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1. I am here to submit a feature request that hopefully be granted. Please add opacity option in pattern at stroke in blending options.2. It's very valuable to me because it will make designing texts, and a lot more.. easier. Because instead of doing hard work and make a lot of patterns, do it on one way. Best regards,Daniel.(I'm really sorry about my English, It's not that good)
I notice that in PS the AI selection adjustment layer is BELOW the effected layer mask. In other modules if an effect is limited to a single layer or layer mask the adjustment is ABOVE the effected layer. Can the latest update AI layer adjustment be standardised so that the layer containing the effecting feature is ABOVE the layer it effects? I hope this is understanable?
Hi, I wonder if there are people who think the same as me.I'm now on photoshop's individual subscription and it allows me to install photoshop actively on two computers. But two are too little for me. For me, I have two PC and one laptop and I really want to install photoshop on all my computers so I don't need to change the computer to continue work.I think it's not a small number that people have the same situation as me.As a programmer, I think Adobe has a lot of methods to detect the abuse of license which is better than only limiting the number of active devices.
Is there a style plug-in similar to InDesign in Photoshop that can control the color of multiple objects at the same time. PS seems to have paragraph style and character style, but it doesn't seem very convenient to use. I have a little plug-in called "colorkit", but it seems to be perfect.
I have performance problems with PS22 and my new Macbook Air M1.Loading time ist very lange, Sky Replacement freezes my Mac..Exporting a image....crashes my Mac..Its hortible. My Windows 11 notebook is much faster than the Macbook Air...thats horrible!!
Having just upgraded PS & LR to the latest November release (PS 23.0.1 & LrC 11.0.1) I would congratulate Adobe on the AI subject selection with one observation / suggestion.The AI does a great job of making appropriate selections in both modules. In LR the subsequent workflow is very logical and making edits to the mask for the areas where AI has not quite been perfect is easy using the menu tools, brush etc.However in PS the same excellent selection is made but the subsequent tools for adjusting the selection(s) are less user friendly. In fact it took several attempts before I realised that to make an adjustment you need to generate a layer mask for all the elements selected. All the elements which need adjustment (e.g. adjoining selections) then need individual "tweeks". There is no doubt that this approach "works" but it is less user friendly than the LR workflow. The ability to adjust the selection before it becomes a mask would, in my view, make this new feature
You can change the size of elements in all Adobe products, but apparently not the text cursor. As I get older my eyes get weaker and certain elements become more difficult to see. Many, for other obvious reasons, can be adjusted, but not the text cursor. I realize, of course, that I can zoom in or out of text, however I would have to be constantly doing this which is not very convenient.
In Finishing (retouching), we often need to replace the Base Layer of the Clipping Mask chain of layers. When this is done we simply delete the original Base Layer, which breaks the clipping chain. This also happens when any of the layers within the 'clipped' group is duplicated. It seems counter productive. It would save time and would seem intuitive if, when the Base Layer of the Clipping Mask chain of layers is removed, the Layer above it would automatically become the new Clipping Mask Base Layer.
I would love to see magic eraser. It is a huge time saver when I'm trying to clean up images so layers beneath them show.
I develop eLearning products and Fuse was a great way to create quick and easy, drag and drop characters in under 5 minutes. A project just came in that requires 3D characters and to my horror, I've discovered that Fuse has been discontinued and it appears that Adobe does not offer a replacement for this product. Instead, I'm being directed to the Substance suite which is WAY above the technical skillset of the majority of the people in my group. Only a handful of us (myself included) could use these Substance programs. We need Fuse back or something like Fuse, that is quick and easy for people who aren't trying to recreate The Elder Scrolls or characters that look like Ezio Auditore De Firenze. We just need to be able to create regular people for corporate training purposes that we can put a suit on or dress for casual Friday, give them a briefcase, a laptop, and a cup of coffee. No meshes. No virtual clay modeling. Just provide male and
Bonjour, cela fait plusieurs années que j'utilise la suite adobe et surtout Photoshop et il y a des fonctions que l'on ne trouve pas et que je trouve étrange que adobe n'y a toujours pas pensé de nous le proposer :1 - La sauvegarde en incrémentation, je suis toujours obligé d'installer un script pour réussir à le faire sur photoshop, ayant pour habitude de travailler également en 3D j'ai toujours pris le réflexe de fair une sauvegarde incrémenté pour revenir plus facilement en arriére que de me retrouver bloqué car j'ai trop avancé pour faire ctrl+z.2 - La roue chromatique, je trouve ca dommage que vous n'ayez pas pris exemple sur le plugin coolorus pour nous proposer les même fonctionalité. quand j'étais sur cs6 je l'utilisé, et je le trouvé plus intéréssant que d'aller sur votre site adobe color car tout était à porté de main directement sur le logiciel (sans être forcément connécté à internet h24) : https://coolorus.com/3 - Moi qui déteste l'ergnomomie Apple et leur ios j'ai trouvé
Style transfer filter art has some amazing offerings; it's not that I don't like the art that is available, but the big drawback is that it's NOT mine. My artwork is my profession and ultimately I don't want to use someone else's art in my professional work; I would like to be able to upload my own artwork as a private style that I can utilize as an AI Neural Interface with my own photos.
Whether maintained by Adobe or Apple, Photoshop should have an always up-to-date Template that contains artboards for the many iOS devices in their various sizes/aspect ratios in order to create App Store screenshots. Something similar would be great for the Google Play Store (though it's more likely to be a subset of the most popular Android devices). It would save a lot of time.
I love the simplicity and accuracy of the sky replacement tool, it is much easier than using the magic wand etc..would it not be possible to adapt this tool to add any back ground with one click , not just a new sky ?
Hi, It would be great if Adobe find a way to include seamless Pattern brush like Illustrator in Photoshop or at least an easy way to work around it. A simple brush stamp and angle will break the curve pretty bad and I need it to be seamless enough.thank you.
The newer versions of Photoshop really need to have network drive support!! I use Actions to save files onto network drives, instead of my local computer drive. However, since Photoshop does not support network drives, when I attempt to change the save location in an action, it also renames the file, which I do not want! This causes me to have to change the save location twice so that it's not renaming all of my files. I never had this issue with PS versions CS6 and earlier. Now it's a huge hassle to change my actions because I have hundreds of them that have a minimum of 10 save locations each. The only solution I was given was to save everything on a local drive and then copy them over onto the network drives. However, due to the large quantity of files and the multiple people that need to access them as soon as they are saved, that is not a solution I can use. The only work around is for me to go back and use version CS6. Really not ideal.
Brief title for your desired feature: Inline Smart Object Editting How would you like the feature to work? Make Smart Objects editable without double clicking them. Add a drop down arrow so that you can see all of the layers (just like folders). Then, you can edit right there. If you have multiple instances of the smart object, you can watch them all update together. Why is this feature important to you? For one, I could edit more quickly. Also, with this functionality I would be able to edit projects in an 'environment'. If I'm making a backdrop for a stage (which I do), I can take a picture of the stage, and work on the project within the actual stage, and make a better composition that is more cohesive with the surroundings. When you're done, you can just export the smart object, it's already got the right dpi, dimensions, color mode.... it's done. I could paint light shadows in the main canvas over areas that are in the dark, so that I automatically make those colors brighter in th
Why is there no option to add arrows to the end of strokes using the pen tool in Photoshop. This seems like such a basic feature that could be very useful and would save me a lot of time / headaches of either doing a workaround with the line tool, or jumping back and forth between illustrator and photoshop for something as simple as creating a bent line with an arrow at the end. Please Adobe, add this very basic functionality to photoshop.
User Story: As a Photoshop for iPad user I want to be able to download multiple files/folders for offline use, so that I dont have to download them one-by-one for field (offline) work. I stack and auto-blend product photos on my Mac. Retouching is however much more plesant on an iPad so I made a quick Batch Action, that save copies as Cloud documents.On an iPad I often want to work offline or with a weak connection (like in a café). Downloading full-res photoshop files over LTE is expensive and time-consuming because of large file size and therefore not useful for standard workflow. That is why I download files onto the iPad on my fast office Wifi before venturing out. This however is currently only possible one-by-one, which is very time-consuming. Including feature to make multiple cloud files/folders available offline would speed-up my workflow greatly simplifiyng adoption of cloud documents.
Since Photoshop 2021 does not support video memory of 1GB or less, the operation becomes extremely slow. Is it the soul to collaborate with Apple and buy a new Mac? It shouldn't be impossible to get support. I want you to support 1GB or less.Photoshop2021からビデオメモリーが1GB以下はサポートしないので動作が極端に遅くなる。Appleと結託して新しいMacに買い替えさせる魂胆か?サポートさせるのは不可能ではないはずだ。1GB以下もサポートしてほしい。
I would find it very handy if when using a brush, that you could right click and have access to the Blending Modes and not have to go to the top of the screen to change them.
Need: In the fishing world, there is a demand for an application that can quickly change / hide your background. Target Audience: Not tech savy. Most don't own computers. Platform: Could be an enhancement to lightroom mobile or photoshop elements. Would also have use within photoshop. Idea: User quickly outlines subject. Quickmask feature selects it. Use then can select different background effects/styles/blurs to alter background. Remove houses could also get a lot of mileage if trees are next to them.
I am wondering why the adjustments panel does not also host the 3 kinds of fill layers, Solid Color, Gradient, or Pattern. it could be useful for graphic tablet users to be able to add a fill layer that way, using the same workflow: if there is a selection or a path, it is used to affect the adjustment layer. There's plenty of room in that panel for 3 more icons.
Full screen mode is one of the best features of Photoshop but I believe since CS4 or 5 it started hiding the document tabs and you can't bring them back without leaving fullscreen or with Shift F or other shortcut that I know of. Please undo this change in the next version of Ps or make it optional.
Time for a redesign of Photoshop User Interface. Windows are too big and take up too much screen real estate. Some can't be resized... Even on a 24" iMac M1, styles window for example, is too big and has too much wasted blank space... Just a quick decrease in size of a, still, badly designed window...
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