Feature Requests

Sometimes, I find myself wanting more versatility with the Effects Presets that I'm using. Utilizing them in an adjustment layer can certainly enhance their potential, but the current process to achieve this involves a considerable number of clicks.  Wouldn't it be convenient if simply dragging an effect from the Effects Panel onto an empty track automatically converted it into an adjustment layer? This functionality, already present in software like Filmora and CapCut, streamlines the workflow remarkably and enhances user experience. 

As a rule I keep all or most of my audio tracks in my timeline while I am cutting, but often I don't need all the tracks of a particular clip to be heard all the time or only portions of the track need to be heard in my offline version of the mix. The fastest way for me to turn those tracks off is to enable/disable them using a keyboard shortcut. However when sending a film to sound via AAF or OMF, disabled tracks show up as enabled and become part of the mix, which is misleading for the sound department. I would like the sound department to have these tracks to access in their mix but I don't want to hear them in my offline cut. I would like a simple keyboard shortcut that will take a selected audio track/tracks in the timeline and set the volume to 0db with one keystroke. This would save so much time in finishing and make everyone's life easier. Thank you! 

Adobe Premiere Pro 2024MacOS VenturaI've been a Senior Director/Editor for 23 years and counting. My specialty is large multicam shows. I often have between 30 and 45 sources... As you always have to keep up with technology, I now master Premiere and Resolve as well as Media Composer.Problem:With so many cameras, it's vital for me to see if the balance in my choices is right, to quickly spot a particular camera directly on my timeline, etc... In Avid Media Composer, I can see all the cameras with their labels. Not in Premiere, and that drives me crazy.Feature request:I would like this function to be available as soon as possible on Premiere, it's a no brainer.I'm attaching two screenshots. A Premiere milticam and an Avid multicam. A picture is worth a thousand words, so for me it's not even a question of whether this function should be added...If you're like me, share, share, share! And... VOTE 😉Thank you for your attention,Martin Julien

Is there a way to check audio correlation during editing in Premiere ?Or a pluging that works ? Thx for any hint// Harry

Hey there, I am working on guitar reviews and I was looking for a good ducking option to put the music (=guitar track) above the voice. I recently started using essential sound to improve the sound quality for the voice - which is working great. But I'd like to also have a ducking option on the Dialog track the same as it is on the music track, where you can chose what to duck to. Please make it happen!

It would be so super handy to have a function where users can use a short cut to make an edit in a clip and add a transition at the same time instead of making an edit with CTRL+K and then adding the transition with CTRL+D.  While it doesn't sound like a big deal, some of the projects I work on are single camera long form video and that type of edit happens dozens of times across a piece of content. It would be an amazing short time saver.

Hi, Frequently, after trimming, slipping or sliding, I want to know how the # of frames or the amount time I've adjusted clips at each step. Knowing this will allow me to either adjust other clips the same amount, or to undo/step back to a specific previous state. If the History window showed the amount of time or frames trimmed at each step in the process, this would be hugely helpful. For instance, the History window could show something like this:- New/Open- Ripple trim (02:10 or 70 frames)- Ripple trim (6 frames)- Ripple trim (3 frames)- Lift & Overwrite Selection (5 frames)- Lift & Overwrite Selection (8 frames)- Lift & Overwrite Selection (2 frames) Then for instance, if I step back one Undo, I know that I'll be going back 2 frames, or two Undos would be 10 frames. I know when trimming or moving clips, the timeline shows the time/amount of change that has been made, but that info is ephemeral and disappears once the action is complete. Also, t

Hi! I would love to get finnish language pack for text transcription. Is there any plans for this in the future?

The current premiere pro deinterlacer is quite bad, it's extremely slow and some even give better results in much less time. Plugin makers also don't seem to care to make a better version of it, nor or after effects. So I kindly request you, adobe management or whoever reads this, to at least consider the huge advantage this would bring to the few of us who still struggle with projects that mix interlaced and progressive footage. Yes, one could deinterlace firts using an external app into losless files and work with that, but sadly I don't own a supercomputer and a big company like Adobe should't force users to this. My pc being slow is precisely the reason why I care about the speed advantage as well as quality jump there will be if you switch to BWDIF, ESTDIF or QTGMC, all of which surpass your offerings. This should be implemented both for individual clips (frame-based or field-based) as well as for exporting whole projects when using entirely interlaced footage and optic flow. I ca

Hi!Many of us want you to bring back Capture!Why not make Capture a stand alone app or a plug-in for Premiere?Many of us would be very happy!Thanks for great products!/Willy

Hey Team Adobe,Hope you're all doing well! Just wanted to slide into your discussion with a few thoughts about our beloved Premiere. Lately, I've been exploring CapCut, and man, they've got some slick AI-powered effects that make jazzing up content a breeze, they've also got these text styles and animated subtitles that are just... chef's kiss! Meanwhile, in Premiere-land, we're slogging through menus, old effects, Pixel perfect keyframing, like it's an Olympic event. Don't get me wrong, I love a good challenge, but let's make things a tad easier, shall we?How about we sprinkle a little bit of that CapCut magic into Premiere? Imagine having a library of trendy, customizable effects at our fingertips, ready to drop into our projects like a pro. And while we're at it, let's not forget about our buddy Adobe Rush. It's like the forgotten cousin at the family reunion! Let's give it a makeover, turn it into a cool "content creator" section within Premiere. Easy-peasy, drag-and-drop good

I'm trying to get text to AUTOMATICALLY follow an object in the video. I have a shot of a person walking and I want text to move with him across the screen.Is there any way to do this within PPro CC? All the help and tutorials I can find either ask me to do this manually, keyframe by keyframe, which is laborious and not as good as automation, or it sends me to After Effects. Is there a way to do this within PPro CC?Thanks.

I believe this is a long-standing bug but I'd love to see the ability to keyframe the text "tracking" field to allow text to slowly drift apart.  There are two current workarounds: 1 - do it in Ae and 2 - enter the key frames one frame at a time.  Both of which seem to be more time-consuming than it should be. Thanks! Mod note: Title changed.

Hello Adobe. We have some feedback for Premiere Pro, and to make it even easier for you, we've made it into a video you can watch quickly and understand better.   Best regards, Louis and Toby   Mod note: The title was changed to reflect the requests.

Please, please, please make a way - even if it's a keystroke - that the anchor point in Essential Graphics text can be centered. It's maddening that it's in AE, but not Premiere and it does hinder workflow.

Would be interested in what people know and can share on this topic. Basically part of my job at the moment is creating Compilations from certain episodes of TV Shows. Is there any tools that would help speed up my process in doing so?  Not sure if this is viable but I thought something great that could be done is if you were able to 'mark/highlight' certain areas of source material. If after that premier could generate either in episodic order or at random a sequence with said areas based on what you have asked for it? If for example I wanted a compilation of free kicks within football I now have to watch majority of the source file and insert into a sequnce, but If I mark certain areas, label it with free kick I am able to come back to it at any given time. Likewise in the same file I could mark goal kicks, do that for all files and generate a sequence with several goal kick sections. If you could choose how long you wanted it to be as well, it could fill sequence with

More plug-ins or a more dynamic shaper with 3D view of first letter that then migrates to the whole title or text phrase. Using AI to implement any type of wood (Dark, light, high grain, finishes, wax etc.) and carving and embellished styles with intensity settings for styles based on era, (Antique, Victorian, 50s Car finishes, etc.) Radio-active glow, metamaterials, High Tenacity, and Alien, fractile-generated textures. So far choices are few and we can't do chrome bumper-type effects. We might need to be asked for a reflection map for mirrored metal surfaces. If there are plans for a completely new app for AI that can live-export to any associated Adobe app as all apps can be integrated as I suggested to Olson in the 90s with each a different workspace populated with associated tools and menus but you can tab between and transfer back and forth each time saving undo-steps or locking down parts to preserve memory.Dynamic Titles for Premier Pro so you can make a green/blue/screen text

The transcript window is fantastic for being able to quickly scroll through interview footage in order to select sections and add them to a sequence. However, the process is hindered by the fact that the source playhead does not move while scrolling the transcript text. This means that if, while scrolling, I click away from the transcript window to the timeline, I can easily lose my place, forcing me to have to manually scroll to find my last position.Moving the source playhead scrolls the text in the transcript window. It would be great if this relationship were reciprocal.

So this may be necessary because of my workflow.  I keep my project files in a folder on a drive permanently connected to main work computer.  This folder is automatically mirrored on dropbox.   But I keep all my scratch disks on my external media drive.  I have easily 50 drives so when I create a new project I want to set my scratch disks on the specific media drive...  And I sometimes take the media drive with me to work at a clients on my laptop or on their computer if it's available.  So having scratch disks assigned to the media drive is crucial.  Not a big deal, but would be great if there was the option on the new project interface to set your scratch disks...  In the heat of battle, anxious to get started, I sometimes forget to reset the scratch disks and they by default get set to the Premiere Project folder...    And it seems to me, setting scratch disk locations is an essential part of creating a new project...   Be

Hey hey Adobe! I'm often in the situation where I receive dailies from assistant editors on a project where I'm working entirely off of proxies. They'll send me organized sequences, and I'll link up the proxies. One tiny thing that always drives me a little crazy is that when I go to relink those proxies, I can't just select all the media on the sequence, then right-click and go to the standard Proxies menu to re-attach them. I have to click on a single piece of video, right-click and reveal that media in the Project pane, THEN go to the Proxy menu and re-attach them.  And if the media on that sequence is in several folders, I have to open each of those folders and re-attach the proxy media. I would LOVE to be able to access the right-click>Proxy>Attach Proxy menu by selecting all the media on a sequence, and then right-click to access the proxy menu for all of those clips. Thanks for considering!

Hello adobe. We have some feedback for premiere pro, and to make it even easier for you, we've made it into a video you can watch quickly and understand better. Best regards Louis and Toby  

It would be very useful if it were possible to continue browsing while a video file is downloading, or download multple files at a time, but currently it is not possible, i.e. I have to wait for a file to finish downloading before I can search for other options.

This one is pretty simple, but I think it would be great to be able to nudge transitions left or right using my keyboard. Here's the thought: When you click on a transition, you have the ability to nudge the clip using the Option/Alt + Left or Right keys. If you add Shift to that combo, it nudges by 5 frames. I think that would be awesome.

Hi Adobe Dev Team, We're really enjoying the auto caption creation tool within Premier Pro for English Lanaguage auto creation caption from video.  This would be even better if you release a Langauage pack for Te reo Maori.  Let me know if this is on your future stratigical  plan? I'm located in New Zealnd where video content is often a mixture of  spoken English language and Te reo Maori lanaguge which both are offical languages of New Zealand. Thanks in AdvanceHTV    

Thanks for a great and evolving product that has made editors work much more efficient and enjoyable in many ways. It would be great to have an additional feature, alongside the existing minimise all tracks and expand all tracks, that would be called something like "fit tracks to panel", so when I resize my audio and video tracks, which I constantly do, we could hit one button and they would fit automatically to match the height size of the timeline panel.