on premiere 2025.1.0 you cant see the cut mark any more on video tracks if track is too skinny. can you please fix this? yes issue occurs on new and old premiere projects.
BugAcknowledged
TOPICS
Performance or Stability
,
User experience or interface
The part that divides the clips used to be visible, but now it blends with the label color, making it hard to notice the division between clips... Will this be fixed in the next update?
Since the last update, it's barely possible to distinguish cuts in the timeline when video tracks are minimized. They should be visible, just like the cuts in the audio tracks right below. Hope Adobe will correct this in the next update !
Since 25.1. the stroke opacity and color that indicate in and out points in a timeline have changed and while I understand the aesthetic improvement, this change has been a little impractical.
Not that it's not a good change, it's just gotten a touch too hard to tell where clips start and end.
I use pr a lot and this caused immediate hickups for me.
Maby it's just a bug, maybe the tweaking went a little off the road or maybe its just me - anway I thought it ma ybe worth pointing out.
I've attached screenshots of 25.0. and 25.1. in case my text here doesnt cut it ^^
Thanks for reporting this issue. The good news is that it is something we are aware of and have already fixed in beta. The next version of Premiere Pro will fix this problem. As a workaround, if you increase the track height to any height above the minimum, the issue goes away. We will be adding mention of this to our Known Issues documentation soon.
When clips or slugs are at minimum track height, the cuts lines between adjacent clips are either invisible or 1 white pixel borders *WHEN video names are enabled. However, the cut line IS visible at minimum track height when video names are DISABLED.
I don't know if this is considered an 'aesthetic choice' or an unintentional bug but it is not helpful as I use slugs extensively to mark timeline sections and this workflow is impeded when I minimize track heights for complex timelines. Even though you can tell where clips begin and end generally by clip names, it isn't precise at different magnifications.