Feature Requests

Dear Adobe,I hope this message finds you well and that someone from your team will read and implement these changes as a suggestion from who has used all your software professionally for over three decades and that has been an ACE for at least 2.I will not bore you with the accolades and awards that I achieved worldwide, whether in photography, cinematography, and editing, but I must bring these points to the public and your attention. Like many colleagues on this forum that are definitely better than me, I believe we can all agree on these points that Adobe "should" be focusing its attention.  As much as I understand the appeal of AI and the appeal of small social media content creators as they are the masses that make your wallet rumble, they are not your best and most loyal users. Their content can be edited with anything and they are not interested in keeping Adobe as their only software house. They will move to any other free software in a blink of an eye compared t

I'm having trouble finding any information to see if what I am looking to do is possible in Premiere Pro.  Essentially, I want to create a master sequence that is 1920x1920, and have something similar to a subsequence that is different aspect ratios that are all linked to the master sequence.  Whenever a clip or video is edited on the master sequence, it goes to the other aspect ratio subsequences, and is properly positioned.  Similar to what Smart Objects due in Photoshop.I'm trying to do this to streamline productivity to be able to export different aspect ratios without having to go and fine tune each sequence.  I'm not sure if this is even possible in Premiere, or After Effects for that matter.  I've searched all over the internet without any luck. Thank you for your time.

When I save an effect preset, 3 instances of Lumetri Color let's say, the original effect instances have been renamed to Lumetri-Main, Lumetri-Face, Lumetri-Darken Bottom, or the like. Yet once saved as a preset, the effect instances are renamed to "Preset Name" so now I have 3 renamed effect instances all with the same name. I would prefer to have my original assigned names that are relevant to the effect.

It would be great if we could search the  Premiere Pro User Guide online. Unless I'm not seeing it, the only search option is to search "Adobe Support.    https://helpx.adobe.com/premiere-pro/user-guide.html

The thumbnail of source in Lumetri tab, below Creative's Look,occupies much verticle space.If a toggle to collape is added to the thumbnail image, then Curves (which is just below Creative & has 2 toggles options) or other lower sectionhave a greater chance of fitting in choice Workspaces. For me, almost always, I don't need to see that thumbnail. - gramps

PLEASE ADD align and transform TO EFFECT CONTROL PANAL TO BE BETTER HELPFULL WITH MOTION AND OPACITY ITS TAKE ALONG TIME FOR EACH FILE I MUST ADD IT FROM ESSENTIAL GRAPHICS, ITS HARD TO REMOVE ANY OF THE IMAGES FROM TIME LINE AND RE MAKE IT AGAING FROM ESSENTIAL GRAPHICS --------------------------------------------------ALI KHADDAM

Hello. I was spending the last couple hours trying to transcribe a clip.  I clicked TRANSCRIBE in the clip's Text panel and then TRANSCIBE in the pop-up window. Nothing happened. No error message. The pop-up just closed.  After resetting prefs and other troubleshooting 101, I had an idea. Maybe Premiere cant transcribe proxies by themselves (the raw media is offline in the cloud for space reasons). Is there any reason why trasncription is not avail when you only have the proxy online? If not, would love to see that in future release.  If there is a reason, maybe add an error popup explaining that for those who have the same issue I did. Thanks!

We often share large video files of interviews within our team to log soundbites. Speech to Text could be exteremely useful for producers to select sound and use clip timecode so our editors can find the correct soundbite. Alas, Speech to Text transcription is basically useless to us in it's current implementation because Premiere only inserts sequence timecode when transcribing and not CLIP timecode. I suggest allowing users to select and option to use either clip timecode or sequence timecode when generating transcription files.

Premiere currently assumes/reads the data levels from the file itself and maps it to the internal full range without clipping if I'm correct. However sometimes we need/want manual control over how to interpret the footage.  I'd like to see an option in the interpretation settings where we can flag a file as either Full or Video range where Auto is the default. Would also love proper export options. Choosing between Full/Video range and conversion between them with clip/perserve options so we can better manage how the data goes out into a file.

We are struggling with issues in Premiere Pro. The current scaling algorithm introduces negative values that seep in to broadcast deliverables as full range data after export. Please give us a project wide option to choose from several scaling algorithms and an override option on clip motion effects panel. Or at least something that works better than whatever it is we have now.Resolve is way ahead on this.  

I wish this were possible.

Instant rough cut.Even in 2023, I can't find anything close to this action: -  Go through a bin's selected clips to establish rough in and out points, or select complete head-tail clips.-  COPY selected Bin clips in either list or storyboard view.-  Swich to timeline. PASTE to see an instant rought cut in list order  OR-  in whatever storyboard order the user arranges.All preliminary in-out marks honored. Result is linked video audio pairs strung together on a single video/audio track. Haven't seen this since Avid and FCP work. It's a powerful timesaver. Best as always,Loren

Add Color Warper Tool For Best Color Correction in one Click Drag and Drag

Add Podcast Adobe Voice Enhance Feature in Premiere Pro

Each project I start, I go to the audio track mixer tab and to a Master track I add couple effects, hard limiter and multiband compression, it takes a lot to play around with them, which is why I think we should be able to make a preset for the Track mixer, if not per track, then hopefully per effect.

I cannot find a way to flag a clip as REJECTED the same way you would in Bridge. It's nice that we have 1 to 5 stars and also nice that those stars are carried over to Bridge. But I cannot find a shortcut or menu item or icon to flag a clip as rejected or as -1 stars. An idea would be to add the crossed circle icon next to the 1st star, like in Bridge.The reason I want it is so that when I complete the project, I can go back to bridge and easily erase the unused video files.  Thank you

Hi Team, Is there an ETA on when will captions created with Transcribe tool be able to use animations?I can do that on manual texts, but would be great if Captions created by the Transcribe tool could have that  enabled or if we  could just drag-drop the effects to them just like it can be done to manual texts. Thanks for takign the time to read this post. Sam. 

Markers should be movable as simply as we move footage. Select multiple markers by dragging, then delete or copy/paste. Ripple delete moves markers on a sequence, but doesn't delete the markers inside the in/out of the ripple delete. Select all forward doesn't select markers. For people like me who only/mostly work on scripted shows I use markers all the time. It would be lovely if they were more malleable.

After addressing this issue in another thread it struck me that it would be useful if Premiere Pro could display sequence durations in clock time as an option (in addition to the timecode display), meaning actual duration in minutes and seconds. This would be particularly useful for frame rates with timecode displays that do not reflect actual time durations (like 23.976 fps). This would be useful (as a guide only) for professionals, but also for those many users who are less constrained by professional workflows and just want to know the actual duration of the sequence they are working on. R.

i really request you to add auto silence remove feature in premier pro in built instead of going to audition or any third party apps that is really a hectic process of going to other apps and removeing silence and bringing back to premiere pro and edit further this takes a lot of time so i request adobe to add this feature for premiere pro

Does anyone else have the issue where they go to click the specific time in the timeline to move the playhead/cursor but accidentally clicks the sequence in the sequence bar?  I find the area between the timeline / timecodes and the sequence bar to be very small 😕😕 

I animate explainer videos for a living and Première Pro is my favorite program to do this in. The write-on tool is one of my most used tools when it comes to whiteboard style videos. Right now it's only possible to trace with a round vector, I would love it if there was an option to chose a square vector as well. In these pictures I want to let the arrow appear using the write-on tool with the Reveal On Original setting. If there was a square option it would be able to follow the arrow much more accurately.  Of course there are more ways to achieve this but I thought a square option for the write-on tool would be a nice and easy to use addition. 🙂  

It would greatly enhance the usability and efficiency of Premiere (and After Effects) if there was a built-in text panel that allowed for seamless cutting and pasting. Currently, when I receive graphics requests from clients, I have to request them to provide correct spelling, punctuation, and other details, which I then manually copy and paste into the graphic design to prevent any errors. However, the current workflow requires me to open a separate text document outside of Premiere (and After Effects), copy the text, and then switch back to the Premiere window to paste it. Similarly, when I need to follow client scripts and edit notes, having this integrated text panel would be incredibly valuable.

I use "Hold" keyframes way more than any other type. I would love to have a preference where the user can choose the default type for each new keyframe they create. No change to keyframe properties or behaviors requested. Thanks,- DK

We have been using the transcript generator since it was made available in Premiere a while back. However, we are starting to notice some of our third-party players are generating captions more accurately than Premiere is. The AI that Adobe has is incredible and the convenience and luxury of having the captions generator in Premiere is a huge asset to our company, which ultimately saves us money in the end (without having to spend a fortune on another company to transcribe and caption for us). We are very grateful for this feature. We were wondering if anything is being done, or maybe a setting could be changed in order to help us with more accurate transcripts going forward. Especially those of our speakers that have heavier accents. That is where more of our challenges lie. Is anyone else seeing some of these challenges and what are you doing to work around them, efficiently? Appreciate the feedback and discussion!