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It would be great to be able to add current location when importing images in Lightroom mobile. This can be useful for on the road imports. best, carlos
Premiere Pro has a quirk where some settings, including Display Color Management, are tied to individual projects rather than global application preferences unlike Photoshop, which allows users to configure settings before even opening a file.Currently, Display Color Management is grayed out when no project is open. Users must first enable or disable it within an active project, after which the setting persists for subsequent projects unless changed again.Since Display Color Management directly affects how colors are displayed across all projects, it would be more intuitive and efficient if it were a global preference rather than a project-specific setting. While this behavior may be due to Premiere Pro’s reliance on sequence settings for color management, making this option available in global preferences would enhance usability and workflow efficiency.
[I have rewrited this since the original post, since my original text was not as clear as it should be] I think we all photographers refer to focal lengths in 35mm equivalent value (angle of view). But since there are a myriad of sensor sizes (and so, a myriad of crop factors), most of the time the Focal Length metadata (the "real" value) is not very useful, unless you only shoot full frame. There is another metadata field called "Focal Length 35mm", but unfortunately, this field is only populated for some cameras (it never shows for any of my Canon cameras, for instance). I understand this is not Lightroom Classic's fault, but some camera makers' (who, for some reason, are not filling in this field). But still, I reckon that some kind of fix is needed, since I think most of us think in terms of 35mm angle of view equivalent, and just seeing the "real" focal length is hardly informative. For instance, how many of us would like to base their lens-buying decisions on their most used focal lengths? Me, for instance, but I can't because of this. But here comes another problem: even when this "Focal Length 35mm" field is populated, it is not available everywhere - unless I am missing something, I can't display this 35mm equivalent: • As part of the info in Loupe Overlay• As part of the info in Grid Extras overlay• As a Metadata column filter (there's a plugin by Jeffrey Friedl that fixes this specific issue)• Under the histogram (only "real" focal length is shown)• In the Map module, in the small thumbnail pop up that appears when clicking the photo's orange pin in the map (only "real" focal length is shown) I guess there could be at least 2 approaches to fix this: - Force-populate the "Focal Length 35mm" when it is empty, and make small modifications where necessary to allow us to display it everywhere where we can also see "real" focal length - Keep things as they are but provide a preference so that "Focal length" is always converted and displayed as its 35mm equivalent There could be other options of course, but whatever the solution, I think something should be done, since the current situation doesn't make much sense - the "real" focal length, which like I said only makes sense for full frame cameras, is being featured everywhere, while the 35mm equivalent angle of view, which is what most of us (if not all of us) use and care for, takes a back seat or isn't there at all. Maybe this wasn't such an issue when Lightroom Classic first came out, but nowadays, like I said, we have a ton of sensor sizes (both cameras and smartphones), and "real" focal lengths by themselves have come to mean very little. Thank you so much for considering this idea!
Hi, It would be great if the Puppet pin tool in After Effect had a Stick tool similar the one in Character Animator 👍All the best!
Hey Community,I don’t like having to search for scripts under the Window tab every time. I’d prefer a search menu similar to the Effects menu, where I can simply type the script name or have them organized by categories. When you have multiple comps open, it can take quite a while to find the right script, especially since you only have those small up and down arrows to navigate.Best regards,Mischel
Ich würde es hilfreich finden, wenn man mehrere Profile der machineprefs.psp anlegen könnte.Hauptsächlich geht es mir dabei um den Dateiverlauf. Davon würde ich gerne Kunden- bzw. Projektbezogene Versionen verwenden.
As a working professional in the motion space, I think having the ability to copy and paste images from Photoshop into after effects compositions/library seamlessly would improve the workflow between the apps. Much like how you can do this in Adobe Animate ( former Flash ), it allows you to paste from Photoshop and Illustrator seamlessly. I often like to import 'reference' frames from approved layouts as guides when I animate and construct my various compositions. This works so well in Adobe Animate, why not in After Effects? Thank you for your consideration. Adrian
It would be great to be able to open the essential graphics panel with the correct root-comp already selected by right clicking on a pre-comp layer in the timeline, the same way it works from the project window. It would be much easier and faster to navigate by right-clicking in the layers where you're actually working. It's a hassle to have to use Reveal Layer Source in Project or worse, search for the primary-comp you want in the huge dropdown in the Essential Graphics panel.
Hey,Right now there seems to be only 1 option for download which sometimes is a huge file. Could we get some options to download additional (smaller) file sizes? Thank you
I would like a panel with a textbox that says "What would you like to do?"I would describe a task and the software would perform it, using some basic vision and the existing API built into Photoshop. For example:"Select every shape layer and the layer directly below it, and for each, put them in a group.""Add 'preview_' to the start of every layer name""Select the outline of every layer and add a layer mask to each""Copy the layer style from first text layer and apply it to every text layer""Repeat the last 3 operations performed on Layer1 to every layer""Distribute the selected layers in an evenly spaced circle around the center" Strictly speaking, I could open up a project right now, and every 20 seconds, think of another example.To me, this is a significantly more important feature than the ability to use AI to paint or draw for me. There's loads of things that can be done via Action (and I use them a lot), but Actions lack the ability to adjust on-the-fly, and take time to set up (and require me to do half the task in order to record one). Every menu, tool, and option in Photoshop is documented and tool-tipped; actions already have a scripting api.
1 Layer Effects that have their own Mask so that you could create an Effect then customize by Masking areas out.2 A Cast Shadow Effect that allows you to have a tight dark shadow and a wider feathered shadow and to adjust the values as needed.
It's so annoying to relocate files one by one. Make an option to relocate all files from same folder at once please.
For the people who find GenAI tools buggy or cumbersome, and know the difference between AI via algorithms like object select etc., it might be nice to have a version of the Adobe subscription without Generative AI credits or features/tools - at a discount. The energy cost is a factor, but also, GenAI is reportedly still largely unprofitable in most cases based on the cost of energy and cooling required for processing and training. And that's likely a factor in justifying our subscriptions continuing to hike up in price (it's not like we don't get a cost breakdown to see what money is going where). If you're a user not into the GenAI features, especially for ethical reasons, why should you shoulder some of that cost for others? I'm all for mutually beneficial things like debugging, but again - for ethical design reasons. And if you aren't using the features, your files should definitely be automatically opted out from any model training, in case they try to put that into terms & conditions in the future.
I need to undercut line art by expanding selections before I fill the area (manual trapping). In PSD for desktop it's cluncky but easy (SELECT>MODIFY>EXPAND Then choose how many pixels). I've been asking for this for YEARS on Fresco and I was hoping we would get this on ipad PSD but we are getting dumb AI stuff before things that I actually use. I could be wrong is there a way to do this on ipad PSD?
The way ducking works in Premiere Pro is somewhat limited. You can apply it to a media which has been tagged. I can understand why - because this tool needs to know, what to duck against. But the media used for ducking has to be tagged as music or ambience only. So what if there was an option to select a track or several tracks to route the ducking "ears" to them or just use ducking with any tags?Why one might need this? Suppose I have a voiceover and I want to duck it against another one if they were recorded in a small room with microphones close enough to record an opponent's speech as an echo.To do this I have to duplicate the track, leave only the left channel in one and only the right channel in the other and use them both to duck against one another. But this way I have to tag them as music or ambience which deprives me of using the helpful tools found in the Essential Sound if the Dialogue tag is set. And you cannot tag a media twice. So what I suggest is either add a ducking feature to all the tags or just add a separate ducking instrument to be able to use it with any media. As far as I know ducking is made via the Amplitude filter but the ducking feature is only available in the Essential Sound tab when the media is tagged as Music\Ambience. So another way to implement this feature would be adding a ducking preset to the Amolitude filter with additional options where you can set it up to duck against other media or tracks.
Please make this part way smaller, it's taking too much space.
Currently, the Enhanced Image (NR) will NOT carry the Collection Information of the original image. I suggest that a check box in the Preference Form can be added like the Keyword (Automatically add keywords to Enhanced image), so that there is a way to automatically add Collection Information from original to enhanced images.
Color Swatches are flat but the love for gradients is not going to stop. So, I'm looking at a way to display a Gradient within a Color Swatch. Should be useful for Gradient Fill and Gradient Stroke in Shape Layers.And as an aside, who decided to name Timeline Markers, Composition Markers??? 😄Having Composition Markers is actually a good way for leaving/exchanging notes directly in a Composition; where a Marker Comment may have more contextual relevance than a Timeline Marker.
As decals (Warp projections) are Fill layers, they currently don’t support the symmetry feature. Adding symmetry to Fill layers would allow users to fully move/rotate/rescale a decal, and all changes would automatically influence the opposite side of the mesh. This thread has been created in regards to a future QOL (Quality Of Life) release. We’re trying to prioritize users’ needs; therefore, your voice is very important! Please write your feedback below and don’t forget to vote for your favorite suggestions!All shared images are purely for visualization and not functional features.
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