Feature Requests

That's what I need a stupid computer for: after I finished an edit with many tracks I would like to reduce this timeline to have just the clips which play a role into the final video - of course by creating a copy of the sequence. This would reduce the size of the consolidated project a lot. It's a huge difference to archive all the clips exissting in a sequence (standard consolidation) or if you save all the clips which are really "visible" in the final video. That would save a lot of time and disk-space. Especially editing of concerts produces a lot of material, during editing I have several tracks (I don't like multi-cam-editing) but I wish I could clean up by clicking a button 🙂

Segment Timeline Shuttle: Made that up.  Often times moving one frame/ audio unit, many frames/ audio units, or to next edit, next edit on selected track or moving to next marker does not get me to where I want to be on the timeline.  Can we have a new big idea about how to move around in the timeline?  My fingers don't like the long loney trek over to the number keypad either.  I want to step back in the timeline in defined segments of time.  'Step back many' is used constanly in my workflow, but sometimes you want to get crazy and step back 'mighty.'  In short, don't lose the 'step back many' feature, but we need a secondary option for how far to travel the timeline. Example of how I would use this.  I set my 'Step Back Many' default to 18 frames, I do an edit, hit the Step Back Many Button and watch it and move on.  I might also want to verify how it feels in context leading up to it, so I want to step back 18 seconds.  I would have

Secondary Default (Audio) Transition: When cutting dialog and sound effects all day, I constantly apply a 2 frame audio fade to everything... but every once in awhile I try to get artsy and want to put a smooth long fade on some music.  I need to take my lazy bones off the ol' keyboard, grab the mouse and set it right where I want it and click the ol' "Apply Default Audio Transition From Playhead" button.  But, if we had a secondary default audio transition we could add, then things would get fast around here.  These hands we build for shortcuts.  You get the point. 

Apply Mouse Click at Play Head:   If I want to make room for an edit I am performing, I commonly use the 'Track Select Forward Tool" by grabbing a bunch of media and pushing it down the timeline.  I can activate this tool with a keystroke, then I have to grab the mouse to designate what I want it to select, then I can go back to the keyboard to move / nudge the selected clips.  If I didn't have to grab the mouse, I could work more efficiently.  Trust me, it would save at least .08 seconds, and I need that time as I'm getting very old with soft hints of grey peering through this beard of mine.

When wanting to make lo-fi exports, it is impossible to achieve certain exports with file size requirements. And when dealing with the slide regulating the mbps, Premiere automatically rounds the result. 

For example if I highlited one word out of a big text block and dragged a text style onto that text block, it should then only apply the style to that one word. Or/And another idea that I would like to see... Text color copy/pasting, I want to be able to copy one color (even a gradient one) and then just highlight text and paste the color onto it without having to go to the graphics tab and then pasting the color hex code.

Hi in December 2021 release of premiere pro, you promised us that "Automatic universal text engine support for older Motion Graphics templates will be added in a future release." But till now not been implemented

hi adobe i have a question,would you support 10 bit h.264 decoding on windows 11 in the future with intel 13th processors quick sync.thanks adobe 

Screen recording programs save the source in a higher - quality format .MKV than .MP4. There is currently no support for this codec format in Pr. Its absence requires additional time in a short time to encode into a supported Pr format, which affects the convenience and speed in deadline conditions.

Please restore access to previous Export Panel WITHIN Premiere Pro. The new Export panel has an extremely frustrating UI. Hidden settings, forced fullscreen, bad layout, vastly more clicks, further mouse travel distance, the list goes on. Please give us the ability to choose the legacy Export Panel WITHIN Premiere Pro. Exporting to ME is a flawed option as it does not work consistently and oftern crashed with complicated edits and/or 3rd party plugins, where PP does not.The new Export window has made the edting workflow more difficult and frustrating. Thanks.

for a better workflow:  

Please for the love of all that is holy, get rid of the new project creation page. It's just bad. Why do I need to see these clips from who knows what. You know nobody is going to use them. This page should be much simpler and more straight forward. I don't know who you created this for but it's not for professional working editors

The math of Lumetri's operators make it mostly unusable for log grading. Most of them behave linear but use curves/rolloffs and are limited to 0-1 float when you go in their opposite direction value wise.In a more ideal world, to me, Lumetri would always have operators that fit log grading. - Exposure should be offset math, so it's behaves as camera exposure when applied to log footage.- Contrast should be linear instead of s-curve in both directions.- Blacks slider should not create a toe when lifted and inverse toe when lowered. Should act as 'lift' math.- Whites is fine as is.- RGB Curves should also have it's end points act as lift and gain without clip 0-1 just like the seperate Curves effect.- 3way color wheels should be Lift Gamma Gain math instead of curve Shadow/Mid/Highlights. None of the above mentioned controls should clip 0-1 float. Because this would completely break video grades perhaps it's an idea to have a mode switch for Lumetri.By default it would be

Hello!I'm using a ton of speedramps in my editng workflow and this option would be a lifesaver. What do i exactly mean?If you want to do a speedramp on timeline what you have to do is:1. Put all your clips on timeline2. Right click Yellow FX and select Time Remapping > Speed3. Repeat #2 until its done on all clipsIt would be awesome if we could just set default property to whatever we want. It seems to be fairly easy thing to add, but would change a lot.

Hi there!It could be helpful add an option to copy a frame to clipboard.Nowadays, is very common use frames between softwares for create cards, posts, share information in forums, instant message apps, etc...I will be thankful. 

I create content for a medium-large corporation (Commerce Bank), whose name is auto transcribed as Commerzbank (the one in Germany). I imagine there are others in similar situations.It would be great to be able to plug in default words, company, or product names for commonly used terms into the AutoTranscribe window so that we don't have to go in and change them line-by-line.

I love the new transcript text editing feature in Premiere Pro. It would also be great to have the option of doing a paper edit for your film using the text editor. So you can highlight text and move it around. The same way you can in Trint: https://trint.com/blog/how-to-tell-your-stories-with-trint It would be so powerful to be able to edit this way within Premiere Pro. 

Premise: Allow users to also Ctrl + Click to anchor sound files to in, out, or scale into a preset.  I do my editing mostly for YouTube videos, and a constant pain point is doing sound effects.If you want to do lets say for example a Wipe Transition  and you'd like to add a quick woosh to it. You need to first apply your wipe. Then find your Whoosh sound and apply it below and time the two of them. The only way to save time in this instance is to create a keybind for your wipe, yet the sound effects are still underoptimized. Maybe if you pay for a premiere service like story blocks your lucky enough to have a built in SFX pannel. Essentially this could be narrowed down by allowing users to not only group together, transform, lumetri, opacity etc... by also allowing this same keyframe data to align with the start of a sound file. Allowing users to save time with small effects or transitions that need sound to add that extra oomph.For Consideration

I've embarrassed myself I don't know how many times at this point by the new export window ignoring in/out points by default. Yes, obviously we need to QC exports, but when the default behavior for the last decade was to recognize in/out points in the timeline, my muscle memory trusts that this range will be honored without taking the extra step to set that on export.   It just makes sense...   If In/Out Range is defined in the Sequence - Export Range defaults to that If no In/Out range is present - Export Range defaults to Entire Sequence

Since we are in the age of social networks, I ask you to be able to apply motion effects to all titles at once (even randomly), without having to turn subtitles into graphics.A function that allows all text to be selected in one shot (even a tick in the text function, with "apply to all" without manual selection (as CapCut does) and insert automatic effects on texts for animations, without having to put one at a time.Thanks

Please create a button in the shortcut setting that can automatically import the .KYS file, every time I have to go through the instructions again.Even better, have them sync with Creative Cloud and account, so every computer can have them and download them automatically (then you choose them later).Thanks

Essential Graphics opens with Minion Pro as the default font. If I want to use a different font, I have to change it everytime I create a new title.How can I set the default font to what I want ?

Currently, for MOGRTs with placeholder media, you can only add clips from the Project panel.These clips then default to 00:00:00:00 timecode within the template. The current workflow is to either manually seek to the start time you want, create subclips prior to bringing into the template, or pre-render new clips altogether, with those times baked in.  A better solution would be to have the ability to just swap template placeholders for clips already in the timeline. Remove the added step of subclipping or timecode seeking altogether. That all happens automatically. Ideally, there'd be no new clip or projectItem created at all. IE, no extra clutter in the Project Panel.  Thoughts?   

Please add Latvian (and other baltic languages) to the automated transcription. 

The ability to convert a text box from point to paragraph (or having them be one and the same and just togglable) would be very nice, especially as I need to do that right now with dozens of them. It's a wonder it's not already a feature considering you can do it in Photoshop and AE.