Feature Requests

Since CC2025, it is hard to tell the color of clip transitions, dissolves, etc.I will not enter this update. I would like the colors back to what they were before.

Adobe, please acknowledge that US English is not standard English.  I am fed up of having to correct words like "colour" because of your "English - auto-detected" setting, which imposes US English. Premiere Pro has the Brazilian and European versions of Portuguese, so it is possible for you to automate writing captions in different versions of the same language.  Please enable this in version 26, it would save a lot of time when editing videos.

I’d love to see a feature similar to the Essential Sound panel, but for color correction. The idea is to select multiple clips and apply automatic adjustments based on user-defined parameters (such as target brightness, contrast range, or other measurable criteria). Each clip would be analyzed and corrected individually to meet the specified targets—ensuring consistency in perceived brightness, rather than simply applying identical exposure settings.Much like the Essential Sound panel lets users define presets and batch-adjust audio levels, this Essential Color panel could allow the same workflow for visual consistency. For instance, if two clips are visually similar, the tool should bring them to the same brightness level, not merely apply the same numeric exposure value.This would be a major time-saver. It would also help decouple color correction from the editing timeline—something I currently workaround with adjustment layers, which can be clunky and error prone.(Note: The existing

I would love a function to zoom in on the Source Monitor timeline to reflect only the part from in to out point. 

I cannot find the ability to find and replace words in captions/transcript.  Having this facility would save a lot of time when correcting APP's mistakes or insistence on using a different version of a language, when creating captions. Will this feature be available for version 26? Many thanks

As the title suggests, this is a problem I've run into with premiere forever. To my knowledge there is no way to copy the key attributes (anchor point, position, size, etc) of a text graphic and paste those attributes to another text layer. I know styles exist but I don't believe they control where the anchor point goes either (Especially when upgrading captions to graphics).If someone does know how then please let me know. Otherwise this seems like a no brainer that should be in an update for essential graphics/captions.

I propose to add a new function, its name (video DJ recording ). In online mode record the movements of the playhead, and the recording starts when the ctrl key is pressed. For example, we will be able to make video sketches to the rhythm of the music. 

I propose a quick button that flips your sequece from either horizontal to vertical or from vertical to horizontal.  In sequence settings, there should be a button you can press on the Frame Size line that with one click -- swaps the frame sizes from vertical to horizontal. Perhaps if you click Horizontal the frame goes horizontal and if you click Vertical, the frame is then vertical.  I know we have Auto Reframe, but for what I do, it's almost more work to fix the auto reframe than it is just to manually copy and paste my vertical attributes to the clips in my sequence in one go. And with everything I cut today, most of it ends up in the vertical space as well, so this is just a standard part of my workflow. Currently I just retype the frame sizes and move on (it works), but it just seems like such an easy fix to swap the numbers and the frame orientaiton in the Sequence Settings panel.  Atttached is a mock up of the Horizontal selection. Just a thou

클립을 마우스로 딱 찍었을 때, 인디케이터가 소니베가스 처럼 클립 마우스로 클릭한 곳에 인디케이터가 자동으로 따라오게 못하나요? 너무 불편하네요 ㅠㅠ When you click on a clip with your mouse.Like the Sony Vegas program.Can't the indicator follow in the clip location the mouse clicked?It's so uncomfortable

Display small color swatches next to the name of each color label in the context menu. It's not easy to remember the difference between Caribbean and Cerulean!

I was wondering if in a near future it would be possible, once the transcription is generated by Premiere, to save it (as metadata?) and having it 'attached' to the file, so that when the file is imported into Premiere is already available?

Hola Señor Adobe, soy usuario de Premiere y me gustaría que agregues la funcion de rotar los videos antes de ingresarlos a la linea de tiempo asi no tengo que girar mi cabeza para poder previsualizarlos, se que una vez dentro de la linea de tiempo los puedo rotar... pero sería de gran ayuda que le agregues la función antes, asi agiliza el trabajo de selección del material. (usando transformar en el clip de origen quedan bordes negros alrededor del video haciendo más pequeña y por ende mas dificil de previsualizar rapido.) Lo ideal es que exista una funcion de rotar y que se previsualicen como si la cámara lo reconociera bien. Gracias por su tiempo y quedo a la espera de esta actualización.

En el monitor de origen cuando pongo reproducir y hago zoom el cursor se va de la pantalla.Seria ideal que avance el cursor con el video, no que quede atras y aparezca cuando pauso.

En los ajustes de las secuencias, si la secuencia es 1920x1080 y necesito hacer un reel (1080x1920) agreguen un icono que invierta lo valores, no me hagas escribirlo nuevamente 1080x1920 si ya estaban escritos.

I have several projects that I do often, including a TV show, which is organized the same way every time. All audio channels have the same preset effects in the audio track mixer, but different preset effects and settings on each track. I would LOVE IT if there were a way to save ALL CHANNELS AT ONCE in the project inside of the audio track mixer (and name it the title of the project for example) so that every time I have a new episode of the same TV show or reoccurring video with the same setup - I could select the audio preset for the project and instantly have all the effects and settings where they need to be. Is this possible? If not, could this be looked into for a future update? 

We need something that works like Final Cut Pros magnetic mask. A brush that will auto select and stick to its selection. Just like AE and Ps

The NVIDIA 50 series graphics cards have been released for some time. The new video decoder supports 10-bit HEVC 4:2:2 hardware decoding, but the current version of the software does not support it yet. Could you please tell me when a version supporting this decoder will be released?

It will be really helpful if we can be able to add "Ultra Key" effect as a shortcut. As when there are multiple footages in the same timeline that requires different ultra key settings, so instead of typing "Ultra" in the effects panel and dragging to the footage it will be really helpful if we can just select the footage and click a button with the specified shortcut of "Ultra Key" and apply it automatically. It will not only increase the workflow efficiency but also reduce manually typing or searching for ultra key in the effects panel and applying it manually. Hope you add this to the future updates so that we can also allow any effects from effect control panel to apply as a shortcut which will reallly speed up the workflow during edits. Thank you 

With all of the amazing ai developments - the enhance audio podcast tool is AMAZING!But since we film a live three camera "talk show" type setup with two speakers wearing lavaliers. We are painstakingly going through and disabling the audio track of whoever wasn't speaking in order to do a final "clean" using that tool.The podcast.adobe.com tool tries to "enhance" the audio of the other speaker whose audio is faint but still registers. As a result, simple wav exports of each lavalier are not possible.The main hesitation we have for using Speakersplit.io is ethics.Can you guys buy their technology or develop your own someday soon?I don't like the idea of running people's voices through that tool without their consent and without knowing that the company has the ethics around ai that adobe has...

Hi,Why isn't Premiere Pro always able to create word-by-word captions perfectly?I know you can activate 'Maximum length: 7', 'Minimum duration: 1.2 seconds', and 'Lines: Single', but this only seems to work about 95% of the time. Why not 100%? Sometimes I still end up with multiple words (three or more) in a single caption. 

Dear Adobe Premiere Pro Team,My name is Arseny, and I’m a multimedia artist and director with deep passion for emerging technologies. I believe we’re standing at the threshold of a new era — one where traditional video effects are giving way to generative AI modules. What once required crafting visuals by hand across dozens of layers and effects can now be reconfigured on a high level of abstraction using artificial intelligence.I propose introducing a new category of effects in Premiere Pro — AI FX — as part of the Sensei/Firefly ecosystem. The first module in this category would be: Visual Re-Arrangement.Concept: AI Visual Re-Arrangement EffectVisual Re-Arrangement is the first effect under the new AI Effects section. It allows users to transform the visual language of a video in post-production through advanced neural reconstruction.Features include:Style transformation (from film grain to neuro-impressionism)Medium conversion (video to animation, oil-paint, VHS, glass render)Camera

It would be useful, if there was an option to automatically order numbered images in the correct order, when importing a folder of images, named as diagram1, diagram2,....diagram10, diagram11 and so on. Currently, the user has to click through the images in the folder in the correct order up to 9, then continue from 10... Thanks.

Please include a skin filter in effects, so that when I film old professors, they are not depressed when they watch their videos. There is only so much that lighting can do. Also, if you can include in that filter a way to tweak skin tone and remove green spill from faces, that would be amazing.

I understand that, technically, a frame hold is literally a static, single frame, and doesn't have its own frames no matter how much you extend it, but I would love to be able to keyframe their effects without having to nest them first! Maybe a toggle-able setting would work for this, so it doesn't ruin the workflow of anyone who might rely on that feature specifically.

im not sure if its to difficult but instead of having to use the transform effect if there was a motion blur toggle button in the main motion control interface or something as simple as a shutter angle adjuster would be so huge and time saving. -a pleading user