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Eccentric Locust
Eccentric LocustInspiring

Enable Additional Hardware Accelerated Decoding Support for H.264 and HEVC FootageOpen for Voting

I did some research recently due to a massive playback issue not too long ago with some HEVC footage I recorded with OBS Studio (for some context, the OBS footage was constant frame rate, not VFR). Here is the link to that post for reference:https://community.adobe.com/t5/premiere-pro-bugs/hevc-8-bit-4-4-4-footage-is-very-hard-to-playback-in-premiere-pro-sometimes/idi-p/14229324 To sum it up, I realized that one of the main causes for my playback issues was with Adobe's lack of support for hardware accelerated decoding for a majority of the flavors of H.264 and HEVC codecs. Here are a couple screenshots as well as links to the articles from Puget Systems back in December, 2022: Premiere Pro: https://www.pugetsystems.com/labs/articles/what-h-264-and-h-265-hardware-decoding-is-supported-in-premiere-pro-2120/DaVinci Resolve: https://www.pugetsystems.com/labs/articles/what-h-264-and-h-265-hardware-decoding-is-supported-in-davinci-resolve-studio-2122/ For some context, here are a few specs from my PC setup: CPU: Ryzen 9 7950x 16-Core, 32-ThreadGPU: NVIDIA RTX 4090RAM: 128GB of DDR5 My GPU is an RTX 4090 and even though it can decode video with NVDEC in all flavors of H.264 and HEVC codecs (including AV1, which Adobe currently doesn't support as of this post), it doesn't get used due to Adobe's lack of support for the footage I'm editing in (HEVC 8-bit 4:4:4 in MOV and MP4). And so that task is given to my CPU. However I have an AMD CPU, a Ryzen 9 7950x, and unfortunately AMD doesn't put their Video Core Next hardware core in their CPUs; unlike Intel, which puts their Quick Sync Video hardware core in their CPUs. So really, the video decoding on my system becomes software only instead of hardware accelerated. This makes the editing experience in Premiere Pro extremely difficult to manage with poor video playback in my timelines to the point where it's sometimes impossible to even work without transcoding to another codec. For now, I've been transcoding to ProRes proxies to get around my issue. Suggestion:I highly recommend Adobe enable more hardware accelerated decoding support for the different flavors of H.264 and HEVC codecs. While I understand that a lot of people are often editing 8-bit 4:2:0 footage with these codecs, having support for only this heavily overshadows editors and filmmakers that are recording in higher quality flavors of these codecs either because they want to or they simply can't afford to use ProRes due to high file sizes. Other editing platforms, such as DaVinci Resolve, currently have more hardware accelerated decoding support than Premiere Pro (as seen from the chart above) and so I would really appreciate it for Adobe to really up their game on this. I love Premiere and so I'd love to see smooth playback in my editing timelines for more types of footage!

29
Forum|Forum|1 year ago
hkrol83Participating Frequently

P: Quick Export option to disable transparency trimmingOpen for Voting

There should be an option to disable the automatic trimming of exported elements to their transparency. The trimming makes it problematic to easily place the exported elements in other softwares, e.g. 3D and compositing.

35
Stephen Marsh
Forum|Forum|1 year ago
nicholas_berto5503Participant

P: Wifi Tether to Android TabletOpen for Voting

Seria possível fazer um plugin p fazer captura vinculada pelo wi fi usando o tablet? Seria perfeito. Sem cabo e sem programas caros 

0
Forum|Forum|1 year ago
alexemanuelliKnown Participant

P: Deleted photos should show name or any metadata in the Deleted folderOpen for Voting

Hi,I'm using the latest cloud-based version of Lightroom (not Classic), and I noticed something that makes no sense from a workflow perspective. When you delete a photo, it goes into the "Deleted" folder with a countdown (e.g., “59 days remaining”) — but Lightroom hides the file name, even though it clearly retains it internally (as it shows up again after restoring). This becomes a real problem: I want to restore a specific image because I know its filename (e.g., DSC_4025.jpg), but I can’t identify it in the deleted folder without restoring everything blindly. For professionals working with large sets, this is a serious limitation — especially when filenames are the only clue to identify files after cleanup. Please consider fixing this: just displaying the filename and maybe basic metadata (like star rating or capture date) in the Deleted section would make a big difference. Thanks.

0
Forum|Forum|1 year ago
Sterphy
SterphyKnown Participant

Slow down your release cadenceOpen for Voting

Simple as that.  I work in a team of editors in both my full time job and my freelance work, so I'm often working in the latest (read least stable) version of AE. I'm sick of only having a tiny window per year where things actually work properly before this year's new version breaks it all again.  It's too much for me and obviously too much for Adobe. 

2
Sterphy
Forum|Forum|1 year ago
D RoederKnown Participant

P: make Page Numbering an individual book parameterOpen for Voting

Why is it the the Page Numbers check box in the Book Module is a Module parameter? It seems like it should be an individual book parameter. I don't desire page numbers in all of the books I create. If I am working on a book and I want page numbers, I check the box. But then when I want to work on a book that I don't want page numbers, I have to uncheck the box.   It would be nice to set the check box for page numbering at the outset of book creation and not have to worry about checking it again if I work on a different book without page numbers. This is very annoying if I am bouncing between books and they don't all have the same page numbering scheme.   Please make Page Numbering an individual book parameter that gets saved with each individual book.

0
Forum|Forum|1 year ago
KazuT_G
KazuT_GInspiring

Generative fill in PremiereOpen for Voting

Is there Generative Fill in Premiere 25.2.3? I see Generative Extend but was looking for Generative Fill (to cover TV station bugs in archival footage).

3
R Neil Haugen
Forum|Forum|1 year ago
AndyLonlyParticipating Frequently

P: Real-Time Dual-Device PreviewOpen for Voting

I am writing to express my appreciation for the dual-monitor support feature in Lightroom. Building upon this functionality, I would like to suggest an enhancement that could further improve the user experience. Real-Time Preview Across Devices It would be highly beneficial to have a feature that enables real-time synchronization between two devices running Lightroom. Specifically, when editing an image on one device, the second device would display the edited version simultaneously. This functionality would allow users to: Compare HDR and SDR Outputs: View the same image in High Dynamic Range (HDR) on one device and Standard Dynamic Range (SDR) on another, facilitating precise adjustments for different display technologies. Before and After Comparisons: Instantly compare edited images with their original versions across two screens, aiding in more accurate editing decisions. Evaluate Color and Brightness Across Displays: Assess how edits appear on different devices, ensuring consistency in color and brightness across various screens. This feature could be implemented similarly to Visual Studio's Live Share, where a simple activation button establishes a live editing session between devices. HDR Preview Support on Android Devices Additionally, expanding HDR preview capabilities to a broader range of Android devices would be greatly advantageous. While I understand that Lightroom for mobile (Android) currently supports HDR on select devices such as Google Pixel 7 and Google Pixel Fold running Android 14 , extending this support to other capable devices would enhance the editing experience for a larger user base. This would allow photographers to accurately preview and edit HDR content directly on their Android devices, ensuring consistency and quality in their work. Thank you for considering these suggestions. I believe these enhancements would significantly benefit the Lightroom community by providing more versatile and accurate editing tools.

1
B+Warde
Forum|Forum|1 year ago
DexterGordonParticipant

P: Allow CPUs without AVX2 to install Adobe ProductsOpen for Voting

Adobe continues its practice of colluding with other corporations (AMD, Intel, Microsoft) by leaving out perfectly competent computers with AVX (up to 2013), capable of running professional programs much more demanding than LR and PS, in order to force subscribers to buy new computers with AVX2. 

65
DexterGordon2
Forum|Forum|1 year ago
gp28199805Inspiring

Feature Request - Volumetric Lighting (fog and light rays)Under Review

I'd like to see the abilty to render lights rays and haze/fog. (attached is a quick and crude example from Toolbag 4). The depth pass allows for some degree of adding fog in Photoshop.  But that is not so easy to get a good look. BOGOs for the lights could be handy as well.

2
Forum|Forum|1 year ago
Joe BiltonParticipant

Pattern Rotation with Pattern Stamp Tool - Follow DirectionOpen for Voting

I think it would be a very useful feature if Patterns could be set to follow the direction of the Pattern Stamp tool brush Currently, even if the brush itself is set to rotate and follow the direction of the mouse/pen, the pattern doesn't. It keeps the same relative position to the canvas. I would like to be able to set the pattern to follow the brush and curve/distort etc appropriately.For example, if I was making a cobblestone road, and had a suitable pattern, I'd like the alignment of the bricks to be able to follow the alignment of a road I paint, like so...The Warp tool can be used for similar, but I want to be able to draw complex shapes/lines and have the pattern follow along properly.Thanks

3
davescm
Forum|Forum|1 year ago
John_Lin2653Participating Frequently

Refund credits on thumbs downOpen for Voting

Hi I've noticed that your generation, your Firefly generative model, is quite poor in what it Tries to do. And I think that it would be a really good idea to earn your customers Loyalty and respect if you were to simply give back Any credits after Somebody has Rated a thumbs down image AND "given a comment on why the image was not good". That will Give people an incentive to give you feedback, and it will also provide you and the team opportunities to improve your models And how it operates. All I was trying to do was to generate a coal deposit or something that you might find in Minecraft in the center of this stone texture. There was maybe 40 something results where it could not do what it was I was trying to describe it to do. So I think it would be a productive way To make Firefly better.

1
N8.
Forum|Forum|1 year ago
FeedbackCommunityMemberInspiring

P: Lightroom album shared download all imagesOpen for Voting

Can a option be added so that when an album is shared via a url that there is a download all images option? It used to be there!

2
Forum|Forum|1 year ago
OneMovingPictureParticipant

Add support for Intel Dedicated GPUs on LinuxOpen for Voting

Linux support is a strength of the Substance suite, adding support for Intel dedicated GPUs will add to that, especially considering the affordability of Intel GPUs and their strong support on Linux. Intel provides additional drivers for compute and media processing, similar to AMD, for their dedicated GPUs, providing features beyond the Mesa drivers.

0
Forum|Forum|1 year ago
areohbee
areohbeeLegend

P: Better Multi-Monitor Support, to include Full Screen EditingOpen for Voting

I want to be able to use one monitor just for the image under development, or otherwise being viewed, full-screen, and the other monitor(s) for the other stuff, especially library + develop panels.

16
Forum|Forum|1 year ago
POwensInspiring

Expand capabilities of Button EditorOpen for Voting

I'd love to be able to create a custom button to toggle Overlays on/off.   And in general, the ability to create custom buttons would be great for both Source and Program monitors.

2
Forum|Forum|1 year ago
Peter A Lund
Peter A LundInspiring

P: GPU usage for speeding up "import" and "export"Open for Voting

Hey ,    here an article :  https://www.dpreview.com/articles/3278896840/head-to-head-adobe-lightroom-classic-vs-capture-one-21   So when it comes to speed we are 5 times slower. Why?    Can we pls have the GPU use for "import" and "export" ?    These are the most painfull tasks, you cant even do anything in the app...   So GPU and something like MediaEncoder? for Lightroom.   And why can´t we use the MediaEncoder for this?    Its there and its fast. So for the export we would have a racehores.    Then we only need something like speedy prelude for Lightroom.    Who wants more speed ?    more : ______ less: ________   thanxs  Peter     

4
Forum|Forum|1 year ago
Swandive stream
Swandive streamInspiring

Custom bin (folder) for favourite effectsOpen for Voting

This already exists in Premiere Pro, being able to mark effects as favourites by copying them into a custom 'bin' (folder) for easy access.

0
Swandive stream
Forum|Forum|1 year ago
barissuslu
barissusluParticipant

please continue to develop the appOpen for Voting

Hello, has the development of this application been stopped? We haven't received any updates for a long time and no development has been reported. I hope it hasn't been stopped. We are doing very successful work with this application. And it is a really useful application. We made about 3 thousand minutes of animation with this application and we really saved a lot of time. If Adobe wants, we can send examples of our work.

0
barissuslu
Forum|Forum|1 year ago
GANGAVARAM_KONDAREDDY2011Participant

Plese solve the problem i will be so benefitOpen for Voting

We can’t reach the Adobe servers. This may be because you’re not connected to the internet. Check your connection and try again below. If you’re still having issues, please see our connectivity troubleshooting guide. Error code: 12013. 

1
kglad
Forum|Forum|1 year ago
avclubvidsParticipant

3D Displacement in AE:Open for Voting

After Effects' Displacement effect is 2D (x/y only), but with the new GLTF/FBX support, we can achieve proper 3D displacement in C4D or Blender, and import them into AE to animate lights, cameras, and other elements. But we cannot do that with animated displacement, so it's pretty limited. This is what we could have if AE got a proper 3D Displacement mode: https://superhivemarket.com/products/video-depth-ai

0
Forum|Forum|1 year ago
Zesty_customer8983Participant

Update layer shortcuts to better access individual shapes and groupsOpen for Voting

This is a simple UX change that would help a ton. When I am in a shape layer, and have a specific group or shape selected, hitting a shortcut key (Like R, S, or T) should open the parameters for that specific group or shape. Not the entire layer.  This would help workflows a bunch! Thanks!

0
Forum|Forum|1 year ago
samuele2239547220a9Inspiring

Keyboard shortcut for Tracking Forward/backward 1 frameOpen for Voting

hello i need a way to enable the hotkey of this command that drives me crazy, forward/backward 1 frame. help me to do it, if it is not possible to do it is there a plugin to do it? has anyone solved or can guide me? my broken fingers will thank you forever.   Title edited by Mod.

4
Forum|Forum|1 year ago
Community Expert
ScottSimmonsCommunity Expert

Premiere needs a visual indicator of which clips in the timeline are grouped together.Open for Voting

Grouping clips in the timeline is a very powerful but under-used feature within Premiere Pro. Part of the reason it's under-used is because once you group some clips together, there's no visual indicator in the timeline that those clips have been grouped.    Feature Request: Add some type of visual indication of clips that have been grouped together in the timeline. The clip label color should remain as well as all other readable metadata, but by giving the clips a visual indicator that they are grouped, you can quickly glance the timeline and see which clips you want to stay together. This can be useful for sound bites that have been drastically edited but need to stay together. This could be useful for any of you clips in B-roll that you want to easily move and stay together. And this would be different from nesting because when you nest a clip, you can't see what's inside the nest, which is often vital when editing.    If you don't know about group clips, then check out this tip:   Tool Tip Tuesday for Adobe Premiere Pro: Group and Ungroup Clips in the Timeline

1
R Neil Haugen
Forum|Forum|1 year ago
adam_6371Participant

[Firefly] UI/UX Element Suggestion - CreditsOpen for Voting

Description:     Addition:A "bank"/"wallet"/storage within the Firefly web application and other AI applications/programs the amount of generative credits the user currently has.    Location:Upper right-hand corner within the ribbon, or as a drop-down element from the ribbon. (Or something else provided Adobe's web design philosophy).    MISC./QoL:Upon hovering the mouse-pointer over the "wallet" could indicate when the user's credits replenish.Credits which a particular generation would use, as provided in the Generative Credits FAQ., simply streamlining the user's experience.  Why is this valuable to you? (COMMENTS):Overall, I believe this addition would:Streamline the user's overall experience.Specifically, allowing users to easily know how many AI generative credits they have remaining.Inform users of how many credits their particular subscription provides them.I do understand if this feature has yet to or will not be published as an attempt on Adobe's behalf to distance itself from other less-than-reputable AI generation websites widely available on the Internet.However, I believe this could be tastefully implemented and this addition would immensely improve the user's experience.

1
Kartika Rawat
Forum|Forum|1 year ago
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