Feature Requests

When you replace a clip in the timeline now doing this, it doesn’t respect the original timecode, all the clips start from 00:00:00. It would be great if it respected the original timecode!

In Beta 26.3.0, I discovered Range Markers have been added!  So I ask, “what can I do with them?”Turns out not much.What I’d like to see is a batch export timeline sections using Range Markers.  Simply add “Range Markers” to the “Range” dropdown on the export dialog.  It would then export the Range Markers as separate files with the parameters from the settings. For file names it could use the Range Marker Name (if available), or just add a numeral to the file name in the dialog.The idea is to work like CD Track Markers in Audition. You set up the range markers on the timeline, rename them, then export to discreet audio files which retain the marker names.When I have to slice up a longer file to shorter ones,  I currently have to set in/out for one section, open Export panel, make sure range in/out is selected, name the file, then mouse all the way down to the Send to AME button and click (no keyboard action can complete the export). Then rinse and repeat for each section. It will be m

I have been a professional video editor for 20 years. I work daily on video commercials for some of the biggest brands in the world.In my 20 years of professional paid work, I have NEVER even once needed or wanted to use ‘auto bezier’ on keyframes. It is a completely useless feature that for some reason CONSTANTLY resets as the default setting when creating position keyframes. It’s a waste of time for it to default to ‘auto bezier’ everytime I create a position keyframe because I then have to right click the keyframes and convert them back to linear.1) So it should NOT ever change or default from Linear to ‘auto bezier’, unless I SPECIFICALLY click the ‘auto bezier’ option. (Which I never will)2) or there should be a global option in preferences to DISABLE auto-bezier so it can’t even be clicked. This would be great; because I hate auto-bezier so much. It has wasted thousands and thousands of mouse clicks and time over the years... I literally have a preset created in every project I w

Building a Plugin and I think there is no function to check if a clip has a transition…So something like getVideoTransition / getInTransition / getOutTransitionwould be super nice so i can apply existing transitions to new clips :D

I use Adobe premiere pro 23. It was stuck in software only. And gpu sniffer error massage. Tried everything from youtube tuts, turning on simulatehw, etc nothing helped.  Even you simulate it actually it doesn’t use any gpu. I just downgraded my gpu driver to this.AMD Software: Adrenalin EditionRevision NumberAdrenalin 26.3.1 (WHQL Recommended)File Size908 MBRelease Date2026-03-19 

They decided to mess with this for some reason--it used to have the simple little status info in the lower right corner and you could easily see the progress of when the audio file analysis would be completed. The message also just disappeared on its own after a bit, so no wasted screen real estate.  It also started to show you any completed waveforms so you could start editing long clips long before the analysis completed.  NOW: They moved this to the Progress panel, which requires you to functionally use up 12-15 times the amount of space on your screen to be able to read it at all, manually close it afterward to get that space back AND it makes you wait until the analysis is completely finished before showing any waveforms at all, delaying my editing sessions for several minutes after every import.  Can we go back to the old way or is this just another example of software getting worse with every "improvement?"

Loving the new colour page but currently, masks seem to be owned by the adjustment. This is the wrong approach sorry. Masks should be independent of adjustments, added to any grade/adjustment with the ability to...Combine with any number of other masks (AI or shape masks) on the adjustment Full options to unite, minus, intersect and exclude masks when combing Independent invert switches on every mask to isolate area/object as needed Unlink a mask from the original track, to independently tweak it per adjustment Once you have a good track/mask, it should be totally reusable and combinable, with full flexibility to unlink and customise it on a per adjustment basis. Keep up the good work but as I’m sure you can see, masking is the game-changer that stops the colour page from playing catchup, to overtaking the competition. Don’t skimp here! Also, what’s up with the horrible, pixellated HUDs on retina Macs? Haven’t found a fix for this yet. Cheers, Ben

Let me press enter/carriage return to activate the blue transcribe and save button when creating a source/static transcript and changing speaker names. I don’t want to mouse around to click the buttons or reposition the windows which tend to open off screen...

It's quite frankly ridiculous that this is not allowed. I work a lot for social media and it would be quite useful to simply upload files to the cloud storage and download them to my phone to share them

When you copy a sequence and then delete clips in it, the old transcription stays with the timeline. Sometimes I copy a timeline because it has a layout and features that I am using consistently throughout a project but am building new edits within it. I realize that creating a template is probably the best way to go, but sometimes I just want to copy another timeline with edits already in it and work from that. I'd like to be able to just completely delete the transcript that comes over with it.  Perhaps offer an option in the ... menu to CLEAR TRANSCRIPTION I am on MacPro (M1) in PP 23.2 on Ventura

For every new project in 360 video, I have to right click the preview window, the VR Video, Settings, then enter 160 by 90. The default is a square window that NO ONE needs or uses. It needs to be a video format of 16 x 9, or some other std format.Anyway the point is why can’t the settings be sticky? I would like to set the default VR Video Settings, and then that’s what you get viewed on the preview window when starting a sequence. Having to do this on each project is a waste of time.  Thanks for listening.

Hi Everyone,I hope you’re all doing well.|I've been a dedicated user of Premiere Pro for quite some time and love the robust features it offers for video editing. However, I've noticed that other platforms, such as CapCut, Descript, and Opus, provide more advanced options for animated captions and AI-driven features.Given the increasing demand for these functionalities, I find it somewhat inefficient to edit a reel in Premiere Pro and then export it to another program to finalize the captions. Does anyone know if there are plans to integrate more animated caption options and additional AI-driven tools directly within Premiere Pro in the near future?Thank you for your insights!

In the caption section of the text tab, it seems that the auto generated text has widows and poor spacing. It would be a great time saver if there could be more text options like, no widows, alignment and spacing, etc. when creating the captions instead of fixing it after.

You have given us a bunch of simple tools.  And while you have used the math of a curve in the tools, you have also required me to use five tools to get the effect I could get in seconds with a curve.  Why not just let us have a curve tool in the color panel?  Simple and fast.  Most of the time, that is all I need for an adjustment.

In the export tab: codec H264 ---> Audio----> PCM not only stereo but also 6 or 5.1 channel export.

I’m working on a split screen project right now and it is unreasonably difficult. I’m dealing with a lot of clips, so it’s very time consuming to apply a crop and reposition each one. I can’t nest my footage because each screen is interacting with the others, so I need all my clips on one timeline. No time to switch back and forth between 4 nested sequences. An adjustment layer with a crop effect doesn’t work because it crops everything below it, and I need 4 independent visible screens. Track mattes don’t work because they move when I reposition my footage. (By the way, this is ridiculous. Why don’t track mattes in premiere behave the way they would in after effects?) It occurred to me that if I could just apply a crop effect to each track, it would save me tons of time and headache. I could then just reposition my footage within the “frame” the track is cropped to. It would also significantly streamline my timeline cutting down the number of video tracks I need. This feature would al

Greetings. Let's stipulate that PP supports ProRes Raw (PRR). It can be played back and edited, and strangely, over in properties on the master clip, exposure/ISO can be manipulated. That's great. But here's my question: is there any thought of rolling out a more comprehensive package of Raw support to allow for the complete exploitation of raw sensor capture? Here in almost 2025 with lots of cameras rolling out ProRes raw internal (including my new axe), I'm very interested in being able to take full advantage of PRR capture within the PP ecosystem - which I love so much. Thanks! TL

Hi, I've had Atomos Ninja V for my Sony FX3 for almost two years now, but haven't shot but 2 sequences in ProRes RAW regardless of the incredible image quality. The reason for this is that it's extremely impractical to edit with proxies from this footage, as the proxies are automatically encoded in rec.709 instead of slog3, or another color space, which you can choose for the raw files. Could Premiere/Media Encoder be set to pick up the color space you've selected for each clip and encode proxies with that color space? Thank you.Tero

Give ProRes Raw control over White-Balance, ISO and tint in raw controls as well as log conversion. Then it will be useable.

Premiere 2026 projects cannot be downgraded for import to PR 2026 or earlier due to changes in the 2026 project data structure. Recent discussions about this have not yet been ported to the new forum. The primary previous feature request is here, but may be missing some interim posts. Also, it was primarily an explanation for how to use the non-Adobe methods for changing the project file version number. https://community.adobe.com/feature-requests-730/open-premiere-project-in-older-version-downgrade-project-version-1329162?postid=1329162#post1329162 At a minimum, there needs to be a method for downgraded a PR 2026 project to 2025. A longer term issue is the need, for years, for a more robust converter or for the After Effects procedure for doing a “save as” from a later PR version to some number of earlier versions. January 26, ​@hellopaul4 started a thread titled “Has version "2026" killed the ability to downgrade a project to a previous version?” The most important reply was by ​@Fer

I saw a PP MOGRT in the Graphics Templates called “Loading Screen Overlay” and put it on the timeline out of curiosity, and saw something interesting.In the Effects panel, even though it has keyframes at the start and end of the clip to animate the loading bar, if you stretch or trim the clip’s length in the Timeline, the keyframes follow to make sure they stay at the start/end. It even shows a unique gray overlay at the ends of the clip on both the Timeline and the Effects windows. I’d want to be able do this with my own effects/custom presets. This is really useful so I don’t have to manually realign my keyframes every time I need to change the length of a clip. But I couldn’t find anything online on how to do this. Please add this as a feature Adobe.

Little tools / options that help to speed up the editing and make it easiler! Adjustement layer (add more option) : Super tools, but sometime you have to move some footage, create nest to apply like you want! Sometime a little bit tricky! Add option (check box) on “effect controls” to be able to bypass or ignore adjustement layer for a items. When checked bypass every adjustement layer above this elementBonus : when selected on “effect controls” see a list of Adjustement layer available above to choose if we ignore one or both   Create a new tab for adjustement layer application. Create a Adjustement layer with all his effects on, then withou drop it on the timeline simply assign witch video #track (or label Color to apply on?)  will be affected by this adjustement. To save space on the timeline (or multiple uncessary video layer) Lock Element in Timeline : We can lock a entire video track but be able to lock a specific items, element, video on a timeline could be helpful on some case.

PROBLEM: How often do I loose keyframes at start/end of clips when trimming a clip and the keyframe is then out of visible range.SOLUTION:I want the ability to make certain keyframes sticking relative to clip start and end. It would be great for presets and editing in my case!Imagine the endless possibilties of selfmade transitions.IMPLEMENTATION:It could be simple an user friendly: Let me select keyframes to stick it to: start/end/stretch with length of clip.Or there could be a second option for ‘cliplength-relative keyframing’.I name it: RESPONSIVE KEYFRAMING 😉

If I have an image sequenceand right click and replace footage to a different Image Sequence,The “image sequence” checkbox should automatically be checked.That way it doesn’t replace an entire sequence as a still.If you have used the sequence multiple times, it will wreck a timeline.When replacing a still, it should default to replacing it as a still.Not as an image sequence, even if named as such.We are very CG heavy, relying on image sequences and stills in every single project. With our daily updates, this would be a huge help.