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Up to 2024 an obsolete effect. As of 2025 removed from the program Please bring back Bevel Alpha, as there is no alternative for this effect.
Will Photoshop beta be available for Android tablets? Thanks Keith
I would like to have the smart album ans search criteria enhanced. I have currently run into an issue where Adobe is trying to be too smart and it has back fired on me. I assign a title to all images; the title includes the year the photo was taken. I cannot depend on capture date due to the fact many older photos do not have capture date (I started switching to digital in 2001); and I will have a project soon to scan and load old analog photos; in which case the capture will truly be useless. Therefore, with smart albums or even the general filter; when I search for "2003" I get photos with a title including 2003, photos with 2003 in the file name, photos with 2003 somewhere in the meta-data.... Basically the text search is way to inclusive. Due to the limited screen real estate, I would like an advanced feature such that I can add a criteria like "title:like:2003". The idea is to have the field, operator and value separated and delimited. As more operators are added over time (such as not equal, is empty,not empty...), along with fields, this can become a very powerful tool; which would help with advanced users while not cluttering the UI.
I often need to switch between multiple guide layouts in the same PSD document and the current [View > Guines > New Guides...] doesn't allow doing that.Important functionality is misisng.Please add guides as layers, so then all sorts of setups will become easily doable.You can add this functionality without removing the previous one if you're worried about breaking changes.For example, my original assets are 256 px but I need to scale them to 240 px grid to work on them and for export I need 160 px grid, so I have a need to switch between 3 grids all the time.I tried Artboards in Photoshop 26.10 (late 2025) but they were completely buggy and unusable (quickly increase RAM to 64 GB and crash Photoshop). So, the entire workflow is much worse than in Illustrator currently.
I have noticed that when a subject has shadows on it, the automatic masking tool does not include that part of the subject. It would be great to have a little more control with a brush to add/subtract information from the background, like Quick Selection in Photoshop.
Hi, Something that really frustrated me today when using Firefly in Photoshop is that I was changing a shirt style to get various looks but Firefly kept feminizing my shoulders ALLOT. I had to use the deformation tool to keep correcting things but it got to a point where I gave up and just kept on of the examples. I'm a man, not a woman. I don't want my shoulders made more narrow or drooping down as Firefly kept doing. See the TShirt, that's me, the collared shirt and tie was the one I had Firefly do for me. This had to be fixed using the deformation tool to get my shoulders up where they needed to be. I don't have an example of the image before I fixed it. Can you please train Firefly to respect body shapes? I know it can be done. Just thought I'd bring this to your attention. Thank you
Several times I've waitied 10+ minutes for a video to generate only to find it's totally unexpected as I unintentionally started from a different starting frame image. The uI really does suck and would benefit from a complete overhaul. Cramped text box, small preview images and lack of asset management features.
When exporting multiple files, we can batch change the file location but not the file names.When having multiple exports for different resolutions or ratios, dynamic naming using placehoders would be great. This could be possible by using placeholders directly in the sequence name (e.g. Sequence-1_%SeqName%) which gets replaces on export (maybe also through a command "replace wildcards in project") or during export with naming presets that can be applied.On naming conflicts, these exports could be grayed out with a warning symbol, still allowing manual changes. Placeholders that would be great are: Sequence nameResolutionAspect RatioFrame rateFrame count/Durationany (custom) Metadata fieldCustom prefix/suffix Especially batch exports would benefit from this.
It would be great to have a SOUND NOTIFICATION when AI is done generating fills.usually it takes a minute or so to finish and instead of staring at it, users tend to do something else while waiting.most of the times, they wouldnt know that it's done already. making them waste more time.
Eu queria dublar vídeos para armênio!
We are currently looking at blanking and black frame detection. It'd be great if Premiere could run a black frame / blanking detection tool and drop a marker whereever a black frame or line of black pixels was detected within a sequence. To have a text report exported as well would be the icing on the top! Currently looking at unning Nobeomniscope or QCTools to detect and write reports / add markers where these occur in a video but it'd be simpler if it was all in Premiere Pro. The reason for this is to do with QC before delivery.
My thoughts are the Comp Panel's Footer Control Area should be responsive/wrappable to multiple lines. IT needs to intelligently wrap itself to display in a multi-line/row mode so that ALL of its controls can be seen.It's weird AFooter that it has a right section that responsively splits off from the left side, to lock onto the right edge of the panel and in in WTFooter Mode, hides one or more of the right-most controls. Please , for the sake of sanity and Clean Floors, this issue needs a quick fix. TIA
when working on a shared firefly board it would be great to know who added what to the boared. Thanks, Jana
Are there any plans to integrate SBSARs with After Effects? Being able to control & animate Designer's parameters inside AE would open up a world of posibilities and flexibility. I can see it being used to create dynamic alpha mattes like a grid of random shapes that scale up based on a gradient input.Another example would be a system of createing a set of gradient presets with brand colors that reposition based on the comp's size.I saw that there are SDKs out, but I have no programming knowledge to make it happen.
The current Metadata effect was a good attempt to accomodate more advanced burn-in needs but it's capabilities are still very undercooked. Here are some key features that I find missing and really need to be adressed to make this a usable tool for professional work. Ability to define a font (globally, not per Line) Per Line option for text alignment (left, center, right) Metadata option for Sequence Name Especially point 2 is incredibly important because you are otherwise forced to place all metadata on the left of the canvas if the string as varying width depending on the source input. e.g. clip name 1 = C0041.MP4, clip name 2 = B001C001_180327_R1ZA.mov Putting this data center in canvas looks completely off when the longer name displays. Putting it on the right makes the longer name totally cut off. Hope to see this addressed soon.
I noticed that Capture One has a new feature namely Match Look. Maybe it's an idea that Lightroom would also have such a capability in the future.
AI音楽生成で作成した楽曲をAIミュージックビデオとして再生時間と対応する形で生成できるサービスが提供してほしいです。画像からお手本となる映像を生成すること。リップシンク対応により違和感なく行うこと。また、動物に歌わせるといった人間ではない歌い手ほど不得意が多いサービスが多いため対応できれば画期的です。コンプリートプランに加入しているため、より実用となる商用利用できるAIサービスを受けたいです。ほかのサービスと複数掛け持ちおよび支払いを行うと無駄が起きるため、Adobeが最も困難極めているAIミュージックビデオ生成機能を提供すれば業界の頂点に立てます。 Feature Proposal: AI‑Generated Music Videos Aligned with Track LengthWe would like to see a service that can generate AI music videos that match the exact duration of AI‑composed tracks. The proposed capabilities include:Visual Generation from Images – Create reference video footage based on supplied images, serving as a visual template for the music video.Seamless Lip‑Sync – Implement accurate lip‑sync so that the visuals align naturally with the audio, eliminating any sense of mismatch.Non‑Human Vocalists – Enable “singing” by animals or other non‑human performers, a niche that many existing services struggle with. Supporting this would be a breakthrough.As a subscriber to the Complete Plan, we seek a commercially viable AI service that can be used for real‑world, profit‑driven projects.Because managing multiple subscriptions across competing platforms leads to unnecessary waste, offering the most advanced AI music‑video generation capability—an area where Adobe currently faces significant challenges—would position your solution at the top of the industry.Here’s an English translation of your request, framed as a feature proposal:Feature Proposal: AI‑Generated Music Videos Aligned with Track LengthWe would like to see a service that can generate AI music videos that match the exact duration of AI‑composed tracks. The proposed capabilities include:Visual Generation from Images – Create reference video footage based on supplied images, serving as a visual template for the music video.Seamless Lip‑Sync – Implement accurate lip‑sync so that the visuals align naturally with the audio, eliminating any sense of mismatch.Non‑Human Vocalists – Enable “singing” by animals or other non‑human performers, a niche that many existing services struggle with. Supporting this would be a breakthrough.As a subscriber to the Complete Plan, we seek a commercially viable AI service that can be used for real‑world, profit‑driven projects.Because managing multiple subscriptions across competing platforms leads to unnecessary waste, offering the most advanced AI music‑video generation capability—an area where Adobe currently faces significant challenges—would position your solution at the top of the indust
I would love to be able to "lock in time" any clips or tracks on the timeline as we can do in Audition.
A panel with “shelves” like in Houdini. This is a super useful tool. That is, presets with pre-prepared nodes. I VERY often have to create 3-6 nodes in a row with almost the same settings (not default). And I have long dreamed that in one click I could create chains of prepared nodes using my settings
When working with multiple clips in the timeline, adjusting the same video effect across all of them is unnecessarily complicated. Right now, if I change one effect setting, I have to remove the effect from all other clips, copy the new version, paste it back onto each clip, and in the case of Warp Stabilizer, manually restart the analysis for every single one.This becomes especially painful with stabilization. For example: if I want to change the smoothness from 1% to 20% and switch the method from “Subspace Warp” to “Position/Scale/Rotation,” I can’t just update the setting once. Instead, I need to delete Warp Stabilizer on all clips, paste a new instance, and then click “Analyze” on each clip individually—waiting for them to process one after another. Iterating quickly is practically impossible under these conditions. A better approach would be:When multiple clips have the same effect, let users adjust those effect parameters across all selected clips at once.For Warp Stabilizer, allow parameter changes without discarding previous analysis data. If a re-analysis is required, make it possible to trigger “Re-analyze all selected clips” instead of forcing editors to restart every clip one by one. This would remove a lot of repetitive manual work, make experimentation with settings much faster, and significantly improve real-world editing workflows.
I really need a simple Enlarge photo function in Adobe Firefly. Upload picture - Enlarge x2 x3 x4 etc. Have a great day 🙂 Best regards Henrik Fletch Nielsen
When exporting from Lightroom mobile on Android, using the 'Export as' function I can choose the file type, the file size, the jpeg quality. I can add a watermark (text or graphic, with multiple settings), add metadata, choose a custom filename (although theres no option to include the original frame number within that chosen name). I can also select output sharpening and colour space, BUT I can only export to the phone storage. Why is there no option to export to Google Drive for instance, or to email the file? There is of course the option to share an image to many platforms choosing the 'share' option, but then all the other options above are no longer available. Currently the only option if you want add to a Google Drive folder, using a custom size, filename etc, is to 'Export as' to the default phone storage and then open Google and import from there. Could a destination not be added within Export as? Or was this an option previiously that has been removed?
Hi,Bridge by default either shows you the full image (completely zoomed out), or gives you 100% magnification (going up to 800%). This is too big for my purposes. I need to zoom in at about 50%. But I don't know how. My question is if anyone knows how to zoom between 0 and 100% in any preview mode in bridge.Even if I have to mod or add an add-on to Bridge. Or petition Adobe to change it. I really need this for Bridge. Thanks
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