Feature Requests

Hello, there are some cumbersome navigation between which item and pane is active and in focus ready for key commands.Especially between the Program and Sequencer panes (timeline). For example, when selecting an image in the program pane for moving/nugding requires first selecting the program picture frame, then selecting the clip from the sequencer, then clicking the image, then clicking the program window again... Could you make ti easier to select a clip or an image/text and highlighted for editing, thanks!

Sequencer pane (yes, it's a sequencer) could have an option to automatically move the Playhead to the start of the Selected Clip for playing back the section while editing. For reference, Avid Pro Tools has figured out the optimal sequencer functionality decades ago and works beautifully as expected, so easy to just select items, edit them and play back the section. Thanks!

ENGLISH:It would be very useful to allow selecting multiple clips (such as PNGs, text layers, or videos) in the timeline and adding keyframes (scale, position, rotation, etc.) to all of them at once directly from the Effect Controls panel.Right now, Premiere Pro only allows editing one clip at a time in Effect Controls, which is limiting — especially for animation workflows.In CapCut, this is already possible: you can select multiple clips and animate them in sync with keyframes (scale, zoom, movement, etc.) without nesting or combining them, and without any loss of quality.Being able to do this in Premiere would make animation workflows faster, easier, and more precise — especially when using high-quality PNGs, where nesting often causes a visible drop in resolution when zooming.SPANISH:Sería muy útil poder seleccionar varios clips (como PNGs, textos o vídeos) en la línea de tiempo y añadir fotogramas clave (de escala, posición, rotación, etc.) a todos al mismo tiempo desde el panel d

When using "Join Through Edit" or even the "Join All Through Edits"-Shortcut Premiere should warn when the clips have diffrent attributes. I often cuts music-clips and edits the clip-volume (instead of using keyframes) when e.g. voice over appears.When using the "Join Through Edit"-command Premiere will set all attributes as used in the first clip.May a dialog-box "Join Through Edit will delete clip attributes" is helpful when the clips have diffrent attributes and will be erased by using "Join Through Edit"-Command.

Currently, mask tracking in Premiere Pro processes every frame by default, which is great for precision but slow and unnecessary for many use cases.It would be very useful to have an option to track masks every n frames (e.g., every 5 or 10 frames) to speed up the tracking process and reduce CPU usage, especially for scenes with slow movement.Similar functionality exists in other tools (such as Mocha AE), and bringing this to Premiere Pro would greatly enhance workflow flexibility and usability for video editors.

Let Replace work for a selected Gap too. In Premiere, filling a gap with a clip is not very intuitive.Since we are able to select gaps like those were clips (e.g. to tipple delete 'm), it would be logical to let the Replace  function work for a slected gap, just like it were a clip.

I'm working on an ongoing documentary set in the Arctic and doing a number of interviews in different languages. I'm keen to explore using Premiere to transcript from either Icelandic or Finnish into English.There are a number of documentaries being made in the Arctic region currently and I'm pretty sure I'm not the only film maker who'd benefit from these languages being available on premiere.Well done for already adding Norweigan and Swedish.

Hi all,I love Scene Edit Detection, however I've noticed that it's only an option when a clip is on a timeline.  I'm wondering if it's possible to add the feature while a clip is in the Source Monitor, prior to bringing down to the timeline?  I get that it wouldn't be able to add the cut points, but at least being able to add markers before bringing to the timeline would be great.  Thank you!

With prin files added to autosaves and previews, the project folder can become quite messy. The user can organise this into a custom folder, but then if the project is migrated to another workstation, the path to each scratch disk then has to be redefined upon opening. I suggest that when the user defines a scratch disk as a subfolder to the location where the .prpoject file is located, this is saved as a relative file path (e.g ~\Media\Cache) instead of the whole path (C:\Users\Editor\etc...). This is then relinked like any other media after the project is opened after copying to another machine or drive. If simpler to implement, the default "Same as project" option could save in a subfolder with a default name. We currently delete these files before archiving just to keep things clear for the next editor, but that's a shame, autosaves especially could be useful and the size of these files is usually a tiny fraction of the overall project.

It would be so great to have the mulitple camera angles numbered on the toggle multi camera view

Adobe, can you please just add a button, in the button editor for a rule of third guide?

For any work in HDR formats, it would be incredibly helpful to have useful graticles ... the horizontal demarcation lines. And one that would really be of help would be the "graphics white point" set in the Sequence menu. It would also be helpful have at least one other user-settable graticle for HDR work.

i use this feature a lot pls bring it back  

Hi Premiere pro is a video editing software that has high capabilities and many users around the world, also include Thailand too. I have problems using it because there is no thai language pack support in the Text-Based Editing.  I hope Adobe to pay attention to this problem and develop better thai language pack support, so that Thai users can use Premiere pro more efficiently and comfortably Thank you

Sometimes when I open a project my luts just go offline making all the my clips appear black unless I disable that lumetri colour effect. I would love if there was an easy way to relink LUTs in the same way you relink missing media. The process of manually re-adding each LUT clip by clip can take hours and is a serious killer for me!

Considering the widespread use of the Persian language worldwide, which encompasses a population of approximately 80 to 100 million people, it is crucial to emphasize the importance of this language in software such as Adobe Premiere Pro. Additionally, in recent years, video production in Persian-speaking countries has seen significant growth. Therefore, it is recommended that the Adobe development team consider adding Persian language support in Premiere Pro and implement AI-powered subtitle generation for the Persian language.This feature would not only enhance the user experience for Persian-speaking users but also play a significant role in expanding the use of Adobe software in Persian-speaking countries and strengthening international connections. As much of the video content is produced in Persian, adding support for the Persian language could help attract more audiences and increase the software's functionality.Furthermore, in order to improve communication for Persian-speaking

Lose the Crop option at the top of Effect Controls. You can not move it below other effects, (e.g., Roughen Color Edges, so it doesn't Roughen the cropped edge), and the Crop option under Transform allows softening of edges, etc. which works better with Transitions than the Crop option at top. Also, it takes up valuable space with something redundant. Thanks!

Is there any way to set the default new sequence settings in PP25.2.1?For example; on this sequence dialog,  I would like the output to ALWAYS be Rec709, and working Space Also to be REC709, regardless of the media type on the timeline.   In my case I have lots of HLG footage I put on the time line, but need everything to be REC709 out.  Currently, I change it every time I create a new sequence, but would really like to have a default; As a side note,  I wish they would mark the timeline visibly so you can see what it is is (for output color space and working color mode) so you don't have to edit the seq settings to confirm;  it doesn't even seem to appear as metadata options for sequences in the project window either.  

In Premiere's transcription you have the ability with "filler words" when selecting a particular filler result to "ignore" it. However, with "pauses" this same functionality is missing despite being the same result interface.This would be *very helpful* to implement as sometimes laughter is picked up as a pause, which would be helpful to remove/ignore from the result pool.

I use losts of transitions.. audio and video. Occaisionally I need to remove  many , but there is no way to do this except    one   at   a   time.   Painful and slow.   Can we please have feature to select a range of items on timeline, right-click  and "remove transitions" ?   Thanks.

Hello,I've noticed that the AI used by Premiere for transcription is not very accurate when it comes to punctuation. It often misses commas where there are clear pauses, places periods where a comma should be, or uses commas where a period is more appropriate.Additionally, it struggles to recognize certain words related to 3D software, such as iClone, which it consistently transcribes as "icon" or even "AI icon". At first, I thought this was normal due to the names being uncommon, but when I tried transcribing with Azure and Google, they were able to capture the correct pronunciation of those terms.It would be great to see an update to this AI that significantly improves its accuracy especially regarding punctuation and the recognition of product names, software, and technical terms.

Visual search is amazing. So helpful. But, for me it woud be even more helpful if I could be more granular about what it's targeting.  Often I'll know the bin that something I want is in. Or the project. But, when it searches every open project the results are diluted by things I know I don't want (and if you have a bunch of stuff in the project, it can be a massive amount of results. It'd be great to be able to target only specific open projects, or even specific bins. Maybe filters to include or exclude Multicam sequences, Stills, etc?

I really like what you all have done outside of the box and testing on day one. My two suggestions come from the options I have and use with otter.ai which is our current way to auto generate captions that I then clean up. 1. I didn’t see an option how to add speakers to the closed captioning from the transcript. I can do it on the transcript side but then making that into cc names were not included. 2. Give the option of the closed captioning to be 2 lines instead of one easily. I know I can go in there and combine and do return to make them two lines but with otter I can tell it make them to lines and it does without any additional work or time involved. This looks very promising thus far but the two above are what I need at my job to do the entire captioning process in Premiere. Thank you for listening.

It's possible to add speaker names in Premiere Pro's backend but not in the caption track where it matters. This should have already been added in. 

I've used Premiere Pro under Windows for several years. However, a major shortcoming, IMHO, is that Premiere's import source folder location defaults to the folder last used. As I work on many Premiere projects simultaneously, workflow would be much improved if the import source path were saved with each project. Currently, each time I switch to a different project, I have to take the time to find the source content folder associated with that project. Prior to Premiere versions released this year, I used a wonderful third-party add-on called "Compass" which enabled Premiere to save a unique import path with each project: https://knightsoftheeditingtable.com/compass Unfortunately, with the latest versions of Premiere, Compass no longer works. I contacted the Compass author who tells me: "From my knowledge, import option is not supported on latest versions of Premiere Pro (API changes), that is why removed it from Compass." Could this capability be restored to P