Feature Requests

I recently launched version 25, begrudgingly. Instantly I can't satnd the new punchy look It's distracting... Under appearance, the dark is too dark, the medium is too light. Why do they change the "look"?? We are so used to it looking a certain way. This is seriously causing me to close to program and just work in older versions.

I'd love the ability to assign each camera of a muticam sequence its own label color, so that whenever I switch the cameras in a sequence, a color of my choice is automatically assigned to that segment of the multicam track. This would make it so much easier to identify the camera swaps at a glance in a sequence, instead of having to scrub through the video if I forgot. Being able to assign the colors in Premiere's settings would be awesome too, or at least have the color settings save across projects. This way, I would always know camera 1 is red (or whatever color), camera 2 is orange, etc. 

I dont know why but it seems super outdated don't having an option to import at once several image sequences. All I have to do now is to manualy impor one by one which is ridiculous. 

Première à l'heure de l'intelligence artificielle....Et toujours impossible de lire deux pistes de sous-titres simultanément !C'est insupportable.Un logiciel qui propose maintenant de l'extensio générative n'est pas capable de proposer une chose si simple ?J'espère que ce défaut sera enfin corrigé. Je ne pense pas être le seul à devoir sous-titrer un film en deux langues. Et je dois gérer les polices et propriétés des deux pistes de manière indépendante. Première trainant encore comme un résidu préhistorique la possibuilité de ne lire qu'une seule piste de sous-titres à la fois, vous imaginez la galère...

Hi there, I used Adobe Premiere Pro for almost 8 years and I am quite comfortable with it because I Love the way it works but now a days I face a critical Health issue from it. Actually, my eyes are hurting a Lot in new Premiere Pro 2025.I try to change the theme by going to Premiere > Preferences > Appearance. There three colour themes are present, they are "Darkest", "Dark" and "Light". I tried with each theme but result is same, it gives me horrible eye strain and literally water is coming out from my eyes and develop eye allergy as well. I have a small YouTube channel name "TECHNIACL MAITY", Actually I edit a lot of videos of my channel using Adobe Premiere Pro because it's one of my favourite video editing Software in this world.But now I face this pathetic issue. I don't face this issue in earlier versions of Premiere Pro like - (Premiere Pro cc 2017, 2019) but I don't know what the Adobe developers applied in the Source Code resulting eye strain.Hope someone help to restor

Hi guys! I would like to know if someone knows a plugin or whatever to make the interface works faster... The programs works perfect but for example when I do, nest sequence it takes around half second or a second to pop up the menu to rename if you want and click enter, it happens also to some menus that has to pop up. I wish there is trick or whatever to make it faster.

Please add the ability to crop a video on two opposite sides simultaneously when holding a key. Currently, in Premiere Pro, the Crop effect allows adjusting only one side at a time or all four sides at once.

We are broadcasting films with subtitles by embedding them and sometimes we need to embed subtitles in more than one language if the original language is other than English.  But premiere doesn't recognize two subtitles on the screen at the same time. If one is active, the other subtitle track becomes passive automatically. For example if we are working on a video, let's say in Japanese, we need to add Turkish and English subtitles on the screen which must be seen at the same time. But it is impossible unless we turn them into graphichs. And sometimes we are supposed to arrange in and out timecodes which makes it harder when one of the subtitles are used as a graphic title. Also we cannot export this transformed subtitle as srt file. Secondly, if two subtitle timecodes overlap (and they have different start and end timecodes), we cannot make a modification as the second subtitle track isn't recognized on screen. For example there is a dialogue in the video and we have a subti

El problema se da en archivos que tienen cambios fuertes de colores y/o luces en un poryecto. Se pixela el video final al exportar. Me pasa desde que actualicé a Sonoma en mi Macbook Pro M1 Pro de 16Gb. Adjunto un ejemplo de lo que sucedía.La solución que encontramos luego de horas de soporte fue detectar los clips originales y transcodificarlos con la app HanBrake usando un framerate constante.   Sería excelente que en futuras actualizaciones de Premiere Pro, se incluya la detección de este tipo de errores y la transcodificación automática.

Currently in order to set a specific value for a guide one needs to perform absolutly different actions in Photoshop, Illustrator, Premiere Pro, and After Effects. In Photoshop you need to click "View → Guides → New Guide…" and then enter a specific value for a guide : In Illustrator you need to create a guide, select it and adjust its position in the Properties panel under the Transform section: In Premiere Pro and After Effects, you need to right-click on a guide, then select "Edit Position…" in After Effects or "Edit Guide…" in Premiere Pro. After that, you can edit the value inside the window (even these windows look different in Premiere Pro and After Effects):Premiere Pro: After Effects: Due to the inconsistency among the apps within Adobe's Suite, it's challenging for new users to learn how to use it. The same result is achieved differently in each app for some reason. Please make it consistent to decrease the steep learning curve that is present no

Neden adobe programlarının bir kısmı türkçe dil desteği sunduğu halde , diğer kısmı sunmuyor ?Bunu yapmak hiç zor değil .

Dear Adobe Team, can you please please please add the Hungarian language to the auto-transcribe in Premiere? Thank you!

Hi Adobe Team! 9:16 content is becoming more and more recurrent in my workflow, and its demand is only increasing. One of the challenges I often face when working on 9:16 cutdowns is reframing and positioning clips accurately without losing sight of the full image. Right now, when working in a 9:16 sequence, the black background in the Program Monitor completely obscures what’s outside the frame, making it difficult to adjust positioning properly in full context.Feature Request: Adjustable Background Opacity in the Program MonitorIt would be extremely useful if Premiere Pro allowed users to adjust the background opacity in the Program Monitor when working in different aspect ratios. This would help visualize elements beyond the cropped area, making reframing much more efficient without the need for workarounds.Possible Implementation Ideas:A slider in the Program Monitor settings (under the wrench icon) that allows users to adjust the opacity of the black background.A toggle optio

Hi everyone, I am looking for a possibility to move the default watermark because it is annoying in the bottom left corner.   I know about the possibility of creating your proxy presets, but you have to determine the aspect ratio every time, which doesn't fit different aspect ratios. I can only avoid the aspect ratio problem using the Premiere Preset (Picture 1), but unfortunately, I cannot control the default watermarks position then.   I looked inside the Premiere Pro program files for an opportunity to edit the watermark and found the path to change the default watermark icon (Picture 2), which was too large for me. As you can see in the picture, I could replace it with my watermark. (Pictures 3 and 4)   Also, I found the ingest preset for proxies, but I couldn't edit the position in the Program Monitor (Picture 5)   Now, I am looking for the Encoding Preset that determines the position of the watermark (bottom left corner) to edit it. Does anyone know where it i

I define SFX and MUSIC under two different green layers, to help differentiate my music, stems, sound effects, etc., in the timeline and keep it organized.At this time I can select all bins and change all bin colors, but expanding the bins still have the original green.I can expand a bin and drag and select all items to color different (which should have a key shortcut to select all items in selected bin anyway), until I need to add a new SFX, which is again the original green.Is there a way to control label colors, or to have them update when dragging items in (i.e. dragging an item into an orange bin would color the label orange)? This would be way more useful mid-edit than to spend so long pre-edit to organize my assets, and then still stumble mid-edit to organize again.

To play whack-a-mole with your timeline to find why a certain track is unable to be ripple deleted is insanity-inducing. The sync-locks on this sidebar should be highlighted or maybe not highlighted if you try to ripple delete. There should be better indicators for why a simple command is not functioning.My use case is cutting out dead spots in vocal audio to align with clips and stay independent of the backing song track. To accomplish this I need to continually variably trim, select, slide, etc., ad nauseum just to slide a track left. Come on you guys!! Please!! So many instances of this app are completely devoid of situational context clues about its workflow and hardstops! Come on! My entire past month in this forum is constantly ringing the bell for new ones that fail to be noticed or changed that would benefit everybody.

When you export a video to some mp4 format, what Premiere does is that it renders first video and audio to 2 separate files and then it combines them to mp4, that's why it's stuck on 100% for a while when rendering.The problem is that when creating the mp4 there's not enough space on the disk, the mp4 file will be created but incomplete, it can be played normally, it will show the length video is supposed to have but if you try to play the video at the end, it won't play. Problem is that Premiere doesn't let you know in any way that there's not enough space for creating the mp4 because while creating it separate audio and video files need to be also on the disk. Premiere can warn you about low disk space but it doesn't work for mp4 files properly. For example if Premiere shows estimate file size 3.5GB and there is 3GB of space on the disk then it will warn you. If you have 4.4GB of free space then it won't warn you and the file will be incomplete. Realistically it's good to have 3

Using Premiere Pro, I am making short videoclips from longer videos recorded at 5 fps. 5 fps is used for technical reasons and is adequate for the purpose. I want the clips to have identical quality and fps as the input, i.e. no re-encoding, just copying the relevant frames. However, in the export tab, Premier won't let me choose lower fps than 10. I can't see any good reason for such a limitation. The resulting exported video indeed has an fps = 10 in the metadata tag. However, duration is correct, not half as long as expected if playback speed was doubled by doubling fps. Playback of the exported video also seems correct. This indicates either a doubling of the framecount by interlacing, wich I doubt, or rather an erroneous mismatch between fps tag and real fps (bug). This is very unfortunate, because the consequences for later use of the video clips in various programs are unknow, since I do not know if the eronous tag will be used.

I've had this issue for many versions of Premiere. Was hoping it would resolve in latest, running v24.3.0 (Build 29) on Windows 10 Pro, AMD Ryzen 9 5900x 12-Core. The issue is EVERY time I choose to Replace Footage, it defaults to opening an old folder. Even after navigating to the correct folder, I will choose another file to replace and opens to that same old folder.  There's nothing in Project Settings that would allow me to assign a path for replacing footage, but you would think that it would default to the same location of the original file being replaced. I'm simply updating multiple versions of After Effects rendered files. (I know, I know... I could use Dynamic Link) Any suggestions? 

The dynamic link import dialog box could be way better. It could at least sort the bins in the search tree in alphabetical order. Currently, it's randomly sorted, and we can't do anything about it. A perfect caos.

When you first open Premier Pro it offers a list of recent projects.  So far, excellent.  But I have a number of projects with the same name for different clients. While I need to remember to add the client name to the project so they're unique, it would be most helpful to have the PATH of the project listed alongside the project name in that opening screen. Fortunately, File|Open Recent shows paths. Thanks.

Background rendering like Final Cut Pro would be nice. If you do nothing for a few seconds, it would be good if premiere calculates effects in the background automatically. It saves a lot of rendertime in the end.

PLEASE PLEASE PLEASE let us have the ability to LOCK a workspace once we have the panels and windows in place. Accidental click and drags causing windows and panels to shift and resize or disappear all-together when you're in the middle of editing is really frustrating.

Please Please, for a very long time, I've been lazy to suggest this, but if resolved it'll save me a lot of time while editing:  When I click any text box in the Video display that I want to edit, change size or change colour....where there are two or more text layers in one timeline row, the effects panel selects ANY layer. So for example, if I select a text in view that is completely on the opposite side of the video, and double click it to select all the text, and went to the effects panel to change it's colour, it can potentially change the colour of the other text box layer in the same timeline row.  It would only be common sense for the software to know that the text I double clicked is the text I want to change it's colour.It should automatically select that layer in the effects panel, I shouldn't have to yet again select it manually from the layers by clicking the drop down, to change the size or colour.  It's common sense. I double clicked that te

Hi, this issue has bothered me for long time.I often have captions in mixed English and Chinese. The English font does not apply to the Chinese font but I need to use certain perticular English font anyway.If it is in MS Word, I can select all text using Chinese font A, and then all text with English font B. The second action will only apply to the text in English using font B and not affect the font A. However, in PR if you use the same approach, the Chinese font A will also be affected, change back to a strange font I don't where it comes from. Thus I have to manually select every English word and set them using font B instead, which is so time-consuming and does not make sense.Could you please fix this? Thank you.