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Cyan_282Known Participant

Feature Requests

Blend mode "Clear" -> Why doesn't exist for layer ?Open for Voting

Hello,When working with brush tool. There is a blend mode name "Clear" (erased). Why doesn't this clear blend mode is not avaible for layer ? It could be very useful for creating very advanced layer masks. Please add the CLEAR blend mode for layers !!!

EkeenaolLeigh_Holland1761Participant

Feature Requests

P: Delete Button on the Keyboard to Delete filesOpen for Voting

Please add the feature to delete photos from the Lightroom gallery using the delete button located on the supported key board I've tried different Bluetooth key boards and also have the Apple branded 12.9 folio with keyboard and the delete button is useless. When you press it, nothing happens. I would like to be able to delete Using the buttion on the keyboard unless someone knows a hot key Thank you!

Efe03169Participant

Feature Requests

add turkish Language to after effects 2025Open for Voting

pls add turkish language to after effects 2025 for ur turkish customers

mili224Participant

Feature Requests

P: Add support for OM-1 high resolution files (12-Bit)Released

I recently purchased an OM Systems OM-1 mark II camera. The camera is capable of creating high resolution photos (80 MP files) using the cameras native 20MP sensor. It creates the high res files by taking mulitple shots and merging them (in camera) to create a single high res image. Unfortunatly Lightroom Classic does not seem to be able to import these high res files. The normal resolution files transfer with no issue, it's only the 80MP high resolution images which won't transfer. 

DerrickAshtrayParticipant

Feature Requests

Match Frame to Source SequenceOpen for Voting

When cutting from a Source Sequence, it would be great to be able to match frame to that same frame in the Source Sequence (not to the original clip). For example, if I have a series of 20 resets in my source, and I am not sure which one I used in the cut, all I need to do is use this 'FIND FRAME IN SOURCE SEQ' command to take me exactly to that point. Then I can see what else I might want to use and try that as an alt. Sure, I could do that from the original clip but:- then I'd have to get back to the source sequence.- I also wouldn't have a way of marking things on the Source Sequence (which is the whole point of stringouts)

jakub_7780Participant

Feature Requests

P: "lrcat-data" and "lrcat" files should be merged into oneOpen for Voting

For as long as I used Lightroom, there was always one catalog file: lrcat. And it was good. All I needed to restore catalog was one file.    Since IDK when there is another catalog file: lrcat-data   I learned this hard way, when I decided to format my disk and restore everything from backup.   Why 2 files which both store photo metadata, are kept separate? This does not make sense to me. Obviously they could be stored together in one file, which would make life easier.   Idea here is to merge them into one file and restore simplicity of one file approach.

Dakshina24364620ttgwParticipant

Feature Requests

Layer on and off states Properties PanelOpen for Voting

The new Premiere Pro 25 visibility icon has a Grey, crossed-out eye icon when OFF.... And a Grey, uncrossed eye icon when ON. When designing, I think it would be more helpful if the eye icon used two different colors to distinguish between the on and off states.

Nacho SKnown Participant

Feature Requests

Enhancing Batch Export Capabilities for Comprehensive Post-Production WorkflowsOpen for Voting

Hey Adobe Team, I’m touching base to talk about an area in Premiere Pro that I think could use some enhancement: batch exporting. While Premiere is doing great as an NLE, it feels like it’s missing out on some batch export functionalities that other software, particularly those geared towards finishing like DaVinci Resolve, Scratch, and Baselight, handle quite smoothly. Someone recently pointed out to me that the reason Premiere might lack these functionalities is that it's primarily an NLE, unlike Resolve which leans more into finishing tasks. That made a lot of sense, especially considering that other NLEs like Avid and FCPX also don’t focus much on this feature. However, given the evolving roles in post-production where editors frequently need to juggle finishing tasks as well, adding a robust batch export feature that handles effects like Lumetri Color adjustments could really elevate Premiere’s game. It would help us save time and streamline workflows by avoiding cumbersome workarounds like nesting each clip or exporting entire sequences and chopping them down. I believe integrating an "Include All Effects" option in the export panel or a way to select multiple clips from the timeline for export with their respective adjustments and effects retained would make Premiere Pro a powerhouse for not just cutting but complete post-production workflows. Thanks for considering this feature request. It would be awesome to see Premiere step up on this front in a future update! Thanks, Nacho

limavineParticipant

Feature Requests

How about a complete Adobe Premiere app made for the iPad just like you did with Photoshop?Open for Voting

You did an amazing job bringing a full version of the Photoshop and Lightroom app to the iPad! How about doing the same with Premiere now? The new processors like M2 onwards are extremely powerful and we certainly have a community of video editors (I'm one of them) that will take advantage of a full and more functional version of Premiere on the iPad Although the video editor options are good, we know that Premiere dominates the market and bringing it with all the functions to the iPad will definitely be a game changer

Feature Requests

Why doesn't Photoshop have color styles? A style controls multiple objects.Open for Voting

Why doesn't Photoshop have color styles? A style controls multiple objects.I don't know why the color palette is not modifiable in the software?I would like to use one color style to control the color of multiple objects and be able to change my color at any time.Like the swatch feature in InDesing and Illustrator?The swatches in PS only seem to be able to add, not modify color values? Also, the existing styles feature is only add-on, you can't modify existing styles. Very curious to ask, what is the PS development team thinking?

ItamKnown Participant

Feature Requests

Automatically find silent parts in interviews for set noiseOpen for Voting

I would love to have the option for Premiere tot automatically detect the longest silent part(s) in an interview clip. Sometimes in need set noise from an interview to hide cuts, or to add pauses in between quotes and I think this option would be really useful for finding those useful parts of the interview without speech, but with set noise.

.Michael.Inspiring

Feature Requests

P: Extend the 'Copy Settings' dialog box or ...Open for Voting

Hello, I have often to do a perspective correction. 1) For me it would make sense if the option 'Constrain Crop' at Transform (named 'Constrain to Image' at Crop) would be active per default.  2) A other and may be better solution, introduce it to the 'Copy Settings' dialog box, please see my picture below. Thank you! Michael  

Maarten VandecasteeleParticipating Frequently

Feature Requests

Loudness meter in Audio ToolOpen for Voting

Please integrate a loudness meter in the audio tool. By doing that the meter is always open and docked in the workspace. Now it is a trackeffect in the audio track mixer and always a floating window. I would like it if the loudness meter is aways visable. 

good_4443Participant

Feature Requests

no generative fill option has all the necessary toolsOpen for Voting

There seems to be three ways to use generative fill. But all are missing key elements. Is there a way to use generative workspace but control the pixel size of the final image? Or a way to use a composition reference image on the other generative fill options? It’s also weird you can’t see all the art styles together (via the "all" category) in generative workspace like you can in the other sections. But I can get around that. It just basically creates a treasure hunt aspect for no reason.  Thank you. 

myleskramerParticipant

Feature Requests

Need option to assign tracks by camera label when using waveform sync to create multicam sequenceOpen for Voting

This is one of the biggest reasons users are ditching Adobe and moving to Davinci, and I think I may be next.  Are you sick of having to clean up a cascading waterfall of clips after using waveform sync to create a multicam sequence? I know I am, and I know Premiere users have been complaining about this for at least 10 years. Hey Adobe, can you help a homie out? When you selects a batch of clips in the project panel, right click, create multicam sequence, there are options to sync by in point, out point, timecode, sound timecode, and audio. Under the timecode option you also have options to "create single multicam source sequence" and track assignments by camera angle or camera lable. WHY YOU NO OFFER THESE OPTIONS FOR AUDIO SYNC??? I'm a documentary editor and in the indie world we often don't have the luxury of shooting with timecode. Waveform sync is often times the only syncing option I have, and when I create a waveform sync multicam sequence I'm stuck with anywhere between 50-100 clips all seperated on their own video tracks. I then have to manually bring down all of the clips to video tracks 1, 2 and 3, and bring up all of the associated audio clips to audio tracks 1, 2 and 3. This is obvioulsy a huge time waster and other programs like Davinci don't do this. I'm aware you can input camera lable metadata to you footage, but you cannot tell premiere to read this metadata when using waveform sync. Please please PLEASE enable these options for waveform sync and you will save this premiere user and many others from jumping ship. Also while you're at it, instead of muting all of the audio tracks below A1 & A2 by deafult, can we just have A1 & A2 soloed? Clicking around to unmute these tracks is also a cumbersome waste of time when you could just have the top two audio tracks soloed by default and then solo more audio tracks below as needed.  Okay that's all, peace and love. 

WienkeKnown Participant

Feature Requests

Add a sub-indented topic list to the Photoshop User Guide.Open for Voting

Adobe's technical writers are excellent, but I often have trouble finding the topic I want because the table of contents at the left of the User Guide offers only one level of indent. In order to find a sub topic, I must scroll through the entire text. That text is always clearly divided into subtopics, so it would be easy for Adobe to put them into a sub-indented list. Then I could identify and jump to the subtopic instantly.As it is, the Guide feels like a giant sea of info, with no easy way of bouncing around in it, so I usually resort to a general web search for every single simple thing I need to know. As an example for how inefficient this is, try finding how to use the video group's "pan & zoom" feature. All the search hits, even within Adobe Support, are for other apps, not Photoshop. Yes, there are YouTube results for this, and I watched one, but it took quite a bit of time to find out that "pan & zoom" is a simplified version of a keyframed transform. With a list of sub topics and some text, I would have known this within a few seconds.

hikingwithcameraParticipating Frequently

Feature Requests

P: Ability to store Smart Previews ONLY locallyOpen for Voting

This seems actually more like a bug report than a feature request, but I'm told this is by design.   Currently, I've learned, that if you want to store an album locally, once it downloads and original to Lightroom, that original will remain indefinitely and not be cleared no matter how long it's been since you edited it.   What I want is the ability to store most or all of my photos locally as Smart Previews, and offload the originals without needing to offload the Smart Previews.

Richard28552636f30nParticipant

Feature Requests

Batch Export Directly from Premier ProOpen for Voting

Why can we only ever export one sequence at a time directly from Premier Pro? When doing a batch export we have to do it through a dynamic link to media encoder which I find to be slow and sometimes it freezes on the 'Preparing data for extport' progress bar.Why can we not have a built in Premier export queue like we have in After Effects? This is particularly frustrating when I'm trying to export a large campaign which can sometimes consist of 60+ seqences.

FeedbackCommunityMemberInspiring

Feature Requests

P: Lightroom CC app for LG webOSOpen for Voting

Idea!!I've seen that there's a Lightroom CC app for apple tv, can there be a port for LG webOS smart TV platform?  No better way to view my photos than on my OLED TV! Just thinking. :)Thanks!!

Reddwarfposse5Participating Frequently

Feature Requests

Permanently disable social media tabsOpen for Voting

Our security team do not want users to be able to post directly to any social media platforms within Premiere Pro. I'm aware that the tabs can be turned off, but the users can simply switch them on again.Is there a way that these can be disabled so they are "greyed" out so they can't be switched on at all?

kirill_7256Known Participant

Feature Requests

Selected parent /top level sliders as on screen widgetsOpen for Voting

When you edit a function, pixel processor or sub-graph   would be nice to have slelected  top level  sliders always be  available as on screen widgets so you can chang the math  or blending and istantly check how would it respond to  top level changes without necessety to go up and down all the time.   I mean from value/pixel processor to main graph and back .

DreezzParticipant

Feature Requests

Can Premiere show CPS and CPL for subtitles?Open for Voting

Hey everyone, We work on a lot of projects where accessibility is important, and we follow WCAG guidelines to make sure our subtitles are easy to read for everyone. A big part of that is sticking to limits for characters per second (CPS) and characters per line (CPL). Premiere Pro doesn’t show CPS or CPL when editing subtitles. It’s a bit of a pain because we have to use separate tools to check if everything’s in line with accessibility rules. It’d be amazing if Premiere could display this info directly while we’re editing subtitles. Is this something Adobe is working on, or does anyone have a good workaround? Would love to hear your thoughts!Dries

MghBayParticipant

Feature Requests

Generative Expand VS Transparent Expand DefaultsOpen for Voting

After My latest update to "Adobe Photoshop Version: 26.0.0 20240927.r.26 a733fda x64", The default Fill options for the crop tool switch to Transparent, even though I understand that this might be convenient for many users, it made my life miserable.I believe it should be up to the user to select their default fill option, I edit 10 to 20 Photos at least on a daily basis, and 80 percent of the time they need generative expand.Not only do I have to select generative expand each time I start a new session, but now everytime I need to use the crop tool (during the same session) I have to reselect the option. Please make it an option in the preferences to choose the default fill option. 

RobBarrettCommunity Expert

Feature Requests

Use highlight color for timeline togglesOpen for Voting

Request to please return to using the highlight colour in the new Spectrum UI to denote if these toggles are active. The new design of a mid-grey background for the button isn't visible enough.  

stylish_hearted5C5CParticipant

Feature Requests

P: Tethered Capture - allow for backup on SD CardOpen for Voting

J'aimerai que la fonction shoot connecté de lightroom (copie les photo en directe sur l'ordianteur (ça ok cela fonctionne) mais que celui-ci propose une fonction de copie également sur la carte SD de l'appareil photo pour avoir une sauvegarde sur l'APN comme le fait Capture one en mode connecté sur n'importe quel APN c'est une option du logiciel.

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