Feature Requests

The number of hoops to jump through to get proxies up and running can be quite cumbersome and difficult to explain to newer users. -Exit Premiere and open Media Encoder-First create an encode preset for your file,-Then create a separate "ingest preset" and nest that encode preset inside the ingest preset.-Save that, but Premiere Pro is ignorant of this so you have to "Export" this preset to some place on your hard drive-Open Premiere and then load your ingest preset. (not sure why this can't just auto populate with all your media encoder ingest presets... also no way to delete presets from this list.)-Finally make your proxies and hope media encoder doesn't crash in the process.What I would like to see is a much less roundabout way to make proxies in Premiere:-Select clips you would like to make into proxies-Launch a dialog with all of the normal media export settings (codec, size, etc) with a few extra toggles specific to proxies (like save next to original media in /proxy etc)-Proxie

Bonjour, l'ancienne interface pour faire des nouveaux projets était mieux avant, moins intrusive.Aussi, il n'y a plus moyen d'enlever la barre Espaces de travail ( avec la maison) car il n' y a plus dans la version 2023  dans onglet fenêtre Espaces de travail ( ce qui enlevait cette barre qui me sert à rien et qui est maintant toujours visible....merci adobe...pfff).

Hello, Adobe Premiere developers! I'm here to request what seems to be a longstanding-yet-unfulfilled wish for Premiere Pro, thank you for your time.  Community, please chime in with support for this - I know there have been past requests! The Request:The ability to nest audio clips in a timeline, while preserving the original source cuts in a subsequence, much like we can do with video. Why is this relevant? In working with film studios and with entertainment tech, I often create sizzle reels from multiple sources, and also work with composers. In either instance, I may be given dozens of audio tracks which I'd like to comp together as source from the start, since I know the audio won't be adjusted once it's been synchronized,  and yet I want to keep my timeline streamlined. A composer may provide a dozen separate audio stems that comprise one song, which can quickly fill up a timeline. If, as a source, I am sent MONO stems for content mixed in

Why isn't premiere Pro not accessible with voiceover since it is a legal requirement that it is?😊

Dear Adobe Premiere team, I would like to request the addition of an arrow shape to the quick shapes toolbar (between rectangle, ellipse and polygon) in Adobe Premiere. This would allow users to easily add arrows to their videos, with the ability to adjust the length and angle of the arrow as needed. This feature would be very useful for educational screencasts and other types of videos where arrows are commonly used to direct the viewer’s attention.Arrows are used in large quantities and it is therefore very time-consuming to draw them again and again. Essentially, it would be a line from one point to another (it could also be like the diagonal of a stretched rectangle which can already be drawn) with an arrow symbol at one end. And if it were configurable (such as in e.g. PowerPoint), it would be great, but it’s not necessary. Thank you for considering this request.Sincerely, Petr Voborník

Transcription is so useful, but if you're doing a bunch of it, it is a huge pain to rename speakers. First, what are those radio button's doing? As far as I can tell, there's absolutely no puropse for those radio buttons.And then, in order to rename all the speakers, currently we first have to click the pencil, then highlight the name, then add the new name, then click off of it. Why have the pencil at all? It feels like it should work like renaming a file in your project panel, you click on the name and the text box pops up (with the name already highlighted, since in all likelyhood you're just going to change 'Speaker 3' to a comletely different name) and you can edit it. And then you should be able to press enter or return to move on to the next one, or at the very least finish your editing of the name. Lastly, let us be able to use enter or return to close the dialogue boxes and save your changes.  

When working with proxies, it would save a lot of time to be able to render previews (of effects like warp stabilizer, for instance, by "Render Effects In to Out") at the quality of the current Proxy, rather than the Full quality. The feature could default to rendering previews based on whether the Toggle Proxy button is turned on for the given clip or not. Or there could be a setting that you could change to have the render previews rendered at Proxy quality. Thanks for listening to this idea, hope you can mplement!

Dear Adobe,I often create same video in three different languages - English, German and French. This multilanguage scenario involves not only the voiceovers, but also plenty of custom graphics, imagery, subtitles and other text-based assets. For now, I try to keep separate language-oriented tracks and switch them to the appropriate language prior to the actual export. Needless to say that even though I try to stay organized, sometimes I miss switching a track or two as they are scattered all over the timeline (and it gets fairly messy with more elaborate edits).Here's my vision: new Localization tab. Here you can define the individual outputs (does not necessarily need to be language-based, same video could be split by different criteria, such as the business area - e.g. a video about a booking system for hotels / restaurants / garages / ...). Each "localization" could be associated with individual timeline clips and/or the entire tracks. When exporting the sequence, you coul

Being able to add effects directly to a layer which makes all clips on that layer affected would be a huge time saver.If you have a multicamera sequence with 3 different cameras where you want to add same grade to all clips on track 1, track 2 and track 3 seperately.Or even being able to make adjustment layers only affect the clips on the layer directly beneath would also be amazing... (like in photoshop)

When I apply a bezier curve to an audio level keyframe, when I close and then reopen my project, my audio curves have been stretched into the stratosphere, ruining my music edit. This has been happening for several years, over many versions of the software. It is noted by both PC and Mac users on the Adobe forums. See screen grabs below for before and after.

Can you add the option to select cuts/clips and bulk export them? Saw some videos about nesting clips and then using the project manager to export the clips. But it's not an efficient solution and not very practical when you have hours of clips to export. I should be able to just select the clips I want, right-click, and export.

For interviews and cutting a draft it would be so much easier to select transcribed text in the text pane and when you press delete key it removes this section from the timeline. If there is video linked to the audio then it cuts that as well from the timeline. I know this wont happen but it's a good way to make editing more efficient!

Current behaviour: Place a video clip on V1 and a clip which will act as a matte on V2.Place a track matte effect on track on the clip on V1 and set it to use V2 as a matte layer. Add a new video track at position V1, such that the old V1 becomes V2, and the old V2 becomes V3. Outcome: The track matte will still use V2 when it should point to V3. Desired outcome:The matte layer should use V3. the later used should increment by the number of layers inserted beneath it. I can't see any scenario where this shouldn't be the desired outcome. Can you?

I would love to see a motion blur option in Premiere Pro in the "Motion" effects panel, similar to what After Effects has. I think many in the community can relate when you have text, keyed objects, logo, etc., and want to animate it in a PP timeline. You add your position/scaling keyframes, but it doesn't have the pizazz that motion blur provides, so you dynamic link it to AE just to add motion blur. I know you can do it manually with a few effects in PP, but it's a big time waster. Would love to see this soon!

Hey guys, are you planning to add support in more languages in the 'transcription' section?This would be HUGE help.Maybe you can team up with start ups like Happy Scribe? Or maybe invite them to develop a paid plug in? Thanks!

Why i can't create a shortcut for sending media to Media Encoder Queue

I want to automatically cut a video using timecode data in Premiere Pro

When there are two text elements superposed on the timeline and at the same place in the frame, and that one of them is disabled, it's often (always?) this disabled one which will be selected when I click on the program monitor to modify the enabled/visible text. By clicking, I end up modifying an invisible (disabled) text, without being able to select the enabled/visible one.The only way to select the right one in order to modify it is then to remove the disabled clip from this place of the timeline...I think it would be much more logical if it was impossible to select, on the program monitor, an element which is disabled in the timeline and therefore invisible in the program monitor (or at least if it was not prioritary on enabled/visible elements).

When dragging and dropping a clip into the project window and then immediately dragging and dropping it into the timeline, the audio peak files do not display correctly... that is, they do not display at all... they just stay blank.  Closing and re-opening the project resolves the issue, but this bug is nonetheless super annoying. Another thing that adds to the annoyance of the issue is that there is no longer a progress bar that indicates the rendering progress of the peak files. Before I upgraded to the latest version of Premiere Pro, I could at least see if the audio peak file I needed was being rendered. Now I have to guess whether the peak file has been rendered or not. So this is not only a bug report, but a plea to bring back the peak file progress bar!

How can we get Audition style slopes for changing the slopes at start/end of clips in Premiere Pro?   In Audition it's so easy... while in PPro you have to add keyframes first, change the style from linear to curved and then drag it to your liking. In Audition you just hoover over the slope and drag it to your liking. You can even super-impose clips over each other and determine how the fade between clips will sound.   I want that in PPro too...  

Tenho adobe premier em 2 PCs, ambos com versões atualizadas, porém em um deles não existe a opção de legenda automática em português (brasil), mas no outro possui. O que devo fazer para conseguir essa legenda?

PLEASE allow the editor to choose whether or not tracks are added to the current sequence to match the tracks on the source. Most editors spend a lot of time configuring their sequence, and most sources have varying numbers of audio/video tracks. Automatically adding tracks to the sequence on source load with no option to first patch the desired source tracks to the prescribed sequence tracks opens up opportunities to add unintended source elements and make the sequence unmanageable in terms of number of tracks. Solving this issue by modifying all the source clips is untenable, as you cant even screen them without loading and causing unwanted track additions. It could be a preference setting to toggle track adding on or off.

Avid Media Composer has a nice feature where, if you enter, say +30;00 on the numeric keypad, and then repeatedly hit enter, the cursor will step through the sequence by 30;00 for each press of the enter key. This is incredibly useful for stepping through long sequences by even increments, or moving even increments down the timeline to paste elements from the clipboard. It should not be too dificult to code, and has great value. I'd love this feature addition.

I work for a large documentary outfit with many of our projects being distributed by the likes of HBO, Netflix, etc. The company has traditionally used Avid for cutting but we are increasingly moving towards Premiere -- specificially Productions -- for our projects because of the shared storage workflow functionality. One major problem we've had in Productions is clips going offline, not displaying their attached proxies, and not displaying their source clip effects, all because the program is unable to find the correct master clip within the production. As I understand it, Productions is linking to clips in sequences in two ways -- on the finder, which is controlled by the "link media" function/dialogue (which works great), and within the Production, to the master/source clips.  All we have to control these intra-production links from clips in the sequence to their master clips is a vague "reassociate source clips" option in the edit dropdown menu. Sadly this

One of the things that I miss about good old Final Cut 7 is to be able to store my presets of transitions. Meaning I could have my custom setting of a transition and also my prefered duration of transitions ready to drop to a timeline clip at any time. And I'm not talking about the default transition, I want to be able to set presets of as many transitions as I want. Including the transitions from plugins.This is so I don't have the search for a transition and then adjust its settings and duration each time. It would be time saver, like in FCP 7.