Questions

I realise adobe won't comment on exact timeframes but just wondering if we're talking weeks or months? Or years?

When duplicating a sequence that contains music that was remixed using the new remix function, the music in the newly duplicated sequence turns out different.   When copying a remixed track and pasting to another sequence, the pasted remixed music becomes different.  Please fix this.

Premiere Beta v25.1.053 does not display RED video anymore, neither in the Program nor the Source Monitor. I can only get frames to show using Software Rendering, which is not an option. I can see h264/h265 and ProRes footage just fine, just REDRAW that's broken. I think the last version or at least the one before worked fine. Not sure if I missed one. Deleted the Settings folder to try to reset everything, but no change in behavior.

HiI noticed an awesome update that was released with Beta (i think). Color Fonts Support-> Enable rendering of Emoji and Color Fonts in text layers. However, I'm having issues with it. When I'm trying to use the keyboard viewer (window + .) and insert an emoji to text layer, it's still not rendering it properly. What am I missing?  Thank you  

I'm very happy that premiere is overhauling color managment. I work on macos primarily for videos for the web. I set my projects to 2.2 as this is known to be a good compromise for most devices (it will look accurate for sRGB displays and only have a small 1.96 to 2.2 difference for most macos users).  But exports still are tagged as NCLC 1-1-1 when i'm working in gamma 2.2. Shouldn't they be tagged as 1-13-1 or 1-4-1 (1-13-1 for sRGB seems more supported than 1-4-1 gamma 2.2). I've seen some suggest that YouTube has started supporting those two tags.When re-tagged as 1-13-1 exports would match premiere's GUI program in quicktime. Ideally frame.io's web app could also be updated to support these tags on macos. Right now, is the only way to get client's to consistenly approve color to set Premiere to 1.9 Quicktime gamma, upload to frame.io (file has 1-1-1 tag and that's what frame shows), and live with the export being a little crunchy on sRGB displays? cc: @Ale

Hi,   I've done more testing with working in ACEScct and I have my doubts. Some color space aware effects do more damage than not managing them and others don't show any sensible difference leaving me questioned as to why they even need a 'color space aware' function.   Dip To Black Enable/Disable: No discernable difference. Appearance: Not desireable. Reveals clipping light, show harsh transitions and color banding in the transition even if they are diminished by the DRT. It also seems like the middle 'true black' frame in the transition is not the black point of the log working color space, just zero, resulting in a negative black. This undesirable appearance is not present when using Direct SDR. For reference in Resolve the appearance does not change at all when switching between a direct SDR or 'HDR' scene referred log working space when a similar dip to black transition is applied. It always looks like that of Premiere's Direct SDR workflow.   ACEScct: Direct SDR:

Download Adobe Premiere Beta and wanted to use AI, but constantly writes that: It is impossible to download AI models. How can this be fixed? There are no problems with the Internet, the program has been updated to the latest version. Thanks a lot in advance!    

Hi Adobe Community,With the V. 25 update I have lost my "Essential Graphics" panel where I would edit settings within my captions (like turning lower-case letters into all caps). Unfortunately, the "Properties" doesn't give me access to edit the captions only the transform, crop and audio aspects of my captions. I linked a video below to re-explain what I can no longer do with the update. Any thoughts? Chandler,Video Editor https://www.youtube.com/shorts/a59jfFT6QG0

Is it possible to create a non-breaking space in PPro? If so, I cannot find it. I've tried hunting online for the answer, but just keep getting answers on how to do it in InDesign and AE. I've even tried pasting in non-breaking spaces, but PPro just treats them like regular spaces and breaks them at the end of a line if it wants to. Now we have a lot more options for creating text in PPro, shouldn't we also have a "no break" option like in most other Adobe apps? (Or do we have this hidden somewhere already?)

So, I'm doing a multicam edit, and I want to push in on a camera clip assigned in multicam mode. Before, I had to exit Multicam editing then manipulate the motion controls, then return to multicam. With the Properties panel, it allows me to manipulate the basic controls WITHOUT leaving Multicam!  Well done...as long as I'm doing static position changes. I would like to have a switch to automatically apply ease in and ease out if I add keyframes to move over time. System info    Application: Premiere Pro (Beta) v25.1.0.53    OS: Windows v10.0.22631, RAM: 63.83 GB GB, CPUs (logical): 16

hello everyone. I am inspired to try out the new Generative Extend in Premiere.  when using Runway generated AI videos it's telling me that videos have to be 1980x1020, and changing the sequence isn't actually changing the clips. What can I do to change the clip itself?

Bom dia amigos da Adobe, É com satisfação que vos escrevo sendo um grande admirador de seus produtos. Já uso por anos o Premiere, Photoshop e After Effects, tendo grande apreço por essas ferramentas. Meu questionamento é com respeito ao uso da ferramenta de IA generativa em video, eu não consegui testar nos "sample" ou videos de "templates" fornecido por vocês, testei em 4 videos e não pude apreciar esse recurso inovador. Minha única sugestão é que vocês incluam videos que possa ser testados com essas ferramentas na janela de importações  ou "samples" logo no inicio do programa. att. Dionisio Rohling

I keep getting this error message, but no instructions on how to fix it. I fixed the sequence to the correct dimensions so I'm not sure what is the best method to crop the clips? Can I crop my clips to the correct dimensions within the sequence? Or, do I have to create a brand new version of the clip? What is the expected workflow? Please advise."Generative Extend requires clips with either 1920 x 1080 or 1280 x 720 resolution"

Quelle est cette idée stupide d'agir sur l'opacité avec le clic de la souris sur le clip ?Il faudrait arrêter de jouer au apprenti sorcier sur les version béta...

Is there a way to set (somewhere in a prefs file I'd guess) the default timecode size/position of burnt-in timecode for exports? I always find the default settings too big and obtrusive, so every time I export soemthing with timecode, I set it to a smaller size and move it down a bit. Is there a line in a prefs file somewhere that I could edit to make this permanent? I konw I could save an "export setting" with these in them, but I usually set me own settings on each export, so I'd have to set up a whole load of export settings.

Maybe I'm completely missing something...shouldn't it go where the arrow is pointing below?Has this feature moved or been changed possibly? I've searched everywhere I can on here, and even asked ChatGPT, and have had no luck finding an answer.  There's also a screenshot below of the version I'm running. Thanks so much for any help!William 

The design of the new FX badges is great and clicking on them once to take you to Effects Controls is great as well, however the badge now gets in the way of clicking and dragging clips that are small in the timeline. In prevoius versions the FX badge needed to be right clicked on to open a drop down menu, but now a single left click registers a selection on that icon and disables clicking on the clip itself to move it.The FX badge should active on releasing the click, not on the click itself. This way a single left click can be clicked and held to grab and move a clip, but a single left click that is released (as most clicks are when intentionally selecting an icon) will activate the FX badge and take you to the Effects Controls. The present behavior requires a lot of change on the users part.

I really liked the new transform panel in Premiere, but I missed it and I think it would be great to have 2 more icons next to Fit. Furthermore, it would be great to have the option of rounded corners in the crop.     These are suggestions that would greatly speed up various editing processes.

I uninstalled Premiere Pro Beta, but I can't complete empty trash on Mac Studio running Sonoma. I have checked permissions. Tried delete immediately, started in recovery mode to turn off SIP. It won't delete. 

I installed beta on other computers, so I'm using it well,When I bought a new computer and tried to install the beta version, I have all the other programs, but I can't see the beta version only in Premiere Pro. Where can I install it? 

The updated UI meant for visual clarity actually removes some visual elements that have always brought clarity to the bins. There are thin lines dividing items in a bin, but moving forward the new UI look removes those lines making it nearly impossible to glance at the bin and find across horizontally.  You can see how I can clearly scan across with my eyes horizontally to find the Video Usage (or whatever other pertinent info I choose to put there) across from my asset in the bin, however in the new version it just looks like a bunch of floating numbers. I'll now have to move the mouse, click on my item so it highlights the row just to confirm I'm even looking at the right number. This is NOT a good change and this is going to just add more confusion, it doesn't help with visual clarity in any way whatsoever. In fact, it creates more visual clutter.

When working on a complex/dense project, the "quick" export takes forever to open, laggy UI, takes a good 5 to 7 seconds to open the drop down.An another 7 seconds or so to have the "match sequence settings" pop up (it doesn't remember that as default) This is on an i9 14900k with 128GB ram and RTX 4090 (so, no excuse or system issues, as always is the case), I had this same issue on a similar machine, when the timeline is dense Can the UI be reworked to be solid and snappy like DaVinci Resolve's?? PLEASE??!

v25.1.0.034Color management set in sequence does not match ProRes422HQ export Color management settings:Source Clip:Override Media Colorspace: ARRI LogC4AWG4Color Setup: CustomOutput Color Space: 709Working Color Space: ACEScctAuto input tone mapping: onInput Gamut Compression: onOutput Tone Mapping: Hue Pres (Adjustable Knee)Output Gammut Compression: Luminance PreservingInput Gamut Compression: Luminance PresInput Tone Mapping: Hue Pres (Adjustable Knee) Export settings:ProRes 422HQ1920x108023.98Export Color Space: 709Depth: 16-bpcUse Max Render quality: on

adobe premiere beta 24.0 buid 31blackscreen when trying export media 

relatively new to premier pro and I am consistently receiving this error while editting my videos. Error retrieving frameFrame subsitustion recursion attempt aborting after multiple attempts Can someone please assist this is becoming a frequent issue when editting and ruining my podcasts/videos.