Feature Requests

Hello - does any one have any tips please to slect all clips at once and changing the type of CLIP KEYFRAMES that are displayed? Currently to view speed ramping keyframes I need to right click on each clip in my timeline (over 100) and manually select for each clip SHOW CLIP KEYFRAMES ---> TIME REMAPPING ---> SPEED Is there a faster way of doing this please?

Currently it's only possible to deactivate Masterclip effects in the project panel. This command is useless, unless being able to activate all masterclip effects at once as well. Selecting multiple clips with masterclip effects and activating/deactivating all them by one clip would be a very useful command. A keyboard shortcut would also be useful.

Hi, My colleague, Tammy, would love to see a feature where you could access Google Drive assets directly in the app, perhaps via a CEP panel. This would greatly improve her workflow. She has seen others in the commmunity wanting the same thing.   Other folks, please upvote.   Thanks, Kevin

If possible, could Premiere be 'encouraged' to prioritize the audio track in the active sequence to generate peak files for, instead of whatever priority it inherently has? I can sometimes force it to that track if I start an export, but when editing a compilation of oral histories, it can be quite a wait. Thanks!

Hey would love the option to select all clips of a certain camera kind of how you can select label group but being able to selext all of a specific camera

I'd love to see the ability to set Motion parameters in the timeline via some version of a pop-up box or hover-based option menu. Position, Scale, Rotation, etc. I want to be able to adjust these parameters without needing to switch over to the Effect Controls menu all the time. This would be a similar improvement to what was done with the Properties panel in AE, but I'd want to have the option to make these adjustments in the timeline. EDIT: I'm aware that there are options to see those parameters by right clicking the "fx" box in the upper left corner of each clip, but that is cumbersome and doesn't give the option to type in numeric parameters or make adjustments via keyboard arrows. I guess I'm asking for a more advanced version of that functionality that's more user friendly.

Add numerical values to the Curves (like we have in Photoshop).  

After more than a decade, there are still simple things that could save EVERYONE a lot of time that I wish Adobe could implement. I've got a LONG list, but here are my top two: 1. Increment sequence names while duplicating them and open the new sequence. Similar to what's done in AE but even better, just assume that if someone is duplicating a sequence, they most likely will want to work on the new one.2. keyframe property box when double-clicked. Yet again, so convenient in After Effects and so clunky in Premiere Pro.

It would be nice if the bin/file colors would stretch across the whole file like a colored bar, Mac used to do this years ago. It would really help with navigating through hundreds of files and make it easier to spot the bin/file you're looking for.

When creating proxies form RAW footage, like R3D, Canon and ProRes Raw, the source settings in the Premiere Pro bin are ignored. Please add an option to in take the source settings in account when creating proxies.   Example: Import 8K ProRes Raw footage form the a drone. In Premiere Pro I set the PRORES RAW Soucre Settings' Color Space to D-Garmut/D-Log  Footage looks correct in source.  Create Proxy in Bin; choose ProRes Medium   Result: over exposed Proxy, als the source setting is ignored in AME and the default colorspace BT.709 is used.   Workaround: Interupt proxy creation in AME, and set File > Soure Settings to correct Color Space. Do this per clip in the Queue, as this can't be applied to mutiple clips at once. Note that Interpret Footage Color Space settings are preserved then creating proxies.

Me gustaría que se incluyese dentro de la opción de "Project Manager" que al copiar los archivos a un nuevo directorio, se mantuviese la estructura de carpetas del proyecto original. No es muy practico el sistema actual de tener todos los archivos en una misma carpeta y sin ningún orden. Con el problema que conlleva también cuando hay archivos que se llaman igual en la estructura original de carptas y al copiarse todos los archivos a una misma carpta, estos se renombran para no ser pisados, no sabiendo que archivo es cual. Gracias, 

I would like to see a feature in Premiere Pro that allows users to save a default sequence with assets so that one could bring it into a project through the Presets menu. As it is right now, one can only save the sequence settings as a preset, but none of the assets come through.  I asked Adobe technical support if there was a way to save a sequence with assets, and they said that there wasn't and that I should post the idea on this forum.

Feature request: a 'find room tone' option that can analyze waveforms and find sections of clean room tone.

Masking with gradient is a fundamental feature and is available in very basic video editing apps even of mobile like VN Video Editor. And this is nothing new. We do masking with gradients in Photoshop and Illustrator. Then why this feature or any similar feature like this is not available in Premiere Pro?I request to include this feature as it would greatly enhance the user experience with Premiere Pro for many of us.Thanks and regards.

I use PrPro and AE on Windows 10 for most editing, but I noticed that unlike other similar programs like Photoshop and Sony Vegas, there is no light mode toggle. There is a way to enable it in settings, but some elements look a bit weird and out of place. I would love to have this feature natively, it makes editing during the daytime and light enviroments much nicer. I've attached an image of what it looks like when enabled through the unofficial settings.  

Hi, I don't know if this is the right place as it's not really a new feature. I was wondering whether adobe is planning to launch a user friendly video app, something that can speed up the creation of simple/middle-complex videos, in the likes of filmora or cap cut. As of today the CC only includes Premiere pro (which has a very poor ux and is too time consuming for most videos aimed at social media) and premiere rush (which has ridicolous limitations in terms of video/audio tracks).My disappointmnet is that I have to pay another app (filmora in my case) to compensate for the lack of a usable tool - pretty much the same that happens when I pay canva to compensate for adobe express.Also I wanted to swtich to premiere pro so that I could also do audio editing with the same tool, but considering the amount of time it takes to perform every single task, it's still way faster if I open my daw, do the audio and then import it in the video app.Thanks for sharing any news on this, and please f

When working on a video project, I often have at least a hundred B-roll clips, sometimes many more. I will often need to produce several videos from that B-roll, all on separate sequences. In this case, it is very difficult to keep track of which clips I have already used or not. More than that, I may often use several sections of a clip as different shots in a sequence(s). This is very difficult to keep track of, and a huge time waster. This is the case with most projects that I work on, but as an (extreme) example, let's say I am working on a 10-minute horse video. I have 300 B-roll clips. It doesn't take long before every horse looks the same, and it is a nightmare trying to work out what I have already used. The way that I look through all the B-roll clips is to put them into a separate sequence(s). I then load that sequence in the Source Monitor and select "Load Sequence in Timeline." This allows me to see the sequence in the timeline while it is still loaded in the Sour

To help ensure that your work is always going to be protected and your progress won't get lost in the midst of a crash, I believe it can be very beneficial to have the option to autosave every action in Premiere Pro. This is means every mouse click, keypress, macro, etc. Setting your Premiere preferences to autosave very frequently is nice (I have mine set to every 5 minutes). However, competing editing platforms have offerred the feature of autosaving every action and it really does come in handy and it doesn't interfere with the editor's workflow. The current autosaving system can still remain. Overall, I personally believe it can be very useful to have the option to autosave every action as some editors would love to have the peace of mind that their work and progress will never get lost when a crash occcurs.

We would like to be able to ask for the active camera used in a multicamera clip in a timeline, at the moment this is not possible per ExtendScript. 

QuickTime MOV is a wonderful video container. One of the benefits of MOV over MP4 is that it can support uncompressed audio.   In Premiere Pro's 2024.1 Beta (as of this post), there is a new codec option for exporting to MOV. Editors can now export to H.264 in the MOV container.   I personally would highly recommend also adding HEVC to this list as well. Not only is it possible to encode and decode HEVC videos in QuickTime MOV, but HEVC is also a superior codec than H.264 with greater encoding efficiency as well as preserving image quality better than H.264.   I would really love to have the abiltiy to export to HEVC while having uncompressed audio in my render. This can help with uploading to video hosting platforms that may compress the audio a lot to make it easier to stream to audiences at lower bandwidths. Exporting to HEVC in the MOV container will help preserve the audio quality and can make for a higher quality deliverable video file for clients.   Competing

Hi everyone,Is it possible to have a format in Premiere that allows interactive videos? For ex: I have a main video that throws an overarching view of my new platoform, and then individual videos that explain each component of the platform as different videos. Say 1 main menu video and 6 sub videos. Just like how DVD screens were authored, is there any way we can do this in Premiere? or in any other app? How to go about this? Just have a timeline or a workflow that calls out the different videos as they are requested. ThanksJohn

Could you integrate grammaly in the new version of adobe story? It will be a very useful feature, that way I will not need to copy paste my scripts to Microsoft Word in order to correct my grammatical errors.Thank you!

I'd like Adobe could implement a standalone free proxy converter for Premiere Pro, like Blackmagic has it.My workflow depends a lot of proxies, since my files are always starting from 4k to higher res and I work a lot with heavy files.Here is my editing workflow. The raw footage cames from outside on cards, I ingest these cards to a NAS and convert proxies using a server computer. This proxies goes to a folder on the server that mirrors de NAS structure folder.Editors then inport raw footage and attach the proxies from that especific folder.The server does this 24/7, avoiding the loss of time from editors to do this manually every time they import footage.I would like to see some standalone tool from Adobe that could make this convertions, appending the _Proxy to file names and producing theses files already with proxy markers.

Why would I want this "sync settings" bar to take up an entire row of vertical screen space? This is totally unnecessary and needs to be removed by default.

This update is completely unnecessary for most users, takes up valuable vertical screen real estate and it is UNMOVEABLE? Please go back to the old layout options asap.