Feature Requests

Hello,    I have been trying to load a project and I keep getting an error pop-up saying:Video Filter missing: RGB CurvesVideo Filter missing: Color Balance (RGB)   Does anyone know how to resolve this issue on a M1 Pro Macbook? 

Hi,Productions are amazing, but file organsation and duplication is an issue. From what i understand about Productions most people structure Productions similar to us which is:At the top layer have your main projects:EP 1EP 2...Have a folder/bin called "Assets" which has separate projects called...FooatgeAudioGraphicsThese are varied between Production houses, but the general concept of having your footage and other assets separate to your sequences, i believe is generally established.WHAT PRODUCTIONS NEEDS- Video Usage, Audio Usage collumns to recognise where files are being used across all projects in the production. When clicking the drop down menu, you will see the Project name, Sequence Name, and Timecode the file is used.- When deleting a file from a project, if it is used in ANY sequence WITHIN THE PRODUCTION a warning appears asking if you are sure as it is being used in a sequence. (Just like with a single project file)This would absolutely change the game for Productions

Dear Adobe Community, I'd like to address an important workflow challenge regarding the interaction between Warp Stabilizer and speed-modified clips in Premiere Pro. Current Issue:When attempting to apply Warp Stabilizer to a clip that has already been speed-modified (e.g., slowed to 50%), we receive an error message stating that warp and speed effects cannot coexist on the same clip. This creates a workflow bottleneck requiring nested sequences. Proposed Enhancement:It would be incredibly beneficial if Warp Stabilizer could:1. Access the original footage at 100% speed2. Perform stabilization analysis (on the small portion on the timeline)3. Automatically apply the speed modification while maintaining stabilization Benefits:- Streamlined workflow- Time savings- Reduced project complexity- Better organization of sequences- Improved final output quality Would love to hear the community's thoughts on this feature request and whether you've encountered similar chal

I would suggest putting the Change to Color plugin back in premiere. I went to use these features recently and noticed that they removed it in this version.

Dear Adobe,   I'd like to suggest a new feature for Adobe Premiere Pro 2025. Currently, to move text in the Program Monitor, I have to first select the corresponding layer in the Timeline. This is a time-consuming process.   My suggestion is to enable users to directly click and drag text elements in the Program Monitor to reposition them, without needing to pre-select the layer in the Timeline. This would significantly speed up my workflow and make text manipulation much more efficient.   Thank you for considering my request.   Sincerely, [BLUE BRID]

I'm pretty sure I'm not the only one who finds it annoying when going to the previous folder (up folder), the views change to whatever is set to that folder. The problem with that is the order changes when going up to the previous folder. (Ex. Sorted alphabetical FIlenames on List view but Sorted in User Order)Also, the file you highlighted will be lost, and you need to find it again on a different view. This is a pain if I have hundreds of footage.Lastly, the nested clips or sequences you created are hard to move to the parent folder, especially if you have multiple subfolders. This is because the view changes from LIST VIEW to ICON VIEW when you UP FOLDER. Can you please retain the view (ex. list view) throughout the entire project when clicking up folder?or maybe add the ability to drag the file or sequence or whatever it is to any tab open tab without opening a new window.

implement eye contact where Artificial Intelligence helps us maintain eye contact with the camera and for video creators with their audience and give that usual effect to the camera. That is, in pre-recorded videos where we are reading a text or script, this would make things easier for us. for example 

implementen el contacto visual en donde la  Inteligencia Artificial nos ayudea mantener el contacto visual con la camara y para los creadores de videos con su audiencia y dar ese efecto de ver siempre a la camara.   es decir en videos pregrabados en donde estemos leyendo un texto o guion, esto nos haria mas facil las cosas. 

I like the enhance audio, but it seems like it is only useful for a final touch on the audio because any edits force all the tracks that are enhanced to re-enhance. If it's been enhanced, and all I'm doing is in/out cuts and reorganizing, why should it need to re-analyze and re-enhance again?

i do not agree with the new upgrade of essential graphics to graphics templates. it doesnt make sense that this premier pro platform becomes a place for non experienced video editors who can buy templates. this shouldnt be on premier pro. this place is for experienced video editors to a certain degree. if everyone can do this, then where is the niche? how professional u will be to your clients or employers? everyone is able and know premier pro. it doesnt make sense at all

AI Avatars for Text-to-Speech? This has to happen.

Hello, I have a request for an Adobe capability. I have thousands of hours of footage with people speaking with a variety of different accents. When I upload footage to premiere pro, the Adobe Sensei ML is able to accurately transcribe anywhere from 1/4 to 1/2 of the dialog. The frustrating part is that I already have transcripts for all the footage transcribed perfectly by a human. But there isn't the option to upload the accurate transcripts and have the AI reference and integrate it into Text edit.  If this were possible, it would be a game changer. It would also be an incredibly powerful capability for media manangement if production companies could keyword search through entire libraries of video footage this way. Thanks for considering this request

So when we try to edit a text or a graphic layer and send it to After Effects  we find every layer in a precomposition like this  and I have to spend time to extract it and for example if i have 100 layers or more this takes hours and hours of work  so i hope Adobe fix this and when I import the graphic layer or text layer I want it to be like this like It would normally be in After Effects       

Right now (in v. 25) the timeline scrolling funtion found in here:works fine and helps a lot in my editing but it has two things that need to be optimized:1) in this mode if you drag a marker's tip to change its length, the playhead moves to the part where the marker's tip ends. This is strange.2) Please, Adobe, make the autoscrolling available without the playhead centering. Right now wherever the playhead is once you hit play it is centered everytime. Isn't it better just to autoscroll the timeline from any position of the playhead? Back me up, guys

The new option to be able to crop images directly from Program Monitor in version 25 is really good, but it could be even better! Instead of having to switch between the 2 current options (Crop or Transform), it would be more interesting if the default option was Transform as it always was, but if you drag the Handles while holding the Alt key, instead of resizing, it would crop the images!This workflow works wonderfully in software like OBS-Studio, and I believe it would be a real game changer in Adobe Premiere! 

Does anyone know of a way to move a Mask Object around while holding down the mouse & going to the next frame at the same time. The current functionality of having to release the mouse & going to the next frame is getting old. 

My Keyboard Shortcut window doesn’t fit the screen. So many versions later, I still have to repeatedly hide the Dock to press the OK button. It's a small problem, I know. But, after all these versions, isn't it possible to optimize the window layout a bit to fit 13-inch MacBook screens? Below, I’m attaching a screenshot with a suggestion for optimization.Thank you!

I appreciate that Adobe is coming out with so many fancy features fueled by AI, but it would be great if the company could invest a tiny portion of its resources to finally fix very basic but important UI problems that their products have. For example, I still can't locate a file with a decent window with enough space to scroll down. Please fix this horrible window 🙂

The new option to be able to crop images directly from Program Monitor in version 25 is really good, but it could be even better! Instead of having to switch between the 2 current options (Crop or Transform), it would be more interesting if the default option was Transform as it always was, but if you drag the Handles while holding the Alt key, instead of resizing, it would crop the images!This workflow works wonderfully in software like OBS-Studio, and I believe it would be a real game changer in Adobe Premiere!

Now that we have a properties panel capable of changing several videos at the same time, it would be nice to have a list of the most used Motion presets! It is very common for us to work with clients who follow a pattern of scaled positions when displaying some images, so having the most frequent sizes within easy access would be very useful!! 

Frame.IO V4 only allows exporting one sequence at a time, unlike V3, which supported exporting multiple sequences simultaneously.Please, ADOBE, consider bringing this feature back Frame.IO V4 Não exporta multiplas sequencias, apenas uma por vez. Melhor na V3 que podíamos exportar várias sequencias. Por favor ADOBE volte com esse recurso

When having problems with peak files, it is sometimes necessary to delete all peak files. Every time I reopen my project, I find that Premiere Pro makes a big mistake when re-rendering the Peak files. Namely, the peak files are (apparently) rendered without any sort of priorities being set. This can sometimes lead to very long hold times while waiting for the peak files of the clips in the timeline to be rendered. In my experience and opinion the peak files of the files in the timeline should ALWAYS be prioritized. In general, peak file generation should be "dynamic" and always prioritize the clips that are currently in demand (for example, when I bring up a clip in the source monitor, the corresponding clip should move to the next possible position in the render queue). I believe that the usability could be significantly improved by the proposed changes.

It would be great to export a full timeline from Premier but instead of one video, each video clip on the timeline is exported individually. This is an option in DaVinci Resolve and I've found it to be really useful. Having to do it manually can definitely be a pain.

I'm not sure if this is best submitted as a bug or an idea. It's an accessibility issue, at any rate. The selection border for selected clips on the timeline in newer versions of Premiere Pro (24.4+ I think?) is quite difficult to see, at least for me with my okay-but-not-great eyesight, at least when using premiere at 4k on a 32" monitor. This isn't a "I don't like the colors" problem, this is a "I really have to study the screen to figure out what clips I have selected" problem. It's probably even harder to find the selected clip(s) for someone with *poor* eyesight! This isn't a "just get used to it" kind of issue. The new selection border is significantly thinner and not as bright as the old selection border, I can't just magically become more able to see it. And believe me, I've tried! I've sent screenshots of old and new premiere to friends and they can't find a selected clip on a dense timeline, either, until I point it out to them, so it's not just me.  

Between updating MacOS and updating Adobe, PluralEyes (formerly Red Giant, but acquired and killed by Maxon) has finally stopped working.  It's end of life/"limited maintenance mode" has finally hammered the final nail in the coffin and there's no way for the program to be opened, much less be used with the Premiere integration feature. My proposal is both simple/elegant and probably very difficult to implement: allow the current Synchronize feature to be fully upgraded:allowing multiple framerates (anywhere from low frame rates to high frame rates - 1-240 or even higher!)multiple clips (or takes) in a single track and multiple tracks (or angles) to synchronize using only audio waveforms (and even increasing gain of existing, scratch-audio level waveforms in the background, if necessary) to find commonalities and sync automagically. The user would simply select clips, right-click and select Synchronize.  The following prompt, not unlike how it currently works,