Feature Requests

I constantly deal with this annoying situation: I keep locked certain audio tracks (to prevent any accidental modification), but I also often need to mute/unmute them (to focus on the edits I'm doing in other tracks). Currently, Premiere Pro does not allow locked audio tracks to be muted/unmuted without prior unlocking them. It would be great if the lock would apply to everything except the "mute" and the "solo" buttons.

This would be a game-changer. If an iPhone app can do it, then a paid editing program can too!

Auto prerendering would be a huge help, especially for people who utilize the Smart Render technique. After Effects has this. It was recently added, but it is now something I wish Premiere Pro to have. Hitting Enter and watching the screen load is a bummer. Automating this would save lots of time. 

Dear Adobe,I have been a user of Adobe's transcription services for some time now and have found them to be incredibly useful for a variety of purposes. However, I have noticed a significant gap in the available languages for transcription, and I would like to propose the addition of Hindi language support to your transcription options.Hindi is one of the most widely spoken languages in the world, with a vast and growing user base in India and across the globe. Adding Hindi language support would not only cater to the needs of millions of potential users but also extend the reach of Adobe's transcription services. This expansion would undoubtedly make Adobe a more inclusive and appealing choice for a broader audience.

Current functionality of Render & Replace will copy the entire source media file, even if the user has selected to transcode the media, trimmed to the clip lenght, + handles (if desired). This is extremely impratical beciase it creates duplicates of my source media which is exatly what I'm trying to get away from when R&Ring.  Addidionaly, if you have very large source files (hour long interviews shot at 6K, for example), you can't use R&R becuase it will take forever to copy all this media and fill up unnecessary drive space.  I would like to use R&R as a way to create trimmed clips to send to a colorist, or VFX artist, for example, and this makes it totally impratical.  This full files are apparently copied so that Premiere may revert back to the full source media file,  if the user decides to do so. I suggest that instead you:Add a checkbox which lets the user decide if they want to copy the entire media or notJust have the clips revert

Hello!How can I translate Premiere Pro into Turkish?

I've been editing a video and had to go through all the pauses manually, right click, ripple delete... It take so much time (even hours) for something that can be done in just one click as the software already has this information. Add it to a right click on the show pauses button, to be able to edit all of them at once. Let's Upvote this and save everyone so much time with just this little and fast to add feature!

sometimes we want to export a vertical aspect for socials from a horizontal sequence. for instance, we have worked in the timeline or sequence which is 1920×1080 and everything is picture locked! we just need to export a vertical version of our project (for example 1080×1920) from that sequence without needing to change aspects of the sequence. just like the slice tool in Photoshop! we just click and drag the slice tool to the area we want to export or put exact numbers of width and height.

Please add this feature to Premiere Pro which user can export all clips individually in Timeline. I meant not by making input or output for all single clips in the timeline it just wastes time. Just dragging and selecting many clips and exporting all of them as individual clips with just one click

Hi, if anyone could point me in the right direction, i´d appreciate I come from a programming background and i´m trying to emulate a function inside premiere that could save tons of time:I´m doing videos for my hobby and I have this major sequence receives from time to time video and image elements while the narrator is explaning stuff. For example, the narrator talks about a dog, a dog gif or video slides into the screen with a 'whooshing' sound.Thinking about [INPUT > DO SOMETHING > OUTPUT] logic:For the INPUT, i have a visual aid (img, gif or video) and an mp3 for soundeffect;For the OUTPUT, I´d like to have a nested sequence with:- visual sequence (can be a jpg, gif or video) with specific timing- soundeffect on a specific place- a slide transition to come in (with specific duration)- a fade transition to go off screen (with specific duration)Is there a way tou make this ' Input>Output builder' with premiere?I can manually resolve this issue, but it is really tim

Please modify sound syncing to Plural Eyes way.... There is many reasons why it will be better, than current way.For example i want to sync 3 cameras in PP and each camera have about 20 files... so in PP way of syncing i will have 60 cam multicam sequence...In Plural Eyes way i will have 3 cam multicam sequence.

When using source footage that has multichannel audio, Premeire - and AME to an extent - refuses to allow proxies. It will claim to need every audio channel to match, which AME will not do even on the right settings. Proxies make everything simpler on the video end, not the audio, so why should it require every audio channel to match anyway?My workaround has been to load the file into the free version of Davinci Resolve, set it to 720p, and export using their DNxHD settings that will match the audio source exactly. I then have to attach this file as a proxy to the original in Premiere. It works, but it slows me down a lot.Is there a better way to do this, or can Adobe please just allow me to use proxy footage with different audio?

Can there please be a version of Premiere (or any other Adobe program) that works without having to memorize keyboard shortcuts?Isn't that why computers, UI's, menus and mouseclicks have been invented; so that I don't have to remember all sorts of codes and let the computer do the work for me? I've made it to section 3 out of 5 of the first tutorial and I have already given up because of having to remember keyboard shortcuts. I don't want that! I just want a menu, where I can click on an word and then stuff happens. I want to just drag and drop clips, select them and then choose from a menu what I want to do with that. What I have seen in other Adobe monstrocities is that every menu-item has a keystroke. So just give me a tutorial with menu items please.

Hi Community, I'm here at MAX with my colleague, Amy Roberts, and she has a great idea for a feature that her students really need. That is: Sequence Presets for Social Media. I love the idea, how about you? If so, please upvote this feature request. Amy's students would really appreciate it!   Thanks,Kevin

Markers currently have only 8 colors to choose.Please add more, like 20.Please introduce 2-color markers, like White-Red, Orange-Green. 

YouTube plugin (Premiere Pro v24.0) lacks support for specifying "Made for Kids" restriction.Until this parameter is specified, YouTube blocks transcoding of the uploaded video, which breaks the whole purpose of this plugin. (auto uploade after encode so that I don't need to wait for it.) 

True typewriter for text like in After Effects, not the wipe effect, that is not word by word.Come on Adobe. Maybe a transition type.

Please add Turkish language to auto captions in Premiere Pro.

We need the function of audio timecode sync in premiere pro. I'm teaching video journalism. Me and my students are on the adobe platform, using Premiere in the education. We just started to work with Rode Wireless pro. The he ting is, the timecode audio signal from Rode doesn't sync in Premiere. When talking to Rode, they are telling us to switch to Davinci Resolve. We would like to stay in Premiere pro. We need to have the ability to handle Rode's audio timecode in premiere! And it's quite urgent. I find this critique all ower youtube when searching for a solotion, everyone is telling us to switch to Resolve. And i guess that with the great success of Rode's wireless pro, loads of people are going to need this function developed quite urgent.

There is also no feature that allows Premiere Pro to import a text-based script, and then time the text in the script to the audio in the timeline. In addition, speech-to-text functionality currently does not have the ability to compare auto-generated text against a script, and then replace auto-generated text with the correct words from the script. Use case/context: Scripted content (or talking heads) where the script is available and subtitles and/or captions are required as a deliverable.  Manual reconciliation between the script and auto-generated text is required. I'm looking for the best of both worlds - Premiere's ability for auto-timing, while using a script as the basis for the text content. Keep up the good work!

Can we have the proxy toggle already in an accessable place? As proxies are extremely helpful for those who don't have a machine powerful enough to edit heavy files, More and more cameras are filing in 4k, 6k and even 8k. I feel like the proxy toggle button should be a readily accessable button. Right now the user has to use a button editor to access it. 

Coloring a clip is way too tedious. Right click - move mouse to label - look for a color (without even seeing the color but just having the color name in a drop-down menu.) - left click. Way too many clicks and mouse movements for what is essential for keeping your timeline clean and organized.   How about this instead: Move your mouse over the clip you want to color - press and hold the mouse wheel. By doing so a little color matrix pops up over the clip. You move the mouse to the color you want the clip to be colored in. You release the mouse wheel. Thats's it. 1 click. Minimal mouse movement. Goes without saying this could also work for multiple clips by marking them first.     Title edited by mod for clarity.

There is a proxy workflow, where I can toggle proxies on/off by one click of a button and it is amazing. I am hoping there could be something similar for effects. Basically, turning off rendering of all effects inside a project.This will help with timeline scrubbing etc. after project is almost on the finish line, with different kinds of (heavy) effects, lumetris, etc. applied, but then client asks for some changes in cuts for example. The effects take heavy toll on processing power, even with proxies applied, so it would be amazing to have a button to stop rendering all effects applied on clips inside project without going to individual clips and turning effects on/off.

Hi! Just wondering if you could make disabled audio tracks brighter, so that the waveforms on them are clearly visible (even when the track is disabled). Disabled audio waveforms actually were considerably easier to see in earlier versions of Premiere Pro. It's just the latest version where the waveform is difficult to see. Purpose of viewing disabled tracks: to know when to make a cut and switch to audio on that track. I tend to line up my separate audio tracks first, and only enable the parts of the track where there is audio present. To do this quickly, I need to be able to see from the waveform that there is audio present. I'm using Premiere version 23.6.0 on Windows. 

Ich weiß nicht, ob es diese Möglichkeit gab oder gibt, aber Clips (Footage) im gesamten Projekt auffindbar zu machen, wäre sehr hilfreich. Also Rechtsklick auf den Clip z.B. I don't know if there was or is this possibility, but making clips (footage) findable in the whole project would be very helpful. So right click on the clip e.g.