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I updated and opened a project which i already delivered, using hlg3 clips.
Now in premiere 22 the footage is overexposed
I cleans the cache in settings but also emptied the cache folders.
How can i refresh the previews? or resolve the issue? its a big project with many clips all 'over exposed' now in v22..
Even on export the exposure is wrong now.
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Ok Right click footage > Modify> Interpret > Color space rec709 fixed the issue.
But why do i have to do that now, when before it was automatic?
Footage is hgl3 from sony a7iii
Hi, I also have the same problem but I can't find the path for the change you suggest, can you help me understand the complete path. Thank you.
In the project tab, Right click footage > Modify> Interpret footage > Color space rec709
Solved, thank you so much.
Hi Johnnyk, should we do this for all Footage???
yes as far as i know, Just select all.
Hi, any ideea how to use Color Space Override for proxies ? it does not use Color Space Override at all.
You are right! old proxies looked fine, but new ones i generated with v22 are overexposed.
Dammit why does it have to be so complicated!
Thank you very much, he helped me solve the problem, you know how to do it automatically
I had the same problem. Do i have to do this everytime now? And why??
Hello, i had the same problem after upgrading to Premiere 2022.
I solved the problem by selecting sequense/sequence settings/working color space/rec2100 HLG
Thanks but i dont think that the correct answer. I mean maybe if you want to work in rec2100, but most of us are working in rec709. Was not an issue in v15. Proxies are still overexposed with this setting.
Correct me if i'm wrong but, the rec709/2100/2020 refers to the gama, if you using the HLG profile, it makes no sense to use rec709 color space in your sequense. Your proxies are still over exposed because you created them by using the rec709 color space. You have to create a new ingest profile with rec/2100. That works for me.
The results are NOT the same...2100 is more muted. Created new project, See here,one is set to 2100 in Sequence as u suggested, the other is rec709 in settings + colourspace rec709. Last is Proxy using 2100 in settings. media encoder doesn't have colourspace settings.
The color space you have used for the proxy files are not rec2100, is rec601 ( it listed below of the proxy media). Create a new ingest preset with color space hlg 2020 or 2100 from the media encoder.
I used the defaut proxy presets. How to create a hgl ingest preset? ME doesn't have such options.
Anyway, try exporting to h264 you will see it is overexposed. Setting sequence to 2100 is usefull if you want to edit and deliver in 2100, but we need to export rec709 so the bad conversion happens on export instead of on timeline.
You have to open media encoder and create an encoding preset ( quicktime pro res HLG with color space rec2100)
Then you have to create a new ingest preset for your proxy file by choosing the encoding preset you have created.
So everytime you need to create proxies you will choose this new ingest preset.
What you mean bad conversion? If you are using HLG camera profile (so the gamma is rec2020) it makes no sense to work with rec709.
Your exported file is overexposed because you have also check the box rec2100 when you exporting your project.
Thank you so much, johnnyk7917700.
I had save problem and your solution was the best.
HLG files from GH5, in Japan.
I had the same issue after upgrading to 22. I opened an older PR file with a mix of footage from Sony a7iii HLG3 to DJI D-Cine. What a mess. I had to follow the same steps on the indivudal files and the sequence:
Project tab, Right click footage > Modify> Interpret footage > Color space rec709
Sequence> sequence settings> working color space> rec709
Thank you for starting this thread. I really hope this wont be the case for all older PR files. It seems like there should be a way to deactivate the auto color management in future updates.
Generate a Proxy and see what heppens 😉 They realy need to give us option to turn it off.
I am SOOO fed up with Adobe changing stuff like this in updates and no ability to turn it off or just go back to the old way. Why overcomplicate this? Before I simply dragged in my HLG3 footage, applied conversion lut, and renderd just fine. Now when rendering it looks insane and blown out and messed up. Switching all the settings interpret footage helped but still not the same. I need to finally learn DaVinci and get off this total nonsense.
I like that Premiere is getting smarter, but I think something weird is still going on. I shot this footage on my Sony a7Riii via Atomos Ninja. Sony was set to HLG3 Gamma, and rec.709 Color. Ninja was set to HLG gamma and rec.709 color. The Premiere Project matched those settings. Even still, my h.264 export is off. See screenshot of the export below the Premiere browser.
So thankful to find this thread - it saved my a lot of headache trying to correct the colours back to normal. Now everything looks great in Premiere Pro, but alas, it still looks the same overexposed way when I export to mp4. I tried changing the preset to "H264 - match source - HLG", but then the video wouldn't play at all.
Does anyone know what I need to adjust in the media export settings? I prefer mp4 file format