Feature Requests

The speech to text tool makes an awful lot of faults in french (idk for english) and it is just so bad/and so slow tu use.

Toggable overlays especially rotating for all formats, vertical square horizontal etc

Please add the Adobe sneak peaks app Frame Forward to Premiere Pro and After Effects. It seems like it would extremely useful in my attempt at restoring faded color movies. To my eye I can make an educated guess as to what the faded color in a film should be but manually rotoscoping and masking is too tedious. I could manually restore one frame in photoshop for frame forward to reference and propagate for the whole scene, and perhaps in other scenes if it could “learn” scene elements and their correct colors. Going beyond Frame forward perhaps there’s a way to make an ai system that can use known facts (I.e. color dyes used in 1930’s Kodacolor regular 16mm movie film, clothing dyes and colors of 1930 fashions, New England summer vegetation colors etc.).  This info could be added to the restoration recipe to come up with a best guess as to what the original look was. Automatically propagating still frame work done in Photoshop to a moving scene is a very useful feature.

Can you make a simpler and quick to use version of Premier (you are dumping Rush which was great). I work on a computer editing videos for Amazon and a tiny phone screen is not workable. I tried the online Express but its laden with childish templates and rubbish I don't need and only seems to support a single video lane.

Feature Request: Add Native Marathi Speech-to-Text & Auto Caption Support Summary Please add Marathi (मराठी) as a fully supported language for Adobe Premiere Pro's built-in Speech-to-Text and Auto Caption features. Marathi is a major Indian language with a large native-speaking population, yet Marathi-speaking editors currently cannot use Premiere Pro's native transcription and automatic caption workflow for Marathi audio. Requested functionality I request that Marathi support be added to the existing Premiere Pro Speech-to-Text system, including: - 🎙️ Marathi Speech-to-Text transcription- 📝 Automatic Marathi caption generation- ⏱️ Accurate word-level timing- 👤 Speaker detection/labeling, where supported- 🇮🇳 Proper support for Marathi Devanagari (मराठी)- ✏️ Full editing of generated Marathi captions inside Premiere Pro- 📤 Export of Marathi captions in standard formats such as SRT Ideally, Marathi should behave like the other languages already supported by Premiere Pro's Speec

At the moment Premiere identifies whether something is Voice, music, sfx etc. But what if you are working with mixed audio? Eg a mixed film/tv show (for making trailers etc). Adobe Podcast Enhance tool https://podcast.adobe.com/en/enhance does a pretty great job of separating the Synch from the background music/sfx. It would be even better if there was a tool that could split out a mixed track into audio stems (dial/music/sfx etc), and that lived within Premiere. THANK YOU 

Hello Adobe Premiere Pro Team,My name is Felipe, and I have been working professionally as a video editor for over 15 years. Premiere Pro has been my primary editing tool for a long time, and it is an essential part of my daily workflow.I would like to share a feature suggestion that could significantly improve the editing experience for many editors.In the audio tracks, Premiere offers the Solo (S) and Mute (M) options, which make it very easy to isolate specific tracks or combinations of tracks. This is extremely helpful when working with complex timelines.However, in the video tracks, there is no equivalent “Solo” function.Currently, when working with multiple layers of video, the only way to clearly view a specific layer is to manually toggle the visibility (the eye icon) or temporarily disable other tracks. In more complex timelines, this can become slow and inefficient.A “Solo Video Track” feature, similar to the audio Solo function, would allow editors to quickly isolate one or

We send so many permission forms as every non-textbook material, every club, and every performance or trip requires through law that parents sign. Using Adobe Sign has streamlined this process with today’s tech-savvy parents and no lost, forgotten, or crumpled paper forms. However, when we have 2 parents for each child, we can assign the separate signature lines but we don’t want to send in specific signing order (we never know who will see it first plus district policy is to try to get both but require only 1 and no specific objection for student to participate), nor do we want to assign the student name text box to only 1 parent….if the 2nd participant signs the form but participant 1 doesn’t (current usage that is who we assign it to by forced message from Adobe when it is marked “any participant” --- won’t send and says we must assign --- This ends up with many forms with no student names attached and we have to try and match up emails and signatures and parent names that don’t mat

I'd like a feature I can turn on which will tell me if a clip in the timeline is already in use somewhere else. Ideally the clip would change color and also show me which timecode range is in use elsewhere in my timeline. Often with edits using B-roll, it can be easy to accidentualy re-use the same clip twice. 

 I'd like Premiere Pro to automatically analyse and index camera movement in source footage, making it searchable alongside the existing Media Intelligence results.For example, Premiere could identify: Static Pan left / pan right Tilt up / tilt down Push in / pull out Zoom in / zoom out Track/truck left / right Roll Handheld / unstable movement Ideally, the analysis would also retain useful properties such as direction, speed, magnitude and duration.This could then be combined with Media Intelligence queries, allowing searches such as:"Cars, slow pan right""Static wide shots of buildings""People, push in, longer than 5 seconds""All left pans"The semantic part of the search could come from Media Intelligence, while camera movement could be determined using conventional motion analysis.Premiere already performs sophisticated motion analysis for features such as stabilization and tracking, so much of the underlying technology appears to exist. Optical flow/global motion anal

I’d like to request that Adobe add Swahili (Kiswahili) as a supported language for Speech-to-Text and automatic transcription in Adobe Premiere Pro.Swahili is one of the most widely spoken languages in Africa, with more than 200 million speakers worldwide, including both native and second-language speakers. It is spoken extensively across East and Central Africa, including Kenya, Tanzania, Uganda, Rwanda, Burundi, the Democratic Republic of Congo, and neighboring countries. It is also one of the official languages of the African Union.For filmmakers, journalists, churches, nonprofits, broadcasters, content creators, and production companies working across Africa, the lack of Swahili transcription means we often have to manually transcribe interviews or rely on third-party tools before bringing captions and transcripts back into Premiere Pro.Adding Swahili would make Premiere Pro significantly more accessible to a rapidly growing community of African creators and would make workflows su

This is the one and only setting I basically ever change when using the Export tab. Why is it all the way at the bottom?I know you're not going to ever revert back to the superior traditional Export window which allowed you to twirl down sections so this setting was always visible, but please at least move this slider to the top of this new design or something. I'm sure it's one of the most used settings when exporting for Premiere users and we'd greatly appreciate being able to quickly change bitrate!If that's too hard, then at least just put a twirl down button on each subsection like Basic Video Settings, Encoding Settings, Bitrate Settings, Advanced Settings, VR Video.

The ease of identifying tracks in the timeline is very important. In the current situation, instead of the boundary line, I create a thin track. I also divide the tracks according to the type of telop. I think it would be very manageable if you could color the tracks.   Furthermore, when using many tracks, it is difficult to understand mute and solo with "switch only". I'd like to have a net mark like when the track is locked, or a visual cue for the entire track once it changes color.   タイムラインのトラックに、ラベルカラー機能がほしい（任意のトラックに色をつけたい）   ・タイムラインのトラックの識別のしやすさはとても重要。 ・現状では、わざわざ境界線の代わりに、細いトラックを作成したり、テロップの種類別にトラックを分けたりもする。 ・トラックに色がつけられるとても管理しやすくなると思う。 ・さらに、トラックを多く使用する時、ミュートやソロが「スイッチだけ」では分かりにくくて困る。 ・トラックをロックした時のように網の印をつけたり、色が変わってほしい。 ・トラック全体に対してトラック全体にビジュアル的な目印をつけてほしい。

For the sake of all that is Good and Holy on this Earth, please add SOMETHING that replaces the Dust and Scratches Tool in Premiere. With as many tools as you all have created in Photoshop and Lightroom, I cannont, for the life of me, understand why there isn’t some tool currently available that can easily hide / remove a dust spot from a video clip in Premiere. Please. Help us. Thank you.

Premiere Vers 25.2.3MacOS Sonoma, M1 Max, 64GB RAM Lots of people complaining about the new Dynamic Audio Waveform feature.  I find it annoying and have it turned off like many of you.  Problem now is, when I right-click a clip to adjust the overall audio gain of a clip in the timeline, the waveform does not change to reflect the gain change.  So for instance, if you have a recording that was recorded very low and you adjust the gain +15dB to a normal level, the waveform in the timeline is still minimized.  This is not helpful at all.  If you turn Dynamic Audio Waveforms back on, you can see the gain adjustment, but now you have all the annoyances of having it turned on, which makes things like editing audio clips super frustrating for a number of reasons.  Please set this back to the way it was before the new feature was added.  Thank you.

Would be great to allow users to access the "Move playhead to cursor" shortcut in order to move the playhead within the effects controls panels. Currently, you have to click and drag this small sliver of the timeline to move the playhead, rather than just using the "Move playhead to cursor" shortcut to freely move the playhead around within this window. 

There’s an issue with ‘project managed’ media - because the first clip of trimmed clips is named the same as the original (subsequent have _001, _002 etc appended)That clip is linked back to the original source, but without aligning timecode, when sections are copied from a transcoded/media managed project to a project with the original source file.All the other instances, that have 3 digits appended, retain the correct link. https://drive.google.com/file/d/1iv8Ihmr3vZRX9EKb77nhmsCoh4JlDp-O/view?usp=sharing hopefully shows the issue. 

I work mostly in documentary editing (but this apply to any format), where media organization often relies on thematic sequences and/or selects sequences (by subject, character, scene, etc.). This is a well-rounded and common system. Then, once the edit is more advanced and/or notes are coming in, I frequently need to revisit source "selects" sequences. This is where I encounter frustration : reopening these sequences is more cumbersome than it has to be. For instance - a shot needs to be replaced and I want to look at my selects around the same scene. I have two options :Less thinking, maybe quicker, but creates a messMatch Frame → Reveal in Project → Full screen the project window → Check video usage → Open my "Select sequence" → Reverse Match Frame.Downside: This opens bins and often long list of media in the Project panel, disrupting my workspace organization. More thinking, flow breaker, but way cleanerMatch Frame → Manually track down the "selects" sequence in the

A long time ago I posted about tweaks to the Export panel.  I have another idea.Problem 1.  The export Range defaults to “Work Area.” By default Work Area view is disabled. This should default to something else, like “Entire Sequence.”Problem 2: If I’m slicing up a timeline to export sections, I’ve been using “Sequence In/Out” as the range selection, but I always forget to check that and change it since it always defaults to Work Area. How about this: If you detect a sequence in/out mark on the timeline, have the export range default to Sequence In/Out.  Likewise if Work area is active, and a work area range is set other than the whole timeline, have it set export range to “Work Area” by default.Happy coding!

PPro had a bad trimming mode. In the example i compare Avid Media Composer and Adobe Premiere Pro trimming.1) Screen while trimming.In PPro we can see only in program monitor and when you use laptop, screen is too small to see, what's happening in 2 sides(A-side and B-side). In Avid MC Source monitor is only A-side, Program monitor B-side and it is very usefull when you use laptop(in timeline setting you can choose use source monitor as a trim side or only in program monitor trim A-side and B-side) 02) LiveTime Trimming (Avid and Premiere Pro Examples: https://youtu.be/XedhKrVLAVk) .In PPro when you trimming in trim mode(when you use keyboard shortcut) trim red/yellow/roll "thing" it is stuck and a it is annoing when you trimming, because you did not see movement.In Avid(in DaVinci also)  you can see how a "thing" move when you edit, and it is much more convenient. 03) LiveTime Track Selection (Avid and Premiere Pro Examples: https://youtu.be/ZNeVSCv8Jwg&n

With the update today adding gen A.I. right in the toolbar, I found myself looking for ways to hide this unwanted addition and discovered its impossible to remove a tool from the toolbar. A simple change allowing people to choose what tools they see, or overall more options to make these A.I. changes optional instead of them appearing everywhere and sometimes being used by complete accident would be a welcome change. I’m honestly considering looking elsewhere for my work and I know other editors feel the same.

Feature for basic Text Animation adjustable directly in the Text Properties, without the complicated Key Frame setup for more advanced animations. The Text Properties would include a basic Slide in and Fade in animation, that stays relative to the IN an OUT points of the text clip, when adjusting the clip on the timeline. This would also enable to later resize the Text, without affecting the animation setup or the centred position of the text. Thanks!

I’d really love to know when Premiere’s AI will be able to edit, create, and modify texts inside Essential Graphics. This feature is super important because it would save me hours of work! And if the team is already working on it, could you please share an estimate of when it might arrive in Premiere’s beta?

I use Premiere Pro and every single time you know I go to export a video it always warns me that offline media is present I stay inside the same premier file for a long time i'm creating a TV show in Premiere Pro. And this is a hindrance I always know the state of my scene II don't need constant reminders every time I go to the export tab to export something I'm fully aware of with everything in my scene is doing and those warnings are pretty annoying. Can you add a setting to disable those I think a lot of customers probably hate having to click one or 2 times to get past those warnings every time….. i'm sure they're good for some of users but they're definitely not good for all users. Otherwise thanks for an awesome product... Everything is top notch and I'm really impressed with what the software has become with your new object masking capability