Premiere (Beta)

Hello!I’m not sure if this is the right forum for a bug report on the beta release of Premiere, but it seems that the latest build (build 30) crashes much more often in the color panel than the earlier builds did.  This could be due to my getting more comfortable, and therefore ambitious, with the new toolset.  Now when I apply a mask (rectangle or oval) and try to track it, the program locks up almost every time.  If this needs to go to another fourm, please let me know.Thanks!System:Windows 11Core I964gig RAMRTX4060TI

Some transitions in Production Crate’s LaForge Suite cause instant crash when applied. I thought it was a “me” problem till i saw someone else’s post saying also motion array’s transitions cause insta-crash:I concluded that it’s a bug by testing the same transitions on the latest stable release (26.3) crash doesn’t happen there. Sapphire and BCC transitions seem to be working fine as well, but there is definitely something going on and needs to be looked into.System info    Application: Premiere Pro (Beta) v26.5.0.37    OS: Windows v10.0.26200, RAM: 31.82 GB GB, CPUs (logical): 24

I am testing out the new Assistant. I have a bunch of text layers in my sequence with two different text assets in them. The first text asset that appears in the list in the Properties panel needs to be moved upwards on the Y axis, from the current value of 2032 to a new value of 2005. I asked Assistant to do this for me on a selection of four clips before running it across my entire sequence. It says it ran, but when it was done the values of the Y position had not changed, and now my text is just blank. My convo with Assistant: Results: 

Export freezes while "Preparing Content Credentials”Exporting as usual and the first loading screen while exporting says “Preparing Content Credentials” and is stuck at 100%. I’ve tried toggling Content Credentials on and off. I’ve cleared my cache. I’ve tried moving on and out points, I’ve tried rebooting, I’ve tried exporting different codecs.  If I export with Credentials on, it says "Applying Content Credentials” and also freezes at 100%. I’ve verified my identity and credentials.  I’ve tried media encoder with things toggled on/off and multiple codecs. I’ve also tried other project files.  I must export. 

The object detection in Object Masking tool is getting an upgrade. If you are using the latest Beta, you are already using it. We wanted to share what's changing.When you move your cursor over the Program Monitor with the Object Mask tool active, colored overlays snap to objects in the frame before you click. That instant preview is meant to be fast, confident, and complete. It works great for common foreground subjects. But for many other things you might have found yourself reaching for the rectangle or lasso fallback more often than you'd like.What's changingWe've upgraded the underlying model powering object detection. The new experience is meaningfully better across three dimensions:More objects detected. The new model surfaces roughly twice as many selectable objects per scene. Objects that were previously invisible to the object detection pipeline- props, background elements, layered subjects with props, now light up.More complete object boundaries. Mask boundaries are more accu

The newest Beta (26.5.0 Build 36) is crashing with motion array transitions.  Worked on the previous build until I updated today (June 18)slicer AND shifter both fail

Beta versions of Premiere, After Effects, and Media Encoder now natively support Canon Cinema RAW Light files from the following Canon cameras: EOS C50 EOS R6 Mark III EOS R6 V EOS C400, with 3:2 / Open Gate firmware installedThis update allows you to import and edit raw files - up to 7K Open Gate - from these cameras. In addition, Premiere, After Effects, and Media Encoder continue to support raw video files from other Canon cameras.  Raw settings - including Color Temperature, Tint, Exposure, Color Space, and Gamma - can be viewed and modified via Effects Controls > Source.  If you have any questions or comments about this update, please let us know below. If you experience any performance issues or bugs, please share your OS, hardware specs, and specific camera recording settings.

Issue:Premiere Pro incorrectly detects silences in Transcript / Text Based Editing. The detected silence regions are visibly offset from the real audio waveform, so the silence markers do not line up with the actual pauses. Because of this, removing pauses is unreliable and sometimes cuts into spoken dialogue instead of only removing real silence.This happens in both Premiere Pro Beta and the regular Premiere Pro release, so it does not appear to be limited to one version branch.Steps to reproduce:1. Import a video clip with spoken dialogue and natural pauses.2. Create a sequence from that clip.3. Open the Text panel and create a transcript using Text Based Editing.4. Let Premiere detect pauses / silences in the transcript.5. Compare the detected silence block positions against the actual waveform in the timeline.6. Notice that the detected silence regions are offset and do not match the real silent areas correctly.7. If you use the remove pauses function, Premiere may remove the wrong

The scopes in color mode often don't render. It's just a black box instead of the actual scopes. Happens more with larger projects, or when it's been open for awhile.PS, an opacity slider for the scopes would be nice, because they cover up a lot of the image.

Description: I’m experiencing a bug in the current Premiere Pro Beta (version 25.6.0) related to manual masking and keyframe animation.When I draw a mask using the Pen tool or shape tools and attempt to animate it using Mask Path keyframes, the mask does not respond to changes. Even after enabling the stopwatch and adjusting the mask on different frames, the animation does not register—both keyframes remain identical, and the mask stays static.I’ve confirmed this behavior in multiple projects and tried the following workarounds:Toggling the Mask Path stopwatchManually adjusting the mask shape on different framesUsing different effects (Gaussian Blur, Lumetri Color)Resetting workspaces and preferencesNone of these resolved the issue. It seems the new masking system in the Beta is not properly linking manual mask adjustments to keyframe animation.System Info:Premiere Pro Beta v25.6.0Windows 11 Pro 64GPU: Nvidia GeForce RTX 3080 LaptopThis bug is blocking my workflow, especially for subtl

Hey everyone!We are excited to share a new feature in Text-Based Editing: Paper Edit. It is in build 34 of Premiere Beta. Many of you have asked for the ability to highlight multiple sections of a transcript and preview them before creating a new sequence.Here’s how it works:Start from a single Source Clip or an existing Sequence. Click the Paper Edit button  Highlight what you want to keep. When you click into Paper Edit mode, you can read through your transcript and highlight the sections you want to use. Before you commit anything to a sequence, select “Preview.” This allows you to playback the selections and make changes. Click on a selection to omit it. If something doesn’t sound good in your preview, just remove it by clicking on the text. Jump between sections in long sequences. If your raw footage is long, you can quickly jump between sections instead of scrolling endlessly.We would love to hear what you think! Give Paper Edit a spin and let us know if there is anything we can

  When Direct Manipulation is manually disabled, the setting does not persist when selecting clips that contain linked audio and video. reselecting a linked A/V clip or selecting a different A/V clip, Direct Manipulation re-enables itself without user input.   This behavior appears to be specific to linked audio/video clips. I cannot reproduce it with unlinked video-only clips or still images, where Direct Manipulation remains disabled once you disable them while selected as expected.Import a video file that has audio linked. Add the clip to a sequence as a linked audio/video clip. Enable Direct Manipulation. Disable Direct Manipulation. Reselect the linked audio/video clip. (or any other linked video)   Expected Result:Direct Manipulation remains disabled until it is manually re-enabled by the user.Actual Result:Direct Manipulation re-enables itself after reselecting the linked video or any other linked video on the timeline. Additional Testing:Unlinked video-only clips: Cannot reprod

The bug is new with the last update, this worked fine before.Base layer with object. Text layer on top. Copy of base layer with object mask on top.When Pause it shows text behind the object. Only when Playback, the mask is ignored.Win11, Premiere Beta 26.5.0 beta, Build 15 

Beta versions of Premiere, After Effects, and Media Encoder now natively support ARRICORE files from the ARRI ALEXA 35 Xtreme camera. ARRICORE files are approximately half the size of ARRIRAW and are similar in size to ProRes 4444. Unlike ProRes, exposure, white balance, and color tint settings can be changed non-destructively after capture, via the Source tab in the Effect Controls panel.  More information about ARRICORE is available on ARRI’s website:ARRICORE overview Sample footageIf you have any questions or comments, please let us know!

When I go from color mode back to editing mode, sometimes my sequence in the timeline is closed, and when I try to reopen it, it shows up as a nested sequence that I can't seem to open to keep editing the individual clips.

trying to open .. EDIT> PREFEENCES>GENERAL…gives an error..  Invalid Type conversion.. no box opens..   

Running the most current release of the beta, 26.5.0. When I try to open Premiere Settings, an “Invalid Type Conversion” error and then Premiere crashes.

I’m wanting to rescan my vsts, but am not able to. If I try to open the “General” page under preferences it doesn’t do anything.  Can't open Preferences: Edit -> Preferences -> General It throws an error event: Invalid type conversion 

I’m unable to make any changes in the Preferences tab because the error **"Invalid type conversion"** keeps appearing whenever I try to update the settings. What could be the problem and solution for this?

Hello, I am currently in post production on a short film that was shot on the Alexa Mini LF and shot on Anamorphic lenses. I imported all the footage in and since the DP had set the footage to be stretched so no desqueezing was needed. Working with the footage has been fine in Premiere Pro. However, when I go to export a screenshot from the timeline, the image is squeezed and not in the widescreen image (image has been attached as well as clip tech specs). What is the workaround for this and why does this continue to happen? Thank you in advance.

See regular forum: I’m posting this bug report in the Beta forum to focus what I believe are the underlying issues. At least 2 changes have been made to the fields in the caption/graphics txt/csv exports during the 25.x and 26.x cycles. What I believe are the correct fields were present in the 24.6.5 version. I am unsure whether any of the changes are by design, since I thought the reasoning that led to the 24.6.5 fields should be the same. My comment in that forum thread included the problem in 25.6.4 with the exports there: “In 25.6.4, the fields became the same for caption export and graphics export: Speaker name, Start Time, End Time, and Text. Perhaps there was a plan to export speaker information to captions, but a) the Video Track and Layer ID fields should not have been removed and b) a further change was made the time of update to 26.2.2, now making the fields for caption and graphics export the same as the caption export in 24.6.5: Start Time, End Time, Text, and Layer ID.” S

Since the new update, the transcript function has started producing nonsense. It just repeats words like “the”, “new”, “have”, “had”, etc. I have uninstalled and and re-installed. I’ve also confirmed the text to speech (English) add-on is added. Downgrading to an earlier version does not solve the problem. 

In 2025, we updated Premiere’s timeline to make edit operations dynamic. Previously, editing showed a static blue box, and the timeline only updated after you released the mouse. With the dynamic update, everything refreshes in real time as you edit. Since that release, a small but passionate group of editors has let us know they strongly prefer the original, static behavior, especially when trimming. We want to extend a huge thank you to everyone who shared their feedback, and especially to those who hopped on video calls with us to deep-dive into their workflows. We heard you loud and clear! In the latest Premiere beta, we’ve added a new preference to give you control over this behavior. You can now toggle this feature via Preferences > Trim > Update timeline dynamically during ripple edits. Here is a quick look at the setting in action.  Please try it out and let us know your thoughts in the replies below. We look forward to hearing your feedback!