D&R TELEPHONE HYBRID-1 INTERFACE Single channel analogue  - TBU Check out ipDTL (IP ‘down the line’) for the ability to dial out to ISDN and POTS. otherwise Zencastr good software option (with Loopback to get to Bluetooth iphone) or look at Ringr, Source Connect, Zoom.us, Cleanfeed.net... let us us know how you get on. EQ surely easier if you just want to match POTS handset. ... View more

Is your stereo clip in a ‘standard’ timeline track in PP (ie not in a mono timeline track)? ... View more

LMGTFY ... View more

Do you mean mute the non speaking actors? You could try gating the channels, although spill will usually make that less than ideal. Mostly you’ll have to either do it manually with envelopes or deletion or look into automixer plugins (Dugan).  ... View more

Can it be done programmatically? Yes. A number of ways. Is it worth it? Almost certainly not, even if the OP had the skills or finance to fund it. How? At the simplest level you want to get from =========== Example:  Cut Vid1 - 01:22-03:14. ============ to =========== X= 82 Y=194 Z=Y-X ============ you also (for easy relinking) need to know start timecode (eg S = 10:00:00:00) of video you are inserting and the In & out timecodes for the intro & outro (used random numbers with 1 min duration below) You can then produce (for every XX and YY value parsed from the word document): =========== 001 INTRO VAA C 12:22:16:11 12:23:16:11 00:00:00:00 00:01:00:00 002 VIDEO VAA C (S+XX) (S+YY) 00:01:00:00 (00:01:00:00 + ZZ) 003 OUTRO VAA C 21:18:11:10 21:19:11:10 (00:01:00:00 + ZZ) (00:02:00:00 + ZZ) ============ (No guarantees that EDL is cmx 3600 compliant, been a long time since I’ve looked at an EDL.) Import the EDLs. Relink pointing INTRO & OUTRO to correct sources and VIDEO to the new video. No frames handled this way which means you are likely to get ugly edits & it’s prone to errors from the word document. Plus, unless you have a *lot* to process there’s not a lot of time saved. ———— I do import an EDL and use automation (using keyboard maestro on a Mac, I’d use AHK if on a PC) regularly for one thing though. Producer will give me a rough cut they’ve done from camera 1 of a multi camera shot interview. Having built the multicam clip I recreate their cut, having loaded EDL as an offline sequence as follows: 1. Clear source monitor and load multicam group & rough cut (so I can use keyboard shortcuts to switch between the two sources) 2. Switch to rough, go to next edit, tab to timecode, copy 3. Switch to multicam, tab to timecode, paste, mark in 4. Switch to rough, go to next edit, jog back one frame, tab to timecode, copy 5. Switch to multicam, tab to timecode, paste, mark out, overwrite to sequence Seems more complicated than it is but allows me to replicate what might be 100 edits in a few seconds. I have to use this every week so it was worth figuring out. Similarly I regularly add audio transitions to smooth edits that might be 1,2,4,8,16,32 or 75 frames long. Whilst waiting for Adobe to give us better audio translation dialogue Ive just got a bunch of keyboard macros that modify the default transition, add a transition then return it to the default. Use those all day every day. ... View more

Should be possible by modifying an EDL or XML for each new sequence. EDL simpler but I’m not sure if Pr imports EDLS. (Although Importing sequences, clips, and compositions into Premiere Pro indicates you can) Xmls reasonably straightforward but I’ve not delved into them myself. 1. open an existing, finished sequence 2. Export an EDL (or XML) 3. Open in a text editor you‘ll see the three events (assuming intro, chunk of video then outro) & you need to modify the middle one to reflect the ins & outs for each version. Save a new EDL for each version, import to Pr, relink source & export. You could write a script to parse your word file & insert the correct timecodes (and even have it create the sequences & export using something like ffmpeg ) but it depends on how repetitive this work is. And how accurate the word file you get is. (Ie you probably still have to check the ins & outs. Worth paying someone to write it for you if you really need it. It’s the kind of thing Bouke at https://www.videotoolshed.com/  is very good at. ... View more

Yes the editor can regenerate proxies. You could create a folder copy or zip excluding the proxy files (rather than delete them). ... View more

You stared with A B C D frames that were ‘telecined ‘ to A B bc cd D frames to get from 23.976 to 59.94i. What made it easier to rotoscope (deinterlacing to 29.97P) makes it harder to reverse telecine (because you needed the fields from the bc and cd frames to remake the C frame. Your ‘sped up’ result is presumably 23.976 being played at 29.97? If you interpret as 23.976 does that correct the speed? If that hasn’t fixed it take a look at your 29.97P originals in Avid, having changed field motion to interlaced (bin column) Assign step fields to keyboard shortcuts and step through field by field to see if the original fields are still there (ie 2 out of every 5 frames would show a difference between upper & lower fields - these would be the bc cd frames. You can do same in Pr but harder to step fields. If you do see temporal differences between fields of same frames in Avid then report back & I think there’s a slightly less cumbersome workflow (in Avid) to fix. It’s still pretty cumbersome mind ... View more

JKL trimming can remove the granularity - it’s trimming based on playback, which can be slowed by holding down K and L together (K&J for reverse). ... View more

https://m.youtube.com/watch?v=BM2NapDITqQ From 4.00 shows ripple trim in Avid (he has sync locks turned on to maintain sync), asymmetric trimming, JKL trimming. Watch from beginning to see script based editing. some others I found on the way that are not as good... https://m.youtube.com/watch?v=VbKe5SHj9rU Shows very basic ripple trimming https://m.youtube.com/watch?v=kxP1n1gZ3p0 Shows yellow mode (ripple) trimming basics https://m.youtube.com/watch?v=kxP1n1gZ3p0 From 2.04 shows ripple trim mode ... View more

JKL trimming is granular in NLEs as it usually requires frame based trims to keep video in sync. In a DAW the ripple trims could, of course, have the granularity set to samples. ... View more

In my limited experience editing in Audition (podcasts) coming from a lot of experience editing in many different linear & non-linear editors, was that it Is sub-optimal. Which is a shame. I’m sure there are lots of talented folks with way more DAW experience than me who achieve great things but Id recommend you go back and do your initial edit in Pr and then transfer to Au if you need to finish there. If you do persevere & make progress (eg JKL ripple trimming) then do report back ... View more

You may want to vote for - adjust relative clip gain – Adobe video & audio apps ... View more

Apply speed 5000%, export. Not sure how PP will generate each individual frame at that speed though (eg might interpolate from one field, or blend multiple) ... View more

Sounds like a lot to ask for free as I suspect it may involve unpicking a lot of the work you have done. Chances are it might be mic technique & placement too? ProTools folks should be able to help you with next to no knowledge of Audition - most of the tools are very similar. You might be better seeking a less experienced soundie (student/recent graduate) who would gain valuable learning & real world experience but I suspect even they couldn’t give up excessive amounts of time for free. Their time would be considerably cheaper though. Eg on lower budget we use a recent graduate as recordist/mixer who is 1/3 of regular freelancers - he’s learning ‘real world’ & earning & getting other work as a result & will be putting his rates up soon I’m sure! Don’t forget there’s a whole world out there that you can share files with too. ... View more

Don’t get me wrong, you audio guys should definitely decide how the tool you use most should be developed! But there’s good stuff in the NLEs that would help the DAWs as surely as there’s good stuff in DAWS that benefit NLEs ( much of it already stolen) ... View more

I know exactly what you are trying to achieve... May I recommend these feature requests? Multitrack: Add transitions across time selection – Adobe video & audio apps Batch Fades in Audition – Adobe video & audio apps Both sadly lacking in votes  In the meantime you *could* do the editorial in PPro and then move across to Au for fine tuning. You’ll find the waveforms & general interaction more annoying but you can cut/add default transition as two keystrokes, having marked the region with in & out points as PP has no range selection tool. Time selection tool like Audition – Adobe video & audio apps  - another less than popular request! I can never believe how poor DAWs are at actual editing, requiring multiple interactions to cut/transition/maintain sync. I presume it’s partly because the antecedents were single tape machines, or ganged tape machines to increase track count, whereas the linear video suite was usually at least 3 machine, often 7+ all computer controlled, & maintaining sync & offset relationships at all times was key. Those with much greater experience will hopefully chime in & correct me ... ... View more

Timecode Effect generates wrong TC (adds an hour) – Adobe video & audio apps - Vote! ... View more

I see this when checking back multitrack exports. When importing as 4x stereo tracks the pairs are -3dB in SOURCE monitor (level OK of cut into sequence standard track). Modify the clip to be 1x stereo then level is correct. ... View more

But reading your OP again - you really need to try out Proxies. They are well implemented in Premiere & will get you editing with 5K images - renders & exports are done with the native media so you only see lower res whilst making editorial decisions. ... View more

vanlazarus2013  wrote I just don't understand why media management has to be so cumbersome in Premiere.  It would be really interesting to see exactly how the large films organize their films when using Premiere. Kevin has explained they use seperate projects to emulate working Avid bin style. But they mostly use Avid. Which is best tool for media management and turnover and also the best tool (IMO) for editing. VFX & audio done seperately On suitable tools with suitable operators. Adobe gives us powerful tools to do everything in one box with one operator. Which is great. It’s editor is very good. Blackmagic are trying, with some success, to do the same in one app. Avid had a similar app in Avid DS but it didn’t get used on features. (Other than conform/grade/finish on some?) PP will further improve its media management (close all products but active please) I’m sure. They have the revenue stream to fund it ... View more

I had some GoPro footage recently in an MP4 container - 4xHD and 1x4K set to HD size all scaled down to make a 5-way multiviewer. Slow as a dog unsuprisingly (indeed PP can be pretty lumpy decoding 1 stream of GoPro). Replicated in Resolve 15.2 & all was smooth. So it feels like Adobe is missing a trick here (or I am) ... View more

ohlesl1e  wrote Yea that's pretty much how. I just relink everything with the right file, so it's good now. Thanks anyway Grouping has same effect as selecting multiple clips so I think you are seeing the 'Link Media' behaviour here (were just entering the link media dialogue with multiple clips selected will link them all to the last selected clip AND there is no 'undo'). Vote here if you want to bring it to Adobe's attention - Link media improvements – Adobe video & audio apps ... View more

Is the blank program monitor issue fixed by changing gpu rendering? For speed issues you might want to look at a proxy workflow. Also breaking your project into smaller parts might help? Also run speedtest on your disks & see if there’s any problems there (we had a system drive on its last legs that had waveform/conform files on - slowed everything down ). I don’t experience the problems you are seeing but I do see that PPro is slower/drops frames when dealing with processor & disk intensive footage (4xHD + 1x4K GoPro MP4 stacked as 5 PIP boxes) where Resolve plays back no problem. ... View more

ralfs40208074  wrote How can such a mistake go through the testing and acceptance and be published for paying subscribers ??? R. Stephan Software testing is mostly done by end users with released products, due to huge variety of systems it is used on. Rules of thumb: Never update the minute the software is released. Test the updates on non production machines. Stick to full versions that are about a year old (ie 2019 is nearly mature enough to replace 2018). Whichever version you are on will have bugs, some will be fixed in the next version but new ones will be introduced. This seems like a pretty minor problem, with a workaround. Imagine it was a repeat of the bug where source media was deleted... (2017.0.1 I think) ... View more

https://forums.adobe.com/people/Mo+Moolla  wrote What mouse and keyboard are you using? Do you think that might be the problem? It’s Apple standard wired keyboard with numpad. Mouse is a Logitech G300 (https://www.amazon.com/Logitech-G300s-Optical-Gaming-910-004360/dp/B00RH6R7C4 ). Next step is to trash preferences ... View more

Changed font & behaviour continued. Have upgraded on laptop (which is OS X Sierra 10.12.6) & all fine there. ... View more