone else frustated by the latest update in Camera Raw. The adjustment sliders have been reorganised and im finding it far worse in terms of workflow, Adjustments that were previously part of the 'Basic' dropdown are now moved into different drop down catagories, for example 'dehaze and texture are now in 'Effects' where they were previously in the 'Basic' section dropdown. As it does not seem possible to have more than one dropdown open at any one time it is a much more cumbersome process.Why the change for the sake of change?
Adobe, make the Shift edge option predictable, moving ANY edge by an equal amount. I decided to check Select & Mask - Shift edge option on 2 simple masks to understand how it actually works.I can't effectively use this in my workflow, because it has almost no effect on my masks and now it’s clear why... So, I created two solid color layers, the top one with a mask of 2 simple shapes done with the same Brush, Hardness 0 and 100. Let's open the mask in Select & mask window and Shift the edge to -100%.Boooom!hard edge has remained almost unchanged, soft edge has become half the sizeboth became semi-transparent (not neutral 128, but close to it) Let's undo and Shift the edge to +100%.Boooom!hard edge remained almost unchanged again, soft edge became twice as large As we see, the Shift edge option is very specific - it's more effective for the soft edged masks and useless for hard edges... Since I often use the Pen tool for cut outs, I find this a probl
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