Feature Requests

As an editor, I'd like to request a stop to certain changes.The latest look of transition icons on the timeline are horrendous. It looks like that particular clip has been selected and it's harder to see where the transition actually starts and ends. Starting a new project is bizzarely confusing as well. It's as if you need to save everything twice. Rather than setting 'new project' and naming it, there's more hoops to jump through. Opening a project whilst in a project used to essentially close Premiere and open that new project up. Now it opens it AS WELL. What if you make changes to that, does it save in the original project, or only in the project you've opened as well as the other one? Now a small, simple project seems to have imported everything from another project that I opened at the same time, now everything's combined and all over the place.

Good morningEveryone has their own style of editing and I like to keep all the tracks minimized in my timelines.  Every time I add a new clip or image to a timeline, it appears expanded and I need to minimize it.Is there a way to stop this?  I want to drag & drop and have the tracks stay minimzed. Just one of those small, slightly irritating things that I would like to change 🙂Thanks Kim 

this might be the only way how to edit in avid, but for me this works in premiere very well too (not having to use the mouse):1. turning on the target tracks for certain tracks2. pressing a shortcut (for example) to add edit the only problem is that there is no very fast way in premiere to turn on these target tracks,because it is a toggle for all tracks for  v and a seperately, you always have to watch left and see which tracks are allready off and onin avid you have: turn off all tracks, then turning on f.e. v1 and a1 now in premiere there are source assignment presets which is greatfor me what would be fantastic if there would be target assignment presets too another option that would be great would be: one key that turns off (not toggle) all target tracks offthen with a macro keyboard, like this it would be possible to create a: all tracks off - v1 - a1 macro plugin excalibur has the option to make all target tracks off but unfortunately this can take secon

The mask in the effects control panel should allow you to create a perfect square mask.Dragging a shape using the Shift key will create a perfect circle in Photoshop and Illustrator.Premiere Pro users are frustrated because they can't do this when creating masks with effects or opacity.エフェクトコントロールパネルのマスクで完全な正方形のマスクを作成できるようにすべきだ！Shiftキーを使用して図形をドラッグすると、PhotoshopとIllustratorで完全な円を作成できます。Premiere Proユーザーは、エフェクトや不透明度でマスクを作成する時、これを行うことができないため、不満を感じています。

Can you please add a "Last Modified" time-stamp to the headers in the bins?  This would be extremely helpful to see a timestamp of when a sequence was last modified.  Sometime when sequences are copied, one might forget which one was used with the latest mods if not properly renamed when copied, LOL Best to all-

I would love to work on Premiere or Photoshop or Lightroom in the new Apple Vision Pro. Is Adoble planning to port CC to Vision Pro once it comes out? Is there a timeline? 

I usually work with interview footage. For a while now, since Adobe introduced text based editing, I have been using it and it has been incredibly helpful to work with. However, I have always felt it could be faster. The current system works by playing the video and stopping when a transcript selection has been made. Then the editor decides what to do with that selection. However, there are 2 things that happen through this process: 1) The editor has to constantly pause and play the footage while selecting the content.2) When the selection is integrated to the timeline and we continue on, the selection is overwritten. I would like to see a "highlight" form of text based editing. In this mode, the editor would have the transcript rolling along with the footage as it plays, like it currently does. However, when a selection is made, playback would not stop on the video, but the text would be highlighted in the transcript. The editor can now continue playing the footage, making h

Premiere Pro AI text to speech transcription's not in KAZAKH language. Let's change it!I see that the list of supported languages is small but right now Kazakh language and people who speak and use Premiere is growing fast. Would be nice to have Kazakh transcriptionist in your montage table or mobile app in Kazakhstan. Thumbs up and comment!

For this feature request, I am inspired by Blender. It has many niche features that can be useful, but are disabled by default. You can go into the program's settings, and toggle them on and off in the form of Addons. I feel like Adobe products in general could benefit from something like this immensely. I do not wish for Premiere to put computing power towards scanning my audio for speakers, I do not ever use any of the default effect presets, I do not ever use any of the libraries, I do not ever use markers. These are things that get in my way when they show up in searches, in menues, in my day-to-day life. Give me greater control to customize Premiere Pro on my machine and I will be a significantly happier user.

I just can't figure out Adobe's UI designers.So many updates I regretted I've done, so many UI design mistakes and bizzare approach. I think that your attitude and contempt for us -the users, will eventually strengthen the waves of leaving for alternatives.Why should I need to look for how to configure (from the beginning) each color of every item in your interface after I got used to working in a certain way- are you out of your mind?Did you mentioned this info in BOLD / headline of the update info?Did you ask your users if they even want to change the color? Did you published a pool about it?Who will compensate us for this waste of time?

"Project models for social media" have been added in the New Project window, but could it be completed to portaits preconfigurations for social networks in Export window ? If you want to export your work into a portrait format for Facebook, Instagram, YouTube Short or TikTok, you have to do it yourself manually, instead of use a predefined preconfiguration like you do it simply where you work on a landscape format for Vimeo, YouTube, Facebook or Twitter. You then have to search the Internet to find the optimal audio and video data rates for this or that social network.

You guys moved the fx button on the clips to the right. WHY?Im constantly hitting that button immediatly after I place the clip but now I have to move the mouse all the way to the right instead of where it was on the left. Im going to get arthritis before im 40. Plus I was used to it, why change it or atleast give the option to switch wherever you want

At the moment you have to hover over a clip in the timeline to show its duration. It would be much more helpful if you could just activate it like the "clipname" for example so it is shown directly on the clip.

Please improve the Synchronise feature to be as good as Plural Eyes, right now it is so bad, almost unusable, especially for multiple video and audio tracks.

Feature request: You know how the program is smart enough to know what changes can cause parts of the timeline to require re-rendering?  This optimization saves a bunch of time!  I would like the same 'logic' applied to exporting.  Here's a pretty typical use case...I'm working on a long, complex sequence with many effects.  I finish work, then export, which takes a good while due to effects.  Upon review, I find that I didn't set the in point correctly, or some other minor issue.  When I export again, I want Premiere to ask me if I want to use the previous export as an additional source--if I say yes, then the portion of the previouly exported file that doesn't need re-rendering can simply be a bit-for-bit copy of the stream.  This would save oodles of time. If I just forgot to move the in point from the beginning of the sequence to the start of the first clip, the 'differential transcoding' feature simply determines the new in point,

Text based Transcriptions don't let you choose speakers but static ones do? When transcribed they have different words and even then the transcriptions are so innaccurate on both ends, What gives?The first line should be:"Oh, what? I'm banning? What the hell?" Second: "It's your time to shine" At a quick glance you can see that so much of this is broken english and trust me the audio is not that bad when it comes to comprhension, especially the first speakers lines (blue) Btw, can't color code speakers? Static transriptions doesn't like curse words??Why isn't there an option to put in unique words like brand names etc.??? Adobe loves Ai so much now they can't even implement it to get the audio transcribed correctly???? Tiktok transcribes 1000% times better than this I'm so confused what is happening here? Wheres my money going????? Theres so many discrepencies and oddities to this archaic system how long is this going to last?????? Bonus iss

Most editors are very visual people. When I'm working on different timelines or pulling selects from a timeline, or using an old version of a timeline ECT. It would be so helpful to be able to assign a timeline color a to help keep things mentally orgonized. It could be a subtle color in the background or even on the specific tracks!The same way I have colored folders for various documents at home!MO COLOR BABY!!!!!!!!!!!!

Hey all!Wouldn't it be great to be able to duplicate a sequence from the actual sequence instead of going to the project panel?I'm thinking I'd love to be able to just click the sandwich menu onmy sequence and have some sort of 'duplicate and switch" kind of option where I can duplicate the sequence and switch to the new one.It would duplicate the sequence and add a number to the new one (an actual usable version number instead of the useless copy thing that happens now)For projects where we have loads of versions, like in the advertising industry, that would be a massive time saver.Instead of revealing sequence in project/duplicate/rename/close the original/open the new one and switching between panels twice in the process, it would be just "duplicate and switch."Maybe it's just me, but I have an insane number of copies of every sequence, and maybe a project has 2 hero videos, 3 cutdowns of each plus resizes, and you edit like 10 versions of each. It all adds up, and at the end, it's

Hello I have a suggestion and I hope it will be seriously considered. I am from the Middle East and I was hoping to support the Arabic language in the Premiere transcript. Thank you 

I have a lot of editing to do with texts and paragraphes over videos in Pr and I find the tools to be very bad compares to After effect, photoshop, indesign or illustrator...I just don't know why Adobe does not use the same system as the other product... Anybody else find that annoying? 

I feel the relinking process is still clumsy, I can't figure how Premiere can't still realize what to link after the same manual pattern of relinking is made. I wonder if IA can improve this process to make us life easier.

I propose the addition of a "Stroke Effect" feature, similar to what is available in Photoshop. Having a native Stroke Effect tool would streamline the workflow and enhance the efficiency of users.

This might sound a little confusing however, when you add automatic captions into your sequence, there is text display that is just constant black color. as such, what I am suggest is that like how in the transcript the word that is being spoke is highlighted  do the same for the captain track and highlight it into a different color.It would also be nice if the word's were spaced based on which timestamp they were spoken on.

I'm sorry but what happened to the clip colors. They were so nice and pretty, but now no matter what I do they look inverted and gross. Is there an option to revert? Genuinely feel its hard on my eyes to look at these waveformsPreview

Please return the original colors of the clips and audio tracks! In large projects, these colors burn out the eyes, and they quickly get tired. It became impossible to work because of the very contrasting and bright colors! Bring back the old color set, please! Rolling back to previous versions of the program does not change the colors to the same ones.There are three different colors, it has become impossible to separate them quickly, especially in projects longer than an hour.