Feature Requests

We could really use the ability to make custom presets for tools like the Loudness Radar. 

How can I make these settings into a custom preset, if possible? 

I did a live stream that we also recorded to disk at 4k MOS.  Now in post we need to sync the 4k picture to the 1080 stream, but we don't have an audio reference.  It would be pretty sweet if we could just Sync Picture.  With all the generative video and facial recognition stuff out there, it seems like a no-brainer in terms of technical hurdles.  It's almost like a proxy workflow except it's two separate files that need to be matched.

Same functionality as After Effects. I'm in a Nested sequence, hit Tab, and then I can navigate to whatever sequence the nest is in.

Request:The ability to mute the input as needed during the pre-roll and post-roll time of the voice-over recording.Before and during the recording, the input must, of course, be audible.Justification:Both when restarting the voice recording and when exiting a previously defined area to be voiced, it is essential to be able to hear the cut-ins clearly in order to quickly identify clipped breaths and unclean transitions.Technical Specification:The live mix sum from the DHD console is written to a previously defined track in Premiere.

This feature has been requested for a long time, and for the life of me I can't figure out why Adobe won't implement it. I'm a soundie, and I spend all day on set labeling my individual mic tracks so that the post-sound editor has an easier time. In literally every other editing software, the individual track names show up. Adobe? Of course not. Why not? It's in the metadata. It's easy to include. It would help literally everyone using their software for anything sound related. Adobe I'm literally begging you. It's been over a decade. PLEASE UDATE THIS. It turns potential customers off your product. You think any post-sound editor with anything besides basic experience is going to choose to use Premiere or Audition when you can't include this, literally the most basic feature anyone could ever ask for? I don't understand. I'm literally begging you to fix this.

Please enable proper interpolation options on mask keys!

When using the Voice Over Tool you can define pre- and postroll-time.If you have to stop the recording an continuing it will be helpful if premiere records the preroll time in the case the speaker starts a few frames to early.In the timeline of course the voice over clip has to cut in where marked to start even with the playhead or Mark In.But if you have the oppurtunity to trim the clip (to start earlier as planned) you can save oneself to repeat the take.

Hello, I usually finetune multicam shot Podcasts. They are already live-(pre)edited with Atem Mini and I recevive a xml from DaVinci Resolve. They are shot in the same environment with the same settings, so I usually make my color correction on Source video rather than on the individual edited clip.So, if I need to mask a 1-hour footage of, lets say, CAM 01 because I want one area in the image to be brighter during the whole pre-edited podcast, I can't do it directly on Source with Lumetri Color effect because it seems that Lumetri Color does not support masking in Source, only on each edited clip in the Timeline. Which would be ineffective to copy paste the Lumetri color correction mask to each clip in the pre-edited timeline.Luckily, I found other workarounds for this, like moving in timeline the clips corresponding for CAM 02 and CAM 03 on Track 03, leting the clips of CAM 01 on Track 01, then adding between these two - on Track 02 - only the mask (png/psd), a long track woth t

The Audiometer in Premiere Pro measures Post-Fader but if I use track-effects and set them to Post-Fader they are not measured by the Audiometer.  In my case I often activate the Limiter in the Dynamics-Effect and I set it to Post-Fader because I want to limit my final Mix-Fader adjustments. The Audiometer still shows clipping while the Loudness-Meter I use after the Dynamics effect does not show any clipping.  A workaround is to use another effects instead of the Mix-Fader but this is more complicated and since the Mix-Fader has the option to amplify my sequence up to +15dB it would be nice to use it for adjusting the overall volume to different target levels. 

I'd like a feature I can turn on which will tell me if a clip in the timeline is already in use somewhere else. Ideally the clip would change color and also show me which timecode range is in use elsewhere in my timeline. Often with edits using B-roll, it can be easy to accidentualy re-use the same clip twice. 

like you solve zoom and move in premiere pro 2024 new update, please solve these also:1- select and move object in program like after effect.2- toggle with shorcut (shift + "+" or "-") like after effect in premiere pro.thank you.

For recording voiceovers in Premiere Pro, I would like to have the following two features:Record the PreRoll time so that I can apply effects such as fades afterwards.(Input: HDSP AES 32 1/2, Livemix with DHD Mixing Console)The ability to mute the input during the PreRoll time.

I am using Premiere Pro 24.4.1 (Build 2). Win 10 64-bit PC with latest updates.The ability to edit transcribed text, and have those changes automatically create rough edits on the video, is really fantastic. I look forward to continued evolution and refinement of the feature.I wish the tool had the ability to eliminate duplicate words and phrases. I'm using Premiere to edit recordings of training I'm receiving via zoom. My teacher is sensational, but has sort of a stutter... sometimes they end up repeating a word or a phrase several times in a row.Essentially, I consider such repeated words to be an example of filler text, though the current tool seems to only search for 'um'.There ought to be a way to batch up the most common errors I encounter and have Premiere search for and reduce them, regardless of punction the transcript process has introduced. For instance, if Premiere transcribed I, I I, or the the, the, there out to be able to replace all those instances with I or the, repect

Hello,There's a thread that's many years old asking if it is possible to apply effects to tracks. There are many answers, none of which are correct. The correct answer is that it is not possible to apply an effects to a track.We can apply effects to Adjustment Layers, but we can't constrain the Adjustment Layer to specific tracks. Adjustment Layers affect all tracks below. This then necessitates nesting sequences, which massively slows down the creative process. Since we can't see/edit the clips in nested sequences, we're flying blind. I can't stress enough how Premiere consistently fails to provide an efficient workflow. Basically everything in Premiere takes ten times longer than in Sony Vegas. The only reason I am using Premiere is because Vegas has very poor support for formats. I/O in Vegas is absymal. But workflow in Premiere is abysmal. Now I am anticipating responses from hardcore Premiere fans, asking questions like "Why would you want that?" and making statements li

I frequqently have to slice up a long clips into shorter ones.  I put the long clip on the timeline, trim it to the start/end points of each clip to export, then select the range and export each one, giving it a new filename. After trimming the clips and setting export defaults  I can do all tasks  with keyboard shortcuts EXCEPT actually sending the job to Media Encoder.  Here's what would eliminate having to mouse down to the export buttons. FIRST: Replace the "Send to Media Encoder" and "Export" buttons with a single button with a drop-down that changes the default action to either Send to Media Encoder or Direct Export.  (This would also avoid the confusion that sometimes happens when accidentally clicking the wrong button.) THEN:When file name is entered, the first strike of the "Enter" key sets the name (as it currently works). If there's no mouse movement or other keyboard input, the 2nd strike of the "Enter" key executes the default e

as for now, if i want to check few options for backgrounds elements animation etc. there is no option to make a quick check like A-B test, or to have the options to keep clips on the timeline in a "muted" state so I can turn them on later as I progress with my movie . i need to put the different Backgrounds in different tracks and then disable/enable a WHOLE track at a time so I can see which BG or element is better. in this case the whole track is disabled and generally on one track there are many other elements which needs to stay visible.there should be an option, like in music DAWs to "mute"  or "unmute" one clip out of a track and to make the selection gray while it is not visible.Thank you 

Hi,We're a post house in NY, and more and more clients are requesting extensive localizations of their edits. This means copying and pasting the translated sentence from an Excel file into Premiere.I understand that there are scripts out there that allow this with mogrt files. But many of our clients require superscripted trademarks in their text, and mogrt files don't handle special characters well.Premiere already allows the export of graphics as text in a .csv. Why not reverse-engineer it?It would be wonderful if Premiere could import a CSV file and replace all the existing text in the timeline.What would be even nicer is if Premiere lets the user select which column should be imported. That would be especially handy with CSV files that contain multiple columns in several languages. I hope my prayers are heard!Best and thanks!

Hello, for reasons unknown, when I use my middle mouse it now zooms the video in and out rather than move the video frame by frame. Any advice on how to remedy this issue? Thanks 

Took me 20 minutes to select a location on my hard drive.  This is insane.  Why do you people try to reinvent Windows and other OS explorers?, you never get it right. Ideas: Allow a user to copy and paste a path.  Wow, all other software does this. Give an option to select the "current path".  Path of the prproj file. Give a browse option, common dialogs are meant for that purpose (you don't need your own silly design) Lastly, use standard interface guidelines.  That's a thought.. Sorry if I sound like a troll, but jesus!

I don't have a perfect solution for this yet, but just to get the ball rolling, oftentimes when my effects control window is narrowed due to having the timeline part of it expanded, the various effect parameters and the keyframe adjustment buttons overlap and get bunched up.  Way more often than not in this scenario I am wanting to click previous, new or next keyframe rather than adjusting the effect parameter. But the parameter will always override (as though it's sitting on top) and so I then have to re-expand out the left side of the EC window to be able to hit the buttons, then narrow it again so I can get back to fine tuning the position of keyframes on the right side. Here's a video demonstrating this:  I would love for the keyframes hitbox to always override the parameter hitbox. Or for Premiere to somehow dynamically alter this.Does this make sense? Maybe there's a better solution but this has been a big annoyance with editing in Premiere for the last 1

Since the 24.4 update, there is now a large useless blank space next to the name (or even if names are turned off, it's still there) which is really frustrating to not be able to quickly see at what point the waveform is hitting the 'ceiling' on the left channel. I want to quickly be able to see how much room I have left and it's far less intuitive than previous versions with this big blank space.  I'd suggest reverting it to how it was, or at least putting a distinct thin line where the bottom of that red box is to show the ceiling of that channel.  

Love the new scroll to zoom and click and drag scroll button to move around. Would love to be able to then double click the middle scroll button (or just double left click) to return to the Fit zoom level.

This is the one and only setting I basically ever change when using the Export tab. Why is it all the way at the bottom?I know you're not going to ever revert back to the superior traditional Export window which allowed you to twirl down sections so this setting was always visible, but please at least move this slider to the top of this new design or something. I'm sure it's one of the most used settings when exporting for Premiere users and we'd greatly appreciate being able to quickly change bitrate!If that's too hard, then at least just put a twirl down button on each subsection like Basic Video Settings, Encoding Settings, Bitrate Settings, Advanced Settings, VR Video.

I would love to be able to disable/remove the source/program zoom bars/behavior.  I never use them and many times I enable them accidentally when trying to zoom into the timeline.   Thank you!