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It would be useful, if there was an option to automatically order numbered images in the correct order, when importing a folder of images, named as diagram1, diagram2,....diagram10, diagram11 and so on. Currently, the user has to click through the images in the folder in the correct order up to 9, then continue from 10... Thanks.
Please include a skin filter in effects, so that when I film old professors, they are not depressed when they watch their videos. There is only so much that lighting can do. Also, if you can include in that filter a way to tweak skin tone and remove green spill from faces, that would be amazing.
I understand that, technically, a frame hold is literally a static, single frame, and doesn't have its own frames no matter how much you extend it, but I would love to be able to keyframe their effects without having to nest them first! Maybe a toggle-able setting would work for this, so it doesn't ruin the workflow of anyone who might rely on that feature specifically.
im not sure if its to difficult but instead of having to use the transform effect if there was a motion blur toggle button in the main motion control interface or something as simple as a shutter angle adjuster would be so huge and time saving. -a pleading user
When the heck are Adobe developers ever going to do something so the sequences can be LOCKED inside a Premiere Pro Project??? I am sick and tired, and I mean sick and tired of opening my Project and the sequences are all jumbled, and out of order. The software developers for Premiere Pro need to have a LOCK mechanism, so the sequences stay the same every time when you open up the project. Sometimes the sequences remain intact, but much of the time, the Sequences are out of order, or don't even show up, and you have to put them all back in order again in the project. This has been happening for many years. FIX THE PROBLEM!!! Anytime you have many sequences in a project this happens. FIX THE ISSUE PLEASE!!!!
Right clicking files in the imported Project Folders, the terminology used could be to Remove (from project), instead of Clear, since the files weren't copied by default. Then, if the files were actually copied on import, there could be another command for Clear (Delete imported files). Thanks!
Sequences that contain heavy effects need to be rendered many times during editing.Even though the preview files are already exist after rendering,Premiere can't use those preview files when encoding.It is too inefficient to start over from rendering when encoding.For example, there is a sequence that takes 40minutes to export,35minutes are for render, 5minutes are for encode.Even if I had already rendered the sequence, it takes 40 minutes again to export.To reduce total encoding time, we need to the steps below.1. Export the movie with the same codec as the sequence. (no codec convert)2. Place the exported movie in the sequence.3. Encode. (with codec convert)If Premiere can use preview files when encoding, we just do step 3 after rendering. 高負荷なエフェクトを含むシーケンスは、編集中に何度もレンダリングする必要があります。レンダリングの結果プレビューファイルが既に存在しているにもかかわらず、Premiereはエンコード時にそれらのプレビューファイルを使ってくれません。レンダリングからやり直しになり、あまりに非効率的です。例えば書き出しに40分かかるシーケンスがあり、レンダリングに35分、エンコードに5分かかるとします。既にレンダリング済みのシーケンスであっても、書き出しにはやはり40分かかります。エンコード時間を短縮
Is there any way to get this Generative Extend jive out of my tool bar? I dislike being forced to engage with this kind of gimmicky nonsense, and I downright resent being made to beta test some trendy, worthless flash in the pan. Would love if we could find a way to get this to the actual Adobe team.
Hello, when right clicking an Effects Controls automation location, the drop down menu doesn't show the status of the Ease In and Out option. How can the user see, if the option has previously been applied to the automation? Thanks.
I would like to be able to assign keyboard shortcuts to Function keys F13 through F24.I have ability to assign to those keys with other apps and would like to be able to do with Premiere too.
Please give us a warning on export when New Frames need to be analyzed. and not just when Click analyze to begin is showing.
Hi Adobe Team,To deliver great video products it would be very handy to get a audio phase correlation meter directly at the audio meters next to the sequence.Checking the phase correlation is mendatory and right now in premiere pro several clicks are required to display it. Another solution would be to add hardware but we would like to get rid of hardware and also not having additional clicks in the software 😉How this could look like: (RTW PPM 1206D)Details from RTW regarding the phase correlation meter:https://www.rtw.com/en/blog/focus-the-multicorrelator.htmlPhase CorrelationLet's start by understanding the term phase correlation and how we typically show it in our meters.Mostly, phase correlation is used to determine the mono compatibility of a stereo signal, but depending on where you use it, it can also reveal other things, such as bad microphone placement.The term phase correlation refers to the phase relationship between two sources, and with a phase correlation meter, y
Hi adobe, Firstly, the auto transcribe and then convert to captions feature in Premiere is absolutely brilliant. It's completely changed my workflow, is intuitive, and fast. I love that it's been brough into the package. However, on checking the srt from an auto generated sets of captions I noticed that Premiere had added in a swear word that wasnt said in the audio. I appreciate it's a complicated system and that it's just trying to find the best match to sometimes complex, diverse audio but this could have been terrible if missed. I obveously always check the auto generated transcript/captions but what would be great is if the system had a filter that flagged any inserted swear words, or negative words that the user could define before the system started transcribing. There's obveously the potentilal for a swear word to be included in an edit but in this case the software misinterpreted an innocent word for an innapropriate one and a failsafe filter would be a ni
The most useful thing you could do for me right now is to enable Welsh as a target language in the Translate Captions feature. Google Translate aready fully supports the language, so hopefully it's an easy win! 🏴
I would love for Premiere to have a ripple cut. It has a ripple delete and a ripple paste, but it does not have a ripple cut. Right now I have to click a clip, press command+C to copy it, press shift+delete to ripple delete it and then press shift+v to ripple paste it somewhere else. I would just like to press shift+x to ripple cut it and copy to my clipboard and the shift+v to ripple paste it elsewhere. Final Cut 7 had a ripple cut and I used it all the time. It's been 10 years now and Premiere still doesnt have a ripple cut.
I've been using Premiere for years. I know the Command+R opens the clip speed/duration. And yet, even after what's going on 15 years of use I still think Command+R should render the sequence. Might be something to think about- I can't be the only person who does it.
Hello, Premiere Pro doesn't seem to be very convenient to use for an industry standard editing sofware. When trying to select a feature, item or pane, unexpected results occur all day long. For example, when in the Effects Controls pane, and trying to scroll down to automate an effect, the Font slider starts moving and changes the font size even though the handle of the slider wasn't selected. With Premiere Pro currenlty, you never know what pane, feature and clip or text is selected, or the items and frames have to be clicked several times back and forth to figure out a simple task. Kindly improve the usability of Premiere Pro for the average user without getting too smart with the features!
Hi - I'm working in PP2024 Productions, and I noticed that the option to transcribe a sequence disappears if the sequence isn't in the same Project as the source clips, even though they are all in the same Production. Is there any way to get around this? Thanks
I felt the need to get this out of my system. And I want to hear if others experience the same things. Am I just going mad? I am fluent in both Premiere and Avid and i've been using both for around 15 years. At the moment I'm editing a feature length (around 2-2,5 hours) film. It's the first time I'm editing a feature in premiere (all of my previous features I've edited in Avid). And here are my take aways: It doesn't work. I feel confident premiere is NOT made to work for theese kinds of projects without big workarounds to just run. Let me alaborate. The last film i did in Avid i used a Mac mini M1 with 16gb of ram. Sure there where times I wished I have had a faster and better machine, but it worked. For my current project I had to upgrade to the latest Mac studio M4 Max because premiere where so laggy. But even now, every edit i make, every trim in my timeline - heck even when I just scroll on the timeline - there is lag. It got even worse with t
Editing transcripts is an amazingly useful feature. A language model should be able to identify bad takes, where the speaker stumbles and/or end mid sentence. When the speaker repeats him/her self it can keep the last take. This would also speed up voice over editing.
Hello, I have recently begun compiling sequences within Premiere Pro 23 that need to use uncompressed RAW images, in DNG format. These are exported from DxO PhotoLab, Adobe Photoshop, and Adobe Bridge, using Camera Raw, as part of my workflow. Thus, these DNG images are compatible with other Adobe image processing software, and comply with the Adobe DNG specification, but are not supported for import by Premiere Pro. Upon importing a DNG file to a Premiere Pro bin, a message box appears stating that "The Importer Reported a Generic Error", which is not only a vague message but is inconsistent with other Adobe video editing software, such as Adobe Premiere Elements 2020, which handles the same DNG files correctly. Another standardized image format for lossless shots is TIFF, which is imported correctly by Premiere Pro 23, but not Premiere Elements 2020. At the moment, to use my RAW source images in Premiere, I will need to re-export them (900+ files that comply with Adobe's own spe
Is there a way to select/deselect all when copying/pasting attributes between clips? It's so time consuming having to manually deselect the attributes I don't want copied over and would be sorted so easily if there was a select/deselct all at the top of the pop up box. Thanks
It’s 2025 and we’re still forced to adjust audio fades one at a time. We need the ability to select multiple fades or dissolves and change their durations in bulk—yesterday. The current workflow wastes hours as editors slog through every single track, and the new audio-fade UI has made things even worse. Before the update, copy-and-paste preserved both fade type and duration; now it copies only the type, which is maddening. This isn’t a nice-to-have—it’s a glaring productivity hit that costs real time and money. Fix it.
Whe using the Slip Tool, it's nice that we can see the frame at the in- and out points.But please ad a third frame - the frame at the CTI! This will editing to music or other rhytmic audio so much easier.
I am currently the editor for my and my friends YouTube channels. I do my best to make the content able to be monetized, but they make it hard sometimes. This is more so due to their lack of filter with the F bomb.So, idea! Wouldn't it be cool if adobe had built in AI detection in premiere to auto detect curse words in the transcript and give you the option to automatically mute that section and insert a different audio clip onto another track?This way I could have my preset duck sound or bleep out audio and just auto set it each time there's a curse word.
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